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Digital Booklet - PRISM

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(1)
(2)
(3)

I used to bite my tongue and hold my breath

Scared to rock the boat and make a mess

So I sit quietly

Agree politely

I guess that I forgot I had a choice

I let you push me past the breaking

point

I stood for nothing

So I fell for everything

You held me down but I got up

Already brushing off the dust

You hear my voice, you hear that sound

Like thunder, gonna shake the ground

You held me down but I got up

Get ready ‘cause I’ve had enough

I see it all

I see it now

I got the eye of the tiger, a fighter

Dancing through the fire

‘Cause I am a champion

And you’re gonna hear me roar

Louder, louder than a lion

‘Cause I am a champion

And you’re gonna hear me roar

You’re gonna hear me roar

Now I’m floating like a butterfly

Stinging like a bee, I earned my stripes

I went from zero

(4)

Under a silver moon, tropical temperature

I feel my lotus bloom, come closer

I want your energy, I want your aura

You are my destiny, my mantra

I never knew I could see something so clearly looking

through my third eye

Never knew karma could be so rewarding and bring me

to your life

Maybe this is the beginning of something so magical

tonight

Oh, oh, oh, oh, oh

Take me down to the river

Underneath the blood orange sun

Say my name like a scripture

Keep my heart beating like a drum

Legendary lovers, we could be legendary

La la la la la

Legendary lovers, we should be legendary

La la la la la

Go down in history

Go down together, into infinity, forever

You’re Cleopatra

You’re blushing Juliet

Anything for your love, a ride or die

(5)

I heard you’re feeling

nothing’s going bright

Why don’t you let me stop by?

The clock is ticking, running out of time

So we should party all night

So cover your eyes,

I have a surprise

I hope you got a healthy appetite

If you wanna dance,

If you want it all

You know that I’m the girl that you should call

Boy, when you’re with me

I’ll give you a taste

Make it like your birthday everyday

I know you like it sweet

So you can have your cake

Give you something good to celebrate

So make a wish

I’ll make it like your birthday everyday

I’ll be your gift

Give you something good to celebrate

Pop your confetti we can carry on

So hot and heavy till dawn

I got you spinning like a disco ball

All night they’re playing your song

We’re living the life

We’re doing it right

You’re never gonna be unsatisfied

If you wanna dance

If you want it all

You know that I’m the girl that you should call

Happy birthday

So let me get you in your birthday suit

It’s time to bring out the big balloons

So let me get you in your birthday suit

It’s time to bring out the big balloons

Happy birthday

(6)

You’re giving me sweet, sweet ecstasy

Yeah, you take me to utopia

You’re reading me like erotica,

Boy, you make me feel exotic, yeah

Just when I think I can’t take anymore

We go deeper and harder than ever before

We go higher and higher

I feel like I’m already there

This is pure paradise,

Even heaven is jealous of our love

Yes, we make angels cry,

Raining down on earth from up above

Heaven is jealous of our love

Angels are crying from up above

I’m walking on air tonight

I’m walking on air

I’m walking, I’m walking on air tonight

I’m walking on air

I’m walking on air tonight

I’m walking on air

I’m walking, I’m walking on air tonight

I’m walking on air

I’m

Oh no, did I get too close?

Oh, did I almost see what’s really on the inside?

All your insecurities

All the dirty laundry

Never made me blink one time

Unconditional, unconditionally

I will love you unconditionally

There is no fear now

Let go and just be free

I will love you unconditionally

(7)

Come just as you are to me

Don’t need apologies

Know that you are worthy

I’ll take your bad days with your good

Walk through the storm I would

I do it all because I love you, I love you

So open up your heart and just let it begin

Open up your heart and just let it begin

Open up your heart and just let it begin

Open up your heart

Acceptance is the key to be

To be truly free

Will you do the same for me?

Oh no, did I get too close?

Oh, did I almost see what’s really on the inside?

