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A I1lo rllh)Iy I'n a nu a l devo ted to teac h inç ho w to !ea rn to draw lhe 82 8()T ECH '* a n Imated cartoo n c h a fa cle r s a n 1 fIj h l1r)ç c ra ft 1n a rl ln te I1i(;en t a nl easy to andersla nl way Each issue w 1II cover On e cir I11()re c ha ra c lerS o r 1ev 1ce s fro m eac h of th e thf ee ma)()r stO ry Iines that ln a ke u p the
8 ()8 2 T E 011'- s a j a E a c h stO ry I1fle w I I1 be featu re1 ia r()tatl()11. Issues 1 th roug h .1 w ill foctjs on th e
M ACIIOSS characters, kssui)s 5 th raugh 9 w ill cover the SOUTHERN CEOSS cklaracters, and issues 1 () t11f ougtl 12 w lII cove f the N EW GEN ERATION characters. Issues 13 thrnugh 24 will repeat the
I t)ta li()11 ex a In I1)1nj (le w m a telia I fr()In !he s toryltne
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ARTW ORK COFYRI
GHT 1987 BY
LLNK
XCE:
25
FANK:
Non-M i
litary status,
Resi
stance
Fighter
LtTnk Is lhe ''cowardly Ii0n'' ()f th0 jroup . H is fflellllgs Of inajeqtlacy anj cowarjice are offset
by 11Is carrrlg and compasslonate perspnallty. Thls
persollallly jives 11117) the strengtl) all:l coLlrage to
face any f0e ar problem if he feels others' Iives are
al stake. He is a jependable (ighler wh0 is Often cotln tefj an t)y Scoll Bernard antl the 01her
resistance flghlers Ltlnk jopns the resistan ce after wrlnessing them defeating a traop Of lnvid
Scouts Lunk hatihorlej ttl Iive tow ll hls Inlaj Ined farrtlre as a soldier btlt. as he and the Others sooll Iearn . Lurlk's cotlrage antj bravery are more tllan a match for any soldler. tunk's strenjth is 0ne af tlèe prlme assets as he and Scott Bernard's reslstance fIghlers Cylake their tlrlal slarlj at Tlle
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SFEZI
AL ANNOLNZEMENTI
!
Just a remirlder that issues 13 lhrgugh 24 will repea! the cycle of the H0W T0 DRAW IIIIPIITE:IIT? manuals We'il be atting Icts (11 new
materiaf to !he bnoks as wefï as new basic approach secttons plus. of cotlrse more of your
Ietterrv and art. S0 don't Stop readtng senjlng artwork or writing ttl ROSIITECF'M now, because
there's so much more to Iearn ant the best Is yetto come
Here's another remlnder that we have g(h1 ourselves a
uEW JPP#ESS/ uEW JPP/IIIS!
Allhotlgh oar main ojfice (tl)e geojeslc dome) ls
now orbitinj the planet, 0ur Biackthorne substation is still located at.
BLACKTHORNE PUBLI SHING-1340 HILL STREET
EL CAJON , CA 92020
We would also ldke to remind you that
BLACKTHOBNE is now publlshpng H0W T0 DBAW 2.1. J0(fM and HOW T0 DRAW T8E TIIANSFCFMEBSTM, so if you wauld Ilke to expand your kncwletge and range of characters these two books are hlghly recommenled.
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Wlth çtlijellnes jn place for Rook's mouth, nosd. and eyes you can now divide !he eyeline intg quarters The 0ne and three-quarlers mark will rlrovlde yau with approximate plazement polnts f()r 1he ptlplls of hook's eyes. Draw in Rook's
necklrnes. one slijhtly curved and the otherfulry curved t() the shoulder
When (jraw ing Rook's face we s tagl by drawrng a c Irc 1e D raw h ()ri2on ta an I (1 vertica 1 (1u lt elin es
1ha t meet a t the center af tbe circle Draw her ja w IIn e orl the 1ow erha IfO fthe c irc1e , an 1 exten d
tl)e vertIca p guldeline pas! the jaw. Draw in the
ctzrve:f shou lterline D raw 1n the mnu thIine below
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Now start skelching in the detaifs of Rook's face and hair once you have a general plan for h0w thlngs should be set up, everythink will fall into
place.
