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T H E U K G U I D E T O

A C C R E D I T E D E D U C AT I O N A N D T R A I N I N G

I N D A N C E A N D M U S I C A L T H E AT R E

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Looking for a dance teacher or to become one?

Then look no further and visit…

ISTD dance teachers offer classes in a multitude of styles from Ballet to Ballroom, Latin American to South Asian, through to Modern Theatre and Tap, so there’s bound to be a style to suit you.

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across the globe, dance-teachers.org^PSS OLSW `V\ [V ÄUK [OL

right dance teacher or training programme for you.

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please visitwww.istd.org or contact the Education & Training Department atLK\JH[PVUVMÄJLY'PZ[KVYN or on 020 7377 1577.

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C O U N C I L F O R D A N C E E D U C AT I O N A N D T R A I N I N G

• accredits professional training programmes in vocational dance and musical theatre schools • validates the qualifications of Dance

Awarding Organisations

• awards three marks of recognition (Recognised School, Recognised Qualified Teacher, Registered

Instructor)to dance and musical theatre schools and teachers working with students under the age of sixteen that can provide evidence to demonstrate compliance with CDET’s Requirements of professional practice including CDET’s Code of Practice

CDET ALSO

• offers a comprehensive and free information service (Answers for Dancers) to students, parents, teachers, dance artists and employers on all aspects of dance education and training • holds the CDET searchable database

containing the details of allRecognised schools, teachersandinstructors.

Founded in 1979, The Council for Dance Education and Training is a membership

organisation governed by theDance

Education and Training Board (DETB). Membership of CDET is available to qualifying organisations and individuals in the dance world.

CONTACT CDET FOR FURTHER INFORMATION

Council for Dance Education and Training

Old Brewer's Yard, 17-19 Neal Street Covent Garden, London, WC2H 9UY Tel 020 7240 5703

Fax 020 7240 2547 Email: [email protected] Website www.cdet.org.uk

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The information contained in this Handbook is intended to help you choose where to apply but please note that the Council:

• can give information about classes for children via its register ofRecognisedPre-vocational dance and musical theatreSchools, Teachers andInstructors.

• cannot recommend a particular vocational dance school

– the information in this Handbook is a starting point

– each vocational school produces its own prospectus and has its own website where students can find more information and the dates of open days

• cannot give information about vocational dance schools that are not members of the CPDS and cannot advise British students about studying overseas

• cannot give financial assistance to help students attend vocational dance schools (see the information on funding on page 14)

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C O N T E N T S

What is the Council for Dance Education and Training 03

Foreword by David Bintley 06

Message from Sarah Wilson – Chair CPDS 07

Sponsors 08

CDET – 30 years old 09

Patrons, board members and CDET staff 10

Location of National Accredited Schools 12

Location of London-Based Accredited Schools 13

Funding Information 14

Sectors and Qualifications 16

Applying to a School 17

Equity 18

Spotlight 19

SCHOOLS

Arts Educational Schools, London 20

Bird College – Dance, Music & Theatre Performance 22

Cambridge Performance Arts at Bodywork Studios 24

Elmhurst School for Dance 26

English National Ballet School 28

The Hammond School 30

Italia Conti Academy of Theatre Arts 32

Laine Theatre Arts 34

Liverpool Institute for Performing Arts 36

Liverpool Theatre School and College 38

London Studio Centre 40

Merseyside Dance and Drama Centre 42

The Midlands Academy of Dance and Drama (MADD) 44

Northern Ballet School 46

Performers College 48

SLP College 50

Stella Mann College of Performing Arts Ltd 52

Tring Park School for the Performing Arts 54

Urdang Academy 56

Application for Membership Status Schools (AMS) 58

Other Courses 60

Royal Academy of Dance 62

AWARDING ORGANISATIONS

Dance Awarding Organisations and Corporate Member Teaching Societies 65

British Ballet Organization (BBO) 66

British Theatre Dance Association (BTDA) 68

International Dance Teachers’ Association (IDTA) 70

Imperial Society of Teachers of Dancing (ISTD) 72

Royal Academy of Dance Examinations Board 74

The United Kingdom Alliance of Professional Teachers of Dancing & Kindred Arts 76

CORPORATE MEMBERS

Corporate Member Dance Teaching Societies 78

RECOGNISEDAWARDS

Pre-VocationalRecognisedAwards (RS) 80

Directory of Pre-VocationalRecognisedAwards 82

OTHER INFORMATION

Career Opportunities 92

Ballet 94

Contemporary Dance 95

Musical Theatre 96

Disability & Access to Training 98

Candoco Dance Company 100

National Dance CATs 102

Dancers’ Career Development (DCD) 104

Dance UK – Healthier Dancer Programme 106

The Foundation for Community Dance 108

Youth Dance England 110

National Dance Teachers Association (NDTA) 112

The Association of Dance of The African Diaspora (ADAD) 114

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I had a very broad dance training as a youngster. I started dancing at the age of eleven, at a local school in Yorkshire, and went to classes in ballet, jazz, tap and modern musical twice a week. I’m thankful that this broad base gave me so much more to draw on when I finally determined on a career as a classical dancer. At the age of fourteen however, my dream of going to the Royal Ballet School was clearly out of reach, as my training and technique had not focussed on ballet up to that point. I knew I had to find a good school and a good teacher in order to bring me up to the standard required, and so I spent my early teenage years doing a great deal of travelling on buses and trains to attend classes at quality schools. Three years of hard training (and the loss of a meniscus!) finally paid off, and I successfully auditioned for the Royal Ballet Upper School. I spent two years at the School under the tutelage of Walter Trevor, Terry Westmoreland and Piers Beaumont, three entirely different teachers who nonetheless gave me a sound basic technique, a genuine fascination with the classical enchaînement and a profound love and respect for classicism. Their teaching still influences me today and I often find myself passing on their words of wisdom to young dancers.

As Director of Birmingham Royal Ballet, I receive applications for auditions daily and the first thing that I look for is where the applicant was trained, under what teachers, what examination system

has been followed and what marks obtained. Of course, I would never hire a dancer for the Company without personally seeing them first, assessing their personality and getting some sense of their performability, but there is no substitute for sound training and, in a classical Company of real substance, there is no hiding from the technical rigours that every dancer is exposed to. This, of course, is true for all branches of the dance arts. My broad training in various styles, and invaluable experience at the hands of excellent teachers, have not only stood me in great stead for the entirety of my dance career, but have also proved a major influence on my work as a choreographer, and in my role as a Director. I was lucky. Before the advent of the Council for Dance Education and Training and its accreditation system, good training, schools and teachers could only be discovered by experience and word of mouth, often a hit and miss affair. Thanks to the CDET, young aspiring student dancers now have a reliable and approved method of selecting the best courses and vocational training to equip them for their professional lives. In choosing dance as a career, you are on the verge of committing to one of the most painful, exacting and precarious branches of the theatre. Choose wisely, for the right training will give you the skills, discipline and inspiration, not only to endure the hardships, but to treasure and value the moments of magic. Theyareworth it!