All your insecurities

All the dirty laundry

Never made me blink one time

Unconditional, unconditionally

I will love you unconditionally

There is no fear now

Let go and just be free

I will love you unconditionally

(8)

I knew you were

You were gonna come to me

And here you are

But you better choose carefully

‘Cause I, I’m capable of anything

Of anything and everything

Make me your Aphrodite

Make me your one and only

Don’t make me your enemy, your enemy, your enemy

So you wanna play with magic

Boy, you should know what you’re falling for

Baby do you dare to do this

Cause I’m coming at you like a dark horse

Are you ready for, ready for

A perfect storm, perfect storm

Cause once you’re mine, once you’re mine

There’s no going back

Mark my words

This love will make you levitate

Like a bird

Like a bird without a cage

But down to earth

If you choose to walk away, don’t walk away

It’s in the palm of your hand now baby

It’s a yes or no, no maybe

So just be sure before you give it up to me

Up to me, give it up to me

That fairy tale ending with a knight in shining armor

She can be my Sleeping Beauty

I’m gon’ put her in a coma

Damn I think I love her, Shawty so bad

I’m sprung and I don’t care ,She got me like a roller coaster

Turn the bedroom into a fair

Her love is like a drug, I was tryna hit it and quit it

But lil’ mama so dope, I messed around and got addicted

She’s a beast, I call her Karma

She eats your heart out , like Jeffrey Dahmer

Be careful, try not to lead her on

Shawty’s heart was on steroids, cause her love

was so strong

You may fall in love, when you meet her

If you get the chance you better keep her

She’s sweet as pie but if you break her heart

(9)

This is how we do

Sipping on Rosé, Silver Lake sun, coming up all lazy

Slow cooking pancakes for my boy, still up, still fresh as a Daisy

Playing ping pong all night long, everything’s all neon and hazy

Chanel this, Chanel that, hell yeah

All my girls vintage Chanel baby

It’s no big deal, it’s no big deal, it’s no big deal, this is no big deal

This is how we do, yeah, chilling, laid back

Straight stuntin’ yeah we do it like that

This is how we do, this is how we do

This is how we do, yeah, chilling, laid back

Straight stuntin’ yeah we do it like that

This is how we do, this is how we do

Big hoops, and maroon lips, my clique hoppin’ in my Maserati

Santa Barbara, chique, at La Super Rica, grabbing tacos, checking out hotties

Now we talking astrology, getting our nails did, all Japanese-y

Day drinking at the Wildcats, sucking real bad at Mariah karaoke

This one goes out to the ladies at breakfast in last night’s dress

(It’s how we do, straight stuntin’ like that)

I see you

Yo, this goes out to all you kids that still have their cars at the club valet and it’s Tuesday

(This is how we do yeah straight stuntin like that)

Yo, shout out to all you kids, buying bottle service, with your

rent money

Respect

his goes out to all you people going to bed with a ten and waking up with a two

Ha, not me

What? Wait. No, no, no, no.

Bring the beat back.

(10)

Flowers in her hair, she don’t care

Peach-pink lips, yeah, everybody stares

You think you’ve seen her in a magazine

It’s like she walked right out of your dreams

Black ray-bans, you know she’s with the band

Passport stamps, she’s cosmopolitan

Yeah, she runs a place at Penny lane

Yeah, you’re lucky if you’re on her plane

From Tokyo to Mexico, to Rio

That girl’s a trip,

A one way ticket

Takes you miles high, so high,

‘cause she’s got that one international smile

Catch her if you can

Yeah, she’s so in demand

Takes you miles high, so high,

‘cause she’s got that one international smile

She’s got that, je ne sais quoi, you know it

So tres chic, yeah, she’s a classic

But she’s pole dancing so fancy free

Yeah, she dances to her own beat

‘Cause she’s the muse and the artist

Always leaves the trail of stardust

‘Cause she’s a little bit of “Yoko”,

(11)

You sent a text

It’s like the wind changed your mind

We were best friends

Yeah, we were building our life

With every kiss, and every letter

Every promise of forever, oh

But you hit “Send”

And disappeared in front of my eyes

And now you’re just a ghost

When I look back never would have known that

You could be so cold

Like a stranger vanish like a vapor

There’s just an echo where your heart used to be

Now I see it clearly

And there’s just a pillow where your head used to sleep

My vision’s 20/20

I see through you now

Something has died

Now that I have made up my mind

I’ll be alright

It doesn’t harm me at night

‘Cause every gift, and every letter,

Every promise of forever

Now, it’s out of sight

Like you were never alive

Now, now, now, now, now

Now, now, now, now, now

So rest in peace

I see you on the other side

(12)

...love me,

No more second guessing

No, there’s no more questioning

I’ll be the one defining who I’m gonna be

No concealing feelings, or changing seasonally

I’m gonna love myself, the way I want you to

No more standing in my own way

Let’s go deeper, let’s get closer

No more standing in my own way

I lost myself in fear of losing you

I wish I didn’t do

But I did

I lost my own, my own identity

Forgot that you picked me for me

But now, I don’t negotiate with insecurities

They always seem to get the best of me

I found I had to love myself, the way I wanted you to...

