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plane with co - caine ~ and, yes, I'm all lit up a - gain._ Cup of _ _

train and right on, _ _ you know the train is stay-in' off the track._ I'm in touch,_

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love_ and touch-in'. __ Your rna-rna said pack-in' lines _ a sin._

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And, yes, I'm love, _ from this crutch._ When you're in tempt of mon-ey I'm on e - lev - en.

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I chop a line _ for the fiend-in' man _ 'cause he wants _ one. _ You know, you know you got to.

Can you feel it? Can you feel it to - night? _ Are you a lone? Tell me, are you fuck-in' high? _

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down a long _ _ wind - ing road _ pass - ing ev - 'ry - one._ And your

out-and the love on the fae es of ev - 'ry - one that makes all

stand - ing friend's _ still drink i n ' , _ and he drinks _ with a pas sian. _

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a - bout._ And now I've seen _ _ the light; _ it's all_

1. _BS _AS

_112.

Bsus4 B Bsus4 B

Gtr.2

~)~)T7)r;

~ t : ~ ~

_in _the _fae _{es. _ _} _{_ _ in} _the _fae _es, _{all _ _} _{in the fae} _es, _{all_}

full full I I . / . / 4 2 4

1

1 lIm

1 IE

l

(17)

Dutro

wi Lead Voc. ad lib., next 5 meas.

in the fac es. Crushed.

*bass plays B

E/B B EIB B EIB B5 A6 N.C. E5

piay4 times

~

I

~

1/2 (GtL 2, cont. in slash)

t~!

I

ttfilT;9tJ

L

~

1 fti::th1f;

==t

Free Time

~###lli:k-~~r ~--==--.

---=---==-=

..

---=-=-

===-~---==-=

==_===_1:\

"

-=:1

Ah, hey. _ GtLI ---,---~---,--- . - - - " - - -

[

18

(18)

Dead Again

Words and Music by Joshua Todd Gruber, Keith Edward Nelson, Jonathan Brightman and Devon Glenn

G

F5

. 8

13 Open G Tuning:

F

m

lOfr 1111

BblF

.1Ofr

1312 C

II

1111 F/C

.5fr

1312

Bb

•

1111

Eb/Bb

II

1312 CD=D 0=D

®=B

®=G @=G @=D Intro Fast Rock

J

= 188 G F5 G5 G F5 G5

Rhy. Fig. 1 End Rhy. Fig. 1

) n

JTn })

}fTJ;) )

n

JTn }) }

rri:

GtLI Gtr 2

f~--r-....,

(dist.) I

,,*

h

I

..J

~

*Key signature denotes G MIxolydian.

Gtr. I: wi Rhy. Fig. I (Shouted:) Yeah, one, two, three, four!

*** Yeah!

C#5 D5 *'CIF

Gtr. I: wi Rhy. Fig. I Come on!

G G C#5 D5 CIF

~ft~~~

; simile 011 repeat

mtf

n

!

q£-I

tJt

II

n

I

dB

III

**bass plays F

Verse ***Vocal tacet on repeat.

1. Com-in' on, com-in' on, mov-ing fast - er. _ Got to get this feel - ing out, _ yeah._ 2. On a- gain, off a- gain, in - de - ci sive. _ Caught up in bold _ de - sire. _

~M ~

(19)

1""-0

•

'lil 1II.

Gtrs. 1 & 2: wI Rhy.Figs. 1 & 2 Gtrs. 1 & 2: wI Rhy. Fig. 3

G C#5D5 CIF G C#5D5 CIF G5

r

~

£~l~~~~

I

(~==:g

Yeah! Just e - nough, fall a - gain,

Yeah! Fill me up in the cup,

she was fi re: _ _ Hot e - nough to bum _ _ you out, _ yeah.

_I

you are love ly. _ _ Paint the town the col or of mon ey. _ _ \

Gtrs. I & 2: wI Rhy. Figs. 1 & 2

G C#5D5 CIF G C#5 D5 CIF

l -

Jgg~~~~~P~

r

Al right.

!J.S

Chorus F BblF F BblF F BblF F C F/C C F/C C F/C C Rhy. Fig. 4 GtLl)

r.rrr:

!TTl

rr: )

r.rrr:

mJ)TJJ

* simile on repeats r-; r-; r-. ~_ ...I

•

-~--~ I

Wait for L ; me, dar - lin';_ I can't _ wait _ to sce ..; you._

GIL2 Rhy. Fig. 4

I

~"

)

" *I

.-:

"~I!l-

b~"

b-)<I!l

..