F O R E W O R D B Y

D AV I D B I N T L E Y

D I R E C T O R O F B I R M I N G H A M R O YA L B A L L E T

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The performing arts sector is alive and kicking with a healthy West End and increasing audiences for mainstream and independent dance and musical theatre every year. Theatre managements, dance companies, cruise companies and commercial TV need a constant stream of young performers to audition for them.

All the CPDS schools are focused on preparing their students for “professional” theatre. The employment statistics for their graduates are outstanding with over 90% graduate employment in the last couple of years. Every major dance and musical theatre production you see and every national tour, and West End company, has CPDS graduates in its cast.

CPDS schools guarantee you the very best training artistically and technically. You will take a recognised qualification, either a diploma or a degree.

You will be supported and guided towards suitable agents and audition opportunities and taught how to look after yourself and your career. Many of the professionals who will teach and direct you will still be working in the theatre.

All these schools are accredited by CDET (or have applied for CDET accreditation); you can be confident that the quality of training you will receive, plus your talent, will give you the very best start in the industry. Good luck with your auditions.

Sarah Wilson

Vice-Principal Laine Theatre Arts Chair CPDS

C H A I R O F T H E C O N F E R E N C E O F

P R O F E S S I O N A L D A N C E S C H O O L S

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Welcome to the 2010 – 2011 edition of the UK Guide to Accredited Courses in Dance and Musical theatre.

Over the past six years, the Guide has become the definitive handbook to accredited training for all seeking guidance on professional dance or musical theatre tuition in the UK. Within these pages you will find information on Vocational Dance Schools, Dance Awarding Organisations, Recognised Pre-vocational Schools, Recognised Qualified Dance Teachers and Registered Dance Instructors. Additionally, the Guide is supported by a free telephone and web-based information service – Answers for Dancers, which deals with enquiries on all aspects of dance and musical theatre education and training. Should you have questions concerning tuition that are not addressed in this Guide please contact the office to discuss them in person.

Dance and musical theatre students, of all levels of accomplishment, need to be confident they are working with highly skilled, qualified teachers experienced in the development of talent. CDET is at the forefront of quality assurance in the performing arts internationally, working with Equity, the Theatrical Management Association and Spotlight to ensure the standard of education and training in dance and musical theatre in the United Kingdom is respected throughout the world. Every possible success in the realisation of your future ambitions.

R O G E R B R A M B L E D L

C H A I R M A N , T H E C O U N C I L F O R

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PAT R O N S , B O A R D M E M B E R S A N D C D E T S TA F F

PATRONS Adam Cooper Robert Cohan CBE Gillian Lynne CBE Dame Antoinette Sibley

TRUSTEES OF THE COUNCIL

Roger Bramble DL Independent (Chairman) Josh Botham Independent (Hon. Treasurer)

Julian Amey Imperial Society of Teachers of Dancing

Shirley Coen Bird College

David Grindrod Independent

Hilary Hadley Equity

Andrew Hurst Independent

Keith Jones National Association of Teachers of Dancing

Ross MacGibbon Independent

Dr. Andrew McBirnie Royal Academy of Dance Marie McCluskey Independent

Peter Morris TMA/SOLT

Craig Phillips Urdang Academy

Sarah Wilson Laine Theatre Arts Susan Wyatt Independent (Vice Chair)

STAFF

Sean Williams (Director)

Liz Dale (Head of Education and Training) Melanie Brenchley (Recognised Awards Officer) Abby-Lee Widger (Finance Officer)

Ashlie Cherry (Administrator)

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Cambridge Performing Arts, Cambridge Elmhurst School for Dance, Birmingham The Hammond School, Chester Laine Theatre Arts, Epsom

Liverpool Institute for Performing Arts, Liverpool Liverpool Theatre School and College, Liverpool Merseyside Dance and Drama Centre, Merseyside Midland Academy of Dance & Drama

Northern Ballet School, Manchester Performers College, Corringham, Essex SLP College, Leeds

Stella Mann College, Bedfordshire Tring Park, School for the Performing Arts 11 13 5 1 7 8 6 2 12 10 9 4 3

L O C AT I O N O F N AT I O N A L A C C R E D I T E D S C H O O L S

13 1 10 8 9 6 3 4 2 12 11 5 7

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1 3 4 6 2 5

Arts Educational Schools, London West Bird College, Sidcup

English National Ballet School

Italia Conti Academy of Theatre Arts Ltd London Studio Centre, London Central Urdang Academy, London Central 4 5 6 2 1 3

L O C AT I O N O F L O N D O N - B A S E D A C C R E D I T E D S C H O O L S

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F U N D I N G I N F O R M AT I O N

WHAT DOES IT COST TO GO TO A VOCATIONAL DANCE SCHOOL? Finding the funds to study on dance courses can be a long and difficult process. A year course at a CDET accredited vocational school can cost between £7,000 and £11,000. This page offers information on funding for vocational courses.

FURTHER EDUCATION (FE) The Dance and Drama Awards (D&DA) were introduced by the government in 1999 to increase access to vocational dance, musical theatre, drama and stage management training. They provide reduced fees for full-time vocational dance and drama students but are only available to those studying for the following qualifications – the National Diploma in Professional Dance, the National Diploma in Professional Musical Theatre and the National Certificate in Professional Classical Ballet. The qualifications are all awarded by Trinity College London (TCL) and are only available at one of the 22 providers TCL validates.

A limited number of D&DAs are awarded each year and they are allocated by the 22 schools to students showing most potential at audition. Students intending to apply for an award should contact a vocational school directly to enquire if it has D&DA funded places available. The 22 schools will make an award to a student regardless of his/her income but where students are judged to be equally talented their financial circumstances will be taken into consideration. To be eligible for an award a student must be an EU national at the start of the course and have been resident in the EU for at least 3 years before the course begins. Students who are offered Awards will have to make a contribution to their fees. The contribution for 2010-2011 is set at £1,275. Students who cannot afford £1,275 or who need further financial assistance for living and learning costs may be eligible for additional funding from a means tested FE fund. Schools offering DaDAs will be able to provide

additional information – their details are available in this Guide and on the CDET website www.cdet.org.uk. HIGHER EDUCATION (HE)

Higher Education courses lead to a degree, diploma or certificate validated or awarded by a university; a number are now also designated ‘vocational’. Students following HE dance courses do not qualify for D&DAs but are eligible for mandatory, Higher Education awards which cover the greater part of tuition fees. Like any UK (or EU) student entering Higher Education, students are eligible to apply for help with the student fee contribution (the maximum is £3,225 from 2009/10 and £3,290 for 2010/11) and have access to Student Loan for Fees. However if you have received government funding for a previous course it is unlikely you will be eligible. The government website www.direct.gov.uk has comprehensive information about student finance for students undertaking Higher Education courses.

