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Slowly, with feeling

1 + 1

Words and Music by BEYONCÉ KNOWLES, CHRISTOPHER STEWART and TERIUS NASH

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, RZE MUSIC PUBLISHING and 2082 MUSIC PUBLISHING All Rights for B-DAY PUBLISHING Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for 2082 MUSIC PUBLISHING Administered by WB MUSIC CORP.    * mp µ      G

If I ain’t got noth in’,

-    C I got you. G

If I ain’t got some thing,- I don’t give a damn





Recorded a half step lower. *                                                                                                                             

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 C

’cause I got it with you.

G

But I don’t know much a bout- al - ge-bra but I







know C

one plus one e quals- two.

G

And it’s me and you,







C

that’s all we’ll have when the world is through. ’Cause ba - by,







we G

ain’t got noth -in’, we’ve got love.

C Dar ling -                                                                                                                                                                                                                  

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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  you’ve G

got e-nough for the both

C of us. Bm7 So come Am7 on ba C by, -Bm7 make Am7    love G

to me. When my days look low, pull

C

me in close and don’t let me go. Make







love G

to me. When the world’s at war let our

   love C heal us all.  Help me Right let now down ba my by, guard. - make Make                                                                                                                                                                                                 

(5)

C To oda  love love G to to me,

me, me, me, me, me.

C

Oh, oh, make

    love G to me. C     Hey, G

I don’t know much a bout- guns but I,

C

I’ve been shot by you.







Hey, G

and I don’t know when I’m gon’ die but I hope

C

that I’m gon’ die by you.

                                                                                                                                                                                                 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(6)

D.S. al Coda  Hey, G

I don’t know much a bout- fight ing- but I,

C

I know I will fight for you.







Hey, G

just when I ball up my fist I re al- -ize

C

I’m lay ing- right next to you. Ba - by







we G

ain’t got noth-in’ but love.

C

And dar ling

-





you’ve G

got e -nough for the both

C of us. Bm7 Ooh, Am7 C Bm7 make Am7                                                                                                                                                                                                                                                                         

(7)

CODA     Play 4 times  love G

to me, me, me, me, me.

C







(Guitar solo ad lib.)

G C ( )   G C    G C[add9]                                                                                                                                         

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(8)

Moderate groove

I CARE

Words and Music by BEYONCÉ KNOWLES, CHAD HUGO and JEFF BHASKER

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, UNIVERSAL MUSIC - CAREERS, RAYNCHASER MUSIC, SONY/ATV MUSIC PUBLISHING LLC and WAY ABOVE MUSIC All Rights for B-DAY PUBLISHING Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for RAYNCHASER MUSIC Administered by UNIVERSAL MUSIC - CAREERS

All Rights for SONY/ATV MUSIC PUBLISHING LLC and WAY ABOVE MUSIC Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203       mp C Em   C   Em  I    told Ev C you er -how since you you hurt knew me, your ba pow by, er, -but you you made don’t me care. cry.    Em Now And I’m now cry ev C in’ ’ry -and time de our sert love - ed, goes - ba sour -                                                                                                                  

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 by, -you but won’t you sym don’t pa -care. thize. -Em    Ain’t no You bod see - y these - tell tears C me fall in’ -this down is to my love, ears,    boy, I you’re swear im you mune like - to when all I’m my in pain. pain. Em    I I need try you to to tell tell C me you this all is my love, fears,                                                                                                                                                                                       

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(10)

    you still you don’t don’t care, care, but that’s that’s o o kay. kay. -Em   

Well, I care. G

I know you don’t care too much,

F

but I still care.







La, Em

la, la, la,

F

la. Dm

La, Em

la, la, la,

F la, la. Oh, Dm I G

care. I know you don’t care too







much, F

but I still care.

La, Em

la, la, la,

F

la. Dm

La, Em

la, la, la,

F la, la. Dm                                                                                                                                                                                                                                                                     

(11)

 A/C#

Boy, may-be if you cared e nough

C6

- I would n’t- have to care so







much. D/F#

What hap - pened to our trust?