~.-

..

~, I I ~ )

_~

) ~

....

.. _

..

simile on repeats

-• n

..

....

.n .n .n ~

I

!

[lJ

_{! I I r;i}

~;; ~n V V ~n I;; I;; :< ~l:

:::

.:~ .:~ ~:: ~;; ,;; i;; ;; ~;; Oft I:: rx ~;; _~l: _~l: _~l: _~ 'v .v .v .v

* Key signature denotes F Mixolydian.

~\~

•

11.

Eb AblEb Eb AblEb Eb AblEb Eb Bb EblBb Bb EblBb Bb EblBb Bb

"

) ri

r:

r,

.

)

.

End Rhy. Fig. 4

n

rJT) )

n

rrr:

JTJJ

r,

• _•

r ,

•

_~

.

~ I Ev -r 'ry I - one's los I -r I

ing i ; their mind

...

I

a - gain, _ mind a - gain.

End Rhy. Fig. 4A

II I • . b~r,~

,h

~

h,

b,,~

.-

b.

~~-\

I~

r'\ r"""ooo

p~

D

1II ~...

...

-,j 1II 1II 1II 1II

~

i i

II

~

(20)

112.

· Interlude

Gtrs. I & 2: wi Rhy, Figs. I & 2 Gtrs, I & 2: wi Rhy, Figs. 4 & 4A, last 2 meas.

G C#5 D5 CIF G C#5 D5 CIF B b EblBbBb EblBb Bb

~

~-=~t~~J~==P?~===t==~:~

~fsz=j

mind a - gain._

Gtrs. I & 2: wi Rhy. Figs. 4 & 4A, simile

EblBb Bb F BblFF BblFF BblFF C F/C C F/C C F/C C

~~-f$~

~

Don't fall_ in love, _ that's _ the line _ they _ will feed _ you. _ If

To Coda

I-$

To Coda

2-$-Eb AblEb Eb AblEb Eb AblEb Bb EblBb Bb EblBbBb EblBb Bb

can't _ have you_ I'll_ be dead a - gain,_ dead a - gain.L,

Half-Time Feel G Gtr.l

f - - - f - - - f - - - f

f

Al right. _

i~~~:~·~ ~j

i

B

D

;r==--u---I

--~

Interlude G5 Bb5

1~

I

1j

10 8

;

_o

(21)

(Shouted:) Come on,

5 5 X

End Rhy. Fig. SA

I ~ I ~

"

~

...

...~

...

, , ,

,

, ,

~

Ir,J

V

1/4

'"

ft e ~ e e ~ ~ n n n n :< :< :< :< :< :< .:. ~ x x x x x ;; n n

5

v ~ f t . / l! l! l! ~ ~ ~ n n ::

_{ii ii}

:: :: :: v u Guitar Solo

Gtrs. 1 & 2: wi Rhy. Figs. 5 & 5A

GtL3 05 Bb5 ~~ ~

~

full ",,,, -~ "'---~

E(

12 " 12 11 12 "

'9

11 12 10 12 , ; : ; ' rI---1-2-19-1-2----l1l-1

-1-2----'11-l-14a1a~-'----1F--:;=1T-1~1r1~==-.i~1-1.,-.~

GtL 2: wi Rhy. Filii C5 05 8va _

"

~~

# ~.,.. ~ .,.. #

.

f'#---#

~ f;#-~---

s>.

.~ ~ ~~ .,..---.,..~.p.. ~ J ~ hold bend full 1/2 full ",--- - - --~

-

.

_.,

_,

.

." 0-'

-

.-'

'"

.

.,

--

'"

19 11 13 11 19

.

_.,

-. f t , f t Oft Oft , f t '.n' •., ,n ,~ .~ \.~,.v .~ .v .~ _'v

..

.n .n n

'.

'v Rhy.FiIIl Gtr.2 J '----' ~ 1/4 t n x

.,=;.

x

~ v

.,

n . , . /

22

(22)

__

Gtrs. 1 & 2: wi Rhy. Figs. 5 & 5A, l st 6 meas.

