Coheed & Cambria Compilation

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Intro

Moderately q. = 45

Always & Never

Words and Music by Claudio Sanchez

from Coheed and Cambria - Good Apollo I’m Burning Star IV

     

Tune down 1/2 step, drop D tuning: (low to high) Db-Ab-Db-Gb-Bb-Eb

Gtr. 1 (acous.) *

w/ fingers let ring throughout

Riff A

D

mf



*Chord symbols reflect overall harmony.

 G D/F# Dsus4 G D/F# Dsus4  D5  If 1. beau - hind Verse D ty your - sits sealed the eyes child’s you kiss miss of all  End Riff A  laugh Gtr. 1: w/ Riff A ter that - I a I’ve mend. done -for you. Can Will you you catch catch her me if when she I runs? run? With If                              0 4 5 0 0 0 7 4 0 0 0 4 5 0 0 0 7 4 0 0 0 7 9 7 0 9 0 0 0       _{ }  _      _  _ _         _ 0 7 9 7 0 9 0 0 X 0 5 4 0 0 5 4 5 4 X 4 2 0 0 5 4 0 0 5 4 5 4 X 4 2 0 0   _{         }     _      _      _      _            0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 0 0 4 5 0 0 0 7 4 0 0                         

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1.     2.  this tim G I ing -would play share ev with i D/F# -you dent, -Dsus4 all what G of will this you count say to when D/F# no you’re Dsus4 end. D5 late?  Be -2.  Stay Bridge Dsus4 with me D and  Gtr. 1 Gtr. 1  fall Dsus2 a D5 sleep. -D Pray Dsus4 to God D for no Dsus2 bad D5 dreams. D   Stay Dsus4 with me D and fall Dsus2 a D5 sleep. -D Pray Dsus4 to God D for no Dsus2 bad D5 dreams. D                          _{ }      _     _      _      _      _  _ _{  } _{ } _{ }  _ 0 2 0 0 0 2 0 2 0 0 0 0 0 2 0 0 0 2 0 2 0 0 0 0 0 12 0 0 0 12 0 0 11 0 0 11 0     _      _                                        0 9 0 0 0 14 0 11 0 0 11 0 0 12 0 0 12 0 0 11 0 0 11 0 0 9 0 0 0 14 0 11 0 0 0 11 0      _ _    _      _                                                    0 12 0 0 12 0 0 11 0 0 11 0 0 9 0 0 0 14 0 11 0 0 11 0 0 12 0 0 12 0 0 11 0 0 11 0 0 9 0 0 0 14 0 11 0 0 0 0 2

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 C o T oda D.S. al Coda Coda  Here, Interlude * Voc. Fig. 1 Gadd9 (Ah.) I’m still

End Voc. Fig. 1

wait ing- here,

Bkgd. Voc.: w/ Voc. Fig. 1

my dear, for one

G kiss D/F# from Dsus4 you. 5  Riff B

*Refers to upstemmed voc. only.

 D5   So  End Riff B  dear, Outro Gtr. 1: w/ Riff B to kill G all D/F# of Dsus4 you. D5 To kill all of  you.    (Sound effects) 13 sec.   _  Gtr. 1 f pp   _        _            _           _{  }                      _               _ _ _ 5 4 0 0 5 4 5 4 0 0 5 4 5 4 0 0 5 4 5 4 0 0 5 4 5 4 0 0 5 4 5 4 0 0 5 4 5 4 0 0 5 4 5 4 4 2 0 0             _      _      _      _             _      _      _  0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 2 0 2 0 0 0 0                             _  _  _ 0 0 0 2

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Intro Free time

Apollo I: The Writing Writer

Words and Music by Claudio Sanchez, Michael Todd, Joshua Eppard and Travis Stever

from Coheed and Cambria - Good Apollo, I’m Burning Star IV, Volume One:

From Fear Through the Eyes of Madness

 

 

 



Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

*Gtr. 1

**_Bm[add9]

let ring throughout

mf   1 3 4 G5 5fr 3 4 G5/E 5fr 1 3 4 A5 7fr 1 3 4 B5 9fr 3 4 B5/E 1 3 4 F#5     3 3 

*Kybd. arr. for gtr.

