Intro
Moderately fast q = 170
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Bridge Burning
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
*Gtr. 1 (dist.) *Gtr. 1 (dist.) mf Riff A µ 1 1 E5 1 D/F# 3 2 1 C 1 3 D5/A 1 1 3 4 Eb5/Bb End Riff A
*Two gtrs. arr. for one. **
**Hammer on low note w/ left hand while strumming muted notes behind the bridge.
Gtr. 2 (dist.) Gtr. 1: w/ Riff A (2 times) f E5 P.M. P.M. P.M. P.M. Gtr. 2 P.M. P.M. P.M. P.M. Gtr. 3 (dist.) Riff B f End Riff B X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X X X X X X X 9 X X X X X X X X X 9 X X X X X X 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 5 7 5 7 5 7 5 7 5 7 0 5 7 0 5 7 5 7 5 7 5 7 5 7 0 5 7 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
*Gtrs. 2 & 4 Gtr. 3: w/ Riff B (2 times) Riff C P.M. P.M. P.M. P.M. End Riff C *Gtr. 4 (dist.), played f. Verse E5 These 1. are Eb5 my fa D5 mous - last Db5 words! C5 G A D5 Gtr. 4 **Gtrs. 2 & 3 Rhy. Fig. 1
End Rhy. Fig. 1
**Composite arrangement
Gtrs. 2 & 3: w/ Rhy. Fig. 1 E5 My num Eb5 ber’s - up, D5 bridg es Db5 - well C5 burned! G A D5 Gtr. 4 10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0 7 9 9 7 9 9 7 9 9 6 8 8 6 8 8 6 8 8 5 7 7 5 7 7 5 7 7 4 6 6 4 15 35 5 3 5 5 3 5 5 3 5 5 3 5 5 4 3 5 5 4 3 5 5 4 3 5 5 4 5 7 7 6 5 7 7 6 5 7 7 6 5 7 7 6 5 7 7 5 7 7 5 7 7 5 7 7 15 35 5 3 5 5 3 5 5 3 5 5 3 5 5 4 3 5 5 4 3 5 5 4 3 5 5 4 5 7 7 6 5 7 7 6 5 7 7 6 5 7 7 6 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 7 9 9 7 9 9 7 9 9 6 8 8 6 8 8 6 8 8 5 7 7 5 7 7 5 7 7 4 6 6 4 15 35 5 3 5 5 3 5 5 3 5 5 3 5 5 4 3 5 5 4 3 5 5 4 3 5 5 4 5 7 7 6 5 7 7 6 5 7 7 6 5 7 7 6 5 7 7 5 7 7 5 7 7 5 7 7 2
Em Oh, won’t Eb you let Dsus4 me twist A7/C# your fate? C5 G5 It’s get A7 ting - kind Dsus4 a - late, Gtr. 4 Riff D1 Gtrs. 2 & 3 Riff D P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Em Eb and I Dsus4 don’t wan A7/C# na - wait C5 G5 no more. A7 µ Harm. 8va End Riff D1 loco P.M. P.M. P.M. P.M. P.M. P.M. P.M. Harm.
8va End Riff D loco
Gtrs. 2 & 3: w/ Riff D (2 times) Gtr. 4: w/ Riff D1 (2 1/2 times) Em Oh, may Eb I have Dsus4 this dance A7/C# of days C5 G5 locked A7 in your Dsus4 em - brace? Em Eb Passed Dsus4 your test A7/C# of faith. C5 G5 A7 µ 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 7 7 5 0 0 6 6 5 0 0 5 5 5 0 0 4 4 5 0 0 3 3 5 0 0 3 3 5 0 0 5 5 5 0 0 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 0 4 4 17 7 7 5 0 0 6 6 5 0 0 5 5 5 0 0 4 4 5 0 0 3 3 5 0 0 3 3 5 0 0 5 5 5 3 4 17
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Em An-oth Eb er - time, Dsus4 an - oth A7/C# er - place, C5 an oth G5 - -er line A7 up - on Dsus4 your face. Em Eb An oth Dsus4 - -er in A7/C# your way. C5 G5 A7 µ Em Down crook Eb ed - stairs Dsus4 and side A7/C# ways - glanc C5 es - comes G5 the king A7 of sec Dsus4 ond - chanc - Gtrs. 2 & 3 P.M. Em es. -Eb Now throw Dsus4 him in A7/C# the flame. C5 G5 A7 Dsus4 Gtr. 4 Gtrs. 2 & 3 P.M. let ring 7 7 5 0 0 6 6 5 0 0 5 5 5 0 0 4 4 5 0 0 3 3 5 0 0 3 3 5 0 0 5 5 5 0 0 5 5 5 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 7 7 5 0 0 6 6 5 0 0 5 5 5 0 0 4 4 5 0 0 3 3 5 0 0 3 3 5 0 0 5 5 5 0 0 5 5 0 0 4
Pre-Chorus Csus2
What ev- - er keeps you warm at night.