B~5 8va -- --- - -- - - - --- -- - --- ----.- - - ---- --- - - --- - - ---- ---- - - -- ---- ---... loco ~

rt

1 =ifF~-~fY~€t=;

r-

full full full full~

18:7~n5

1;=-;;8;=15 18:7CWS)

15

t

~----4lI----tl-llt-~r-41l---l-lllt-~5----'ffi---+fiflH--~t---4ll---'\&---41t1535~15ii---17---=~---

_{; ; r =}

-_________

1]:'

9_,6

9

End Half- Time Feel C5 1/2 15 17 15'

¥

17 GIr. 3 tacet Al right! D.S. at Coda 1 N.C. _{(take 2nd ending)} *Gtrs. 1 & 2

o

"'composite arrangement Outro

-$-Coda 1

D.S. al Coda 2

$-

_Coda

₂

(take 2nd ending)

E~/Bb B~

dead a - gain. _ dead a - gain. _ Dead a - gain. _

Dead a gain. Dead a gain. _

11. ,12.

Dead a - gain,_

E~/B~ B~ E~/Bb B~ Eb/B~ B~ F5

t·

r=E~

-

t

iJ1Eg

-~~r:f'~--7]

dead a - gain.L, whoa! Dead a - gain._

Gtrs. 1 & 2

~~~~~~ ~

(23)

••••

Check Your Head

Em

Fsus2

c

GS

GtL 2; Open G Tuning: 23 3 11 32 1 34

CD=D

0=D

®=B

®=G

A G/A D xo x xoooox

H

5f ®=G @=D r

II

Intro 134 1333 I I I 1333 Moderate Rock

J

= 120 G7 GtLI G .

(slight dist.) Rhy. FIg. 1

-

l ~ ~

-

l

:J

mf

~

o

C G C/G G

End Rhy. Fig. 1

~ ~

•

~. ~

-iI -iI -ii -iI::::=:;-ii -iI -iI -ii -iI -iI -ii

_:J

_1~:J

_{1 1}

1~1

:J 1

1 ~

i

~""

Verse

Gtr. I: wi Rhy. Fig. I. I 3/4 times, simile

C

Efd

_~=is~

~ ~

~~~~~~~~~

1. Jes - se I heard the news, _ it's safe. _ Pho - to -

graphed-C/G G

v=

ill

_ nude at age _ thir - teen. _ And Nick was a friend _ of mine; .

he died be - fore _ his time. _ Dead on ac id at age eigh - teen. _

"

..,

G jj. I -

-

--=a=:=-;

~ Pre-Chorus

Em

GtLI)

n~))))

~~

_~

Oh, and you_ still bitch _

Gtr. I " jj. ~

• ..,

1 1~1

:J

1 mp

~

---

•

~

_•

Gtr. 2 (clean) -~

=:::;::.:

1~1

:J

::::::=::::::1

I

:J

:I

(cant. in slash) let ring throughout

o

2

---,~

- - - - l / - - - l I - ° i

I

2

I I I

F+---tI-I

I---u--I

IJR-o

- - - - t - - - i t 3

(24)

2 Fsus2

c

)

_{r i}

rrr:

II,,""..

..

@) r

~:

-

_szt:==

t

y

~

~1

~ I

a - bout_ your pay - ments. It's

-I -I " @) ...

===d

' - '

I

~ ~ n n n li li u 3 u ... .~ u ~ g g Em Fsus2

c

) r.rrt: )

r.rrr: ) r.rrr.

i

~

~~m~- ~

, fun - ny how _ your looks __ pre - diet _ your state - ments. _

o

Interlude GIr. 1 tacet G5 GIr.3) (dist.) • Gtr.4

f

-dist.)

mf

=.---==_-==_-==_-==_-==_

-==tD "",.----"

ti

#J~12---\E=i2===~~=~===:::;~::=,:::

f

w/dist.

I

i

I

- - - ' - 0-

o

1

(25)

Verse 05 Gtr. 4 tacet Rhy.Fig.2A

f - - - ) .

f - - - -f

2. I dressed in black_ to - day;_ it rep - re - sents _ _ this phase _ I'm in. _

~

....

Rhy. Fig. 2 " .01-~

I

...

₉

0-1

9

...

c

os

End Rhy, Fig. 2A Gtr.3 ) .