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MUSIC AND DANCE SCHEME (MDS) For students wishing to train in Classical Ballet the DfES also funds the Music and Dance Scheme (MDS) which provides for children and young people between the ages of 8 (11 for ballet) and 18 to receive an academic education alongside the best specialist ballet training available. At present four dance schools (Elmhurst School for Dance, The Hammond School, The Royal Ballet School and Tring Park School for the Performing Arts) offer MDS places to students at 11. In addition, the government has announced new national grants for exceptionally talented children allowing them to gain access to specialist dance training in genres other than ballet in the Centres for Advanced Training (CAT). Contact the DfES Music and Dance Scheme for more information – 01325 391150. www.dfes.gov.uk/mds Finally, some courses may not be funded by any awards. In these cases, students are responsible for the full cost of fees and may need to secure private funding via loans, scholarships and trusts.

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S E C T O R S A N D Q U A L I F I C AT I O N S

SCHOOLS DaDa HE FE

Arts Educational School, London Bird College

Cambridge Performing Arts Elmhurst School for Dance English National Ballet School The Hammond School Italia Conti

Laine Theatre Arts

Liverpool Institute for Performing Arts Liverpool Theatre School and College London Studio Centre

Merseyside Dance and Drama Centre Midlands Academy of Dance and Drama Northern Ballet School

Performers College SLP College Stella Mann College

Tring Park, School for the Performing Arts Urdang Academy

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A P P LY I N G T O A S C H O O L

This guide offers information on vocational dance and musical theatre schools accredited by the Council for Dance Education and Training. Individual entries confirm the courses on offer but you are strongly advised to visit each school’s website and contact the admissions office directly to obtain a copy of a prospectus. You will also need to determine the method and deadline for applications for each school and, most importantly, confirm that you meet any specific entry requirements. You need to decide if you will apply for a course at one vocational school or several but do remember that multiple applications are expensive. You will have to pay a fee for each audition, plus travel and accommodation costs. It might be sensible to work out your audition budget first and make applications accordingly.

Make sure you read application forms carefully and provide the information requested in a neat and professional manner. An application form with corrections and mistakes will create a poor impression and if you are asked to provide a headshot photograph, do so – not a picture of you and your friends on a night out! Read through and check completed forms for spelling and grammar mistakes – it is worth asking someone else, perhaps a teacher or parent to look over an application form before you send it. Take care with your answers and do not exaggerate or invent things you have done. If a vocational school knows you have limited experience it will be taken into account at the time of audition. Remember, course directors and tutors are experts at spotting potential and the suitability for training.

If you have any special needs it is vital that you tell the school at the application stage so that arrangements may be made for you at audition or interview. The Council for Dance Education and Training has an information service – Answers for Dancers on its website. Do, please use it and contact the Council by telephone on 020 7240 5703 or email at [email protected] if it can be of further assistance with your applications.

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E Q U I T Y

The majority of professionals working in the entertainment industry recognise the value of belonging to their trade union. In the case of dancers and choreographers their union is Equity which has been a cornerstone of the industry for nearly 80 years. The work of the union is done in collaboration by staff and members and falls into three main areas:

1) to negotiate minimum working terms and conditions across the industry 2) to be the national and international

campaigning voice for UK artists ensuring their issues are heard at the highest levels

3) to provide a range of services (insurance, pension, audition information, legal and welfare help etc) giving practical support for Equity members

Without Equity the framework of safeguards and protections that members have struggled to achieve would disappear and everyone would be both worse off and much more vulnerable. But any union is only as strong as its members which is why professionals choose to join Equity as soon as they are eligible. Student membership puts you in touch with the union and provides opportunities to get involved.

www.equity.org.uk

Students at a CDET accredited school have an advantage of being entitled to full Equity membership on graduation

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S P O T L I G H T

Spotlight Dancers is the only dedicated dance directory in the UK. It contains details for hundreds of professionally trained dancers with a variety of different skills and is used by casting directors, producers, directors and choreographers to cast dancers for their projects. Projects cast using Spotlight Dancers include feature films, musicals, commercials, music videos, still photography shoots, holiday and cruise ship entertainment. Any dancer aged 16+ with recognised professional dance training is eligible for membership of Spotlight Dancers. CDET graduates in their final year are automatically entitled to half price membership.

“I think Spotlight is a great way to keep up-to-date on the best auditions and castings in the most professional manner.” Cem Ahmet, Spotlight Dancers member (Dance credits include X-Factor Tour, T-Mobile Commercial, Royal Variety Performance)

“Spotlight Dancers gives casting directors the opportunity to view our clients, off the back of which we have had dancers in So You Think You Can Dance, Streetdance 3D and a Dizzee Rascal music video to name a few.” Gina Long, Longrun Artistes, Dancer/Actor Agency

For more information on Spotlight Dancers and the benefits of joining, including exposure in our books and website, membership discounts and careers advice services, go to www.spotlight.com/dancers

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P ri n ci p a l Ja n e H a rr is o n D ir e ct o r o f M u si ca l T h e a tr e C h ri s H o ck in g D ir e ct o r o f A ct in g fo r F il m a n d Te le v is io n M ic h ae lB ra y Te le p h o n e 0 2 0 8 9 8 7 6 6 7 7 F a x 0 2 0 8 9 8 7 6 6 9 9 E -m a il m ts @ ar ts e d .c o .u k W e b si te w w w .a rt se d .c o .u k A d d re ss C o n e R ip m a n H o u se 1 4 B a th R o a d , C h is w ic k , L o n d o n W 4 1 LY

A R T S E D U C AT I O N A L S C H O O L S L O N D O N

20 POLICY

Arts Educational Schools London was founded in 1919, and is one of the leading performing arts institutions in the UK. It is unique in being able to provide professional training in Musical Theatre and Acting for those aged 18+, as well as catering for talented 11 to 18-year olds in its Independent Vocational performing arts day school. Julie Andrews, Darcey Bussell, Martin Clunes, Adam Cooper, Nigel Harman, Bonnie Langford, Cherie Lunghi, Hugo Speer, Summer Strallen, Will Young and Catherine Zeta-Jones are just a few of the exceptional talents who have trained at ArtsEd.

LOCATION

In Chiswick, London. A residential area with excellent shopping and eating facilities. Twenty minutes from the West End by frequent trains from Turnham Green, a two minute walk away. Easy access to London Airport and all international connections. Limited disabled access.

VOCATIONAL COURSES OFFERED – PERFORMING

3yr Musical Theatre/ Accredited by CDET / Leading toBA Hons in Musical Theatre Photos: Mike Eddowes

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(City University) and theNational Diploma in Professional Musical Theatre(Trinity College London). ArtsEd aims to produce triple threat performers, trained to UK and international professional industry standards in dance, acting and singing. Confidence and excellence in a range of dance styles is developed, as well as an understanding of the human body so students can express themselves freely and avoid injury. In addition to regular jazz, ballet, pas de deux, contemporary dance and tap classes the course includes classes in street jazz, tumbling, song and dance.

A vital and unique feature of this course is the provision of one to one singing and portfolio lessons, which ensure students can produce a well-placed consistent sound throughout the vocal range and help each student build a varied repertoire of songs. Ensemble singing and performance classes develop the competence and confidence to sing in front of an audience. Song workshops bring together the technical and performance skills of acting and singing.