**Chord symbols reflect overall harmony.

 F#5     Bm   3 3    F#5   3 3    Gtr. 1 Gtr. 2 (slight dist.) divisi F#m[add9] µ F#7b9(no3rd) mf 3              _    _{  } 7 7 11 7 7 11 9 11 7 0 2 5                  4 7 7 11 7 7 11 9 11 7 7 10 12  _{     }             11 0 2 5 4 2 4 2 4 0 4 2 4 0 4  _{ }     _{  } _  _ _  4 2 4 4 0 4 2 4 0 4 9 1

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

Moderately fast q = 152



Verse

1st time, Gtr. 1 tacet

2nd time, Gtrs. 2 & 5: w/ Rhy. Fill 3 2nd time, Gtr. 6 tacet

2nd time, Gtr. 7: w/ Riff A (1 3/4 times)

F#7b9(no3rd) 1. 3. In In these my words pres that ence -crash you might my ears wake. 2nd time, Gtr. 2 tacet I Through now this  Gtr. 3 (clean) Riff A1 mf P.M.   P.M.   Gtr. 2 Riff A  P.M.   P.M.    Gtr. 4 (clean) Riff A2  mf  _ Rhy. Fill 3 Gtrs. 2 & 5         _{  }    _          _{ }            9 11 12 7 9 7 0 9 12 11 11 9 11 12 7 9 7                         9 11 0 11 9 11 0 11 9 11 0 11 9 X X 9 11 0 11 9 11 0 11       4 5 2     3 5 5

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 stom fic ach tion -this I in must fear. fake Bm11b6 With the your turn death  P.M.   P.M. P.M.   P.M.  P.M.    I to gath grace ered the - name face as of the my bas char - ac tard’s ter. -F#7b9(no3rd) 1st time, Gtr. 2: w/ Riff A

1st time, Gtr. 3: w/ Riff A1 (1st 7 meas.) Gtr. 4: w/ Riff A2 2nd time, Gtr. 3: w/ Riff A1 son, who With by these  P.M. P.M. End Riff A1   P.M.  End Riff A      End Riff A2                                         0 9 12 11 11 9 11 9 7 9 7 0 9 12 11 11                         9 11 9 0 2 5 2 2 4 0 4 2 2 2 4 2 0 4 2 2           4 5 2 4 5 2                _             _{ }    9 11 9 7 9 7 0 9 12 11 11                 2 4 2 0 4 2 2 2 4 2 0 4 2 9       4 5 2 3

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C o T oda  fire les - sons I he would might come. learn Through all this the wire worlds from I here might must cut burn, Bm11b6  ’top for this as tow God er

- of loss and lust.



F#7b9(no3rd) Verse

Gtrs. 2 & 4: w/ Riffs A & A2 (1st 7 meas.)

I’ll

2. grav-i - tate towards you. I will, in the

 Gtr. 3 P.M. P.M.   P.M.    now,

Gtr. 3: w/ Riff A1 (last 5 meas.)

hate you.

Bm11(b6)

Oo, whoa, whoa, oo, whoa,

 whoa. Gmaj7 Pre-Chorus I’ll make, A

uh, you wish

Bm

you had -n’t3 burned



Gtr. 2 Fill 1 P.M.

let ring 

w/ dist.

End Fill 1 Riff B

 _{        }  _     _       _{  }  _{   }      _{ }                                                   0 9 12 11 9 12 9 9 11 12 7 9 7 0 9 12 11 11 9 11 12 7 9 7              _ _  _  _{  }   _          _{   }    _{  } _           _ _{ }                       2 4 0 4 2 3 5 5 4 5 5 7 7 7 9 7 6 5 7 9 7 9 0 10 0 9 0

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 A5

our time be fore.

Gmaj7

- I’ll live,

A

uh, through this

Bm  Gtr. 5 (dist.) Rhy. Fill 1 (cont. in notation)

End Rhy. Fill 1

G5

mf

Chorus

E5



in a man-ner cursed at my own ac - cord.

Whoa, oh, oo, oh,

 End Riff B Gtrs. 2 & 5 Rhy. Fig. 1 P.M.   _ oh. B5

If my shame spills our

D5 worth  A/C# a cross D5 - this A5 floor. G5  P.M.  P.M. 