And what it was _ _ can't _ be - lieve._

n )-

P~)

--

₄

iI

5

i

9 9

h-§

-~IEft---5---5---11J----~--O---

5

to

Gtrs. 2 & 3: wi Rhy. Figs. 2 & 2A, simile

4#t

*0

d!~~8-F ~g

G7

The stained glass you're hid - ing be - hind,_ it's from a dif f'rent _ life. _ *Chord symbols reflect combined tonality.

c

$b

And what it was, _ it's still_ in __ your dreams, _ yes._ A - yeah, _ _ yeah. _ _

(26)

Pre-Chorus Em F5 Qt!. 3) .

}~fTTJ

)

)~fTTJ

)

g

e

III Em

)-

}~fTTJ

fTTJ fTTJ }

7 ~

~.~

-J

~

fun - ny how _ your looks _ pre - diet _ your state - ments. So, check your _ head.L

~0:PFff4d E5~j

, ,!

~3E

I ,,-

f

5 5

B

I I

Nf--tJ

~Chorus

e

III 05 Rhy.Fig.3A

)-

_{simile on repeats}

.: ri ,

~~~'

]1

'[

Set your eyes on your dreams, _ yeah. _ _

i~' !~-~~~~tti=fi=

~,: ~

simile on repeats .

\~

ii

i t ,;;,'

.tv

I

iii?

A O/A A

)

n~fTTI)

n~fTTI

flt

1 !~rj~

~~

Well, you're a sight to see....

i~~: ~PYW~~ing.t~ W~

(27)

C

II. I~

Guitar Solo

Gtrs. 2 & 3: wi Rhy. Figs. 3 & 3A,

ToCoda~ _simile

D _{End Rhy. Fig. 3A} ₀₅

)

r-r:

rt: )

_n~fTTJ

)

)~

.

..

" J{'.

.

s>.

@.J - my love. _

I. )",

"

....

..,

...

-

' , . . / -.., ..,

"

!,

"

!,

• ..,

..,

"

!,

"

" "

~ 1\ ...

.

...

..

c

..,

~ ~ .n .~ ,~ ~ ,~

.

..

~

_b---

11~

..

',

==-=-l

So, check your _ head. _ Whoa, yeah. _ _

End Rhy, Fig. 3

jl

Gtr~

~

_jr

)'"

•

- ' , . . / Gtr.4 ~ ~

..

'1 -

~'

~

f:.'

_~

.,

J

J I'"

s>.

1"'',../ I'"

::

~

Gtr.2 divisi

_*

..,

"

.

"

.

-=

_.., .., .., ..,

-

~ .., .., , f t , f t 0 0 0 z, ,~ :; :;

,.

"

;.; .., ;..

"

!,

"

!,

"

!,

"

!,

"

!, :; :;

"

" "

*Otr. 4 to left of slash in TAB.

A O/AA

~

..

~-~-~ _r- _~/' _~

~/

.. ..

~

..,:'f:.

f:.'

~ -(I-.~-(I-. . . . . ..' .. • -(I-. • -(I-. -(1-. . .

hold bend full full ~ ~~~~~ ~~~~~~~ ~ ~ t- -, .• n .u f"'\

""""""""

, f t . f t ,n .~ ,~ .u .~ _.J _.--' ~ . , " ft

,

,~ Bridge

Gtrs. 2 & 3: wi Rby. Figs. 3 & 3A, simile

i

