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1

CANADA’S FIRST INTERNATIONAL

ORIGAMI

CONVENTION

OCTOBER 5 – 8, 2012

VANCOUVER, BRITISH COLUMBIA

ORIGAMI

CANADA

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TABLE OF CONTENTS

Blue

Jay Quentin

Trollip

...04

Cat

Giang

Dinh

...11

Bear

Joseph

Wu

...14

Anteater

Hoang

T.

Quyet

...16

Elephant

Head

Paulius

Mielinis

...18

Bull

Christophe

Boudias ...21

Acqua

Márcia

Krone ...24

Woman

in

a

Burka

Bernie

Peyton ...31

Crow

Stephan

Weber

...35

Lemur Julio

Eduardo ...39

Gorilla

Joseph

Wu

...46

Guacamaya

Elva

Villegas

...49

Plesiosaurus

Paulius

Mielinis

...50

Penguin

Julio

Eduardo ...53

Moose Stephan

Weber

...58

Dreaming

Bear

Giang

Dinh

...63

Slug

Miroslav

Mrajca

...65

Dragon

Helix Eric

Gjerde

...69

Spirit

Fox

&

Heart

Ioana

Stoian

...70

Hell

Cobra

Kade

Chan

...75

Cockatoo

Hoang

T.

Quyet

...82

Pig

Stephan

Weber

...85

Moorish

Stars Eric

Gjerde

...88

Rhombus

Flagstone Eric

Gjerde

...89

Owl

Joseph

Wu

...92

Hippo

Christophe

Boudias ...94

Wen’s

Dragon Sok

Song

...95

Two Butterflies (one for YVR) Michael G. LaFosse

...97

Emperor

Penguin

Quentin

Trollip

...99

Origami Canada thanks its featured guests, friends and supporters who

graciously allowed us to reproduce their diagrams. We are very grateful for

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  

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



I designed this model

specifically for the first

official Origami Canada

Convention held in

Vancouver, BC. The Blue Jay

is BC’s provincial bird. The

main challenge was the white

stripe on the wings, so I used

a base where I had the raw

corner free to use for this

colour-change. The tips of

the wings are also situated on

the edge of the square so they

can be colour-changed. The

“shoulders” of the wings are

separate flaps so they can be

shaped and also allow for the

colour –changed ring around

the neck. The central graft

has three functions: adding

length to the tail, splitting the

central flap to form two

individual legs, and adding

more paper in the head area

to shape the detail.

Shaping is required for a

good result, especially the

head.

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





(7)
(8)



































designed and created by Joseph Wu

























(9)

16

17

2

5

6

7

8

9

4

3

1

10

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17

18

19

20

21

(10)

L

© 2011

ithuania

Elephant Head

Model & Diagrams by Paulius Mielinis

1

2

3

4

5

6

7

8

9

Fold and unfold.

Fold to the center.

Fold and unfold in half.

Unfold.

Crease two angle bisectors.

Valey fold down.

Pleat using existing creases

and flatten at the top.

Fold and unfold.

Inside reverse fold.

Paper: any (preferably two colored: grey + white)

Size: >15 cm

Start white side up

1/2

17

10

11

12

13

14

15

16

17

18

Fold and unfold angle bisectors.

Fold and unfold as far as it goes.

Crimp.

Valey folds.

Turn over.

Squash fold. Note the reference.

Valey folds.

Turn over.

(11)

20

21

LE TAUREAU

2

Modèle et Diagramme :

Christophe Boudias ;-)

12/11/2011

1. Marquer les plis.

Retourner

Retourner

Pivoter

45°

3 last

stape

2. Plier suivant la diagonale.

3. Pli aplati (Squash fold).

4. Rentrer les angles.

5. Pli vallée.

6. Pli aplati (Squash fold).

7. Rentrer les angles.

8. Rentrer les angles.

9. Rentrer les angles.

10. Pli valée.

11. Marquer les

bissectrices.

12. Plier vers

le bas.

13. Plier vers

la gauche.

14. Pli pivot.

15. Pli vallée.

16. Répéter les

étapes 13 à 15

27

19

22

23

24

25

26

20

21

Focus on this part.

Inside reverse fold.

Valey fold on the right

while squashing the eye.

Like this. Back to normal view.

Repeat steps 20-22 on the left.

Mountain fold.

Pleat and shape the trunk.

Shape the tusks.

Elephant head is done.

(12)

Retourner

17. Plier vers la

gauche.