Sometimes I wish my skin was a costume

That I could just unzip

And strip

But who I am is who I’m meant to be

And it’s who you are in love, in love with

So now, I don’t negotiate with insecurities

They’re gonna have to take a back seat

I know I have to love myself, the way I want you to...

(13)

Can you tell me, who called the race?

Can anyone stay in one place?

And when you get to the finish line

Will you wish for more time?

I say one day, one day you will

But maybe one day you will find

That you just can’t push rewind

All we have is this moment

Tomorrow’s unspoken

Yesterday is history

So why don’t you be here with me?

All we have is this moment

To put our love into motion

Yesterday is history

So why don’t you be here with me?

Be here with me now

Do you ever think that, we’re just chasing our tails?

Like life is one big fast treadmill

And we pop what is prescribed

If it gets us first prize

But you know who I, who I think will win

Are the ones that love loving

Are the ones that take the time

Be here with me now

‘Cause the future is right now,

right in front on you

Don’t let the clock,

the clock tell you what to do

A future is right now, I’m in front of you

Baby don’t blink and miss

(14)

They say one man’s trash is another girl’s treasure

So if it’s up to me, I’m gonna keep you forever

‘Cause I understand you, we see eye to eye

Like a double rainbow in the sky

And wherever you go, so will I

‘Cause a double rainbow is hard to find

You’re a one of a one, a one of a kind

That you only find once in a lifetime

Made to fit like a fingerprint

A code that clicks open a gold mine

They say one man’s trash is another man’s treasure

When I found you, it was all pitter-patter

Secretly, I hit the lottery

‘Cause you’re brighter than all of the Northern Lights

You speak to me, even in my dreams

Wouldn’t let you go for even the highest price

Was a phenomenon when you came along

Yeah, our chemistry was more than science

It was deafening, loud like lightning, it was striking

You couldn’t deny it

They say one man’s trash is another man’s treasure

The two of us together, make everything glitter

To the bottom of the sea, I’d go to find you

Climb the highest peak to be right beside you

Every step I take, I’m keeping you in mind

(15)

Was 27 surviving my return of Saturn

A long vacation didn’t sound so bad

Was full of secrets locked up tight like iron mountain

Running on empty so out of gas

Thought I wasn’t enough

Found I wasn’t so tough

Layin’ on the bathroom floor

We were living on a fault line

And I felt the fault was all mine

Couldn’t take it anymore

By the grace of God (there was no other way)

I picked myself back up (I knew I had to stay)

I put one foot in front of the other

And I looked in the mirror and decided to stay

Wasn’t gonna let love take me out that way

I thank my sister

For keeping my head above the water

When the truth was like swallowing sand

Now every morning, there is no more mourning

Oh, I can finally see myself again

I know I am enough

Possible to be loved

It was not about me

Now I have to rise above

Let the universe call the bluff

Yeah, the truth’ll set you free

No, that way, no

Not in the name of love

In the name of love

That way, no,

That way, no

I am not giving up

Was a phenomenon when you came along

Yeah, our chemistry was more than science

It was deafening, loud like lightning, it was striking

You couldn’t deny it

They say one man’s trash is another man’s treasure

The two of us together, make everything glitter

To the bottom of the sea, I’d go to find you

Climb the highest peak to be right beside you

Every step I take, I’m keeping you in mind

(16)

Lay me down at your altar, baby

I’m a slave to this love

Your electric lips have gotten me speaking in the tongues

I have prayed for a power like you

To see deep down in my soul

Oh, you make me bloom like a flower, a desert rose

Magical one and mystery

All of your charms have worked on me

I will surrender myself

Holding hell and heaven high

You have opened up my eyes

And I am finally healed

This is spiritual, under your spell

Phenomenal, the way you make me feel

Like an angel, all a glow

Like a feather, you make me float

Flying high as a kite on your love

Lost in sweet ecstasy

Found a nirvana finally

Is Mercury in retrograde?

