SEOUL, KOR~. l~atiokal UNIVERSITY. American art.

SEOUL, KOR~. l~ATIOKAL

UNIVERSITY.

American art.

e.c c ()

AMERICAN ART

FACULTY AND STUDENTS

UNIVERSITY OF MINNESOTA

M ^5,4

An .. ^{r7 j} -

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THE UNIVERSITY AUDITORIUM SEOUL NATIONAL UNIVERSITY

MAY 23-31, 1958

FOREWORD

I am extremely happy to express my heartfelt greetings on this memorable opening of the grand exhibition of remarkable works done by the students and colleagues of the University of Minnesota, a sister institution in faraway America.

It is to be long remembered that in the summer of 1957 a collection of works by students and faculty of College of Fine Arts of Seoul National University was sent at its cordial invitation to the University of Minnesota campus. The exhibition, to our full satisfaction, was highly appreciated by all the arts-loving people of the United States. It is trus that the exchange of works of the two great universities symbolizes the

· common aspiration and ideals long cherished in our hearts.

I

In 1954 the University ot Minnesota entered into a contract with the

i U.S. International Cooperation Administration that created a cooperative

j

arrangement with Seoul National University, and the two universities have been .partners in this effort ever since.

As part of the Cooperative Project, we have for the past four years had direct exchange of faculty in the fields of agriculture, medicine, and

! engineering. The University of Minnesota has made a great contribution to :the basic recovery of the economy and well-being of the Republic of Korea.

Now it was kind enough on the part of the University of Minnesota as to have initiated this wonderful exchange of fine arts between two

''In concJJsion, I wish to offer my profound thanks to the administrative stciff and: facUlty of the University of Minnesota for their invaluable assistance., ark! cooperation in the realization of this great task of exhibitions

in .tbe. Unihla States and here in Seoul, Korea. · '. ~ ":' _.~. . ('

..

. ' :

II Sun Yun President

Seoul National University

STATEMENT BY VICE PRESIDENT MALCOLM M. WILLEY IN THE JANUARY, 1957 CATALOG INTRODUCING THE EXHIBIT OF SEOUL NATIONAL UNIVERSITY ART WORKS AT THE UNIVERSITY OF MINNESOTA:

"This idea of an exchange of student work met instant acceptance when it was first broached to Dr. Kyu-Nam Choi, then the President of Seoul National University and now Minister of Education of the Republic of Korea. It likewise had the enthusiastic approval of Dr.

"In 1954 the University of Minnesota entered into a contract with what II-Sun Yun, former Vice President and now President of Seoul National is now the U. S. International Cooperation Administration that created University. To Dean louis-Pal Chang of the College of Fine Arts fell a cooperative arrangement with Seoul National University in Korea he immediate responsibility fo t r rans ormrng an r ea rnto a realrty He f . "d . . looking toward the st;engthening of that University. Ravaged by the nd h" c II b h . ·

rs o eagues roug t together a collection of "t h" h h invasions of the Red Chinese in 1950, and suffering from the privations

1. . . ¹ ems w rc t ey

e reve rs typrcal of student wo k at th · U · ·

caused by the war, Seoul National University struggled manfully and r err nrversrty. For good measure, with undeviating faith in its attempts to re-establish itself. The University examples of the work of four members of the art faculty were also of Minnesota became the honored partner in this effort, and for nearly included. It is this collection that constitutes this exhibition.

three years members of the administrative staffs and faculties of

"The University of Minnesota is proud to present this remarkable work two great universities have worked together.

by students and colleagues of a sister institut" · f

"The Minnesota contract is limited to the fields of agriculture, medicine Th h"b" . ron rn or-away Korea.

· e ex ' rtron demonstrates howe th d"

and engineering--fields that are basic in the recovery of the econom . ' ver, at rstance expressed as miles

. . rs really not the si nTc t f

and well-berng of the Republic of Korea. There have been drrect . g ^{1 1} an measure o the closeness of people. In exchange of faculty in these three areas. It is self-evident, however thrngs of the mind and the spirit there can be an identity of feeling that while the University ot Minnesota has much to offer Korea in thes and purpose that transcends physical separa ron. t" Th" rs exhrbrtron of . . . technical fields, Seoul National University has much to offer us in othe Korean art is proof posr rve o t rs, for rt symboli · •t· f h" . f 1 realms of human thought and scholarship. It was in this context tho . . , zes per ect Y the

asprratrons, the common "d 1 th

the suggestion developed that quite outside of the provisions of th . . ¹ ea s, e common love of the

. . . ' . eautrful that give . ·

formal contract there m1ght be an exchange of materials rn the fret · men courage and forth, whether in Korea or in of arts, a field in which the College of Fine Arts of Seoul

University has achieved enviable distinction. It was felt that it be highly interesting if students on the campus at the University Minnesota could see a collection of work done by fellow students Seoul National University; with the thought, too, that in due course collection of the work of Minnesota students would be sent to Korea.

