Pomp & Circumstance March #2 for Brass Ensemble

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© 2005 Geoff Colmer ([email protected])           (1) Picc. Trumpet Eb (2) Trumpet Bb (3) Trumpet Bb (4) Tpt Bb (5) Horn F (6) Trombone (7) Trombone (8) Euphonium (9) Tuba (10) Percussion p cresc.

Statement q = 116 March (Allegro Molto) A 5 p cresc. p cresc. ff p ff pp cresc. ff pp cresc. ff pp cresc. ff pp cresc. ff pp cresc.              

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer

                     _{  }                 BD      SD                                                                                               _{  } _{     }                             

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(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc mp mf f ff 10 mp mf f ff f ff (mp) (mf) f ff mf cresc. f (mp) (mf) f (mp) (mf) f (mp) (mf) f (mp) (mf) f (mp) (mf) f                                               _{     }  _{     }  _{               }  _{               }                                                                                                                                               _{    } _                                                   

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          (1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc mf 1. 2. B 15 20 sf sf sf sf sf sf sf sf sf sf sf sf sf ff _sf _sf _sf _sf _f ff _sf _sf _sf _sf mf ff sf sf sf sf mf ff sf sf sf sf f ff sf sf sf sf mf ff        muted (metal)                    _{ }                              _{ }                  _{ }       non-vib                         Cymb  TT             _                                                                                                                                                                      3

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(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc f f 25 30 mf p f mf f mf p f mf f mf mf _f p f mf f sim. p _f _f sim. p f mf f p f _mf _f sim. p f mf f p _mf _mf  3 3 open       _ _{ }   3 3    _{ }   3 3 _{  }     3 3     _{ }  3 3  3 3 3 3 3 3 _ _        _  ₃ ₃  3 3 ₃ 3 3 3  _                                          _{ } _{        }              _{ } _{        }                             _{                    }_{     }  _ _                _{  }  _ _{  }                         _{               }        _ _{   }                      _  _

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(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc f C 35 40 mf mf mf f mf sim. mf sim. f mf sim. f    3       muted (metal) 3 ₃  _ _         _ _                 3     3 3                  3 3  _{ }                                                               _                _                                                            _                       _       _{       } _{ }            5

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(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc f 45 p f mf cresc. f f p f mf cresc. f mf cresc. _f p f mf cresc. f p f mf cresc. f p f mf cresc. f p f mf cresc. f p _f _{mf cresc.} f f  open       3 3  3 3  3 3  3    3 3 3 3 3 3 3    3    3 3 ₃ ₃ ₃ ₃           _              _{ } _{    } _             _{ } _{ } _{     }                                                 _{    }              _  _ _ _ _ _ _{  }          _{                } _{  }     _               

(7)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc sf _cresc. sf sf 50 55 sf cresc. sf sf cresc. _ff cresc. ff cresc. ff cresc. ff cresc. ff cresc. ff cresc. ff cresc. ff            _{       }      3 3 _{       }      3  3                            3  3                                  _  _{ } _{ } _  _{                     }                                                                                                                                                   7

(8)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc p cresc. mp Statement q = 116 March 60 65 p cresc. mp p cresc. p pp cresc. pp cresc. pp cresc. pp _cresc. pp _cresc.                          _{  }                           _{     }                                                                                                                       _{  } _{     }                _ _ _{            }              

(9)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc mf _f 70 mf f f (mp) (mf) f mf cresc. _f (mp) (mf) f (mp) (mf) f (mp) (mf) f (mp) (mf) f (mp) (mf) f                                         _{     }                                                                             _ _{ } _{ }                                                    _{   }             _  _  _  _                                9

(10)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc ff sf sf 75 ff sf sf ff sf sf ff sf sf ff sf sf ff sf sf ff sf sf ff sf sf ff sf sf ff              _{   }           _{ }   _{   }   _{ }                                                                                                                                                _{   } _{ } _{ }                        _{   } _{   } _{ } _{ }                                   _           

(11)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc sf F _G 80 85 sf _p sf p sf sf _f dim. sf _f dim. mp pp sf _f _dim. mp pp sf _f dim. mp pp sf f _dim. mp pp p pp                                                 3 3 3 3                   3 3 3 3 3 3 3 3 3 3   3 3  3 3  3 3  3 3  3 3                                                        _   _   _   _                                                                        _  _  _ 11