Place a piece ()f tracinq paper over your final sketch and draw up a clean verslon.
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that she is slandinj In what is called ''a
three-quarter stance'' A three-quarter stance is 0ne between a full frontal an1 a slde stance.W e now
bejln by breaking down the space lhatyntl want
the bojy to occtlpy into 8 parts Books head is 1 1 /2 parts town. her chest is 2 1/2 , herwaistis 3,
hips xre at 4.knees are at b 1/2 ald ankles are at
7 1/2 Construct ycur fiqure with the doubl e-tiamonjs, balls anj stlcks along these guidelines.
N()w y0u can start sketchinj in the three-dimensiona! shapes on Rook's correctl
y-proportioned slick figure. Turn the sticks into cylinders an1 adt tke cylinder of the neck.
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lf you Iike your sketch y0u can place a piece ()f tracing paper over the figtlre ant redraw to perfection. W hen you're done. send us a copy.
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and hair to the form rememberlnj to curve these
thtngs arcund Rook's form and n0t simplk Iay
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Y()u can transform your skelch into a sahid
trawlnj with the use of traclng paper VOILA /
Another maslerpiece. Aren't you proud Of yourseîf?
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ltlree guarter stance. We bejin as befOre by measurirlg the space you want 10 tlse ant dlvidirg that space by eljhl Y()u may then use the measurements of past figures f0r the proportpons of this fijure. Once thls Is Cbne you'can begin construction with Double-Diamonds, strcks an1
clfctes. cf tb e s keletcq.
N ow bejin sketchinj in th is fijures arms and lejs uslnj cyllnders
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Begin addinq clothing to 8ook's frgure antl slal'l Skelching ln the hair. Flemttmber thal Rtlok has ane Ieg bgnt and this means that one hip ls hijher than the Olher. You see thss in (Irawillg !he belt.
Once you are happy with thls sketch . place a
rliece af tracpng paper over 11 and redraw the fijure.
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N ow fo Id that piece (alonj those (;u Idel1rles ) Inl0
eljhl etlual pheces ant use !hïs ple'tre f)f papaf atp
y0u r ju ide In th Is way there 1s rl0 need fOr c 0 m ;)1Ica ted m ea su rinti 0 n ce y 0 u h ave ltie breakdowns berin conslruc tI0r1 Of the slm r)Ie
skeleton wlth Double Diômonds,sticks ant balls.
and brocks for feet ant hands
once th t) basrc skepeton Is dow!l yot.r can begln
fpeshlrlq irl the fijtlre. YOLT can begl11 by addirlg the
baSpc cyIpntlers antl then addinj the basic shapes :)f 1I1e arnlor over tl1e
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since il a 11aws yotl t() see h()w !he armor fits 0r1or a rou n :1 t11e bo (1y .
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Once y0u have Flook's armorsketched ()ul yotl can
place tracrng paper over your roujll traft ant
bejln the flnal drdft If the methods jescribed above work well f0r you . write and Iet me kriow
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If you're sure that the fighteris exactly as yotlwant ily0u can place a plece 01 tracing gaperover the rough skelch an1 bejin to draw ynur clean version. If yotl've been wlth us since the bejinnrng you witl probably notice bow much easler this is a$1 gelting to be. If you haven'! then don't worry lt aI1 cooes together evenlually if you keep drawing
ALPFA FI
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Bejin lhis sketch by marking off the area of your paper tha! yotl wlsh the fljure
to ûccupy Eilher a tltlx ora trlanjtllar shape will sb to mark (),! an area on your papgr. N0w begin lhis fiçure by ftfsl btlilding the basic louble diamonjs and atting the balls and stpcks of the arms and Iejs A11 a bûx shape to place lhe
head on the shotllders.
Now beçin turplng stlcks inlo cyllndefs. once yotl have the basic body shape
sketched In then yotl can begin adtlng slmple forms fcrtllc various baltloit body
parts Use ovals cifcles rectanjles and sqtlares to add llle btllk and tbree'
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çiving it a three-dlmensional appearance an1 cnrrectinj any problems you may
be having wlth the fnrm This is the timc t0 make any correctlolls so that youf
Y final drawing will t)e perfecl.