End Rhy. Fig. 1

 _{  }     _  _                                5 0 7 0 7 9 7 3 5 5 4 5 5 7 7 7 9 7 6 5 7 9   _{ }                  _     _{  }                _ _ _ _ _ _ _  _ 7 9 0 10 0 9 0 5 0 7 0 7 9 35 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 2 2                                               0 2 2 0 2 2 0 2 2 0 2 2 0 2 2 0 2 2 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 5 7 4 7 5 7 5 7 7 3 5 5 5

(9)

D.S. al Coda



Gtrs. 2 & 5: w/ Rhy. Fig. 1 (3 times)

Whoa, oh, oo, oh,

E5

oh, then to night,

B5

- good night,- I’m burn

D5 A/C# ing D5 - Star A5 Four, G5  on-ly I don’t e ven E5 - think of you. 3 B5

No, I don’t want to

D5  Gtr. 6 (dist.) Riff C mf  think A/C# of you 3 D5 an A5 y - more. G5 - Good night, E5

- to -night, good bye.

B5 - End Riff C   1 1 D5 A/C# D5 A5 G5 Rhy. Fill 2 Gtrs. 2 & 5 G5

End Rhy. Fill 2



Uh, good - night, to - night, good-bye.

  Gtr. 6 Gtr. 7 (slight dist.) divisi mf   1 1 1      _{ }                                                                     7 9 10 9 7 10 8 7 8 7 9 7 9 7 9 7 6 7 9           _ _                                      _ 7 6 7 7 7 9 10 10 7 9 7 10 12 9 12 12 12 12 9 9 9 9 129



                               _ _ _{ } 13 10 129 1013 10 10 8 8 9

(10)

Coda



de - mands in the end

Gtr. 5: w/ Rhy. Fill 1

we miss.

G5

Chorus

Gtrs. 5 & 7: w/ Rhy. Fig. 1 (4 times) Gtr. 6: w/ Riff C (1 3/4 times)

Whoa, oh, oo, oh,

E5  Gtr. 7 P.M.    oh. B5

D5 worth  A/C# a cross D5 - this A5 floor. G5 

Whoa, oh, oo, oh,

E5

oh, then to night,

B5

- good - night, I’m burn

D5 - A/C# - ing D5 Star A5 Four, G5 on-ly I don’t e ven E5 - think of you. 3 B5  Gtr. 6 Riff D     1 1  _{      }                         _ 2 4 2 0 4 2 2 2 4 2 0 2 3 5 5                      _{ }                      _  _{      }                              7 6 9 9 7 9 10 107 9 7 10 129 7

(11)

   



D5 think A/C# of you 3 D5 an A5 y - more. G5 - Good night, E5 -   1 1 

to - night, good bye.

B5

- Uh, good night,

D5 -Gtr. 2 tacet A/C# to night, D5 -A5 good bye. G5 - Gtr. 6 End Riff D  1  Gtr. 2 Fill 2   End Fill 2  1/4 1/4 

Gtrs. 5 & 7: w/ Rhy. Fill 2 Gtr. 6 tacet



F#7b9(no3rd)

Gtr. 2: w/ Riff A (1 7/8 times) Gtr. 3: w/ Riff A1 (2 times) 1st time, Gtrs. 5 & 7: w/ Rhy. Fill 3

Interlude     Gtr. 6  Gtr. 2 w/ slight dist. P.M.         _{  }               _{ }                           7 9 10 9 7 9 7 10 10 12 12 10 12 12 14 12 10 10 9 7     _{  }               _{   }   9 10 10             2 2 5 2 5 2 0     _{         }  10 11 11 11 11 9 12 9

(12)

1.  2.   Bm11b6     F#7b9(no3rd) Gtr. 2: w/ Fill 1  Gmaj7  Pre-Chorus Gtr. 2: w/ Riff B I’ll make, A

uh, you wish

Bm

you had-n’t burned

A5

our time be fore.

Gmaj7

-

I’ll live,

A

uh, through this

Bm

in a man ner- cursed

Gtr. 5: w/ Rhy. Fill 1 A5 at my own A6 ac I cord. G5 - Gtr. 6    1 Gtrs. 2 & 5 Bridge G5 G5/E P.M. G5 A5 B5 3 P.M. 

don’t want to go.