18. Marquer les

plis et retourner.

19. Fermer le

modèle.

20. Plier vers

la droite.

21. Déplier

vers la gauche.

22. Retourner

l’épaisseur.

23. Prochaine étape:

Vue en coupe de la

partie entourée.

24. Crimp

25. Pli aplati

(Squash fold)

26. Pli montagne

pour cacher la pointe.

27. Enfoncement de

l’aile gauche.

28. Cacher

à l’intérieur.

29. Pli en oreille

de lapin.

30. Plier la partie

en couleur vers

la gauche

31. Répéter les

étapes 27 à 29.

32. Pli en oreille

de lapin.

33. Rentrer.

34. Aplatir.

35. Pli inversé

interieur.

Pli inversé

interieur.

36. Pli montagne.

37. Marquer un pli

montagne.

38. Basculer vers la gauche

selon l’axe verticale

39. Marquer un pli vallée.

40. Pli montagne.

41. Pli inversé extérieur.

42. Pli vallée vers l’arrière.

43. Plier la patte vers

l’avant. Répéter derrière.

Sink sur la corne,

répéter derrière.

44. Plier la patte vers l’avant.

Glisser l’épaule sous le cou,

répéter derrière.

45. Pli zig-zag pour les pattes, pli

inversé intérieur pour la queue.

46. Modelage final:

Affiner les cornes,

Crimp pour le cou,

Rentrer le ventre par un

pli montagne,

pli inversé intérieur pour

la queue,

(13)
(14)
(15)
(16)

Woman in a Burka

Bernard Peyton

California, USA

Intermediate, copyright 2006

1. Use a bi-colored square,

blue or black on one side, and

white to light brown on the

other side. Wet folding is

suited for this model. Crease

the diagonals at the top.

2. Crease the midpoint of the

left edge.

3. Bring the top right corner

to the left edge midpoint and

crease the bottom edge at

point P.

4. Fold-unfold the right side

to point P.

5. Fold-unfold the same

amount of paper along the

top edge.

6. Kite fold the bottom left

corner to the downward

diagonal and pinch the left

edge at point Q.

7. Bring the right bottom

corner to point Q. Pinch the

top edge at point R.

8. Fold-unfold the corner to

the diagonal through point R.

9. Fold-unfold the corner to

the crease you just made.

R

R

45

o

Q

R

Q

P

P

(17)

32

33

10. Pleat the corner by

changing the fold of step 9 to

a mountain fold. The valley

fold above lies between the

intersections of folds 4 and 5

with the paper edges.

11. Valley fold the corner

pleat down on the crease of

step 8.

12. Valley fold edges on

creases of steps 4 and 5.

13. Valley fold the bottom

half of the model up

asymmetrically. The fold

starts at the left edge where

the diagonal of step 1

intersects it. The fold touches

the tip of the folded over

corner on the right side.

14. Mountain fold the corner

parallel to the top edge of the

darkened small triangle.

X-ray lines indicate location of

the paper edges underneath.

Adjust the height of this fold

to reveal two small triangular

“eyes”.

15. Mountain fold the right

edge on a crease a bit lower

than the edge of the layer

behind it. Fold-unfold the left

edge in a similar fashion and

then fold the flap down.

16. Unfold the edges.

Note: The previous folds

allow the bottom half of the

model to fit under the folded

over edges of the top half.

17. Valley fold the bottom

edge of the left corner along

the crease of step 15.

18. Fold the bottom half of

the model up along the crease

of step 13.

R

11. Valley fold the corner

down on the crease of step 8.

R

20. Refold the top edges.

Adjust folds 15 and 17 if the

top layer crinkles after this

step. Your woman’s eyes

should look like the inset

illustration of the next step.

21. Cross the two sides so

that their edges meet the

crease of the opposing side.

Don’t crease sharply.

22. Mountain crease the left

flap of the model on a line

nearly parallel its edge.

Note: Make sure eyes are

visible after crossing flaps.

23. Unfold the left edge.

Fold-unfold the right edge to

a crease of the last step.

25. Valley fold the left

bottom edge up on the crease

just made.

Unfold the last step on the

right side.

27. Swivel the paper’s edge

up as you refold the right side

of the model. Adjust folds

if necessary to make a

rectangle of light paper on

the reverse side of this flap.

reverse side

19. Valley fold along the

diagonal crease of step 1.

