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WE ARING TIME:

RETURNS, RECALL S,

RENEWAL S

A FA SHION FILM FESTIVAL

JANUARY 28

31, 2016

The festival is complimentary and takes place at Fashion Project, Bal Harbour Shops, Level 3

FA SHION PROJECT

BAL HARBOUR SHOPS’ CULTUR AL SPACE

AND FA SHION IN FILM

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WE ARING TIME:

RETURNS, RECALL S,

RENEWAL S

Wearing Time: Returns, Recalls, Renewals, co-curated by Tom Gunning and Marketa

concrete manifestations of time fashion and clothing enable: What kind of chronologies and histories? Origins and memories? Echoes and shadows? Projections, visions,

referred to as “costume dramas” for this

an old closet arouses nostalgia and feelings of

rediscovering an old familiar dress and indeed,

it can awaken ghosts and revenants that return

the studio era often announced the number of costume changes a leading lady would go with which to travel through time, is can also measure time; it allows us to wear time, even

cinema can magically make clothing transform,

to confuse, deceive, and disorient; or even to

The festival is presented in collaboration with Miami International Film Festival, Lowe Art Museum, and Lynn and Louis Wolfson II Florida Moving Image Archives. The screening room is designed by Tui Pranich and Tui Lifestyle.

SCHEDULE AT-A-GLANCE Thursday, January 28 7:00 pm 8:45 pmVertigo Friday, January 29 7:30 pmOm Shanti Om, introduced by Saturday, January 30 1:30Tony Takitani

4:30 pmDon’t Look Now

6:45 pm

co-curators Tom Gunning and Marketa Uhlirova in conversation

8:15 pmLola Montes

Sunday, January 31

2:30 pmMy Fancy High Heels

4:00 pm Resurrecting and Re-editing the Cinema Diva: festival co-curator Tom Gunning introduces the artist

Rose Hobart and Irma Vep, the Last Breath

5:30 pm Costume Changes: Doll Clothes and

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THURSDAY

JANUARY 28

7:00 PM

FA SHION IS HISTORY

An introduction to the festival by Kate Sinclair

is followed by a program of shorts by contemporary

artists, animators, and image-makers along with

historical trick and fashion films.

succession of the most emblematic styles

Dreamed Fashion (La mode rêvée)

& Sander’s Last Season, a commentary on fashion’s merciless quest for newness delivered

Vanished World of Gloves is a of the world, of cinema, and of gloves that

Traveling Lady combines animation with live action to conjure the daring the world with little more than her clothes and a

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8:45 PM

Vertigo

Vertigo ranked highest in the latest Sight & Sound

through control of costume have never been

Last Season

Dreamed Fashion

(La mode rêvée)

Animated Fan

(L’Eventail animé)

Costume through the Ages,

executed by the couturier Pascault

(Le Costume à travers les âges – Reconstitué par le couturier Pascault)

Beautiful Ladies’ Hats

(Les Chapeaux des belles dames)

The History of Hats

(Histoire de chapeaux)

A Retrospective Look at Corsets

(Rétrospective sur les corsets)

The Vanished World of Gloves

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FRIDAY

JANUARY 29

7:30 PM

Om Shanti Om

Introduced by Anupama Kapse.

Om Shanti Om

decoding clues left behind by their onscreen

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SATURDAY

JANUARY 30

4.30 PM

Don’t Look Now

terms with their daughter’s accidental death by

mental time travel, which takes on the form of

Don’t Look Now

1:30 PM

Tony Takitani

Introduced by Kate Sinclair.

follows the life of Tony Takitani and the young with designer clothes and accessories is

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Lola Montes

the life of the scandalous nineteenth-century

moments of tenderness and loss as Montes’

FP TALKS / FA SHION TIME

FILM TIME

Festival co-curators Tom Gunning and Marketa

Uhlirova in conversation.

the way we think of fashion and clothing?

Wearing Time

historian Tom Gunning and fashion historian

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SUNDAY

JANUARY 31

RESURRECTING AND RE

-EDITING THE CINEMA DIVA

Introduced by festival co-curator Tom Gunning.

Rose Hobart

collages in which he gathered everyday objects dreamlike arrangements that evoke scenarios

East of Borneo, eliminated all dialogue, overdubbed shots with irrelevant

2.30 PM

4.00 PM

My Fancy High Heels

My Fancy High Heels

documentary that traces fashion to its

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5.30 PM

Irma Vep, the Last Breath

The female jewel thief in a black body suit,

Les Vampires

Irma Vep, the Last Breath refashions the character into a cross-dressing emblem of the modern mobile sense

sometimes worked as a ticket-taker at the

COSTUME CHANGES

Doll Clothes

Film Stills

series, Cindy Sherman’s kooky animation Doll Clothes

Grey Gardens

two women are shown talking, squabbling,

the show with her highly individual, eccentric, time, taking care of mother, to get out and

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CREDITS

COLLABORATORS

Fashion Project

and celebrate fashion and the culture surrounding its

Fashion in Film

image and brings together documentary and fashion

CONTRIBUTORS

Tom Gunning

and Media Studies, and the College Classics at

books, The Films of Fritz Lang: Allegories of Vision and Modernity D. W. Early Years at Biograph, and over one hundred articles,

Marketa Uhlirova is co-founder, director, and curator of the Fashion in Film Festival and a senior research fellow

including If Looks Could Kill: Cinema’s Images of Fashion, Crime and Violence and Birds of Paradise: Costume as Cinematic Spectacle

contributed articles to journals and magazines, including

Fashion Theory, Art Monthly, Aperture, and

Anupama Kapse

book Silent Cinema and the Politics of Space and the forthcoming Film as Body/Politic: Indian Cinema, the Early Years

Kate Sinclair

worked with clients including Vanity Fair, The Sunday Times Style, Garage Magazine, and Wylde Magazine

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Please arrive early.

by the festival’s curators is available at Books & Books, Bal Harbour Shops.

Fashion Project

Partnered by:

PARTNERS

The mission of Miami Dade College’s Miami International Film Festival is to connect art with audiences and foster a value for cinema for future

The Lynn and Louis Wolfson II Florida Moving Image Archives

is an essential resource for the community, state, and

The Lowe Art Museum is Miami’s oldest art institution,

Tui Pranich is the creative director of Tui Lifestyle,

THANKS

thanks to all individuals and organizations that made

References

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