A7sus4 Csus2
(What ev- - er keeps you warm at night.)
What ev- - er keeps you warm in side. Dsus4 -Eb *Gtrs. 4 & 5 *Gtr. 5 (dist.), played f. Doubled throughout 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 5 0 3 5 0 3 5 0 3 5 0 3 4 0 3 4 0 3 4 0 3 4 0 3 5 0 3 5 0 3 5 0 3 5 0 3 0 7 5 0 0 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 4 0 3 4 0 3 4 0 3 4 0 3 5 0 3 5 0 3 5 0 3 5 0 3 2 0 50 3 0 5 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 4 0 3 4 0 3 0 0 6 8 8 6 8 8 6 8 8 6 8 8 6 8 8 6 8 8 6 8 8 6 8 8 0 5 3 5 0 3 5 0 3 5 0 3 5 0 3 4 0 3 4 0 3 4 0 3 4 0 3 5 0 3 5 0 3 5 0 3 5 0 3 0 7 5 4 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 4 0 3 4 0 3 0 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 5 0 3 0 0 0 0 0 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus E5
Your bridg - es are burn D% in’ - down. They’re Gtrs. 2, 3 & 4 Rhy. Fig. 2 Gtr. 5 Rhy. Fig. 2A let ring all C,7
com - in’ down, E
it’s all C,7
com - in’ ’round.
E
End Rhy. Fig. 2
let ring let ring
End Rhy. Fig. 2A
7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 7 9 9 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 9 X 11 7 9 9 7 9 9 7 9 0 9 0 7 9 9 7 9 9 7 9 9 7 9 0 9 0 7 9 9 7 9 9 7 9 9 7 9 0 9 0 7 9 9 7 9 9 7 9 9 5 7 0 7 0 5 7 7 5 7 7 5 7 0 7 0 5 7 7 5 7 7 5 7 7 5 7 0 7 0 5 7 7 5 7 7 5 7 7 5 7 0 7 0 5 7 7 5 7 7 5 7 7 5 7 0 7 0 5 7 7 10X 12 10X 12 10X 12 10X 12 10X 12 10X 12 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 10X 12 10X 12 10X 12 10X 12 10X 12 10X 12 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 0 0 0 8 10 10 8 10 10 8 10 0 109 0 8 10 10 8 10 10 8 10 10 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 0 0 8 10 10 8 10 10 8 10 0 109 0 8 10 10 8 10 10 8 10 10 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 0 0 6
2 C
To oda ToCoda1
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1st 4 meas.) Gtr. 5: w/ Rhy. Fig. 2A
E5
You’re burn - in’ them down. D%
It’s
all C,7
com - in’ ’round, E
they’re all C,7
com - in’ down. E
You’re
Gtrs. 2, 3 & 4
Riff E End Riff E
bridg C,7 es - are burn E in’ - down. D5 Eb5 Gtrs. 2, 3 & 4
Rhy. Fig. 3 End Rhy. Fig. 3
Gtr. 5 Rhy. Fig. 3A
let ring
End Rhy. Fig. 3A
10X 12 10X 12 10X 12 10X 12 10X 12 10X 12 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 10X 12 10X 12 10X 12 10X 12 10X 12 10X 12 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 10X 12 10X 12 10X 12 10X 12 10X 12 10X 12 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 11X 13 0 0 0 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 6 6 8 8 8 10 10 8 10 10 8 10 0 109 0 8 10 10 8 10 10 8 10 10 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 7 9 9 0 7 9 9 0 7 9 9 0 7 9 0 9 0 0 0 0 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 6 6 8 8