26. Fold the left tip down.

The edges on the left side

meet. Valley fold this “foot”

assembly to the right. The

bottom edges of this fold also

lie along the same line.

24. Crease the left side of the

model as indicated and then fold

down the left edge (step 5). Valley

fold the right side up. The upper

edge of the resultant flap is parallel

to the crease of step 23.

(18)

bottom view

28. Narrow the flap with a

valley fold. Fold the end of

the flap to the left on an

existing crease. This flap end

will become a hand.

29. Fold the hand assembly

up on the crease of step 23.

You are now ready for final

shaping.

30. Fold the right side of the

model past the center on the

crease of step 21. Don’t pinch

it sharply. Curve the lower

edge of this flap.

31. Shape the hand by

folding corners behind,

creating a thumb, and

narrowing the wrist and

curling fingers.

32. Fold the left side of the

model under the right side

with the hand. Round the

contour of the model like a

cone (see next diagram).

33. Fold the foot up, shape

the arms and wrist with

curved valley folds, and dent

the right side with a valley

crease that angles down

(19)
(20)
(21)
(22)
(23)

44

45







(24)























created and designed by Joseph Wu

































(25)

48

49



















(26)

L

© 2012

ithuania

Plesiosaurus

Model & Diagrams by Paulius Mielinis

Paper: any

Size: 20 cm

Start white side up

1

Fold and unfold.

Fold and unfold just in the middle.

Turn over.

2

3

5

6

7

Fold and unfold.

Fold and unfold.

Fold and unfold.

Fold and unfold.

Valey fold.

4

8

9

Mountain fold behind, then rotate.

Swivel fold.

10

11

12

13

14

15

16

17

21

18

19

20

16-19

Fold and unfold angle bisectors.

Turn over.

Closed sink.

Crimp folds.

Fold one flap to the left.

Reverse fold the tip,

close the opened flap.

Flatten.

Tuck the flap under.

Repeat steps 16 to 19 on the left.

(27)

52

53

Valey fold and tuck

he flaps under.

22

23

24

25

Release trapped paper.

Valey fold.

Mountain folds.

Inside reverse folds.

Don't fold all the way down.

Leave some space at the tip.

Mountain fold the tip.

Turn over.

Crimp a pair

of paddles.

Shape the paddles.

Shape the body.

Narrow the neck and tail.

Rotate.

26

27

28

29

30

31

32

33

Finished Plesiosaurus.

(28)
(29)
(30)































































(31)

60

61











































(32)















(33)

64

65

Slug

Created & diagrammed

by Miroslav Mrajca

from Czech Republic

1

2

3

4

5

6

7

Fold and unfold

Valley fold

Turn over

Fold and unfold

Fold and unfold

Fold and unfold

(34)

8

9

10

11

12

13

14

15

16

17

18

19

Pleat fold

Squash fold

Fold and unfold

Petal fold

Fold and

unfold

Close sinks

Turn over

Open

Fold and

unfold

fold pattern

Close

Fold and unfold

20

21

22

23

24

25

26

27

28

29

30

31

32

Rabbit-ear

Inside reverse fold

Fold and unfold

Open sinks

Fold and unfold

Fold and unfold

Fold and unfold

Fold and unfold

Valley fold

(35)

68

69

http://creativecommons.org/licenses/by-nc-sa/3.0/

Repeat the pattern using a long vertical strip of

paper. The tessellation will twist into a helix!

http://www.origamitessellations.com

Copyright Eric Gjerde 2012

Dragon Helix

33

34

35

36

37

38

39

40

41

42

Completed slug

Final shaping

Valley fold

Mountain fold

Zoom out

(36)

Spirit Fox & Heart

The Spirit Fox & Heart are two simple models, made from a single square of paper. For the fox, it helps

if the paper is slightly transparent when backlit so that the facial expression is visible.

Follow the photo steps below to create your own fox and heart!

http://creativecommons.org/licenses/by-nc-sa/3.0/

http://www.ioanastoian.com

Copyright Ioana Stoian 2012

(37)
(38)

Designed and diagramed by :

Chan Pak Hei , Kade 陳柏熹

Copyright © 2010 Chan Pak Hei , Kade

(Hong Kong)

地獄眼鏡蛇

Grid 1

Grid 2

Grid 3

Grid 33

Grid 32

Grid 31

Paper scale : 1:33

Grid 1

Grid 2

Grid 2

1.

3.

4.

5.

Grid 1

Grid 2

2.