Acting, improvisation, voice and speech classes help students to create truthful performances by developing imagination, concentration and observation. Students develop confidence and creativity in using a range of acting styles, texts and techniques, both for the stage and in front of the camera. MA Musical Theatre Creative Practice Director – Choreographer – Music Director The MA Musical Theatre Creative Practice is a full-time one-year course that builds upon existing skills to enhance students’ prospects in Musical Theatre.

This unique and exciting programme is suited to performers wanting to focus their career away from performance towards other creative disciplines.

Students will apply to follow one of three pathways: Direction, Choreography or Music Direction for Musical Theatre, and will be mentored throughout by leading industry practitioners, which in the past have included Gillian Lynne, Stephen Mear and Gareth Valentine.

COURSES OFFERED – OTHERS • BTEC Extended Diploma in

Performing Arts – Musical Theatre • 3yr/BA Hons Acting for Film

and Television

• MA Screenwriting – 18 Months part-timePost-Diploma BA Hons in Performance

Studies.

• Foundation Course in Performance Acting or Musical Theatre

HOW TO APPLY

Entry for our professional courses is by audition only. Government funding is available for a limited number of students from the UK and the European Union. For further details on how to apply for any of our courses please phone us on 020 8987 6666 or check our website www.artsed.co.uk

“The future of this country’s musical theatre tradition depends on centres of excellence, such as the Arts Educational Schools London, which nurture and inspire young performers.”

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P ri n ci p a l a n d C h ie f E x e cu ti v e S h ir le y C o e n B A (H o n s) , F R S A V ic e P ri n ci p a l a n d A rt is ti c D ir e ct o r Lu is D e A b re u M A , P G C E Te le p h o n e 0 2 0 8 3 0 0 6 0 0 4 F a x 0 2 0 8 3 0 8 1 3 7 0 E -m a il ad m in @ b ir d co lle g e .c o .u k W e b si te w w w .b ir d co lle g e .c o .u k A d d re ss T h e C e n tr e , 2 7 S ta ti o n R o a d , S id cu p , K e n t, D A 1 5 7 E B

BIRD COLLEGE – DANCE, MUSIC & THEATRE PERFORMANCE

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POLICY

...is to preserve and build upon its reputation for excellence as a leading and unique provider of vocational education and training in dance, music and theatre performance. • The recruitment, without prejudice, of

the most talented students • The setting of demanding training

programmes within a nurturing environment • The work of the College is closely aligned

to the profession & rooted within the community sector

• The regular review of programmes, partner ships and operations which ensures their worth in order to provide meaningful opportunities for students

• The recruitment of the best staff, each an expert in his or her own field.

• An organisation that is well-managed, open and accountable, and gives all staff and students a voice.

LOCATION

We are located in a pleasant suburb, close to the centre of London with easy access by train to Charing Cross. From London, trains to Sidcup run every half hour from Charing Cross with a Journey time of 30 minutes. By bus: A comprehensive service exists for the local area and for central London. By car: Exit 3 off the photo: Benedict Johnson

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M25, and then follow the A20 into Sidcup. From London follow signs to A20 New Cross, Lewisham and A222 Sidcup. International travel: the College is within easy travelling distance for Channel ferries and tunnel. Gatwick airport is just 32 miles away, take the train to London Victoria and then bus or taxi to Charing Cross. From Heathrow airport, underground trains connect directly to central London.

VOCATIONAL COURSES OFFERED – PERFORMING

The College’s programmes are committed to your needs, an approach which is reflected in the dedication and expertise of our staff, a stimulating, creative ethos and the provision of quality vocational environment. Our aim is to enable you to identify, develop and nurture your own special skills, perfecting a professional attitude and an inner confidence with which you can flourish.

The three year National Diploma in Professional Musical Theatre is designed for those students with a specific vocational focus. It will equip them with the technical and artistic skills necessary for a professional career in Dance and Musical Theatre. The BA (Hons) in Dance and Theatre Performance is a

vocationally based degree programme, providing the same amount of training and performance opportunity as the Diploma, with the increased academic rigour which can enhance career potential. The degree is validated by the University of Greenwich, who continue to support and encourage the College’s independence and unique character The two year Foundation Degree in Creative Industries: Acting is a practical, performance based degree programme, which provides students with opportunities to acquire and develop acting skills and techniques which can be applied to three vocational areas: acting in theatre, acting in the community and acting in television. The emphasis is on creativity and expressiveness involving an exploration of the current mix of cultures and their different forms of theatre and analysing ways in which intercultural exchanges enrich and influence the performing arts.

COURSES OFFERED – OTHER

Pre-vocational Foundation Year in Dance and Theatre Performance. This one year full time course is a practical, performance based programme that aims to help those talented students that have the potential for full time vocational training but have not achieved

the necessary technical standard required for entry.

The College also offers the ISTD Foundation in Dance Instruction (FDI) qualifications in Ballet, Jazz and Tap to all students enrolled on a Bird College programme and who meet the necessary criteria.

HOW TO APPLY

Bird College welcomes applications from all sectors of the community, regardless of ethnicity, religion or gender. The college is committed to meeting the requirements of learners with special educational needs. Contact the college on 0208 300 6004 or e-mail [email protected]. For further information please consult our website www.birdcollege.co.uk.

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P ri n ci p a l T h e re sa K e rr C o u rs e L e a d e rs A n g e la A sk e w & E m ily C lif f Te le p h o n e 0 1 2 2 3 3 1 4 4 6 1 F a x 0 1 2 2 3 3 5 6 2 3 1 E -m a il co u rs e le ad e r@ b o d yw o rk d s. co .u k W e b si te w w w .b o d yw o rk -d a n ce .c o .u k A d d re ss 2 5 – 2 9 G lis so n R o a d C a m b ri d g e , C B 1 2 H A

CAMBRIDGE PERFORMANCE ARTS AT BODYWORK STUDIOS

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POLICY

‘To inspire all with the glorious creativity and the discipline of the arts’.

Excellence in teaching. Stunning performance opportunities. Professionalism. These three areas drive the college policy and ethos forward. We take a holistic approach to the training offered to students at Bodywork by developing individual talents regardless of age, gender, disability, ethnicity or religion. The wide ranging curriculum allows students to discover new talents in addition to developing those they bring to the college. We are a modern college, very much in touch with current industry trends, in order to meet constantly evolving employer demands in theatre, TV and film. This approach has led to the college being awarded a grade one (outstanding) in the most recent Ofsted inspection. The inspection report stated ‘The standard of the students work is very high in virtually all disciplines but particularly in jazz, singing and musical theatre skills. Students work with dedication and a sense of professionalism. They produce seamlessly integrated ensemble work and some outstanding individual performances’. photos: Rog Palmer

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We also recognise the importance and value of performance experience to emerging professionals and believe in providing excellent opportunities for students to experience high quality production processes, led by those at the top of the profession. This approach is reinforced in the selection of the teaching faculty, who have extensive experience as performers at the top of their field, with excellent skills in communicating their specific subject. LOCATION

Cambridge Performing Arts College is uniquely situated, close to the main railway station and half a mile from the city centre. Being close to London (45 mins. by train) many of our full time staff and guest teachers are able to commute, keeping pace with the changes in the professional world. VOCATIONAL COURSES OFFERED – PERFORMING The college offers level 6 qualification courses validated by Trinity College London. The National Diploma in Professional Musical Theatre and National Diploma in Professional Dance. On the National Diploma courses

students study a wide range of subjects including ballet, jazz, contemporary, tap, singing and acting. The course is progressive over three years to produce a well informed, rounded performer. The courses are accredited by the Council for Dance Education and Training.