So come on, bitch, 3  3 1    _{  } _    _{  } _ _                                            12                                 _{ } _   _              _{  } _{ } _ _{   }        12 12 10 12 12 10 12 12 10 12 10 9 9 7 9 9 7 7 9

(13)

B5/E B5 3 A5 P.M. G5 3 F#5 G5 F#5 G5 F#5 G5 A5 P.M. B5 

why aren’t you 3

laugh - ing You

now? 3

left me here to fend

 on my, 3 oh, own.  3   1 1 B5/E B5 3 B5/E B5 3 A5 P.M. 3 G5 

So cry on, bitch, 3

why aren’t you 3

laugh ing- now? 3  3 3 3    Chorus

Gtrs. 2 & 5: w/ Rhy. Fig. 1 (7 1/2 times) Gtr. 6: w/ Riff C (1 3/4 times)

Whoa, oh, oo, oh,

E5

oh.

B5

D5 worth  A/C# a cross D5 - this A5 floor. G5 

Whoa, oh, oo, oh,

E5

oh, then to night,

B5

- good night,- I’m burn

D5 Gtr. 6: w/ Riff D A/C# ing D5 - Star A5 Four, G5                           __ _  _    _ _ _ _ _{  }                     9 9 7 9 7 12 12 10 12 12 10 12 12 10 12 10 9 7            



_{   }   _                         _   _{              } _ _  _ 9 7 9 7 9 9 7 9 9 7 9 7 7 6 7 6 19 15 15                           _{ }                      

(14)

 on ly- I don’t e ven E5 - think of you. 3 B5

D5 think A/C# of you 3 D5 an A5 y - more. G5 - Good night, E5

- to - night, good bye.

B5

-Gtr. 7: w/ Fill 2

Uh, good night,

D5

-

Gtr. 7

Fill 3 End Fill 3

 Gtr. 6  1  A/C# to night, D5 -A5 good bye. G5

-Whoa, oh, oo, oh,

E5

whoa, oh, oo, oh,

B5  1 1  oh. D5 A/C# D5 A5 G5

Whoa, oh, oo, oh,

E5                   _                _{ }       _{  }                         0 0 0 0 2 3 0 2 10 1013     _{  }_                                  12 9 13 10 10 8 7 9 10 9 7 10 8 7 8 7 9 7 9    _ _   _{ }                        9 7 9 7 6 7 9 7 6 7 9 7 9 10 9 7 10 8 11

(15)



whoa, oh, oo, oh,

B5 oh. D5  A/C# D5 A5 G5   On-ly I don’t e ven E5 - think of you, 3 no, B5

girl, I don’t want3 to

D5       1 1 1  think A/C# of you 3 D5 an A5 y - more. G5 -Gtr. 7: w/ Fill 3 Good night, E5 -Gtr. 6 tacet

to - night, good bye.

B5 -     1  Gtr. 7: w/ Fill 2 D5 A/C# D5 A5 G5  Gtr. 5 G5 

Uh, good - night, to - night, good -bye.

_ Gtrs. 2 & 5 P.M.  (Gtr. 5, cont. in slashes) Gtr. 2 Pitch: F# fdbk.                              _  _ 8 7 8 7 9 7 9 7 9 7 6 7 9 7 6 7 9                                              9 7 9 10 10 7 9 7 10 12 9 129 7 9 10 10 9 7 10 7            _                         107 12 12 12 10 12 12 12



                                             2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 2 4 4 5 7 4 7 5 7 5 7 7 3 5 5 3 5 5

(16)

Intro

Moderately fast q = 160

Crossing the Frame

Words and Music by Claudio Sanchez, Michael Todd, Joshua Eppard and Travis Stever



 

Gtr. 1 (dist.) Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

(Drums) *B5 mf A6 A5 G5 11 E5 134 G5 5fr 134 D5 7fr 34 Asus4 4fr 134 Aadd4/C# 5fr 134 A5 D5 B5 A6 A5 _G5 _D5   Gtr. 2 (dist.) mf mf 

*Chord symbols reflect overall harmony.