Or is that the excuse that I’ve always made?

‘Cause I wanna blame you,

But I can only blame myself

Yeah, it’s easy to throw you under the bus

Or call you crazy, while filling my cup

I say these things to hurt you

But I only hurt myself

Oh, I can only take responsibility for me

It takes two, two sides to every story

Not just you

I can’t keep ignoring

I admit half of it, I’m not that innocent, oh yeah

You are my hurt locker lover

Keep me walking on a wire

Don’t know when you’ll blow

So I tip toe through your triggered mine

You fight me but I’m on your side

Defeated, now retreating

Why you trying to make me your enemy

All I really need is a little peace

I just wanna be your lover

Oh, this is not a competition

So baby why the ammunition

I don’t wanna be the last one standing

Choose your battles, babe

Then you win the war

Stop digging your own grave

When there’s so much to live for

It takes two, two sides to every story

Not just me

You can’t keep ignoring

But let me be first baby to say “I’m sorry”

I face my demons, yeah, I paid my dues

I had to grow up, I wish you could too

I wanted to save you, but I can only save myself

Oh, I can only be the change I want to see

Yeah, to see

I point my finger but it does me no good

I look in the mirror and it tells me the truth, yeah

Why all these lessons always learned the hard way

Is it too late to change?

Stop digging your own grave

When there’s so much to live for

Choose your battles, babe

Cause I’m not fighting anymore

I am not fighting anymore

I try to pick off your red flags

But dancing up on broken glass

Your mind games hit like grenades

You’re cursed just like the Kennedys

But you somehow get me on my knees, defeated

Not retreated

If you wanna go, then go

If you wanna stay then stay

Cause I don’t wanna fight no more, baby

I am not fighting anymore

(17)

It takes two, two sides to every story

Not just me

You can’t keep ignoring

But let me be first baby to say “I’m sorry”

I face my demons, yeah, I paid my dues

I had to grow up, I wish you could too

I wanted to save you, but I can only save myself

Oh, I can only be the change I want to see

Yeah, to see

I point my finger but it does me no good

I look in the mirror and it tells me the truth, yeah

Why all these lessons always learned the hard way

Is it too late to change?

IT TAKES TWO Written by Katy Perry, Tor Erik Hermansen, Mikkel Starleer Eriksen, Benjamin Levin, and Emeli Sandé Produced by Stargate for 45th and 3rd Music, LLC and Benny Blanco for Matza Ball Productions, Inc. | Mixed by Serban Ghenea Engineered by Mikkel Storleer Eriksen at Roc The Mic Studios, New York, NY; and Westlake Studios, Hollywood, CA | Assisted by Chris “Anger Management” Sclafani | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry | All Instruments and Programming by Stargate and Benny Blanco | Additional Guitar by John Mayer | Production Coordination by Andrew “McMuffin” Luftman and Scott “Yarmov” Yarmovsky Stargate Managed by Tim Blacksmith & Danny D. for Tim & Danny Music, LLC ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Matza Ballzack Music / Where Da Kasz At? (BMI) / Stellar Songs Ltd / EMI April Music Ltd (ASCAP) / Prescriptin Songs (ASCAP). All right reserved. Used by permission. SPIRITUAL Written by Katy Perry, Greg Kurstin, and John Mayer Produced by Greg Kurstin | Mixed by Serban Ghenea | Engineered by Greg Kurstin and Jesse Shatkin at Echo Studio, Los Angeles, CA | Additional Engineering by Alex Pasco | Mixed at Larrabee Sound Studios, Universal City, CA | Assisted by Chris Galland and Delbert Bowers | Vocals by Katy Perry | Guitar, Keyboards and Programming by Greg Kurstin © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Kurstin Music / EMI April Music. Inc. / Specific Harm Music o/b/o Goodrum Music, Inc. (ASCAP). All rights reserved. Used by permission.