COURSES OFFERED – OTHER We run one of the most well established foundation courses in the country. This course is designed for students who are either late starters, or who wish to add dance to existing skills such as acting or singing. From September 2009 this will be validated by Trinity College, London as a level 3 qualification

There is a one year intensive course, designed for students with previous training (e.g. university course) who wish to develop a new discipline or to add the professional polish in order to pursue a performing career.

There are a number of short courses throughout the year including Easter and summer intensives in ballet, jazz and

contemporary dance. See our website www.bodywork-dance.co.uk for details. HOW TO APPLY

Entry to all courses is by audition where all applicants are invited to the studios for a full day. The audition looks for potential and not necessarily evidence of prior learning. RECOMMENDATION BY A GRADUATE

“Bodywork not only gave me the skills I needed to become the best performer I could possibly be but also allowed me to learn to be comfortable with my individuality. My training gave me a good all round base for a gruelling profession, which makes it easier to succeed.”

Carlton Connell, West End performer (2005 graduate).

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P a tr o n H R H T h e D u ch e ss o f C o rn w a ll P ri n ci p a l Je ss ic a W ar d B A (H o n s) ,D ip .( D an ce P e rf o rm an ce )L ab an C e n tr e . A rt is ti c D ir e ct o r D e sm o n d K e lly O B E A rt is ti c A d v is o r D a v id B in tl e y C B E Te le p h o n e 0 1 2 1 4 7 2 6 6 5 5 F a x 0 1 2 1 4 7 2 6 6 5 4 E -m a il e n q u ir ie s@ e lm h u rs td an ce .c o .u k W e b si te w w w .e lm h u rs td a n ce .c o .u k A d d re ss 2 4 9 B ri st o l R o a d E d g b a st o n , B ir m in g h a m , B 5 7 U H

E L M H U R S T S C H O O L F O R D A N C E

26 POLICY

Elmhurst, the oldest vocational ballet school in the UK, prepares its students for professional careers in ballet and related dance styles. They benefit greatly from the school’s close association with Birmingham Royal Ballet. Through the auditions process, they are selected according to their perceived potential and their commitment to dance. Their technical skills are then developed and their artistry and creativity nurtured. Choreographic studies are taught to each year group and the students’ own choreographic pieces are showcased. LOCATION

In 2004 Elmhurst re-located to Edgbaston, Birmingham to be near the Birmingham Royal Ballet Company. The new school has been specifically designed to meet the requirements of professional dance training now and for the future. This exciting move constituted a multi-million pound investment in the future of dance education and provides a centre of excellence, centrally located away from London.

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VOCATIONAL COURSES OFFERED – PERFORMING Elmhurst offers a three year course in Classical Ballet and Related Dance Styles for students from age 16.

Students study for the National Diploma in Professional Dance, a Level 6 qualification awarded by Trinity College London. Graduates of the Diploma can apply to Middlesex University to enrol on a conversion course, leading to a BA (Hons) Professional Practice (BAPP). The School also offers a range of academic courses to complement its artistic programmes to full A-level. External qualifications offered include Royal Academy of Dance vocational graded qualifications. Students may be self-funded or in receipt of a Dance & Drama Award.

In addition to a faculty of distinguished teachers and professional artists, Elmhurst benefits from a close association with Birmingham Royal Ballet. Company members frequently visit to give master classes to students. Subject to satisfactory progress

students may join company class and be considered for inclusion in Birmingham Royal Ballet productions.

The most recent OFSTED inspection report rated the school’s provision of the three year National Diploma in Professional Dance as “Outstanding”.

Elmhurst offers an extensive curriculum encompassing all the requirements for completion of the National Diploma in Professional Dance. In addition, students study a wide range of complementary subjects. In the Graduate year, students benefit from a comprehensive programme of career counselling and management, including the opportunity to compile a photographic portfolio.

COURSES OFFERED – OTHER

The one-year Pre-Professional course is open to pre-professional students for their further study, professional dancers who have had time-out through injury or illness, and overseas students interested in enhancing

their career opportunities. This course in Classical Ballet and Related Dance Styles offers intensive vocational training and education to prepare dancers for auditions and a professional career in dance. HOW TO APPLY

Students following these courses are accepted on the basis of their physical facility, potential and aptitude. All details regarding auditions and application procedures are obtainable from the School’s website.

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P a tr o n s A g n e s O a k s & T h o m a s E d u r A rt is ti c D ir e ct o r W a y n e E a g lin g D ir e ct o r o f D a n ce M ic h a e l C o rd e r C o D ir e ct o rs D e lia B a rk e r & A n u G ir i

E N G L I S H N AT I O N A L B A L L E T S C H O O L

28 POLICY

To be a centre of excellence for young dancer development, providing intensive ballet training in preparation for students to enter a professional career. English National Ballet School provides ballet training for 16-19 year olds, enabling graduates to achieve a level of artistry and technique required by English National Ballet and other international classical ballet companies. We pride ourselves in providing students, from diverse backgrounds, with the necessary broad skills and knowledge to develop as versatile dancers, so that they are able to meet the demands of the changing environment of professional dance.

LOCATION

The School occupies a traditional Victorian building in Chelsea, south-west London. At present, we regret that the School premises are not easily accessible as they can only be reached by stairs. Train: London Underground connects directly to mainline stations. London Underground: Fulham Broadway (District) or Earl’s Court (District & Piccadilly). Bus: a comprehensive service exists in the local area. International travel: the School is within easy travelling distance of Heathrow, Gatwick, City and Stansted airports.

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VOCATIONAL COURSES OFFERED – PERFORMING As an international centre for excellence in dance training we recognise that today’s performers need to be versatile. Our curriculum encompasses high quality training in Ballet and a range of Contemporary Dance styles. Students also receive a good all round education through a unique course of professional and academic study which focuses on creative and artistic development. The School offers a rich and stimulating curriculum taught by highly experienced teachers and guest artists of international renown. The training develops artistry, musicality and performance quality, underpinned by clean, strong technique. The experience of working to professional standards with leading choreographers and directors ensures that students can respond creatively and confidently to different working environments.