F

Now you’re just giv - in’







up. E/G#

You used to be so in love,

A

now you don’t care no

    more. F C/E Dm C G/B Am Ooh, G                                                                                                                                                                                  

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(12)

 F ooh, Em F ooh, Dm ooh,    Em ooh, F Dm G ooh,    F ooh, Em ooh, F ooh, Dm     Em oh. F Well, Dm I care. G

I know you don’t care too

                                                                                                                                                                                                          5

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  

Repeat and Fade

   Optional Ending  much, F

but I still care.

La, Em

la, la, la,

F

la. Dm

La, Em

la, la, la,

F la, la. Oh, Dm I     G

care. I know you don’t care too much,

F

but I still care.







La, Em

la, la, la,

F

la, la, la.

Dm

La, Em

la, la, la,

F la, I still Dm care.    La, Em

la, la, la,

F

la, la, la.

Dm

La, Em

la, la, la,

F la, I still Dm care. E5                                                                                                                                                                                                                                     

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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Moderate groove   

I MISS YOU

Words and Music by BEYONCÉ KNOWLES, FRANK OCEAN and SHEA TAYLOR

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, BUG MUSIC, HEAVENS RESEARCH and DLJ SONGS All Rights for B-DAY PUBLISHING Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for HEAVENS RESEARCH Administered by BUG MUSIC    * I thought words Bb that don’t things ev like er -this seem get to bet come ter - with out time, right, F but but I I still still need mean you. them.    Dm Why Why is is that? that? Am7  It You’re hurts Bb the my on pride ly to - im tell age you - in how my I mind, feel,    F so but I I still still see need you to. Csus Why is a that? round. - 

* Recorded a half step higher.                                                                                                                                                

(15)

 1    

C I miss Am

you like ev - ’ry day.

Dm Wan na- be    wit’ 3fr Gm7

you but you’re a way.

C - I said I    miss Am

you, miss ing- you in - sane,

Dm but if I got    wit’ 3fr Gm7

you, could it feel the same?

A The                                                                                                                                                                             

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2 C To oda  same? A It don’t mat Bb ter

- who you are,

   it F is so sim - ple. Dm I feel it,    Am7

but it’s ev - ’ry-thing. No mat

Bb

ter

- who you love,

   it F is so sim - ple. Csus I feel it,                                                                                                                                                                           

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D.S. al Coda (Take 2nd ending)CODA   

Repeat and Fade

 

Optional Ending



C

but it’s ev - ’ry-thing. I



C

but it’s ev - ’ry-thing. No

     mat Bb ter

- who you love, it

F is so sim - ple.    Dm I feel it C

but it’s ev - ’ry-thing.

Am7     Dm 3fr Gm C Dm                                                                                                                                                                                       

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Moderate groove

BEST THING I NEVER HAD

Words and Music by BEYONCÉ KNOWLES, LARRY GRIFFIN, JR., ANTONIO DIXON, KENNETH EDMONDS, PATRICK SMITH, ROBERT SHEA TAYLOR and CALEB McCAMPBELL

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, VOHNDEE SOUL MUSIC PUBLISHING, ROC NATION MUSIC, ANTONIO DIXON’S MUZIK, FAZE 2 MUSIC, BUG MUSIC-HITCO MUSIC, CHRISTOPHER MATTHEW MUSIC, DLJ SONGS and CALEB MCCAMPBELL PUBLISHING DESIGNEE

All Rights for B-DAY PUBLISHING, VOHNDEE SOUL MUSIC PUBLISHING, ROC NATION MUSIC and ANTONIO DIXON’S MUZIK Controlled and Administered by EMI APRIL MUSIC INC. All Rights for FAZE 2 MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.

All Rights for BUG MUSIC-HITCO MUSIC and CHRISTOPHER MATTHEW MUSIC Administered by BUG MUSIC-SONGS OF WINDSWEPT PACIFIC     What * goes F a - round Bb

comes back a - round.

Dm Hey, my C/E ba - by. What  mp   goes F a round -Bb

comes back a - round.