(12)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc 90 95 cresc. cresc. cresc. cresc. cresc. cresc.                          _{ } _{ }                                             3 3 3 3 3 3 3 3 3 3   3 3  3 3  3 3  3 3  3 3                                                               _   _   _   _   _                                                        

(13)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc mf cresc. f 100 105 mf cresc. f cresc. mf cresc. f _cresc.

mp cresc. mf cresc. f cresc.

mf f cresc. mf cresc. f cresc. _ff mf cresc. _f ff mf cresc. f cresc. ff mf cresc. f cresc. ff mf cresc. f          _{ }      3 3  3 3                    3 ₃ 3 3 3 3   3 3 _{  }                                                        _{  }                                                                              _{     } _ _ _{  } _{          }   _{  }   _ _ _{   } _{  }                                                               13

(14)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc 110 115 p p dim. _pp dim. pp dim. pp dim. pp dim. pp pp                                           _{ } _{ }    3 3                                   3 3 ₃ ₃ ₃ ₃ ₃ ₃          3 3  3 3  3 3                                                     _{ }                                                                                    _{  }  _{  }  _{  }  _{  }  _{  }  _{    }

(15)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc mf I 120 cresc. mf mp cresc. _mf cresc. mf mf cresc. cresc. cresc. mf cresc. mf cresc.                          _ _                   3 3 3 3 3 3 3 3  3 3  3 3  3 3  3 3    _  _{    }                _{ }    _  _{    }                         _    _    _{    }                                                                                      _{     }  _{ } _{   }  _{ } _{  }    15

(16)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc cresc. f 125 130 cresc. f dim. cresc. f cresc. _f dim. cresc. f cresc. f dim. cresc. f dim. cresc. _f cresc. f             3 3  3 3    _  _    3 3 3 3   _         _{  }              _{  }                  _{  }              _{  }   _{    }                                _{  }    _      _ _ _{ } _ _{ }                        _                  

(17)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc p cresc. ff J 135 140 p cresc. ff f ff pp cresc. ff pp cresc. ff pp cresc. ff pp cresc. ff pp _cresc. ff pp cresc. ff pp cresc. ff                  Muted (metal)     Open                                              _{   }                            _{ }   _{ }   _{ }                                                       _{ }     _{ } _{            }                                                                                                            17

(18)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc sf sf sf 145 sf sf sf sf sf _sf ff sf sf sf sf sf sf ff sf sf sf sf ff ff ff                                                                       _{ } _{          } _{ }   _{  } _{      }                                                           _{ }                                                  

(19)

          (1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc 1. 2. Statement DC al CODA ff ff ff ff ff ff ff                             _{ }                                        _{     }  _{     } _  _{  } _                                                              _                              19

(20)

(1) Picc. (2) Tpt (3) Tpt (4) Tpt (5) Hrn (6) Tbn (7) Tbn (8) Euph (9) Tba (10) Perc ff ff                                                                                            _                  _ _ _{      }   _  _{     }   _  _{ }   _{ }   _     _{ }                  _{     }                      

(21)

(1) Picc. Trumpet Eb



p

cresc. mp

Statement q = 116 March (Allegro Molto)

A mf f ff 10  1. 2. 15 mf _f f B 20 f C 34 f sf cresc. sf sf D 48 Statement q = 116 March E 58     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer       



muted (metal) 3 3 open



        3  

_

muted (metal) 3 ₃ open



   



                                                                    _{  }                                                   

(22)

p cresc. mp mf 61 f ff _sf 69 sf sf mf cresc. f F G 75 mf cresc. H I 103 f p J 128 cresc. ff 134 sf sf sf 140  ff 1. _Statement 2. DC al CODA 148    











              



  





                                                              _{         }                                                _{ }   _{ }   _{ }   _{ } _{             } _{ }           (1) Picc. Trumpet Eb 2

(23)

(1) Picc. Trumpet Bb



p

cresc. mp

A mf f ff 10  mf 1. 2. B 17 f f 26 f C 36 f sf cresc. sf sf D 48 Statement q = 116 March E 58     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer      



muted (metal) 3 3  open



     _{ } 3   



muted (metal) 3 3 open



   



                                            _ _{     }                          _{  }                         

(24)

p _cresc. _mp _mf 61 f ff _sf 69 sf sf _mf cresc. _f F G 75 mf cresc. H I 103 f p J 128 cresc. ff 134 sf sf sf 140  ff 1. _Statement 2. DC al CODA 148    