AI - right, yeah. ___ You fell out of time _ with some dis - tance to go.L.; It's

J'f

--~~~~~~-~~----~~~~ ~ C~) . . 0 . - - ---..0.

"

...

.. ..

..

C~'~F:

3.Lv- @.J L - 3 - - - l full ~ ,

.

-+

l'

~-~-~~~--------~-~--~

.~ . / .~, 'U . f t . f t . f t ,~ .~ .~

."

Gtr. 4 tacet A O/A A ' . - - . .

#p

_[

i

~ ~ ~ ~

r

_~

not our de - sign, _ it's a tal ent show. _ And if you be - lieve _ it's the end _

D

r-;

'~~~~~~~~

i

~

Ii" _ you'll '" mk 'U. _ Now,

I

G~.

: of the

..

.-(1-.

..

.

..

"

....

• ..,

full t~ ~ • ft ,

.

. f t ,~ ,~

28

(28)

GIr. 4 tacet

C Dadd4 G D/F# Em

t

~~==f¥-t=~?@=;~~~'f=@

Jes - se nev - er thought _ that what _ she did _ would change, my life; __ but

~rT=~

divisi Rhy. Fig. 4A let ring throughout

12 9

ffi§

i

2 2

3 2

~

! !

GIr.2 Rhy. Fig. 4

j

9

9 9

2 2 4

5

~

she just thought.her life _ was a waste _ of time. _ _ And

r

_full

I

i---~-.

---C--==t=/14 12

I

r

===t=

I

t~

I

GIr. 3 End Rhy. Fig. 4A

~.

=rr-tL~C~§~~

I

_{tr' 2} _E _F' ₄ , _

ndRh~"lg.

~~

]=.M

J.~~~_.:

_~

' - /

~

' - /

l

I

,

"

'~--4--49_4~11~1:~;---t--II!

II---l

[

i i i ,,]

(29)

__

-c

Otrs. 2 & 3: wi Rhy. Figs. 4 & 4A, simile

C Dadd4 G D/F# Em

~

l

-~

Nick worked hard .., to grad u ate_ and af - ter that_ he died. _ He

1/2 full

~~---

!

12 :14

L~44

~=======~=t-=--=--=-_-===~ ~===-j,----

J~

---,

D.S. alCoda (no repeat) Dadd4

FS

Otr.3 ) . II~.~

l

-

~

-=1

t.J

al-ways thought _ high schooI_ was a waste _ of time. _ _ _ So, check your _ head. _

~--""'--,,-""'--~4 ) II~

~'--~~

---

I

_l

-===1J

t.J

~f

U~U1J

~~

Otr.2 full divisi ~,,~~

..

t - - - _~ --"""""""-~-"" . / ,.ft

..

~J'~

~

~ ~ ~ ~ ~ ; :0: :0: :0: _3,-7 :0: ~

~Coda

Otrs.2 & 3: wi Rhy. Figs. 3 & 3A, simile

GS

Otr.3 )

J,)~JTTJ

~JpqgJt-~----~---"---""""==='=---So, check your _ head. _ Set your eyes on your dreams,_

OIr.4

~

- -12

13

12 12 14

p=

~

l

I

r'~

I

~

30

(30)

----c

G/A A

12

ing. be hap - py with noth

all We'd_

c

A