2 3

COMMENT FROM DR. ARTHUR E. SCHNEIDER, CHIEF ADVISER IN KOREA, SEOUL NATIONAL UNIVERSITY COOPERATIVE PROJECT:

INTRODUCTION

"It has been a source of both pride and satisfaction to note

In the Orient, there is an ancient saying, "Virtue is never forsaken, always befriended," which is the truth appealing not only to the

but also equally sympathized with by the Occidentals.

interest, respect and pleasure that the Korean portion National University-University of Minnesota student art evoked wherever shown in the United States.

"Through the great interest of yourself and

College of Fine Arts; President II Sun Yun, Minnesota's Vice Malcolm M. Willey and the Director of the University of Gallery, particularly, thi3 student art exchange- with

by faculty members - was arranged and is in the process carried out. In the United States we have long enjoyed National University portion of this exchange. We hope most that Minnesota's contribution to the exchange may leave

-same remarks may be said in the field of fine arts. Things of beauty can never be forsaken, but they, beloved eternoHy, have to

an infinite pleasure with the many.

Therefore, we are now expressing our hearty appreciations for the hed applause bestowed to the art exhibit. of our faculty and students on the campus of the University of Minnesota and many other g cities throughout the U. S. arranged by the University of Minne- last fall and it is a gr~at pleasure to have this art exhibit with 83

pieces done by the faculty as well as the students of the iversity of Minnesota.

As everyone realizes there are several ·distinctive differences not sincerel6nlv in historical backgrounds of these two nations, but also greater

Korean friends and colleagues a good idea of the nature of contemDorarY'I

in quality are existing in politics, economy and natural sci·

Jt is needless to add that we have been given an enormous amount f~eign aid, most of which from the U. S. to rehabllltote ot.it wat•

art being produced at the University of Minnesota, and understanding and increasingly cordial relationships which have thus resulted from this joint endeavor may grow strongly and find in many beneficial ways far beyond the confines of institutions."

4

and this state may have to be c:ontiftued for .om. yltGrt

we have to admit that we are located in a position of only

•eeaivinn rather than giving on such occasions as cultural exchange or

cooperative projects. Fortunately, In the field of fine arts, that of plastic arts, we are standing on an equal, mutual relation when we think of the exhibition of ancient Korean arb ...,.ently being held thravghout the U. S. and the art exhibit mentioned

~ve.

·We are grctotty toncerned in this field and it may be a fact

liiW

.Otfoftot ebtture wflich we can be proud of.

5

In general, one can say that physical civilization may be cultiva from the advanced to the underdeveloped, but no mutual exchange understanding is expected in spiritual art unless both parties come the level which enables them to understand it.

It is not an easy task to fulfill exchange of spiritual culture, b se ot present we are just on the first step engaging in this ent whereas we have a history of 50 centuries that is now being studi by westerners for the first time and we also are making rec"'a' on Occidental history with renewed method after cultivating we had possessed. Bearing the above in our minds, we would hesitate to say that this art exhibit is a most significant because now we are ready to meet each other where we would wit Jingly understand and agree with the similar feeling and emotion the higher beings between these two countries.

Genuine culture can be established under these circumstances gether with true peace h?lding us never be forsaken.

DEPARTMENT OF ART-UNIVERSITY OF MINNESOTA

Chairman: Professor H. Harvard Arneson

Professors Arneson (History), Rood (Studio), Tselos (History), Young (Studio); Associate Professors: Arnest (Studio), Downs (Studio), Eitner (History), Mackenzie (Studio), Myers (Studio), Quirt (Studio), Rollins (Studio), Thomas \.History), Torbert (History); lecturer: Booth (Studio).