              



  





                                                                   _{  } _{            }                                                                         _         _{  } (1) Picc. Trumpet Bb 2

(25)

(2) Trumpet Bb



p

cresc. mp

A mf f ff 10  sf sf sf sf sf mf p 1. 2. B 17 f mf f 29 mf p f mf cresc. C 36 f f sf cresc. sf sf D 48 Statement q = 116 March E 58     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer    



3 3       _{ }  



3 3   



                                                                                                                    

(26)

p cresc. mp mf 61 f _ff _sf 69 sf sf p F _G 75 cresc. _mf 91 cresc. f cresc. 100 p cresc. H 110 mf cresc. f dim. I 121 p cresc. J 131 ff 136  ff 1. 2. Statement _{DC al} _CODA 143    



               



                           



 



   



                                                              _{                }                                         _{  }                                                         _{ } _                                                          (2) Trumpet Bb 2

(27)

(3) Trumpet Bb



f ff

A  sf sf sf sf 1. 2. 15 mf p f mf f B 20 mf p f mf cresc. C 34 f cresc. _ff D 48 f Statement _{q = 116 March} E 58 ff sf 71 sf sf F 75    



for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar



3 3         



3 3  _{       }  



  



  



                                                                                                                                                            

(28)

p cresc. G 84 mf _cresc. f 95 cresc. 103 mp cresc. mf cresc. f H I 110 f J 131 ff sf sf sf sf 136  ff 1. Statement _{DC al} 2._CODA 148      _{ } _{ }      _{ } 







    Muted (metal)     Open    



       



  



     



                                                 _{          }                                                             _ _          (3) Trumpet Bb 2

(29)

(4) Tpt Bb



p cresc. (mp) (mf)

A f ff 11  sf sf sf sf mf 1. _2. B 17 mf _f 29 mf mf cresc. C 36 f cresc. ff D 48 Statement E 54 q = 116 March 60    



for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar



3 3      _   



3 3   3  3 3 _{   }       







                                                                                                                

(30)

p cresc. (mp) (mf) 64 f _ff _sf 70 sf sf mp cresc. mf F _G 75 cresc. f cresc. 100 p cresc. H 110 mf cresc. _f I 121 pp J 131 cresc. ff 136 sf _sf 1. _Statement 142  ff 2. DC al CODA 149    









     _{ } _{ }      _{ }              



    



_ _ _ _ _ 



                                                                                                                                                         _{ }           _{ }                                                  _ _   _  _  _  _{  } (4) Tpt Bb 2

(31)

(5) Horn F



ff p

A mf cresc. f ff _sf sf 11  sf sf f 1. 2. B 18 p f mf f f 28 p f C 36 mf cresc. f cresc. D 46 ff 52   _{  }



for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer   _{ }           3 3   3 3 3 3 ₃ 3    3      3 3  3 3  3 3 ₃ 3 ₃  3   3         



                                                                                       _{         }                                            

(32)

p Statement q = 116 March E 58 mf cresc. _f ff sf 64 sf sf f _dim. F 75 mf f _cresc. G 84 dim. _pp H 106 113 mf dim. I 124 pp J 131 cresc. ff 136 ff 144  _{  } 



    _{   }   



3 3 3 3 



 3 3  3 3    3 3     



  3 3  3 3  



                                                                                                               _{ }                                   _{                       }                                  _{  }         

(33)

 ff 1. _Statement 2. DC al CODA 148  _{ }                                   _{     } _{     } _{     } _   _{  }   _{ } (5) Horn F 3

(34)



ff pp cresc. (mp)

Statement

q = 116 March (Allegro Molto) A (mf) f ff sf sf 10  sf sf mf sim. 1. 2. B 18 p f _f 27 mf sim. p f _{mf cresc.} C 36 f cresc. D 47 ff 52     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer                      



                    



                                                   _{               }_                         _{ }        _{ } _{ }                               _ _{  } _ _{     } _ _{   }               

(35)

pp cresc. Statement q = 116 March E 58 (mp) (mf) f ff 66 sf sf sf f dim. F 73 mp pp _cresc. G 82 mf cresc. f cresc. 94 ff dim. pp H 105 cresc. 114 cresc. f I 124 pp cresc. J 131 ff sf sf sf sf sf sf ff 136  ff 1. _Statement 2. DC al CODA 147                                   _              _       