~~~~&~ti5fg;'~~

Jf='=~

Well, you're a sight to see, my love. _ Whoa, yeah. _

full full full full

.~

Gtrs. 2 & 3: wi Rhy. Figs. 4 & 4A. simile

C Dadd4 ~ G D/F# Em

~lf@=::=!1

¥

Yeah. Yeah. _ Do it to me all night long. __

b~~~~~~

1/2 Dadd4 G5______________.r.I Gtr.3

!!'

/I

Yeah. Yeah. _

7~t

',10 (10), ,-14

(31)

•••

•

Dirty Mind

ES VlI OSopen ES F#S OS AS A#S

BS

DS

d

Sfr

• Rt

.Sfr

r II 134 134 134 134 134 134 134 2 34 Intro-Guitar Solo

Moderately Fast Rock

J

= 156 Half- Time Feel

ill ~5 Rhy.Fig.l *

~~:~/)

&

2))7l)

7} 7 )

7 )

Fl )

))

7 ) )

7}

f

8va loco ~ ~ _~~_~~~~

~~~~~~~

f

wi wah-wah (used as filter)

**fdbk.

full

*composite arrangement

** Microphonic fdbk., not caused by stringvibration.

G5

)T7l )

)

F#5

)

G5 F#5 15 12 12

(32)

Gtrs. I & 2: wi Rhy. Fig. I, 2 3/4 times, simile E5 loco

~~jp-R~!??~~t~r~r!'~r~~

full full < 7

!

~II ~

'2151:

~

< < '4"

!=z-'4---=--~ .-4~---.:I!~2----+---"T---i---'2-i85

t:=

12 15 12 12 15 "15

i'

12 16 12

,G,

14 r

<

~

,-1-1,,-<

~2 ~5 147~) ~2

₁₄

• ~

full full full

t

J ~5 ~515 lr •

t

t ~2 _/16

1]

~4 8va F_#_~

__

_______ _

C}?_

F#?

_

~bti=h

1. t'Nt1W-

E5 loco

F#5

~dFJh~-GU~~~

full full full full

~l~ ~ -f ~ ~

J

-,;7tL-.- ="-c---,---lt---,7

~

~ "J ¥_~_2_~_~_.12_~4_1_2_15

_ _

'7t'?

12

"8

full t full t ~2 ~5 ~4 ~4 ~2 ~4 ~2 hold bend *full

* All bends executed wi LH.

(33)

-

---~* ku·.rr-~~F:!i~_~(~1~,f~~~~~~~~~~~~~

F#5

'" I:. I:. I:.

II:ij·

,/--c~¥r-1Ejfb~Ji·-

-

-~1~--~ft ~[J ~

2 11/2

~f

1/2 14

j

?J4n2

full t : 7 14 F#5 G5 ~ ~ ~ ~ ~ ~ ~ ~

.

~~

.-

~

.

• _.

.

" J,i. --~-:- -1

f&~

--- .n . . . n

..

,

~ ~ -e. .n .n

f

iL 1'1 IL

..

iL ~" .n ,L 14 14 14 1?'L ~n 'L _~

..

_~

"

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End Half-Time Feel A5 Gtrs 1

&2) )

) )

)

/

)

'1

I:.~ - ~--_.-(GtL 2, cant. in notation)

-~~~~

grad. bend full ~~~~~~~~~ ~ ~ ~ ~ ~ full 11/2 2 _ _ _ _ _ _1_2

_15_--1_-

--d--

-_J

u m

T

U

l- T T T'

"T

F--~--

-_-_r_~

___1

GtL 3 tacet If I told you once, 1'1l tell you

*

A#5 B5 E5 A#5 B5 E5 A#5 B5 E5

Rhy. Fig. 2 GtLI

)~)

n .:

GtL 2 Rhy. Fig. 2A " J,i. I I) _._.~

I~ 1f#~~

1/2 1/2 1/2

:i: Bass plays B pedal. next 8 meas.

(34)

again. I've had it with your dirty fuckin' B5 A#5 B5 E5

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r::

p

P~)

P~-)

~.

mind. A#5 B5 E5 B5 A#5

End Rhy. Fig. 2

n

1. Ah, mys - ti - fied, then de

2, Ah, take your time, _ all is

Gtr.2 ** Rhy. Fig. 3A

1/2

* Bass continues B pedal till Chorus.

**Allow random harmonics to sound when

playing muted strings, next 3 meas.

A#5 B5 A#5 B5 E5 B5 A#5

End Rhy. Fig. 3

n

n)

)

nied and found ~ some shel ter. ~ Walked the line, _

lost and what's _ there to han die? _ It was -n't

I

t

I

End Rhy. Fig. 3A

§J~T

Gtrs. 1 & 2: wi Rhy. Figs. 3 & 3A, 2 1/2 times, simile

B5 A#5 B5 A#5 B5 E5 B5 A#5

~E

till you find it, in jeet - ed in ~_ your hand._ gone. you were down, the di - ree - tions in ~_ your hand._

(35)

I told the truth, the crap_ you're in - hal ing._

I'm fall - ing down the knife_ in your back side. _

BS A#S BS A#S BS

~=-~-;;t;~~~ ~

I'm gon - na die in your mind and find a dirt - Y fuck - in' place to lay,~

Gon - na die _~ in your mind and find a dirt - Y fuck - in' place to lay,~

!?S

Chorus A#S BS ES BS GS Rhy. Fig. 4 Gtrs. ) 1&2

)

n)

)

n

rrr:

-~---==-=f=~~~-==--====--==k==-~-~~-==F=.-~

yeah. _ _ (

Yeah! I'm gon - na

yeah.

1

Gtr.2 P.M. ~ Gtr. I ES VII BS DS GS

End Rhy. Fig. 4 Rhy. Fig. 5

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n

iTTJ

die in your dirt - y mind. '_ _ Nor-rna

let ring -j let ring -j

8 7

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c--7----

f--9

l

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36

(36)

ES VII BS

End Rhy. Fig. 5

)

n

_rTTJ

)

n

_{rTTJ )TTJ rTTJ}

did you find your way?~ Come a - long to you, rna rna.

let ring -j

7 8 7

7 8 19

7 9 9 9 9 9

Gtrs. 1 & 2: wi Rhy. Fig. 4, 1 1/2 times Gtr. 4: wi Riff A, 1 1/2 times, simile

GS BS ES DS

I'm gon - na die in your dirt - y fuck - in' _ _ mind.

Well, some-one came and took your Iife_ a - way, _ hey,