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtr. 3 Interlude Gtr. 2: w/ Riff C Riff F E5 End Riff F Gtr. 4 Riff F1 End Riff F1 Gtr. 5 Riff F2 End Riff F2 Verse Gtrs. 2 & 3: w/ Riff D Gtr. 4: w/ Riff D1 Gtr. 5 tacet Em Oh, 2. let Eb me put Dsus4 you in A7/C# your place. C5 G5 I love A7 it when Dsus4 you say Em Eb you’re giv Dsus4 in’ - ev A7/C# ’ry - thing C5 - a G5 way. A7 - But µ tell E5 me, what’s Eb5 in it D5 for me? Db5 Tell C5 me now, what’s G5 in it A5 for me? D5 No E5 Gtrs. 2 & 3 7 9 7 9 7 9 7 9 7 9 0 7 9 0 7 9 7 9 7 9 7 9 7 9 0 7 9 0 7 7 7 7 0 0 0 0 7 7 9 9 7 7 9 9 7 7 9 9 6 6 8 8 6 6 8 8 6 6 8 8 5 5 7 7 5 5 7 7 5 5 7 7 4 4 6 6 4 4 6 6 3 3 5 5 3 3 5 5 3 3 5 5 3 5 5 3 5 5 3 5 5 5 7 7 5 7 7 5 7 7 5 5 7 7 5 5 7 7 7 7 9 9 8
D.S. al Coda 1 1 Coda one’s get Eb5 tin’ - this D5 for free, Db5 so tell C5 me now, what’s G5 in it A5 for me? D5 bridg
Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A C,7 es - are burn E in’ - down. D5 Eb5
Gtr. 2 Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 5 Rhy. Fig. 5 Bridge *E5
Gath er- -in’the ash - es,
D/F#
ev ’ry- -thing thrown a
- Gtr. 4 Riff G1 1 1 1 1 1 1 1 1 1 Gtrs. 2 & 3Riff G P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
7 7 9 9 7 7 9 9 7 7 9 9 6 6 8 8 6 6 8 8 6 6 8 8 5 5 7 7 5 5 7 7 5 5 7 7 4 4 6 6 4 4 6 6 3 3 5 5 3 3 5 5 3 3 5 5 3 5 5 3 5 5 3 5 5 5 7 7 5 7 7 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 0 0 0 10X 12 10X 12 10X 12 5 X7 5 7 7 X 9 2 X4 2 X4 2 X4 2 X4 2 X4 2 X4 2 X4 0 0 0 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 6 6 8 8 14 12 12 14 12 12 12 12 14 12 12 12 14 12 12 12 12 10 12 10 12 10 10 10 12 10 10 10 12 10 10 12 10 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S.S. al Coda 2 Coda2
End Rhy. Fig. 5
way. C
Gath er- -in’the ash - es,
D5/A scat Eb5/Bb ter - as they blow a - End Riff G1 1 1 1 1 1 1 1 1 1 End Riff G P.M. way.
Gtrs. 3 & 4: w/ Riffs G & G1 Gtr. 5: w/ Rhy. Fig. 5 E5
Gath er- -in’ the ash - es,
D/F#
ev ’ry- -thing thrown a
-
Gtr. 2
way. C
Gath er- -in’ the ash - es,
D5 scat Eb5 ter - as they blow a - way. Gtr. 2: w/ Riff C (1st 2 meas.)
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.) E5
all
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.) C,7
com - in’ down.
E 108 8 8 108 8 8 108 8 8 108 8 8 1012 10 10 1012 10 10 1113 11 11 1113 1113 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 6 8 6 8 6 8 6 8 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 8 10 8 10 8 10 8 10 10
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 5: w/ Rhy. Fig. 2A (2 times) E5
Your bridg - es are burn
D% in’ - down. They’re (Gath Voc. Fig. 1 er
- - in’ the ash - es, ev -’ry-thing thrown a
-
all C,7
com - in’ down, E
it’s all C,7
com- in’ ’round.