Students experience life with a professional dance company through the professional preparation programme. In 2009-2010 students selected by English National Ballet, and other UK based companies, have had the

opportunity to perform inThe Nutcracker, The Snow Queen,CinderellaandSwan Lake. Our three year full-time National Diploma in Professional Dance course and one year Graduate Course give our students the opportunity to become trained professional dancers, having acquired the necessary life skills for long and successful careers. Our graduates are to be found in top companies throughout the world, most notably in English National Ballet. COURSES OFFERED – OTHER Audition WorkshopThis one day course will explain what staff look for at an audition, how students can prepare for the day, and offers the experience of an ‘audition’ class. Spring CourseThis three day course gives students the opportunity to experience Ballet, Contemporary and repertoire classes and learn about full-time training at English National Ballet School.

Summer CourseThis one or two week course is designed to develop students’ classical technique, learn Classical Ballet repertoire, explore and develop their choreographic talent and give them the experience of creating new work with choreographers. HOW TO APPLY

The School is proud of its commitment to equal opportunities; successful applicants are chosen because of their aptitude and potential for professional careers in dance. Application forms and further information is available on our website, email: [email protected] or telephone 020 7376 7076.

RECOMMENDATION BY A GRADUATE “I feel I am not only prepared for a professional life as a dancer, but also for life. I have received an education about the importance of all-round physical well-being and a training schedule that has taught me how to become physically stronger.”

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T H E H A M M O N D S C H O O L

30 H e a d o f S ch o o l M rs M a g g ie E v a n s H e a d o f D a n ce M s S ar ah D u rr an t P a tr o n s Ir e k M u k h a m e d o v V iv ia n a D u ra n te P a u l N ic h o la s K e n n O ld fi e ld Te le p h o n e 0 1 2 4 4 3 0 5 3 5 0 E -m a il in fo @ th e h a m m o n d sc h o o l.c o .u k W e b si te w w w .t h e h a m m o n d sc h o o l. co .u k A d d re ss H o o le B a n k H o u se , M a n n in g s L a n e , C h e st e r, C H 2 4 E S

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POLICY

The Hammond is a centre of creativity and excellence based in the North West of England. We aim to produce a caring and supportive environment, which encourages artistic, educated, outstanding dancers and performers. The Hammond receives support through the YPLA’s (Young People’s Learning Agency) Dance & Drama Awards (DaDA).

Major investments in recent years have led to a 400 plus theatre in The Hammond Performing Arts Centre, a new Music Suite and four additional state of the art dance studios.

LOCATION

Situated on the outskirts of Chester, The Hammond is ideally placed for easy access to both Liverpool and Manchester airports (45 minutes) and the main Chester railway station (10 minutes).

The Hammond has an equal opportunities policy and welcomes applications to audition from all candidates.

VOCATIONAL COURSES OFFERED – PERFORMING

The National Diploma in Professional Dance The National Diploma in Professional Musical Theatre

COURSES OFFERED – OTHER A Levels are offered alongside Diplomas A 6thForm Drama Course which combines a

BTEC Certificate in Performing Arts (Acting) with the study of two A Levels.

HOW TO APPLY

Entry is by audition. Apply for a prospectus by e-mail/telephone or download your application from the website. Upon receipt of your application an audition date and itinerary will be forwarded to you. Auditions take place between November and March.

RECOMMENDATION BY A GRADUATE “Following my graduation from The

Hammond, I have danced soloist roles with Cork City Ballet and starred in Robert North’s ‘The Snowman’ as the Ice Princess. I am currently with Matthew Bourne’s New Adventures after performing in the World Tour of ‘Edward Scissorhands’. All of this transpired due to the exceptional training I received and the dedicated and inspirational teaching faculty at The Hammond.”

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P ri n ci p a l A n n e S h e w a rd Te le p h o n e G o sw e ll R o a d 0 2 0 7 6 0 8 0 0 4 4 C la p h a m A ct in g D e g re e S it e 0 1 0 7 7 3 3 3 2 1 0 F a x 0 2 0 7 2 5 3 1 4 3 0 E -m a il ad m in @ it al ia co n ti .c o .u k W e b si te w w w .i ta lia co n ti .c o m A d d re ss 2 3 G o sw e ll R o a d , L o n d o n , E C 1 M 7 A J

I TA L I A C O N T I A C A D E M Y O F T H E AT R E A R T S

32 POLICY

For almost a century the Academy has been producing ‘audition ready’ artists for every aspect of the entertainment profession. As originators of multi-disciplinary training we have a long list of highly successful alumni in every aspect of today’s demanding theatrical industry. The Academy is committed to a policy of widening access to its training courses and recruits students from all areas of the community including those from deprived social areas, minority ethnic groups, the disabled and lifelong learners through outreach work and liaison

LOCATION

The Academy is located in Central London adjacent to the Barbican entertainment complex, some 200 meters from Barbican underground station, which is on the Circle and Metropolitan lines. It is only a few minutes journey from all mainline stations such as Liverpool Street, King’s Cross, Euston and Paddington. Thames Link services stop at nearby Farringdon and two bus routes connect the Academy with Waterloo Station.

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VOCATIONAL COURSES OFFERED – PERFORMING Three Year Performing Arts Diploma. This course attracts DADA award funding, and offers the National Diploma in Professional Musical Theatre awarded by Trinity College London and is accredited by the CDET. Designed to respond to the needs of today’s entertainment industry and produce confident, articulate and multi skilled performers, the course combines professional vocational training with contextual studies; students undertake a variety of projects, workshops and performances during their courses. Audition and employment opportunities are available via the Italia Conti Agency which represents each of our students.

One Year Intensive Performing Arts Course. This is an excellent preparation for longer term training or for those seeking to add a professional edge to pre-existing skills. It is also suitable for graduates seeking to add technical and performance skills to their theoretical knowledge. Gap Year students with substantial background in dance and drama may find that the course helps them decide

which further training path to take. BA (Hons) Acting Degree Course housed in its own building in Clapham, South London offers an extremely high quality modern and innovative acting training – preparing students for the full range of employment opportunities available in today’s varied and demanding profession. Theatre Arts School. For students age between 10 and 16 years our course of secondary education provides a day divided between the pursuit of a traditional academic curriculum and the very best in dance, drama and singing training. COURSES OFFERED – OTHER NEW! 2 Year Acting Course (3 days a week). 1 Year Singing course. The above new courses are based at ‘head office’ Goswell Road , Barbican, EC1. Dance Teacher Training with Performing Arts Based at The Italia Conti Arts Centre, 221 Epsom Road, Merrow, Guildford, Surrey GU1 2RE Tel: 01483 568070. Teacher training for the ISTD Foundation in Dance Instruction and Certificate in Dance Education is available alongside professional vocational training. Associate Schools and Short Courses Part-time

recreational and pre-vocational Training in Ballet, Tap, Modern, Jazz, Singing, Acting and Musical Production offering examinations, agency representation and performance opportunities. Available from our schools in Central London (Barbican), Redbridge (East London), Clapham (South London), Brighton + Hove (Sussex) Chislehurst (Kent), Coulsdon (Surrey), Newbury (Berks) Guildford (Surrey), Plymouth (Devon), Reigate (Surrey), Ruislip (Middx) Tunbridge Wells (Kent), and Wokingham (Berkshire). Summer Schools and Easter Courses at the Barbican, Guildford and Chislehurst venues. HOW TO APPLY