Gtrs. 1 & 2

yeah. _ Al right. _

I~

BS ES A#S BS ES BS A#S

t

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r

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Hey! Hey! Yeah! _

Interlude

Gtrs. 1 & 2: wi Rhy. Figs. 2 & 2A, simile

*

A#5 B5 E5 A#S

~

r

=Ld==lt

Hey! Hey!

* Bass plays B pedal, next 8 meas.

BS ES A#S BS ES A#S BS ES BS

r

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=i

_~

_t

£

_:II

41 t

(37)

Bridge ES E F# F#S

®®

open 2fr

n ;---

~ Gtr.3 " II ~ ~ - right.

-I saw your old la - dy in a

8va ___________________________________________________ __ _ _ __ _ _ --- - - - 

~ ~

F~

~~

mf

* wah-wah off Harm. _ - - - -1\ II 1' .~"".

-""

~ ~ ~ ~ ₅ v v

.

., . " v ₁₂ _·2 I ₁₂ 12 12 12 I Gtrs. I& 2 Gtr.2 1\ II

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~===

i I I i i i I

d--it--i

---~---H--i

- -

*Using a gtr. wi Les Paul-type electronics, set one vol. knob to zero. Flick toggle switch to "on" position in rhythm indicated, next 7 meas.

GSopen _F#S

1\ II •

. .

@)

par - no mag, in a par-no mag._ Yeah. _

" JJ, @) 8va _____________________________ _--- --- ----- - - . , loco

f: f: f: f: f: f: F'

Ilc~I!~'--F~

L--3-~ L--3~ L--3~ Harm. _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ -1 PS

8

5 5 5 5 5

F

~

5 5 I

X~Xh

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.x. 1\ II 0 - - - = ::::--- 0 ~

_

...

~ '-../

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u ~ u '-../-8-

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P.S. (cant. in slash)

J

I

D

31 I

x---

I

38

(38)

Guitar Solo

E5

F#5

Rhy. Fig. 6 *Gtrs.

r - r T i

r r - T I

1&2

i i i i i i i

i

fTTI

fTTJ

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wi wah-wah (used as filter)

full full full full full full

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12 14 12 15 14 full

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=E==~====1==2==========================================================================================

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n

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hold bend full 14 15 12 14 12 15 ~ 12 15 12 14 12 15 Bridge

Gtrs. 1 & 2: w Rhy. Fig. 6

G5 F#5 E

E5

F#5

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open

End Rhy. Fig. 6

rrri

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Mom-ing glo - [y, spent _ my pay. _ I'm

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full

(39)

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

----"

@)

.. ..

still not 05 ~

..

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.

wast - cd, and

• •

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F#5

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os

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Gtr. I: wi Rhy. Fig. 6, 1st 6 meas.

E5

F#5

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hap-pened a _ _ long time _ _ a - go, __ the

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ft ft ft ft

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40

(40)

I

D.S. alCoda

N.C. A5 N.C. A5 N.C. A5 N.C. A5 N.C. A5 N.C. A5 N.C. A5 N_C.A5

~~

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- - ttoo -- ddaay._ eel - e - brate _ your life _ to - day, _ yeah.

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D

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let ring _______________ -j let ring _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ -j

n n n n n x x f t n n x :: u u 8 8 u u n n n n n n on .~

~

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2 0

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t

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3 3 3 3 3 3

-$-Coda

Gtrs. I & 2: wi Rhy. Fig. 5, last 2 meas. Gtrs. I & 2: wi Rhy. Fig. 5, 3 112times Gtr. 4: wi Riff A, last 2 meas., simile Gtr. 4: wi Riff A, 3 112times, simile

E5 05 right _

,.

I

I'm gon - na RiffB

full full full full

::J

:~J

15 15 15

~--81---j

_[

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r~~~~~~~~~~

mind. _ End RiffB

full full full full full full full full full

MJ

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t