(39)

76

77

6.

7.

8.

10.

11.

12.

13.

14.

15.

16.

17.

09.

Repeat 10-12

Open sink

18.

19.

20.

21.

22.

23.

24.

25.

26.

27.

28.

29.

Repeat 24-25

Open sink

(40)

30.

31.

32.

33.

34.

35.

36.

37.

38.

39.

40.

41.

42.

43.

44.

45.

46.

47.

48.

49.

50.

51.

52.

53.

(41)

80

81

Grid 33

54.

55.

56.

57.

58.

59.

60.

61.

62.

63.

Completed

(42)

Cockatoo

by Hoang Tien Quyet

July 2012

1

2

3

4

5

6

7

8

11

12

9

10

8-9

14

15

16

½

½

17

18

20

19

13

21

22

23

24

(43)

84

85

25

26

27

29

30

31

32

33

34

35

36

37

Completed

28

Outside reverse fold.

Use the creases

made in step 26.

(44)
(45)

88

89

http://creativecommons.org/licenses/by-nc-sa/3.0/

http://www.origamitessellations.com

Copyright Eric Gjerde 2012

Moorish Stars

Symbol denotes a hex twist

(This pattern is made up of “waterbombed” collapses with rhombus tiles inbetween. It is meant to be 3D.)

http://creativecommons.org/licenses/by-nc-sa/3.0/

http://www.origamitessellations.com

Copyright Eric Gjerde 2007

(46)

ミミズク

Owl

(May 2012)

ジョセフ·ウー

Joseph Wu

1

半分に折り筋をつける

Fold in half. Unfold.

2

縁を中心に合わせて折る

Fold the edges along the

center line.

3

カドを中心に合わせて折り

筋をつける

Fold the corner to the

center. Unfold.

4

折り筋を縁に合わせて折り

筋をつける

Fold the crease to the

edge. Unfold.

6

カドとカドを合わせて折り

筋をつける

Fold corner to corner and

crease as indicated.

5

カドを線に合わせて折り筋

をつける

Fold the corner to the

crease. Unfold.

7

縁を折り筋に合わせて折り

筋をつける

Fold edge to the crease

and unfold.

8

縁を中心に合わせて折り筋

をつける

Fold edge to the center

line and crease where

indicated.

9

縁を折り筋に合わせて折り

筋をつける

Fold edge to the line and

crease where indicated.

10

縁を折り筋に合わせて折り

筋をつける

Fold edge to the line and

crease where indicated.

11

縁を三番目の折り筋に合わ

せて折る

Fold edge to the third

line.

12

縁を中心に合わせて折る

Fold the edges along the

center line.

13

カドとカドを合わせて折り

筋をつける

Fold corner to corner and

crease where indicated.

14

カドを縁と合わせ

て折り筋をつける

Fold corner to

edge and crease

where indicated.

15

全部ひろげる

Unfold everything.

16

ついている折り筋で折る

Fold using existing

creases.

17

ついている折り筋で立体な

U字型に折る

Fold using existing

creases in a

tri-dimen-sional U-shape.

18

ついている折り筋で立体な

U字型に折る

Fold using existing

creases in a

tri-dimen-sional U-shape.

19

ついている折り筋で縁を折

る、内側をひろげてつぶす

Fold using existing

creases, open squash

inside.

20

たたまれている部分を引き

出す

Pull out flap trapped

inside.

(47)

92

93

21

カドを内側に折り込む

Mountain fold between

the points indicated.

22

ついている折り筋で中割り折り

Inside reverse fold using

existing creases.

23

ついている折り筋で中割り折り

Inside reverse fold using

existing creases.

24

ついている折り筋で谷折り

Valley fold using existing

creases.

25

縁を縁と合わせて折る

Fold edge to edge.

26

縁を立てる

Make the flap stand

upright.

27

ついている折り筋で谷折り

Valley fold using existing

creases.

28

ついている折り筋で中わり折り

Inside reverse fold using

existing creases.

ついている折り筋を山折りにし

てその縁と中心線に合わせて

折り筋をしっかりつける

Make the existing crease into

mountain, and fold that edge

along the center. Crease well.

31

ついている折り筋を使って

つまみ折り

平らにならない

Rabbit ear fold using

existing creases indicated.

Model will not lie flat.

29

中わり折りをひろげる

Unfold the inside reverse.

30

32

ついている折り筋を使って

中わり折り

Inside reverse using

existing creases.