Dm Hey, my C ba I by. say, -what goes F a round -Bb

comes back a - round.

   Dm Hey, my C/E

ba - by.What goes

F

a round

-Bb

comes back a round.

-Dm C

There was

 

* Recorded a half step higher.

                                                                                                                                             

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    Bb F a you’re time hurt, Dm C I boo -thought hoo. Bb Oh, F that did you you did ex -   ev pect Dm ’ry me - thing to - right. care? C No You lies, don’t Bb F no de wrong. serve -Dm C Boy, my I tears.    Bb F must I guess ’ve - been that’s out why Dm they ta - my ain’t mind. there. C When So I when think I that    think there 3fr Gm7 of was the a time time

that I al Dm7 most - loved C you, you 3fr Gm7

showed your ass and I,

                                                                                                                                                                                                                  

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(20)

 I 6fr Bbm6

saw the real you.

3fr

Gm7

Thank God, you blew it. I thank

3     God F/A

I dodged a bul let.- I’m so o

Bb

ver

- you; so, ba by,- good look in’- out.

C

I want ed- you bad,

   F I’m Bb

so through with that. Dm

’Cause C

hon est- -ly, you

F turned out to Bb be the    (best Dm thing I nev C er - had.) You F turned out to Bb be the (best Dm thing I nev C er -And And

had.) I’m I’ll                                                                                                                                                                                                                                           

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1    2  F gon’ nev al er -ways Bb - be be the the (best (best Dm thing thing you’ll you nev nev C er er -have.) had.)

Bb I bet it   

sucks to be you right now.

C

So sad,

  

sucks to be you right now.

C Dm

I know you want me back.

  

Bbm/Db

It’s time to face the facts that I’m

F/C

the one that’s got a - way.

3                                                                                                                                                                                                                         

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    Lord Bm7b5

knows that it would take an-oth -er place,

Bb

an-oth -er time, an-oth -er

 

 

world, F/A

an -oth -er life. Thank God,

3fr

Gm7

I found the good

F/A in good - bye.    Bb

I used to want you so bad,

F Bb

I’m so through with that.

   Dm ’Cause C

hon - est - ly, you

F turned out to Bb be the                                                                                                                                                                 

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1    2  (best Dm thing I nev C er - had.) You F turned out to Bb be the    (best Dm thing I nev C er And And

- had.) I I F will will al nev ways er Bb -be be the the

   (best Dm

thing you nev

C

er

- had.)

Bb

I used to want you so bad,

  

Bb

I bet it sucks to be you right now.

C                                                                                                                                                                                                            

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 F Bb Dm C/E What goes F a -round Bb comes back a Bet round. it -   sucks Dm to be you C right What now. goes F a round -Bb comes back a Bet round. it -sucks Dm to be you C/E right What now.    goes F a -round Bb comes back a Bet round. it -sucks Dm to be you C right now. F                                                                                                                                                     

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Slow Hip-Hop groove

PARTY

Words and Music by BEYONCÉ KNOWLES, KANYE WEST, ANDRE BENJAMIN, JEFF BHASKER, RICKY WALTERS, DEXTER MILLS and DOUGLAS DAVIS

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, EMI BLACKWOOD MUSIC INC., PLEASE GIMME MY PUBLISHING INC., CHRYSALIS MUSIC, WEDONTPLAYEVENWHENWEREPLAYINSONGS LLC, SONY/ATV MUSIC PUBLISHING LLC, WAY ABOVE MUSIC, SLICK RICK MUSIC CORP., GET YA FROG ON PUBLISHING and ENTERTAINING MUSIC

All Rights for B-DAY PUBLISHING Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for PLEASE GIMME MY PUBLISHING INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights for CHRYSALIS MUSIC and WEDONTPLAYEVENWHENWEREPLAYINSONGS LLC Administered by BMG RIGHTS MANAGEMENT LLC

All Rights for SONY/ATV MUSIC PUBLISHING LLC and WAY ABOVE MUSIC Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203 All Rights Reserved International Copyright Secured Used by Permission

- contains elements of “La Di Da Di” by Douglas Davis and Ricky Walters     3fr Cm7 Dm7

Rap 1: (See additional lyrics)

F7sus  3fr G9sus   mp   3fr Cm7  Dm7  3fr Cm7 Dm7    F7sus

I may be young but I’m rea -dy

3fr G9sus to give                                                                                                                  

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(26)

 Cm9

you all my love.