 B5 A6 A5 G5 D5 B5 A6 A5 1                                  10 9 10 11 12 10 9 12 9 10 9 10 11 10 9 12 9 10                                   2 4 0 4 0 4 0 2 0 2 0 2 0 3 5 7 5 7 5 24 04 04 02 02 02 0 3 5 7 5 7 5     _  _{  } _{          }    _ _{ }      10 9 10 11 12 10 9 12 9 10 9 10 11 12 12 10 9 10 9 9 7                          2 4 0 4 0 4 0 2 0 2 0 2 0 3 5 7 5 7 5 24 04 04 02 02 02 1

(17)

 Home, 1. Verse B5 A6 A5 G5 a si D5 lence - be tween- glares B5 A6

that stut ters

A5 - words mis G5 lead -D5 ing. - Here,  pp 

Riff A End Riff A

P.M.   Gtr. 1 tacet Gtr. 2: w/ Riff A (3 times) B5 A6 A5 G5 uh, gim D5 me

- all you got

B5 with A6 one shot A5 sent to G5 lend D5 me. Uh,  no, B5 A6 A5 oh, G5 here D5 a cross- the B5 grass A6 be-tween A5 the glass G5 D5 I  Gtr. 1 Riff B    _{                 }     9                                 2 4 0 4 0 4 0 2 0 2 0 3 5 7 5 7 5 24 04 04 02 02 0 3 5 7 5 7 5    _{                  }                                                    9 7 7 9 11 9 9 7 6 7 9 7 6 9 7 7 9 11 9 9 7 6 7 9 7

(18)

  know, B5 A6 A5 G5 uh, you’re D5

not the one

B5 I A6 left to A5 wait   here, G5 help D5 ing. - I, Pre-Chorus Gtr. 1 tacet A5 F#5 D5 B5 G5 I E5 left B5 in a sud A5 - End Riff B *Gtrs. 2 & 3 Rhy. Fig. 1 P.M. *Gtr. 3 (dist.), played mf .  den - rush F#5 D5 and B5 nev G5 er - said E5 B5 why. You, A5 F#5 D5 B5 G5  P.M.  uh, E5 could B5 n’t - know that A5 I had no F#5 D5 B5 good byes, A5 -B5 D5 E5 oh.  P.M.

End Rhy. Fig. 1

   _{  }                                      9 7 7 9 11 9 9 7 6 7 9 7 6 9 7 7 9 11 9            _                         _{ }    9 7 6 7 9 5 7 7 5 7 7 4 5 7 35 5 3 5 5 0 0 7 9 9 7 9 9 7 9 9 5 7 7               _ _ _ _       _               _{ }             5 7 7 4 5 7 35 5 3 5 5 0 0 7 9 9 7 9 9 7 9 9 5 7 7 5 7 7 4 5 7 35 5  _{ }        _{ }       _{  } _                           3 5 5 0 0 7 9 9 7 9 9 7 9 9 5 7 7 5 7 7 4 5 7 57 7 7 9 9 5 7 7 7 9 9 7 9 9 3

(19)

  

G5 Chorus



But I wish that you were.

E5 I’m spy F#5 ing G5 - on A5 you, B5  Gtr. 1  Gtrs. 2 & 3 P.M.   A5 New E5 o. G5

- The way that you would - ’ve been if

E5 F#5 G5 A5

I

B5



Riff C End Riff C



Rhy. Fig. 2

P.M. P.M. 

End Rhy. Fig. 2

 _ _{ }    _ _            _{  }     _{  }     _{  }            9 7 7 9 7 9 9 7 7 9 7 9 9 7 7 9 7 8 7 7 9 10 7 9                                                          3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 2 2 0 2 2 0 2 3 5 2     _              _                               7 7 9 7 7 9 7 9 9 7 7 9 7 9 9 7 7 9 7 8 7 7 9 10 7 9                       _  _  _{    } 5 0 35 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 0 2 2 0 2 2 0 2 3 5 2

(20)

2

To Coda  To Coda1

D.S. al Coda 1



Gtr. 1: w/ Riff C

Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1 3/4 times)

A5 E5 G5

stayed here at home.

E5 I’m giv F#5 in’ G5 - it A5 up, B5 A5 E5 G5 E5 Gtrs. 2 & 3 E5 P.M. 