E E5
You’re
way. Gath er- -in’ the ash - es, scat ter- as they blow a - way.)
End Voc. Fig. 1
burn
Bkgd. Voc.: w/ Voc. Fig. 1
in’ - them down. D% It’s all Gtrs. 2, 3 & 4: w/ Riff E C,7
com - in’ ’round, E
they’re
all C,7
com - in’ down. E
You’re bridg
Gtr. 2: w/ Rhy. Fig. 4 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A C,7 es - are burn E in’ - down. D5 Eb5 Gtr. 2: w/ Riff C
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 Outro E5 Gtr. 3 Gtr. 2 P.M. P.M. 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 0 7 9 0 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 0 10 12 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Intro
Moderately q = 138
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Rope
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (slight dist.) * **w/ delay Rhy. Fig. 1 mf Bm11 F#m11 Dm11
End Rhy. Fig. 1
*Chord symbols reflect implied harmony.
**Delay set for quarter-note triplet regeneration w/ 5 repeats.
Gtr. 2 (slight dist.) Bm11 mf F#m11 Dm11 Gtr. 1 delay off f Gtr. 3 (dist.) f 7 7 5 0 14 0 14 12 10 0 108 10 0 108 7 7 5 7 7 5 7 7 5 7 0 7 7 7 5 14 14 12 14 14 12 14 14 12 0 14 14 14 14 12 10 0 108 10 0 108 10 0 108 0 10 8 10 108 10 0 108 10 0 108 10 0 108 7 7 5 0 14 0 14 12 10 0 108 7 5 0 7 5 0 7 5 0 7 5 0 1
Rhy. Fig. 2 Bm11 F#m11 Riff A Riff A1 Dm11
End Rhy. Fig. 2 A5 Rhy. Fig. 3 Bm11
End Riff A Riff B
End Riff A1 Riff B1
7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 0 7 0 7 7 5 0 14 0 14 12 14 0 14 12 14 0 14 12 14 0 14 12 0 14 0 14 14 0 14 12 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 0 7 0 7 7 5 0 10 10 10 10 10 8 10 10 10 10 10 10 8 10 0 7 7 7 7 7 5 7 5 5 5 5 5 3 5 5 5 5 5 5 3 5 0 7 7 7 7 7 5 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F#m11 *Dm11
End Rhy. Fig. 3 A5 End Riff B End Riff B1 *Bass plays F. Verse This 1. Bm11 in - de - ci sion F#m11 - got me climb Dm11 in’ - up a wall. A5 **Gtr. 2 Rhy. Fig. 4
End Rhy. Fig. 4
**Doubled throughout Gtrs. 1 & 3 Riff C 14 0 14 12 14 0 14 12 14 0 14 12 14 0 14 12 0 14 0 14 14 0 14 12 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 10 0 108 10 0 108 10 0 108 10 0 108 7 5 0 7 5 0 9 9 9 9 9 7 9 8 8 8 8 8 7 8 8 8 8 8 8 7 5 0 7 5 0 9 9 9 9 9 7 9 5 5 5 5 5 3 5 5 5 5 5 5 7 5 0 7 5 0 0 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 0 7 0 7 7 5 0 14 0 14 12 14 0 14 12 14 0 14 12 14 0 14 12 0 14 0 14 14 0 14 12 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 0 0 0 3
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Been Bm11
cheat - in’ grav i F#m11 - - ty and wait Dm11 in’ - on the fall. A5 Gtrs. 1 & 3 End Riff C Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4 How Bm11
did this come o
F#m11 ver - me? Thought I was Dm11 a - bove it all. A5 Gtr. 2: w/ Rhy. Fig. 3 Our Bm11 hopes gone up in F#m11 smoke, swal - -Dm11
low your crown.