Once yotl arc satssfIe(1 with the appearance of Ihe battlnld you can then place a yece of tracinj paperoverthe Sketch pnd start drawing the final vcfsion wlthotl! aII constructIon ltnes and glltches lhat croppel tlp (ltlring the conslfuctlon process When yotl've fpnlshed. send tIs a copy and we'll sce abou t gettlng it pr,n ted
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the ilclure ()f Lunk an1 that area into eljht Ilasls
Llsinç the process descrlbed earller In lhls book.
Once yotl've jone that yotl wlll have an ijea of
where lhe heat.chest, wasst, hips and knees
shoulö be When this ls done you can bejln bupltlng Lunk's skeleton wlth the help of the
lrusty ()ld dotlbre dtamonds,talts antj sticks.
Nnw beghn ïepsacing slicks with thll;k cyllndefs that approxlmale the thickness of Lunk's arms Start delineatinj where the features (lf the face wil!tlew ppaced and sketchlng in lhe flnjers ()flhe
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ee-jimensional form so make hls ciothes wrap.
around h,m and not just Iay flat on his body. The
same is tfue of facial features anj hair.
Once y0u have your sketch of tunk in its best propoqions an# delails. y0u can then beçin !he prncess of lracing him onto a clean sheel ofpaper
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21 In sk e tch 1nj the s ide fi(;t.re 0 I L t:n k we F;ta rt asbef0re First bejin by marking 0,1 the art)a k0u wish to covercrlyourpaier Subdfvpje the lljc ture of Ltznk and the area of paper kou're worklnj on Into eijht equal parts. Now tlse the piclure of Lunk as reference to btlild a proiortlonally corfect skeleton. Use the dtluble (itamccds.sttcks and
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At this Stage you can agaln begin addlnç lhe
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Once ajaln, remember that clothing and facial features shnuld be given the apgearance of bending around lhe body an1 not simply Iaying
f1at.
W hth tracinj paper in hant you may n0w ascend to
the next
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Lunktom.
Draw
the cl
ean versi
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of Ltlnk artd send us a copy of the big gtly.
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M Ir) I'n y s;k e lch of th e ho rll O n ta !cen ter9 u Ed e Iin e yo L1wi11 p()tIce tha! I drew 1t as an Ovaland not slmply
a straIg h t I1n e . A Iook at th e eyes an (j th e
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qtllrielines Sketch ln tha jawline.
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Plac e a p'ec e of lra cing ; a p er 0 v er th e r0u j h sk etc h a n d b egin th e proc e Ss of tracin j a cIe a n verslo n of y o ur dra wIn g
W Here are varlous different expresslons Of Lunk. Foreach expresslorl there is a corresponding ghos!
lmage to show tow the baslc foundatlon skeleton would hfi lrawn with a sphere (a three-dimensional M circle) and horlzontal and verllcal gultelines As always, rclllember that those guitellnes are lbe
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Attention alI IIIICOTECII'? agents Irl lhe field. If
y0u wish to communicale with us (fan mail
ar
twork)
pl
ease r
emember
that
we have nl
oved
tltlr wnrld headqtlarters !0 a new Incatpon in orter to ftlrther our Ionj-rarlge plans to someday
become the domlnanl power in the unlverse.
0ur new ajdress is.
BLAGKTHOBMF PUBLISHING C0 1310 H1II Street
E! Cayon. CA 92020
W1Sl) L;S luck ! And n0w ()n 10 your letters
Oear Brack lhogne,
l
lf
'
ve ROBOTEEFS
'M 1
1
i
sn'
t
j
t
l
sl
because h
t'
s
excltznj. btll because of the great exposure of
enlotions thal olher cartoons fail to show. N()w
tllat lhe series ''RO8OTECH 'M'' isn't ()n T V. anymore 1 have been speltding tlme ()n ROBOTECHTM bcoks a(1d rlicttlres.
1 ftmrd mysdf vefy attracted tc ROBQTEGFI'M
novef
s by Jack Mcki
nney.