CHOOSE YOUR BATTLES Written by Katy Perry, Jonatha Brooke, and Greg Wells, Produced by Greg Wells and Katy Perry | Mixed by Serban Ghenea | Engineered by Ian McGregor at Rocket Carousel Studio, Los Angeles, CA | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Drums, Pianos, and Programming by Greg Wells Kalimba by Jonatha Brooke © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / Naughty Puppy Music (ASCAP) c/o Patrick Rains & Associates / Firehouse Cat Music / BMG Gold Songs (ASCAP) administered by BMG Rights Management LLC. All rights reserved. Used by permission. ROAR

Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter

Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA

Assisted by Rachael Findlen, Justin Fox and Elliot Lanam | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) adminis-tered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Adminisadminis-tered by Songs of Kobalt Music Publishing. Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission LEGENDARY LOVERS

Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter

Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA

Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut Production | Coral Sitar by Dr. Luke | Double Violin by Gingger Shankar | Sitar by Ronobir Lahiri | Tabla by Adit Kalyanpur | Production Coordination by Irene Pichter

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) adminis-tered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Adminisadminis-tered by Songs of Kobalt Music Publishing. Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission BIRTHDAY

Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter

Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA

Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter | Horn Arrangement by Lenny Pickett | Horns Engineered by Dave O’Donnell at Germano Studios, New York, NY | Assisted by Kenta Yonesaka

Saturday Night Live Band: Tenos Sax by Lenny Pickett | Trumpet by Earl Gardner | Alto Sax by Alex Foster | Trombone by Steve Turre | Baritone Sax by Ron Blake

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Where Da Kasz At? Administered by Songs of Kobalt Music Publishing. Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission

WALKING ON AIR

Written by Katy Perry, Klas Ahlund, Max Martin, Adam Baptiste and Camela Leierth

Produced by Klas Ahlun \m/(-_-)\m/ and Max Martin for MXM Productions | Mixed by Serban Ghenea | Engineered by Michael Ilbert, Peter Carlsson and Sam Holland

at Apmamam, Stockholm, Sweden; MXM Studios, Stockholm, Sweden; and Conway Recording Studios, Hollywood, CA | Assisted by Cory Bice Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry | Background Vocals by Sabina Ddumba and Tensta Gospel Choir

All Programming by Klas Ahlun and Max Martin

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Klas Ahlund Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing. Inc. / Bonnie McKee Music / Klas Ahlund Publishing (ASCAP) / Universal Music Publ. Scandinavia / Prescription Songs (ASCAP). All rights reserved. Used by permission

UNCONDITIONAL

Written by Katy Perry, Lukas Gottwald, Max Martin, and Henry Walter

Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban

Ghernea

Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Conway Recording

Studios, Hollywood, CA; MXM Studios, Stockholm, Sweden;

and Secret Garden Studios, Montecito, CA; Assisted by Eric Eylands, Rachael Findlen, Justin Fox and Cory Bice

Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM

(ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights

DARK HORSE

Written by Katy Perry, Jordan Houston, Lukas Gottwald, Sarah Theresa Hudson, Max Martin, and Henry Walter

Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Mike “Crazy Mike” Foster, Clint Gibbs, Sam Holland and Michael Ilbert

at Luke’s in the Boo, Malibu, Ca; Conway Recording Studios, Hollywood, Ca; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, Sweden; and

Secret Garden Studios, Montecito, CA | Assisted by Eric Eylands, Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry and Juicy J

All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Background Vocals by Katy Perry and Max Martin | Additional Vocals by Ava James | Production Coordination by Irene Richter

Juicy J appears courtesy of Kemosabe Records / Columbia Records, a division of Sony Music Entertainment Ava James appear courtesy of Kemosabe Records / Prescription Songs

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / DeeEtta Music (BMI) / Kasz Money Publishing (ASCAP) / Ital-ians Do It Better (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission

THIS IS HOW WE DO

Written by Katy Perry, Klas Ahlund, and Max Martin

Produced by Klas Ahlun \m/(-_-)\m/ and Max Martin for MXM Productions | Mixed by Serban Ghenea | Engineered by Michael Ilbert, Peter Carlsson and Sam Holland at

Apmamam, Stockholm, Sweden; MXM Studios, Stockholm, Sweden; and Conway Recording Studios, Hollywood, CA | Assisted by Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry |

All Programming by Klas Ahlun and Max Martin

©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Klas Ahlun Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Prescription Songs (ASCAP). All rights reserved. Used by permission