Gtr. 3: wi RiffB, 21/2 times

(41)

-

-B5 E5 G5 B5

~.~P=f-====H~7~D~~

die in your dirt - y fuck- in' ~ mind. Well, some-one came and took your life_ a - way,_

N.C.A5 N.C.A5 N.C.A5 N.C. A5 N.C.A5 N.C.A5 N.C. A5 N.C.A5

t:I ~,.---..

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t:I GtL 3

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tJ _mp Mriq ______________________________________________ ---~ f t f t f t f t _n f t f t f t f t f t x ;: ;: ;: ;: ;: x n n ;: x n x n u f t f t f t _n f t f t f t ~ ~ ~ ~

"

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tJ Gtrs, 1 & 2 _t:I ~ ~ ~ ~ ~ ~. _~ _~ _~ _~ _~ _{~ ~} _~ _~

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(GIr. 1, cont. in slash)

.,

f t f t :; :; n n n n n n n n n n :; :; ;; ;; ;; ;; ;; ;; ;; ;; ;; ;; ;; ;; ;; ;; f t f t f t f t f t f t f t f t u u U u u u u Free Time ill t:I GIr. I ;/ - - - -;/ - - - ; / - - - ; / - - - -;/ - - - -;/ - - - ; / rit.

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.

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f

u ____________u ___________u ____________u _mp

rit. S S 7 I I I I I f t 7

.,

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* vol. swells, next 7 meas.

(42)

For the lYIovies

Words and Music by Joshua Todd

Grube~mn;ard

Nelson, Jonathan Brightman and Devon Glenn

A

~~

xx!? (x?a

m

AS

BS

~CJt

DS

11

4 f 1 1 5 f r r

II

11

r 5 f

II •

3211 13421 132 321 11 134 311 13

D

typ

_ES

VII

E

ES

e2

F#S

Ii

11 13

II

134 Intro

•

Slow Rock

J

= 76 A C#m D *Dm

Rhy, Fig.! End Rhy. Fig.!

Gtr.2

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(clean) p

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g

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wi phase shifter

let ring throughoUl~

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.

n n n ~ ~ ~ ~ w :< ~ ~ ₃ ~ ~ ~ ~ ~ n n n ~ ~ >: ~ n

"

I ] * bass plays G

~Verse

Gtr. 2: wi Rhy. Fig. 1,2 times Gtr. I: wi Rhy. Fill I, 3rd time

A

-

C#m tJ /I .u. i:I: tJ

L

---..

all our love?

sin - gled out? _

in this;

~fT~"

I . simile on repeat

..

~

3 ~ I

~d

Do I you you see :4j get feel a back less place ~

..

from than for what all you I you the and I

gave? _ I see some

rest? _ You know it's in-ter I ._ _ We can make the most __

n

~

let ring throughout

5 7 5 4 5

~

6 6

d:i

i

0

_[.

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-

_i

•

tJ - - - . . of _

symp - toms a past that you for - gave._ You nev - er were

change - a ble, _ the spot - light and the pain.L. I want to get

of it. _ ,cause our pas - sian nev - er dies..,.; And if you don't

,

-

..

---

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•

2 2 0 5 7 5 3 0 6

o

~

Rhy. Fill! GtLI /I ,. <+ -e-

3

I

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(43)

---

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C#m /I 1I

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- a - ble; _ _

/~~u

_al-_ways made me feel a - live. _ And now we're In the mid

- of this; _ _ _ I want to build that trust a - gain. _ And if I give it all_

- in me, _ _ _ I'll choose a path and change your mind. _ And you can take me to_

/I 1I

*

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I

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6 7 ~ 5 7 5 4 I 5

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Pre-Chorus Gtrs. 1 & 2 tacet D DmlG A5 B5 Gtr.4 ) (dist.)

)

mf

/ l l i l l ~

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----=---

dIe of _ _ _ tran - si - tion in our lives. _

_ I've got,_ I'm sure you'd do the same._ A change of pace _ could real-Iy do _ some good.; _ your room_ or where - ev - er you may hide. _

!

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let ring throughout

2 2 0 5 5 0 0 0 2 6 2 4

eli

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A/C# D5 A5 B5

)

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- She's leav - ing, An emp - ty case, _ but you're bring-ing back_ the show. _

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44

Buckcherry_Buckcherry

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