Fl
e wr
ote
a1
I
the thi
ngs
thatcnuldn't be shown on the American versiorl of
RO8OTECH'M and I found myself drawinq those scenes for myself to see. lherefore I don't miss a part. and I have no one btlt you to thank Thank
yGtl
Tllat example I have is a scene from thelapanese
version anj it is at the end ol the second FOBOTECHTM W AR Dana ttllj Ler survivinj Squaj members mat she mus! Ieake earth to Join her parents in the SDF-3 expedilion, then she warned them of the lnvids That was when she
realized h0w much she was joing to miss Angelo
oante, and sc sthe gave him a sad kiss ()f
friendship.
tove,
Ann Shen Spring Valley, CA
Dear Ann,
l Eikell yourart and especially the stofy behlnd it.
Your getler indicates to me thal y0u might want
atso to try your hand at writing (science-fiction ()r otllerwise), Try wrilinj a few short
FOBOTECH', stories concentratinç on 1he characters emotions and inner wnrkings. See how lt feeps and if y0u Ilke it yotl may have fountl
yourself a second career as well as aft,Good luck.
zear Blackthorne, M
I
reall
y enjoy
'
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The
0ff
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How
To Draw
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h0w i
t
shows y0u h0w
X
1
1
(
)
ZZTECI
I
.
to draw the characters yourself, so y0u can m ake other poses.
'
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y
0
u a d
raw
i
n
g I
d
i
t Qf the
>
I
v
e s
e
n
Veritech Fighter from issue 3,pq. 24. l M
tried tlsinj a carpenters 4 H pencil to draw it antl a regular pencil to nverdraw
it.
l'm Scoking fcrwart tc !he upcûming
is s u es.
S ince re Iy, Davit Matz Dea r Da ve
Yaur Ietter brings up a point that I will have to discuss with lny superiors. I think
th a t a n is s u e 0 n th tl v a riO u s ..t0 o Is a n d techniques ujed in drawing is callel for.
If yo u 0 r a n y Ot he r ta n s th in k th is wo u I1 he a q00(1 ilea than write and let us know.
Your art w as very (J()O(1 and we appre-c Iate it a n 1 y 0 u r Iette r. Ta ke care a n t k ee ;) d raw in g .
B 1ac kth o rne ,
I
'
m a thi
r
t
een-
year
-
ol
d jo an1 ever
t
,
s ince l s a w th e first82 8ZTEZiI I ve f()u n (j a hobby. E0r years 1 was interested in sci-fi an1 I was always jrawing some of my own sci-f i ideas. F28(1Ti2I1'* provlded qtlite a challenge, so 1ttlnk it on.M y
traw-in gs a re o ka y , bu t ''T h e 0ffic ial H Ow T0 DraW IIZBZTECIITM'' helpel a lot! l even mate a kind Gf bof)k f;r myself,including
(Irawinjs an1 jio-info.My frients tell me
that my drawinçs aren't bad. What do y0u think?
R ()d G ree n e
(
T
h
e
S
ci
e
nce Fi
cti
(
)
n N
ut)
B tlrn a by , B .(;., C a n ad aDea r R ()1
Arep'
t
bal? Your
art i
s just
jreat.
Keep
1ra w in g a n d y o u ca n o n Iy ()et bette r.Th at's th e m o st irn ;)0 rta nt th in ()',kee p
drawing,
As Iong as y0u draw yOu can
alw ays be prcud cf ycurself .W e're gladto hear that hIIZOTEZCT, can be part of y 0 u r ex perie n ce a n (j w 0 h 0 pe y0 u w iII continue to grow as an artist.Keep on
reading science fiction a01 keep on
=
<
X
=
<
Dear
Bl
ackt
horr
h
e
Many of my plctures corne frorèl rplemorles k)f
ROBOTECH'* The T V. serLes plhcltldtflg llle las!