INTERNATIONAL SMILE Written by Katy Perry, Jordan Written by Katy Perry, Lukas Gottwald, Max Martin, and Henry Walter Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Conway Recording Studios, Hollywood, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Assisted by Eric Eylands, Rachael Findlen, Justin Fox and Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry All Instruments and Programming by Dr. Luke, MXax Martin and Cirkut Production ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission GHOST Written by Katy Perry, Lukas Gottwald, Max Martin, Bonnie McKee and Henry Walter Produced by Dr. Luke for Prescription Songs, Max Martin for MXM Productions and Cirkut for Prescription Songs | Mixed by Serban Ghernea Engineered by Peter Carlsson, Clint Gibbs, Sam Holland and Michael Ilbert at Luke’s in the Boo, Malibu, CA; Playback Recording Studio, Santa Barbara, CA; MXM Studios, Stockholm, Sweden; and Secret Garden Studios, Montecito, CA Assisted by Rachael Findlen, Justin Fox, Elliot Lanam and Cory Bice | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry All Instruments and Programming by Dr. Luke, Max Martin and Cirkut | Production Coordination by Irene Pichter ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / Kasz Money Publishing (ASCAP) / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Bonnie McKee Music / Where Da Kasz At? Adminisitered by Songs of Kobalt Music Publishing, Inc. / Songs of Pulse Recording (BMI) / Oneirology Publishing / Prescription Songs (ASCAP). All rights reserved. Used by permission LOVE ME Written by Katy Perry, Max Martin, Christian “Bloodshy” Karlsson, Vincent Pontare and Mangus Lidehall Produced by Christian “BloodShy” Karlsson, Magnus and Vincent Pontare at Gottetar, Stockholm, Sweden, Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry All Instruments and Programming by Christian “BloodShy” Karlsson, Magnus and Vincent Pontare ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp / MXM (ASCAP) administered by Kobalt Songs Music Publishing, Inc. / Universal Music Publishing (ASCAP) / Prescription Songs (ASCAP) / All rights revered. Used by Permission. THIS MOMENT Written by Katy Perry, Tor Erik Hermansen, Mikkel Starleer Eriksen, and Benjamin Levin Produced by Stargate for 45th and 3rd Music, LLC and Benny Blanco for Matza Ball Productions, Inc. | Mixed by Serban Ghenea Engineered by Mikkel Storleer Eriksen at Roc The Mic Studios, New York, NY; and Westlake Studios, Hollywood, CA | Assisted by Chris “Anger Management” Sclafani | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry | All Instruments and Programming by Stargate and Benny Blanco | Additional Guitar by John Mayer | Production Coordination by Andrew “McMuffin” Luftman and Scott “Yarmov” Yarmovsky Stargate Managed by Tim Blacksmith & Danny D. for Tim & Danny Music, LLC ©2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Matza Ballzack Music / Where Da Kasz At? (BMI) / Prescriptin Songs (ASCAP). All right reserved. Used by permission. DOUBLE RAINBOW Written by Katy Perry, Sia Furler and Greg Kurstin Produced by Greg Kurstin | Mixed by Manny Marroquin | Engineered by Greg Kurstin and Jesse Shatkin at Echo Studio, Los Angeles, CA | Additional Engineering by Alex Pasco | Mixed at Larrabee Sound Studios, Universal City, CA | Assisted by Chris Galland and Delbert Bowers | Vocals by Katy Perry | Guitar, Keyboards and Programming by Greg Kurstin © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / EMI Music Publishing (ASCAP) / Kurstin Music / EMI April Music. Inc. (ASCAP). BY THE GRACE OF GOD Written by Katy Perry, and Greg Wells, Produced by Greg Wells and Katy Perry | Mixed by Serban Ghenea | Engineered by Ian McGregor at Rocket Carousel Studio, Los Angeles, CA | Mixed at MixStar Studios, Virginia Beach, VA | Engineered for Mix by John Hanes | Vocals by Katy Perry Drums, Pianos, Synths and Programming by Greg Wells © 2013 When I’m Rich You’ll Be My Bitch (ASCAP) administered by WB Music Corp. / Firehouse Cat Music / BMG Gold Songs (ASCAP) administered by BMG Rights Management LLC. All rights reserved. Used by permission.

Mastered by Chris Gehringer at Sterling Sound, New York, NY

A&R: Dan McCarroll

Direct Management Group/Bradford Cobb, Martin Kirkup, Steven Jensen and Ngoc Hoang

Photography by Ryan McGinley

Digital Booklet designed by : ChrisR7x / Erase-This

©2013 Capitol Records. Manufactured by Capitol Records, Printed in U.S.A B001921502

References

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