In addition to the above there are currently four teachers in Studio Art History classes at the Instructor level and twelve Teaching graduate students and assist with the classes on a

We wish to express our hearty thanks to the authorities of rn The principal objective of the Department of Art is to contribute University of Minnesota who have so kindly presented us most o the general education of all students at the University of Minnesota.

these precious works and to Vice-President Malcolm M. Willey, Vice, ith this end in view, all courses in both history and practice will lay Curator; Mrs. Catherine Nash, Coordinator in Seoul, Dr. Arthur articular stress on the problems and needs of the nonprofessional Schneider who unanimously paid their maximum efforts and genero tudent interested in acquiring some knowledge of the theory and considerations for h.aving this memorable event realized. ra~tice of art within the frame work of a liberal education. It is

'---

6

louis Pal Chang Dean

College of Fine Arts Seoul National Univ .. nit•

e for undergraduates to major in the history and criticism of art in the practice of art, or in various combinations of these. For those ts interested in acquiring a liberal education and then proceeding advanced work in theory or studio, the Department of Art offers

' '

oriented courses at the Senkor College level and graduate leading to the degrees of the M. A. and Ph. D. in history and

an-d to the M. F. A. in the practice of art.

7

\

LIST OF WORKS, FACULTY & STUDENTS, UNIVERSITY OF MINNESOTA

CERAMICS: STUDENT TITLE

1. CERAMIC POT

-

2. CERAMIC POT 4. CERAMIC BOWL 5. CERAMIC BOWL 6. CERAMIC VASE 7. CERAMIC POT 8. CERAMIC POT

9. CERAMIC VASE 10. CERAMIC VASE 12. CERAMIC BOWL 13• CERAMIC BOTTLE

CERAMICS: FACULTY 3. CERAMIC POT

II. CERAMIC POT

DRAWINGS: STUDENT

14. FIGURE COMPOSITION 15. HEAD

16. HIGURE 17. HEAD 18. FIGURE 19. HJAD 20. HEAD STUDIES

DESIGN: STUDI'NT

21. COLOR CUT-PAPER COMPOSITION 22. INK DESIGN

23. BLACK & WHITE CUT-PAPER COMP.

24. LINE DRAWING OF DRIFTWOOD WASH-PHOTO COLLAGE MIXED MEDIA COMPOSITION 25. BLACK & WHITE CUT-PAPER COMP.

~

GORDON DING!fAM MURRY GASSERLY GORDON OINGHAM GORDON DINGHAM

M.L.W.

EUNICE BREWSTER HARRIET FINK

LOUIS KELLER ALLEN LANOGR~N GERALD FONTAINE MELVIN JACOBSON

ALIX AND WARREN MACKENZIE ALIX AND W ARRfN

MACKENZIE

MILO THOMPSON DENNIS REESE 0. JACOBSON - KUTSIK CHARLES MARY JANET SLOAT

UNSIGNED

STUDENT STUDENT STUDENT STU~ENT STUDENT STUDENT STUDENT

8

MEDIUM

IRON BRUSHWORK UNDER BLUE GI3.ZE 3-GLAZE DIPPED DECORATION BLUE GLAZE

IRON BRUSH WORK UNDER CELAOON

DIPPED DECORATION

TENMOKU GLAZE AND BLUE GLAZE OVER MANGANESE WASH DIPPED DECORATION

STONEWARE WITH SCRATCHED DESIGN SALT GLAZED WITH COBALT AND CHROME DECORATION

BEATEN PATTERN, fLAX ASH GLAZE

!RON DECORATION UNDER MAT GLAZE

CHARCOAL CHARCOAL INK CHARCOAL CRAYON AND INK CHARCOAL CHARCOAL

TITLE

26. BLACK & WHITE CUT-PAPER COMP.

27. BLACK & WHITE CUT-PAPER COMP.

28. BLACK & WHITE CUT-PAPER COMP.

29. BLACK & WHITE PAPER COMPOSITION 30. TWO DRAWINGS IN MIXED MEDIA 31. COLOR-WASH COMPOSITIONS <TWOJ

COLOR-WASH ORA WINGS 32. VARIED TECHNIQUE SAMPLES 33. VARIED TeCHNIQUE SAMPLES 34. COLOR CUT-PAPER COMPOSITION 35. COLOR CUT-PAPfR COMPOSITION

