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(1)Reprints from the. International Trumpet Guild Journal ®. to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet. Ronald Romm’s Monday Morning Warmup. The International Trumpet Guild® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild® prohibits the following without prior written permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution.. http://www.trumpetguild.org Please retain this cover sheet with printed document..

(2) Trumpet in Bb Mouthpiece. . Monday Warm Up Series 1. James Stamp/RMR.                         . 5.                          . 9.                          . 13.                          . 17.               .    . 22.                         . 25.         .        . . 28.                         . 31.         .        . . V.S..

(3) 2. Trumpet in Bb.                         . 34.         . 37.        . .                         . 40.         . 43.        . .                         . 46.         . 49.        . .                         . 52. 55. .        .        . .                         . 58. 61. .        .        . .

(4) Monday Warmup--System 2. Trumpet in Bb On the Trumpet.    5.   . 9.   . 13.   . 17.   . 29.   . .     .    . .  3              . . .   . . . 3. . 3. . 3. .            . .   . . 3.   . 25.   .    .    3. 21.   .     . . .  . 3. . James Stamp/RMR.    . .     . .           .  . 3.        . .   . .  .  .    .     .

(5) 2. Trumpet in Bb 35. 3.   .        . 41. 3.   .                . 47. 3.   .        . 53. . . 62. . . . 66.  .  .   . 70. . .   . 74. .  .   . . 3.             James Stamp.     .   . .    . .      .               . 59. . . 3.     .      .  . .    . .       .  .   .  .  .   .   .  . .

(6) 3. Trumpet in Bb 78. . 82. . .  .      . .  .      .  .  .  .  . James Stamp.                              . 86.                              . 88.                          . 90. 92.  .       .         . 94.                  . 97. .                          .   . 101. . .       .          . 104. . .         .       .  . .

(7) 4. Trumpet in Bb 107.  .   .    .   . . .                 . 109. 112.  .     .  .           . 114. 117.  . . . . . . .        .           .  .  .  .  .      .                       .           .  .         .                          . 124.  .         . 119. 122. .  . .

(8) 5. Trumpet in Bb Legato Articulation Drill-RMR. 127.                  .            . 131.                 .              . 135.                 .              . 139.             . 143.           .                                         . William Vacchiano. 147.  . . . . .           . 151. 157. .     163.     . .   . .   .             .                              .    .    .

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