A5
Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4 Bm11 Yow! F#m11 On a kiss, Dm11
thought I’d save my breath for A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3 Bm11 Yow! F#m11 On a kiss, Dm11
thought I’d save my breath for you. A5 0 7 5 0 7 5 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus G5
Gim me- some rope, Em7
I’m com - in’ loose. Bm('4) I’m hang A5 in’ - on you. G5 Gtr. 2 Rhy. Fig. 5
let ring let ring
End Rhy. Fig. 5
1/2
Gtr. 3 Rhy. Fig. 5A End Rhy. Fig. 5A
1/2
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (1 1/2 times)
Gim -me some rope,
Em7
I’m com - in’ loose. Bm('4)
I’m pull
-
A5
in’
- for you now.
G5
Gim-me some rope, Em7
I’m com - in’
out Bm('4) of my head, in A to
- the clear. When
Gtr. 2 Rhy. Fig. 6
let ring let ring
Gtr. 3 Rhy. Fig. 6A 3 X 0 0 3 3 3 0 0 2 2 0 3 0 0 3 0 2 4 2 4 4 3 0 3 0 0 02 00 2 2 0 2 0 3 X 0 0 3 3 X0 0 3 3 X0 0 3 3 X 0 0 3 3 X0 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 0 2 2 0 3 2 4 4 3 2 4 4 3 2 4 4 3 2 4 4 3 2 4 4 3 0 2 0 0 2 2 0 3 X 0 0 3 3 X0 0 3 2 4 2 4 0 3 2 4 4 0 0 0 2 0 2 2 2 0 2 00 00 2 4 4 3 2 4 4 3 2 4 4 3 2 4 4 3 2 4 4 3 0 0 0 0 0 2 2 0 2 2 0 2 2 0 2 2 0 2 2 0 0 0 0 5
C To oda you G5 go, E/G# I A5 come F#/A# loose.
*Gtrs. 2 & 3 End Rhy. Figs. 6 & 6A
*Composite arrangement Interlude Gtr. 2: w/ Rhy. Fig. 2 Bm11 F#m11 Dm11 A5 Gtr. 4 (dist.) f Gtr. 1 Gtr. 3 Gtr. 4
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3 Bm11 F#m11 **Dm11 A5 **Bass plays F. 3 5 3 5 3 5 3 5 3 5 0 47 47 47 47 47 0 57 57 57 57 57 0 69 69 69 69 17 2 X4 2 X4 2 X4 2 X4 2 X4 2 X4 4 X6 5 X7 5 X7 5 X 7 5 X7 5 X7 5 X7 5 X7 5 X7 7 X9 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 10X 12 12X 14 12X 14 12X 14 12X 14 12X 14 12X 14 12X 14 12X 14 12X 14 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 10 10 10 10 10 8 10 10 10 10 10 10 8 10 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 5 5 5 5 5 3 5 5 5 5 5 5 3 5 0 2 X4 2 X4 2 X4 2 X4 2 X 4 2 X4 4 X6 5 X7 5 X7 5 X7 5 X7 5 X7 5 X7 5 X7 5 X7 7 X 9 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 8 X 10 15X 17 12X 14 12X 14 12X 14 12X 14 12X 14 12X 14 0 0 7 5 0 7 5 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D.S. al Coda Coda Verse Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4 tacet These 2. Bm11 prem - o - ni tions F#m11 - got me cry Dm11 in’ - up a storm. A5 Gtr. 2: w/ Rhy. Fig. 3 Leave Bm11
your con - di tion, F#m11 - this po si - tion -Dm11 does no harm. A5 Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4 Bm11 Yow! F#m11 On a kiss, Dm11
thought I’d save my breath for A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3 Bm11 Yow! F#m11 On a kiss, Dm11
thought I’d save my breath for you. A5 Interlude B5 A5 B5 D5/A E5/B µ B5 A5 B5 D5/A E5/B µ B5 A5 B5 D5/A E5/B µ B5 A5 B5 D5/A E5/B µ 7 9 5 7 7 9 5 5 7 7 7 7 9 9 7 9 5 7 7 9 5 5 7 7 7 7 9 9 7 9 5 7 7 9 5 5 7 7 7 7 9 9 7 9 5 7 7 9 5 5 7 7 7 7 9 9 17 7
Gtr. 5 (dist.) B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5 E5 f Gtrs. 2 & 3 Rhy. Fig. 7 let ring
End Rhy. Fig. 7
let ring
Gtr. 5
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)
B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5
Harm.