scene ()f Bfck and Llsa tcgjerller tly the wrcckal/c of the SDF-I . None ()f my (Irawdrljs c()ultl evttr
have been accompllshet lf no! for tLIS comhc
jcok S() l wotll:l ftke to sdy. rlqank y'tltf tc llmse
who made ''THE OFFSCIAL HOW T0 DBAW R0 BOTECHTH'' posslble. S 1p cerIy yours. Ttly e t-N hu n g (K ,m ) Ng uye n (8roken Heart) Lfls An jle 1es , C A L 'ltszlr E1Iack tllarr'le 1 :1Ill a rS'a I b Ij fan 0 f R 0 B 0 T ! EC H 'à' ant' l th a t 'EiO bh1 r0 D R A W F!0 E30 T EC H 'M c()m IC b ()()k iS a
rt?41$ j()()(I Idea Keep ttgl the g 00j workI
Trl wlptlnl ;! may copctyn,
F()tIflwlllq yotlr Offer to publish drawlngs of BOBOTEC 94''' J am senjing yotl par! of my w0fk Il Is a few jlawlrll;s from a cornlc strlp 1 made . A1I o f it w Iil be p u blish ed In a n ew fan2ine o n
BOBOTFCH Te callet ''Prptocu I!ure Adticts''
1 hope you Ilke them and 14 so l wlll be çlad lo sent you more of it
Micheal Gareau Vonlreai. Canada
D e ar M !ch ea1.
We really Iiked yotlr drawings f0r the new fapzine ant rejret thal we cotltd not print more at this
time We wiI1 probably prin t others Ialer. When
you sent 1n rnore cf yotlr drawings remember to
sectf lrr fj
'
e ajdress tc w'ràte t'a rcr ''Prntoctlltbjre
Addlcts'' as i be1Ieve lhere may be some potential
fans readlng this very tlof)k Take care ofyourself
a n (1 ()001 tuck ()n yo LIr com pc strip .
zear 8lack thorne,
1
rea Iiy th ink ytlU r ''0 F F IC $A L H 0 W T 0 D R A h FI0 BOTEC H ''.'' is a very heIpfLII tocil f()r rny
jrawpng . I'd IIke to break as a coolIc artIst
someday ant have been buyprlq l)00kS 10 10lI)r()ve my draw In g A d etprmin et arlist Greg Ory B olton Phlladelphla. PA S In cerIy yatlrs . 13o b b y N g N ew Yo rk . N Y
=
=
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=
BRIBGMAU'
S COM PLETE Ot//pf T0 LIFE é
)/
i; WIUG
George 8 Brilgm an
W eathecvane Books
DRA kW N tl TuE /ït
J& / # FIGURE
Jack Hamm
Grosset
& Dunla;
Kurt
Hanks and Larfy Belliston
W llliam Kaufm an,
lnc.
f) YUA M IC FIGURE PSM W IU G
Burne Hoçarth
W atson-Guptil
Publications
HO
A T0 IIJ
M W FHF V;
3VE
1.
WA
Y
Stan Lee an1 John Buscem a
Slm on and Schustef
FIGURE D/M
W IUG F0R ;:L /F'
S W ORTU
Antrew Loom is
Bonanza 8ocks
CREA
TIVE I(L
PSTJM
TI0u
Andrew Lcom is
Bonanza Bocks
FL
)s A /T/f
> PEUCIL
Andrew Loûmi
s
Bnnanza Bcoks
TuE #;
TURAL WA
F T0 D/M
W
Ki
mon Ni
cnai
des
Houghton M i
ffi
n Cn.
A
TCAS 0F HPM/: ANA
TOM Y F0R Fl/f ARTIST
Steven Rogers Peck
Oxford University Press
TI'
IE A R T 0F PJM W IR G
W illy Pogany
Littlefield.
Adam s Co.
KOW -TO,DRA kv TIPS FROM F/
if
Donnar
Publ
i
cati
ons
KOW T0 t
7.
SF CREA r//F PERSPE'
C
F//F
Ernest W .
W atson
Van Nostrand Reinhosd
T0P OARTOOEISTS
PERSPECTIVE P/M
W IUC
Ernest Norli
ng
W alter Foster
TuE OFFICM I
-
uOW TO P/M
W #t)#tl/ftl
# ISSUE 1-9
Davi
d Cody W ei
ss-zcb Mil
ler
Bl
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