All full-time courses are entered by audition. Associate and Short Courses are usually entered by interview. Application forms are supplied with our prospectus. Acting course applicants may also download application forms from the Acting course website at www.italiacontiacting.co.uk

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P ri n ci p a l B e tt y La in e O B E C o u rs e D ir e ct o r B e tt y L a in e O B E Te le p h o n e 0 1 3 7 2 7 2 4 6 4 8 F a x 0 1 3 7 2 7 2 3 7 7 5 E -m a il in fo @ la in e -t h e at re -a rt s. co .u k W e b si te w w w .l a in e -t h e a tr e a rt s. co .u k A d d re ss T h e S tu d io s, E a st S tr e e t E p so m , S u rr e y, K T 1 7 1 H H

L A I N E T H E AT R E A R T S

34 POLICY

The College aims to provide students with the greatest possible individual attention from its dedicated, highly qualified and caring staff, furnishing them with the broadest spectrum of training. Students are encouraged to direct their natural talents to develop the skills required for their chosen careers and to work together with a sense of mutual understanding and involvement. The main emphasis of the Dance and Musical Theatre Course is on a practical training with a comprehensive range of dance and musical theatre skills. The objective of the course is to prepare students for their chosen careers as dancers and musical theatre performers and to enable each student to achieve the highest possible standard of professionalism. LOCATION

Half an hour by train from the bustle of London’s West End Laine Theatre Arts is situated in the relative peace of the Surrey market town of Epsom. The late Roy Castle OBE opened the purpose built complex in 1987. With two studio theatres, eight dance Photos: Eric Richmond

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studios, singing and drama studios the college provides a spacious and modern working environment for its students and faculty.

VOCATIONAL COURSES OFFERED – PERFORMING Dance and Musical Theatre Course, accredited by the CDET.

The college offers a single three-year course, Dance and Musical Theatre, from which it delivers both the Trinity College London Diplomas in Professional Dance or Musical Theatre. Students receive a balanced training in all areas of the performing arts to develop the versatility required for the commercial theatre.

The course is dance-based. All students study Classical Ballet, Contemporary, Jazz and Tap and these dance subjects are balanced with Acting, Singing and Musical Theatre Studies. During the first two years of training every student follows the same course, laying the foundation for further

specialisation in the third year. Students choose which Diploma path they wish to follow once their strengths and weaknesses have been assessed. Performances are built into the course from the first term and students are supported and encouraged to develop their confidence in performing in parallel with their technical skills. The course is industry based reflecting the college’s close involvement with the commercial theatre.

HOW TO APPLY

All applicants for the course are auditioned. Entry is by audition only and entry forms can be downloaded from the college web site or received by post. The college selects applicants on their talent and potential as future performers. Auditions are normally held from October through to April with recall auditions at the end of the audition cycle to allocate funded places (Dance and Drama Awards). Audition days consist of a Classical Ballet class, a Jazz class, a drama workshop and the solo performance of a song (with sheet music) and a dance solo.

RECOMMENDATION BY A GRADUATE “I trained at Laine Theatre Arts from 1995-1998, it was an incredible three years where I learnt a great deal about myself, the industry and came away feeling part of something special. Since leaving college and working with many Laine students or as we all seem to know ourselves as ‘Laine-ies’ you can always recognize them by the way they behave, work and present themselves to their best. I’m proud to have had some of the best training in the country and have followed with a very successful career which has changed my life. We are all so lucky to work in this industry and Laines builds the perfect foundation to live your dream.”

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L I V E R P O O L I N S T I T U T E F O R P E R F O R M I N G A R T S

F o u n d in g P ri n ci p a l/ C E O M ar k F e at h e rs to n e -W it ty H e a d o f D a n ce S a ra h E . B a k e r POLICY

LIPA opened in 1996 to forge a new approach to performing arts training that would lead to sustained employment. It was co-founded by Sir Paul McCartney (LIPA’s Lead Patron) and Mark Featherstone-Witty (LIPA’s Principal). LIPA is housed in Sir Paul’s old school, which underwent a multi-million pound renovation to transform it into a state-of-the-art higher education institution. LIPA has established a reputation as one of the UK’s leading higher education institutions for performers and those who make performance possible and attracts students from all over the world.

LOCATION

LIPA is located in a majestic Grade II listed 19th Century building, just 10 minutes’ walk from Liverpool city centre. Liverpool itself is a vibrant, culturally rich city, in which all types of performing arts can be found. Liverpool was the European Capital of Culture 2008, which has left behind a thriving cultural legacy. It has more theatres, museums and galleries than any other UK city outside London.

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VOCATIONAL COURSES OFFERED – PERFORMING

LIPA offers a three year BA (Hons) Dance degree validated by Liverpool John Moores University. Students have up to 16 dance technique classes per week, in addition to classes in choreography, acting and singing technique, contextual studies and professional development. There are dance technique classes in ballet, jazz, contemporary, street, and tap, plus an innovative Dance Fusions class combining new and traditional dance styles. The students’ performance projects are directed/choreographed by our staff and, in later stages of the degree, by professionals currently working in the field. LIPA has established links with agents and casting directors and has regular masterclasses and workshops delivered by industry figures. Last year, these included LaVelle Smith Jr, the Emmy-winning US choreographer and Steve Nestar, one of Madonna’s principal dancers and choreographers. Dance students often collaborate with students studying other disciplines at LIPA, including those studying

Music, Acting, Management and Performance Design and Technology. The course aims to provide the best opportunities for gaining and sustaining employment in the commercial dance/entertainment sector. LIPA’s graduates are working in musical theatre and current West End and touring productions. Many have joined reputable dance companies, whilst others have established their own. Many have portfolio careers and have appeared in music videos and TV commercials and gain regular work as dancers and choreographers in the fashion, corporate, hospitality and leisure industries.

OTHER COURSES OFFERED LIPA also offers a one year, full-time LIPA Foundation Certificate in Performing Arts (Dance). This intensive course is intended to help students to develop as multi-faceted performers. It is designed to give them a competitive edge to potentially help them gain a degree place at a leading performing arts institution. The programme is not intended to replace a Level 3 qualification

but to supplement it. Approximately 50% of the time is spent on concentrating on developing the students’ specialist skills in dance. There are also classes in acting and singing, professional studies, acting through song and repertoire as well as two performance project modules. HOW TO APPLY

For the dance degree applicants should apply via UCAS by the UCAS Deadline of 15th January. For the dance certificate applicants should apply directly to LIPA on a LIPA application form. Full details are available on the LIPA website: www.lipa.ac.uk RECOMMENDATION BY A GRADUATE “My technique, versatility and strength as a dancer has improved amazingly since I’ve been at LIPA. Here I get to do what I love, guided by inspirational teachers and surrounded by likeminded creative peers.” Emily Hunt, 3rd Year BA (Hons) Dance

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L I V E R P O O L T H E AT R E S C H O O L A N D C O L L E G E