_                



                                                                                                                                    _{  }                                                   _{ } _{   } _{ } _{       }     _{ }          _  _{ }  _{  } (6) Trombone 2

(36)



Statement

q = 116 March (Allegro Molto) A (mf) f ff sf sf 10  sf sf mf sim. 1. 2. B 18 p f mf f 27 mf sim. _p _f _{mf cresc.} C 36 f _cresc. D 48 ff 52     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer   _{ }                    _        3  3   3            



                                  _{ } _{ } _{ }                   _{    }                          _{  }_{   }                                                                 

(37)

pp cresc. Statement q = 116 March E 58 (mp) ₍_mf) _f _ff 66 sf sf _sf _f dim. F 73 mp pp _cresc. G 82 mf cresc. _f 94 ff dim. pp H 106 cresc. _cresc. _f dim. I 118 pp cresc. J 131 ff sf sf sf sf ff 136  ff 1. _Statement 2. DC al CODA 147      _{ }                                         _       



               



                                                                                                       _{  }                                                   __                 _{         }                     _  _    _ _ (7) Trombone 2

(38)



A (mf) f ff sf sf 10  sf sf _f 1. 2. B 18 p f _mf _f f 28 p f C 36 mf cresc. f cresc. ff D 46 53     

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer   _{ }        non-vib     3 3   3 3 3 3 3 3        3 3  3 3  3 3 3 3   



      _{    }                                                  _               _{      }       _{ }                                     _{      }     _{ }                                                

(39)

pp cresc. Statement q = 116 March E 58 (mp) ₍_mf) _f _ff 66 sf sf sf f dim. F 74 mp pp G 82 cresc. 90 mf _cresc. f cresc. _ff 98 dim. pp H 107 cresc. 115      _{ }            3 3 3 ₃ 3 3      3 3 3 3 3 3 3 3      3 3 3 3 3 3 3 3        3 3 3 3         3 3 ₃ ₃ ₃ ₃     3 3 3 3 3 3 3 3       _{    }                                    _{ } _{ }  _{       }                                                                                                                                             _{ } _{         }                                  (8) Euphonium 2

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mf cresc. f dim. I 122 pp J 131 cresc. ff ff 136 1. _Statement 146  ff 2. DC al CODA 149     3 ₃ 3 3 3 3  _ 



                            _{ }                    _                 _ _{ } __{  }                             _       _ _ _ _      _      

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A (mf) _f _ff 9  sf sf _sf _sf _mf sim. 1. 2. B 17 p f mf f 27 mf sim. p f C 36 mf cresc. f cresc. ff D 46 Statement E 58   

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer            _{ }  _{      }     _{ }    



      _  _                         _  _  __  _  _  _  _{  }_ _{     }    _   _                   _                                                          

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pp cresc. (mp) q = 116 March 60 (mf) f _ff sf 67 sf _sf f dim. F 75 mp pp G 82 cresc. 90

mf cresc. f cresc. ff _dim.

98 pp H 109 114              3 3  3 3  3 3   3 3  3 3  3 3  3 3   3 3  3 3  3 3  3 3              3 3  3 3   3 3  3 3                                      _  _                      _  _{       }  _{       }  _{      }   _{       }  _{       }  _{       }  _{      }   _{       }  _{       }  _{       }  _{      }   _{   }  _{          }                                 _{      }   _{      }  

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cresc. 119 mf cresc. f I 124 pp cresc. J 131 ff _ff 136  ff 1._Statement 2. DC al CODA 147  3 3  3 3  3 3    _    _{   }



_                  _{      }   _{     }    _     _    _                                     _{ } _{    }  _ _{    } _ _{    } _ _{    } _    _{  }       (9) Tuba 3

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

ff pp cresc. (mp) (mf)

A  f ff 1. 11 p mf mf 2. B 19 f f cresc. ff C D 35 pp _cresc. ₍_mp) Statement q = 116 March E 58 (mf) f ff 67 p F 75   BD 



 SD

for brass ensemble

Pomp & Circumstance

March No.2

Sir Edward Elgar

arr. Geoff Colmer   Cymb  TT  





   



 



                         _    _   _    _   _    _   _                       _  _                                                                                          