New-o. How im - por - tant I could - ’ve been, uh, to, uh,

 Gtr. 1  you. Verse Gtr. 1: w/ Riff B Gtr. 2: w/ Riff A (2 times) Gtr. 3 tacet B5 A6 A5 G5 Uh, 2. press D5 the steps B5 I A6 take to A5 cross your G5 door D5 frame if  B5 A6 A5 G5 you D5 de -cide to B5 an A6 swer - when my A5 fist rings G5 hel lo. D5 - -         _{  }                                   _{ }                               7 7 9 7 7 9 7 9 9 7 7 9 7 9 9 7 7 9 7 8 7 9 7 7    _{ }             _ _   _          _ _   _  _ _   5

(21)

1 Coda  you. Bridge Gtrs. 1, 2 & 3 tacet D5

Uh, cast - ing quar

A5 ters - in - to  *Gtr. 4 P.M. throughout mp

*Kybds. arr. for gtr.



wells

A/C#

that hold our dreams.

A5

Uh, you won’t be

- G5 Gtrs. 2 & 3 G5 P.M. 

lieve me if I told you so.

 Fill 1 Fill 1A Gtr. 1 Gtr. 5 (dist.) divisi mf End Fill 1A End Fill 1 **

**Gtr. 1 to the left of slash in tab.

 Gtr. 4  _ _   _     _  _                 _{ }   _    _{ }   _{  }  7 7 10 10 7 10 10 10 7 7 10 10 7 10 10 10 7 7 10 10 10 10 10 7 7 10 10 7 7 10  _     _      _{ }                      _{ }               6 6 9 9 6 9 9 6 6 9 9 6 9 10 7 7 10 10 7 10 10 7 7 10 10 7 10 10                  _                                      9 7 96 77 98 10 7 10 8 9 7 7 9 7 6 9 10 8 7 9 7 96 77 98 10 7 10 8 7 9 7 10 87                                 5 5 8 8 5 7 8 5 5 8 8 5 10 9 5 5 8 8 5 7 8 5 5 8 8 5 10 9

(22)

Gtrs. 1 & 4 tacet

D5 Asus4



Cast - ing quar - ters in - to



Gtr. 5

Aadd4/C# A5

(cont. in notation)



wells that hold our dreams. Uh, you won’t be

-    

   



lieve

Gtrs. 1 & 5: w/ Fills 1 & 1A

G5

me. I

Gtrs. 2 & 3: w/ Rhy. Fill 1

would n’t- if you told me so.



Gtrs. 2 & 3

Rhy. Fill 1 End Rhy. Fill 1



Gtr. 1

Gtr. 5 divisi

*Gtr. 1 to the left of slash in tab. *                                 _   _     _  _        _{  }        _ _ 15 14 15 14 17 15 14 16 14 16 15 14 15 14 17 15 14 14 16                                       _      _{ }       _{  }   _ _ _ _   _ 15 14 15 14 17 15 14 14 16 14 12 11 12  _                                                        3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 7 3 5 5 3 5 5 3 5 5 3 5 5 10 109 87 7 9 7 10 8 7 7

(23)

D.S.S. al Coda 2

2

Coda



Pre-Chorus

Gtrs. 2 & 3: w/ Rhy. Fig. 1

A5 F#5 D5 B5 G5

La,

E5

da,

B5

da, do, oh,

A5 oh, oh, F#5 D5 oo, B5 G5 E5 B5 dee, A5 da, do, F#5 doh, D5 B5 G5   E5 B5 dee, A5 da, Gtrs. 1 & 5 tacet do, F#5 doh, D5 B5 oh, A5 oh, B5 oh, D5 oh, E5 B5 D5 yeah. E5 G5   Gtrs. 2 & 3  to F#5 G5 A5 B5 you. A5 E5 G5  Gtr. 1  Gtrs. 2 & 3 P.M.  P.M. Gtr. 3 Gtr. 2 divisi fdbk. Pitch: B     _ _{ } _       _  _ _ _ _ _ _ _{  } _     _ _ _ _ _ 7 7 7                                             7 7 7 9 9 5 7 7 7 9 9 7 9 9 5 7 7 7 9 9 10 12 12 10 12 12   _     _ _ _ _  _ _   7 7 9 10 7 9 7 7              



_

 0 2 2 0 2 3 5 2 5 0 35 5 3 5 5

(24)

Intro

Moderate Rock q = 118

FAR

Words and Music by Claudio Sanchez

from Coheed and Cambria - Year of the Black Rainbow





Gtr. 1 (dist.) Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Riff A let ring mf µ 9fr 1 3 F#5 7fr 1 3 E5 5fr 1 3 D5 5fr 1 3 A5      I