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POLICY

LTS aims to develop your potential and produce confident independent performers. DaDa Award places and LTS Scholarships are available to talented students. Students are registered with and follow the Trinity Level 6 Professional musical theatre diploma. Staff, visiting directors and choreographers generate a professional atmosphere; have a real understanding and knowledge of the performing industry that will help to ensure a long and successful career; The school’s historically strong ethos of supporting students actively encourages all, irrespective of cultural background, gender, race, sexuality, disability and family finances. Students perform three times a year culminating in 3 professional performances in the third year and 2 showcases, one in the North West and one in London. LOCATION

LTS is situated in the vibrant city of Liverpool. It can be accessed by frequent bus and train routes from the city centre. Most of the students live within walking distance of the studios. The studios have wheelchair access. Major theatrical productions can regularly be seen at The Everyman, Playhouse and Unity

P ri n ci p a l M is s N o ra h B u tt o n & M is s M a x in e E lli s C o u rs e D ir e ct o r M r A d am D o u g la s A d m in is tr a to r M r P h ili p F le e t Te le p h o n e 0 1 5 1 7 2 8 7 8 0 0 F a x 0 1 5 1 7 2 8 9 5 8 2 E -m a il in fo @ liv e rp o o lt h e at re sc h o o l.c o .u k W e b si te w w w .li ve rp o o lt h e at re sc h o o l.c o .u k A d d re ss L iv e rp o o l T h e a tr e S ch o o l 1 9 A ig b u rt h R d , L iv e rp o o l, L 1 9 4 JR

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Theatres, while major West End touring musicals are hosted by the Liverpool Empire. VOCATIONAL COURSES

OFFERED – PERFORMING Musical Theatre-National Diploma in Professional Musical Theatre (Three Year) This Trinity course is designed for the complete performer in the triple disciplines of dance, drama and singing. The emphasis is on the overlapping of these skills rather than their isolation. Ballet and a variety of Jazz styles are the daily core dance activities as well as Tap and jazz partnering/Adagio on the weekly timetable.

For appropriate body management you are assisted through diagnostics, body conditioning, pilates and nutrition sessions. Drama sessions develop your understanding, flexibility, technical skills and performance via a range of acting styles- you will perform in drama pieces as well as musical theatre shows. Singing tuition includes weekly choral classes, two timetabled one to one lessons on technique and repertoire, culminating in a Performance Workshop. There are lessons in

music theory, history of musical theatre and audition technique. The aim is to produce a technically competent performer, who is able to communicate with an audience through characterisation and the development of emotion.

Expert Teaching Staff, Guest Lecturers/ Master classes and visiting Directors/ Agents all ensure you continuously strive to meet your personal challenges. To help you maintain your high standards individual progress is closely monitored, regular tutorials and assessments ensure you receive continual feedback and support. LTS provides an intimate and friendly atmosphere at the school and small classes will encourage your creativity, confidence and versatility.

OTHER COURSES OFFERED Musical TheatreFoundation (One Year) The increasingly popular one year course for students of 16 years and over is an excellent preparation for longer term training. The focus throughout the year will be on Dance, Drama and Singing, developing technique and ability. One to one technical singing

forms a vital part of your year, complementing and enhancing your development. Dance Performers course (One Year) For students who wish to pursue a career as a professional dancer. You will receive expert tuition in dance subjects plus tuition in singing to enhance your career possibilities. The experienced, professional staff and visiting guest performers will put you through your paces. The Performance workshops, Audition workshops and career preparation will form a vital part of your course.

HOW TO APPLY

Via Web-site, Prospectus, Open Day & Audition. Application forms are available via our website, telephone or post request. Entry to all courses is by audition only. Applicants spend the whole day at the audition providing extensive opportunities to display their skills.

RECOMMENDATION BY A GRADUATE “The skills, the confidence and the drive that I have were all brought together at LTS and have enabled me to successfully enter this career. I am currently appearing as Rolf in The Sound of Music.”Chris Barton

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POLICY

“We seek to preserve and nourish the individuality and creative spirit of each of our students, encouraging them to develop as performers and to accelerate their individual progress. In the vibrant atmosphere at the Studio all our students are treated as professionals. Our policy of open communication creates the very special working environment that produces positive, versatile and communicative young professional performers. This is demonstrated by the widespread success of our graduates in almost every branch of the performing arts.”Nic Espinosa LOCATION

Located in the heart of Central London, 5 minutes from London's West End. The London Studio Centre is currently involved in discussions with the University of the Arts London about relocating to a dramatic new landmark building for Autumn 2011. The remarkable new 39,000 square-metre campus for Central Saint Martins in Kings Cross will house the London Studio Centre in their Performance Centre which will include a public theatre, studios and rehearsal spaces.

P ri n ci p a l N ic E sp in o sa C o u rs e D ir e ct o r R o b e rt P e n m a n Te le p h o n e 0 2 0 7 8 3 7 7 7 4 1 F a x 0 2 0 7 8 3 7 3 2 4 8 E -m a il in fo @ lo n d o n -s tu d io -c e n tr e .c o .u k W e b si te w w w .l o n d o n -s tu d io -c e n tr e .c o .u k A d d re ss 4 2 -5 0 Y o rk W a y, L o n d o n , N 1 9 A B

LSC graduate Jennie Harrington Member of English National Ballet. Photo: Peter Teigen

L O N D O N S T U D I O C E N T R E

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VOCATIONAL COURSES OFFERED – PERFORMING

The three year course at the London Studio Centre is accredited by the Council for Dance Education and Training (UK). B.A. Hons. Theatre Dance (Classical Ballet, Contemporary Dance, Jazz Theatre Dance, Music Theatre), validated by the University of the Arts London. The course is aimed at the 18 year old student with A-levels, or equivalent qualifications, who wishes to pursue a professional training and academic studies. This unique degree programme enables students to train for a performing career in either classical ballet, contemporary dance, jazz theatre dance or music theatre whilst at the same time gaining an internationally recognised qualification, which opens the way to further study and an extended career. This programme is subject to the quality assurance procedures established by University of the Arts London.

Current connections with the University of the Arts London and the proposed merger in Autumn 2011 create a fantastic opportunity for creative development and collaboration for our students in an amazing new purpose built development just a stone’s throw away from our existing studios. The new UAL facility will create one of the largest and most creative performing arts centre’s in the world.

A One Year Professional Diploma is available for those students who have completed performing arts training elsewhere and who wish to further their training in a specialist area.

Only students enrolled on the Degree programme may be considered for HEFCE funding.

HOW TO APPLY

Auditions are held regularly at London Studio Centre – visit our website for application forms or call to receive prospectus/application form. All applications must be received by 31 January in the year of entry.

RECOMMENDATIONS BY GRADUATES “I have always felt very proud and privileged of my training at LSC.”

Tamzin Outhwaite

“With the high standard and thoroughness of my training, I haven’t stopped working as an actor, singer and dancer since I graduated. LSC offers an exceptional standard of training in all aspects of the performing world.”

References

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This, this you can’t forget because since I started first uh, grade school, we were always… The minute we come… came out from school, they chased us with stones and, you know,