33

ついている折り筋を使って

中わり折り

Inside reverse using

existing creases.

内側に折り込む

Push and sink

the corner

inside.

完成

Model Completed.

39

34

カドとカドを合わせて折る

平らにならない

Fold corner to corner.

Model will not lie flat.

35

縁と縁を合わせて、

ひろげてつぶす

Fold edge to edge

and squash.

36

カドを内側に折り込む

Fold the corner under

the layer.

37

途中

In progress.

38

反対側も31-37と同じ

ように折る

Repeat steps 31-37 on

the other side.

31-37

40

41

(48)

L’Hippopotame

Modèle et Diagramme :

Christophe Boudias ;-)

07/09/2011

Base de l’oiseau.

1

2

8

10

12

13

15

16

17

18

19

3

6

4

5

9

Pli en oreille de lapin, répéter derrière.

L’hippopotame est

terminé !

20

2

0

2

0

Pli inversé intérieur qui amène la pointe jusqu’en haut. Rentrer les pointes des pattes Basculer les épaisseurs de papier vers la gauche suivant l’axe vertical. Répéter derrière. A: Pli en oreille de lapin, répéter derrière. B: Fermer le modèle

B

A

Pli en oreille de lapin, répéter derrière.

7

Basculer la queue jusqu’au repère donné. Pli iversé intérieur jusqu’au repère donné. Pli iversé intérieur jusqu’au repère donné.

Ouvrir la pointe. Ouvrir la pointe.

11

Pli vallée d’un tier.

Pli vallée. Pli vallée vers le centre, le modèle n’est plus

plat! pour la partie centrale.a : Pli oreille de lapin b: Pli oreille de lapin.

3D

14

a

b b

Former les narines.Plier le modèle en deux par

un pli montagne.

Pli inversé intérieur sur la queue, arrondir le ventre. Derrière les oreilles: crimp

sur le cou.

Elargir le bas des pattes avants. Zoom sur la tête.

Former les yeux à l’aide d’un objet pointu.

Crimp pour les oreilles puis les ouvrir et les

arrondir.

180°

PaPer Info:

12-inch (30 cm) scrapbook paper was used to make this model that stands 4

inches (10 cm) tall at the head.

TIPs and TrIcks:

Scrapbook, kami, or giftwrap paper would all work well. The Dragon looks

great in different sizes. There is a pocket underneath so you can use the model as a finger

puppet or mount it on a stick for decorative purposes. You can inside reverse the legs at

the end to make them pointed as shown in the alternate image on the Contents page.

Steps 1-6 show an alternate way of folding the Preliminary Base.

Wen’s Dragon

Sok Song

USA

1 2

3 Fold down one folded corner. 4 Unfold to right.

5 Fold down other folded corner. Note: the triangle flaps will be on opposite sides.

6a Open and squash center pocket as shown. 6b Squash in progress. 7 8

9 Open sink the top using existing creases.

(49)

96

97

180°

10

11 Inside reverse all four corners as shown. 12

13 Rabbit ear to

form the wing. 14 Repeat steps 12-13 on other side.

15 Narrow the points as shown. Note: when you are doing the other side, you will need to move the wings over.

16 Narrow again as shown. Note: beware of paper creep. It’s best not to fold quite to the edge.

17 Inside reverse as long as possible.

18 Fold down the sides as shown.

19

20 Inside reverse the head. Note: the reference is the top of the white section on the inside. 21 Inside reverse so the horn

sticks out as shown in next step. 22 Fold up the wing as shown. Repeat behind.

23 Pleat the wing. Repeat behind. Finished Wen’s Dragon!

(50)























 













 











































“Oh no, not another origami

penguin!” is usually the first

reaction when presenting yet

another penguin design to the

abundant existing ones.

With this design I tried to be

a bit more specific in the type

of penguin, namely the

Emperor Penguin- the largest

of all the penguins. Although

the colours are the same as

for most other origami

penguins, the shape of

especially the large chest,

head and the longer beak

makes this variation so

recognisable.

It is possible to obtain

different head positions with

this design, and so a whole

Emperor Penguin family can

be folded by applying only

slight variations to the

folding sequence. The legs

are also quite “long” for a

penguin design, so the baby

penguin can thus be placed in

the father’s “pouch”.

Most papers will work well,

but thicker papers that are

wet-folded are best to give

more volume to the final

result.

(51)

100

101

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

























(52)

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References

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