1. wel - come this

 End Riff A Verse Gtr. 2 (dist.) Gtr. 1: w/ Riff A Rhy. Fig. 1 F#5 mf E5 

pain beat-ing down on me. Is it your eyes

                  16 14 16 15 14 14 14 14 14 12 14 13  _{     }                       12 11 12 13 12 10 12 13 12 11 11 14 14 14 14 12                                                  

(25)



D5 A5

End Rhy. Fig. 1



that choose not to see? All I would



Gtr. 2: w/ Rhy. Fig. 1

F#5

do, if on - ly you

E5

knew. All of my trust

 D5 was giv - en to A5 you. Oh. Gtr. 1 Chorus Rhy. Fig. 2 D5 A5 E5

End Rhy. Fig. 2



Please, this is what I can give. What else do you need from



Gtr. 2

Riff B End Riff B



Gtr. 1: w/ Rhy. Fig. 2 (3 times) Gtr. 2: w/ Riff B (2 1/2 times)

D5

me? I might be sick, bro

A5 ken, - torn to piec E5 es. - So  D5

what - ev - er this is, this thing that now I’ve be - come,

A5

you hate it so much.

                                     _{       }            _{ }                  _{      }                                                       _           _      _{ }        _        6 7 4 5 6 6 7 4 5 6 6 4 6 7 4 5 6 6 7 4 5 6 4 6 7                   _ _ _ _           _{   } _{ }     

(26)

C To oda

D.S. al Coda



E5

You keep on run - ning from

D5

it, no mat - ter the dis

-

A5

tance,

- oh,

E5

no mat - ter how,

Gtr. 1: w/ Rhy. Fig. 2 (last meas. only)

no mat - ter how



Gtr. 2

 Interlude Gtr. 2: w/ Rhy. Fig. 1 Gtr. 1: w/ Riff A F#5 far.  E5    D5   A5  I

2. bur - ied this



Verse

Gtr. 2: w/ Rhy. Fig. 1 Gtr. 1: w/ Riff A

F#5

hurt con-cealed in this

E5

heart. Go lock all your



D5

doors. These cold steps will

A5 warm. Oh.                                              _        _ 6 7 4 5 6 6 7 4 5 6 4 6 7    _{     }      _{ }         _{     }  _{    } _ _{         } _ _  

(27)

Coda



no mat - ter how

Interlude µ far.  Gtr. 2  Gtr. 1 Riff D   

No mat -ter how

 1/2  End Riff D   _    _ _ _ _       7 14 14         _ _ _ _ _  _ 7 9 7 9 7 9 7 9 7 9 7 9 12 2 5 4 5 2 2  _{ }     _{ } _{ } _{  }        12 12 15 14 14 14 14 12 12 14                         5 4 5 2 2 4 2 4 4 0 2 2 5 4 5 2 2 5 4 2 5 2 5 0 24

(28)

 Gtr. 1: w/ Riff D far.    Gtr. 2 1/2   Far. (Whispered:)

(Bass and sound effects)

        Gtr. 3 (dist.) Guitar Solo *D5 w/ delay mf A5 E5 8va 1 1  Gtr. 2 Riff E

*Chord symbols implied by bass (next 16 meas.).

                 14 14 12 12 15 14 14 14 14     _{  } _ 12 12 14                      _ 22 22 22 22 21 21 21 21 18 21 19 19 18 18 18 18 21 21 21        _             _      6 7 4 5 6 6 7 4 5 6 6 7 4 5 6 6 7 4 5 6

(29)

 D5 A5  E5 8va   1 1   End Riff E  Gtr. 3 Gtr. 2: w/ Riff E D5  A5 E5 8va  1 1  D5 A5  E5 8va   1 1   Chorus

Gtr. 1: w/ Rhy. Fig. 2 (4 times) Gtr. 2: w/ Riff B (3 1/2 times) D5  (Please.) This Gtr. 3 tacet

is what I can give.

A5

What else do you

E5 need from  * 8va     *

*Rapidly tap and release note at 22nd fret with edge of pick.