E5
Harm.
Pitch: G# B *
*Harmonic located three-tenths the distance between the 3rd & 4th frets.
3.3 D 2.6 G# B 3.3 D 2.6 G# B 3.3 G# B 3.3 D 2.6 G# B 3.3 G 2.6 F# w/ wah-wah B5 A5 B5 D5/A E5/B G5 A5 E5 1 1 B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 Harm. B5 D5/A E5/B 1 1 G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5 E5 1 1 1/2 11 0 0 7 9 5 7 7 9 5 5 7 7 7 7 9 9 X X X X X X X X X X X X X X X X 3 5 3 5 3 5 5 7 5 7 0 2 0 0 7 9 5 7 7 9 5 5 7 7 7 7 9 9 X X X X X X X X X X X X X X X X 3 5 3 5 3 5 5 7 5 7 0 2 0 0 4 4 4 4 4 0 0 0 4 0 0 0 0 0 7 10 7 9 7 10 7 9 10 7 9 0 0 10 7 10 7 10 7 10 7 10 9 7 9 7 9 7 9 7 9 7 9 7 10 7 5 7 5 7 7 0 0 7 7 0 0 10 10 8 7 10 10 0 0 10 10 7 10 7 10 10 0 0 12 0 0 12 12 12 12 12 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times) G5
Gim me- some rope,
Gtr. 5 tacet Em7
I’m com - in’ loose. Bm('4) I’m hang A5 in’ - on you. G5
Gim me- some rope,
Em7
I’m com - in’ loose. Bm('4)
I’m pull A5
in’
- for you now.
G5
Gim me- some hope, Em7
I’m com - in’ through. Bm('4) I’m count A5 in’ - on you. G5
Gim me- some rope,
Em7
I’m com - in’ out
Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A Bm('4)
of my head, in
A
to
- the clear. When
you G5 go, E/G# I A5 come... F#/A# Gtr. 1 Outro *w/ delay Bm11 F#m11 Dm11 delay off *Set as before. Gtr. 3 16 16 7 7 5 0 14 0 14 12 10 0 108 10 0 108 7 5 0 7 5 0 7 5 0 7 5 0 9
loose. Bm7'4 F#m7'4 Gtr. 2 Gtr. 1 Gtr. 3 Dm11 7 7 5 0 7 7 5 0 7 7 5 0 7 7 5 0 7 0 7 0 7 7 5 0 14 0 14 12 14 0 14 12 14 0 14 12 14 0 14 12 0 14 0 14 14 0 14 12 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 0 7 7 7 7 7 5 7 9 9 9 9 9 7 9 10 0 108 10 0 108 10 0 108 10 0 108 0 10 8 10 108 10 0 108 10 0 108 10 0 108 7 5 0 7 5 0 8 8 8 8 8 7 8 8 8 8 8 8 7 5 0 7 5 0 5 5 5 5 5 3 5 5 5 5 7 5 0 7 5 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Intro
Moderately q = 124
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Dear Rosemary
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC. All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC All Rights Reserved Used by Permission
from Foo Fighters - Wasting Light
Gtr. 1 (elec.) * mf w/ slight dist. Riff A Bm Em7 7fr 1 3 4 B5 5fr 1 3 4 A5 2 3 4 G5 1 1 1 A 1 3 4 2 Bm 2 3 1 E Bm Em7 let ring
*Chord symbols reflect implied harmony.
**Gtrs. 1 & 2
Bm Em7 Bm Em7
End Riff A
let ring
**Gtr. 2 (elec.) w/ slight dist., played mf.
Gtr. 3 (elec.) mf w/ dist. 4 4 3 4 4 2 4 3 0 4 3 4 0 2 4 3 4 4 3 4 4 2 4 3 0 4 3 4 0 2 4 3 10 1