SCULPTURE: STUDENT 36. MAN KICKING HIS WifE

OUT OF THE HOUSE

SCULPTURE: FACULTY 37. GROWTH

PRINTS: STUDENT 38. LANDSCAPE, 1957 39. INTERIOR, 1957 40. NO TITLE, 1957 41. INTERIOR, 1957 42. OWL, 1957 43. TWO FIGURES, 1957 44. MAHCURER, 1957 PRINTS: STAFF

45. MAN & WORLD, 1947

OIL PAINTINGS: STUDENT 46. GARDEN, 1956 47. NO TITLE, 1957 48. NO TITLE, 1957 49. NO TITLE, 1957 OIL PAINTINGS• STAFF 50. VEGETATION, 1951

51. TOWN ON THE ST. CROIX 52. PAINTING. WHIRL OF A GIRl

WATER COLORS: STUDENT NO TITLE

NO TITLE

SCENE

ARTIST

STUDENT STUDENT STUDENT STUDEN1 STUDENT STUDENT STUDENT STUDENT STUDENT STUDENT STUDENT

W. S. ROEDER

JOHN ROOD

M. JERABEK A. HANSON R. ANDERSON

J. HAWKINS J. SMITH B. WINSTON A. HANSON

MALCOLM MEYERS

J. DAHL P. GILLIUSON V. ENGELBRETSON G. FURHAM

CAMERON BOOTH BERNARD ARNEST WALTER QUIRT

L. CARLANDER JIM BREWER

S. SCHARF

9

MEDIUM

MA~LE WOOD

WELDED STEEL AND BRONZE

WOODCUT WOODCUT PRINT ETCHING ETCHING ETCHING ETCHING

INTERGLIO

OIL ON CANVAS OIL ON UPSOM OIL ON UPSOM OIL ON MASONITE

OIL ON CANVAS OIL ON MASONITE OIL ON CANVAS

WATER COLOR WATER COLOR

WATER COLOR

....!.!!!:!..

57. MINNEAPOLIS SKYLINE 58. NO TITLE

WATER COLORS: STAFF

59, NORTH SHORE ROCKS PHOTOGRAPHY: STUDENT

60. NO TITLE <THREE>

61. NO TITLE <FOUR>

62. NO TITLE <FOUR>

63. NO TITLE <ONE>

PHOTOGRAPHS: STAFF

64. ON TITLE <THREE>

65. NO TITLE <TWO>

~

S. SCHARF J. WILLIAMSON

JO LUTZ ROLLINS

STUDENTS STUDENTS STUDENTS STUDENTS

ALLEN DOWNS ALLEN DOWNS PHOTOGRAPHS OF CLASSES AND ART WORKS:

66. JWELRY <FIVE> FACULTY AND STUDENTS 67. CCRAMICS CLASS <FOUR)

68. DESIGN CLASSES <FIVE>

69. PRINTINGS AND DRAWING CLASSES <FOUR>

70. WEAVING AND PRINTN ALING CLASSES <FOUR>

71. SCULPTURE <SIX>

71. A SCULPTURE <SEVEN>

72. SCULPTURE <THREE>

STUDENT STUDENT JOHN ROOD AND PHIL MORTON

<FACULTY>

MEDIUM

WATER COLOR WATER COLOR

WATER COLLOI

PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS

PHOTOGRAPHS PHOTOGRAPHS

PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS PHOTOGRAPHS

OIL PAINTINGS: GRADUATE STUDENT WORK IN UNIVERSITY COLLECTION

73. SEATED FIGURES, 1952 TOD DOCKSTANDER OIL ON CANVAS

74. PAINTING, 1951 F. WHITESIDE OIL ON CANVAS

75. ABSTRACT 2. 1956 J. HAWKINS OIL ON CANVAS

76. LIFTER, 1951 H. REIZLOFF OIL ON CANVAS

77. ABSTRACTION, 1952 J, DARRIAU OIL ON ILLUS. BD.

78. LOOK ON THE TABLE, 1952 W, RUSSEL OIL ON UPSOM

79. PAINTING; 1950 D. WCYDT OIL ON CANVAS

80. INTERIOR, 1957 A. HANSON OIL ON CANVAS

81. PAINTING, 1951 D. SNEAD OIL ON MASONITE

82. PAINTING, 1951 B. DAHLMAN OIL ON CANVAS

83. PROVOCATION. 1951 0. DILLINGHAM LACQUER

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