    _{      } _ _ _ _{      } _ 21 18 21 18 21 19 21 18 21 18 21 18        _             _        6 7 4 5 6 6 7 4 5 6 6 7 4 5 6 6 7 4 5 6 4 6 7                        18 22 22 22 22 21 21 21 21 18 21 19 19 18 18 18 18 21 21 21   _{       } _ _ _{       } 21 18 21 18 21 19 18 21 21 18 21 18  _                 _   _  _  18 18 22

(30)

 D5

me? I might be sick, bro

A5 ken, - torn to piec E5 es. - So  D5

what ev- -er this is, this thing that now I’ve be - come,

A5

you hate it so much.

E5

You keep on run ning- from



D5

it, no mat-ter the dis

Gtr. 2: w/ Riff C

A5

tance,

- oh,

E5

no mat-ter how,

no mat ter- how



Outro

Gtr. 2: w/ Riff B (3 3/4 times) Gtr. 1: w/ Rhy. Fig. 2 (4 times)

D5

far.



No.

A5 E5

(No mat -ter how

D5  far.  No,  A5  hey. E5

No mat ter- how

D5  far. No,   A5  hey. E5

No mat ter- how

D5  far.) No, A5 hey.  E5

No mat -ter how,

no mat -ter how

Gtr. 2 tacet

(Keyboards and sound effects)

µ far.   Gtr. 2                     _ _ _ _               _{ }                                              _{ }   _ _ _   _     _  _{      }       _  _    _{ }            _  _  _    _{ }  _{         }  _{ }           _                 7 4 5 6 4 6 4 6 4 6 4 6 4 6 4 6

(31)

Intro

Fast Rock q = 160

GUNS OF SUMMER

Words and Music by Claudio Sanchez and Travis Stever

   Play 4 times     

Drop D tuning: (low to high) D-A-D-G-B-E (Sound effects) 5 sec.   Gtr. 1 (dist.) Riff A µ f 1 D5 1 1 1 3 E5 End Riff A P.M.    Verse Gtr. 1: w/ Riff A (12 times) µ If

1. this is my last chance, keep it. I don’t need your jokes.



I’m bet - ter off with -out the mis - un der 3 - - stand - ing.  If I am dis 3 pleas

- -ing, then leave me, the 3

rea -son to all our worth.



Would I tru - ly care if we tru - ly mean noth -ing? Oh, have we

                            0 7 10 7 7 0 7 10 7 7 0 7 10 7 7 0 7 10 7 7 0 7 8 0 0 7 8 0                                          _{ }    _{ }                                     

(32)

  been  fed cra  zy?

- Oh, will the cur

 tain - save  me  from 

my fi - nal pun? No one will

 save Pre-Chorus µ us.  Gtr. 2 (dist.) Riff B f  Gtr. 1 Rhy. Fig. 1 P.M. 

End Rhy. Fig. 1



You

Gtr. 1: w/ Rhy. Fig. 1 (7 times)

think that 3

some - bod y 3

- cares while the

3

wa - ter is 3

ris - ing up?

 Gtr. 2       _{ }  _{    }      _{     }  _ _  _{   } _{  } _{   }    _ _  _ _ _ _ _   _ _ _ _ _ _ _ _ 5 7 8 5 5 5 7 5 7 5 3 5 3      _ _   _        0 0 0 3 5 33 0 3 5 0 5 6        _{    }  _{ }                        5 7 8 5 5 5 7 5 7 5 7 5 5 7 8 5 5 5 7

(33)



Let the cleans - ing be - gin.



P.M.

End Riff B



Gtr. 2: w/ Riff B

Moth-er, will they ev - er thank you? In-stead, we hide be - hind these fool - ish

 lies. Am Ma



bi gi -tions cians



-- have told us oth - er-wise.

  Cold Chorus *F# as win Gmaj7 ter, Bm/A - Gtr. 1

*Chord symbols reflect overall harmony (next 6 meas.)

 guns Gtr. 1: w/ Riff C (2 times) F# of sum Gmaj7 mer. Bm/A - Point F# and watch Gmaj7 them Bm/A   _{ } _{ } _{ } _{  }                         5 7 5 3 5 3 7 0 5 3 2 0 2 2 2      _  _ _   _{ }             _{      } _{     } _      _    _                                 4 6 3 4 4 6 3 4 4 6 3 4 4 6 3 4 4 7 4 4 4 7 4 4 4 7 4 4 4 7 4 4     _  _    _