Dm7 3fr Cm7 Dm7    F7sus

I told my girls you can get it.

3fr G9sus Don’t slow    Cm9

it down, just let

Dm7 it go. So 3fr Cm7 in Dm7    love, F7sus I’ll give 3fr G9sus it all a - way.                                                                                                                                                                                  

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  Just Cm9

don’t tell no - bod - y to - mor

Dm7 row. - So 3fr Cm7 to Dm7 -   night F7sus I’ll do 3fr G9sus

it ev - ’ry way. Speak ers

-3  3   knock Cm9 in’

- ’til the morn - in’ light.

Dm7 ’Cause we like 3fr Cm7 to par Dm7 ty, -   F7sus eh, eh, 3fr G9sus eh, eh,                                                                                                                                                                                                      

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(28)

C To oda  Cm9 eh, eh. Dm7 ’Cause we like 3fr Cm7 to par Dm7 ty, -   F7sus eh, eh, 3fr G9sus eh, eh,    Cm9 eh, eh. Dm7 ’Cause we like 3fr Cm7 to par Dm7 ty. -   F7sus

Your touch is driv - in’ me cra -zy.

3fr G9sus I can’t                                                                                                                                                                               

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 Cm9

ex - plain the way

Dm7 I feel.    F7sus

Top down with the ra -di - o on and the night

3fr

G9sus

be -longs to us. Just hold

  

Cm9

me close, don’t let

Dm7 me go. So 3fr Cm7 in Dm7    love, F7sus I don’t 3fr G9sus

care what they say. I

                                                                                                                                                                                                    

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(30)

    don’t Cm9

care if they talk - in’ to - mor

Dm7 row. - ’Cause 3fr Cm7 to Dm7 -   night’s F7sus

the night, oh, oh, oh, oh, that I give

3fr

G9sus

you ev - ry - thing. Mu - sic

   knock Cm9 in’

- ’til the morn - in’ light

Dm7 ’cause we like 3fr Cm7 to par Dm7 ty. -  

Rap 2: (See additional lyrics)

µ                                                                                                                                                                                                      

(31)

1    2          3fr Cm7 Dm7 F7sus     3fr G9sus  Cm9     Dm7  3fr Cm7 Dm7 F7sus                                                                                                                            

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(32)

 3fr G9sus  Cm9     Dm7 So 3fr Cm7 in Dm7 love, F7sus I’ll    give 3fr G9sus

it all a - way. Just

Cm9

don’t tell no - bod - y to - mor

-   Dm7 row. - ’Cause 3fr Cm7 to Dm7 night’s F7sus

- the night, oh, oh, oh, oh, that I

                                                                                                                                                                                              

(33)

D.S. al CodaCODA  give 3fr G9sus

you ev -’ry - thing. Mu - sic knock

Cm9

in’

- ’til the morn - in’ light

   Dm7 ’cause we like 3fr Cm7 to par Dm7 ty, -

Rap 3: (See additional lyrics)

F7sus       3fr G9sus  Cm9  Dm7  3fr Cm7 Dm7   Rap 1 & 3: Rap 2:

You a bad girl and your friend’s bad too, ooh. Oh, you got the swag sauce, you drippin’ swag goo. You a bad girl and your friend’s bad too, ooh.

Oh, you got the swag sauce, you dripping swag goo, ooh.

Set the scene, 3000 degrees, Ain’t worried ’bout them fuckin’ niggas over there but they worried ’bout me. I got a homeboy name butter and another homeboy, that nigga name cheese.

Fuck with me, baby, I’ll make it milk ’til it drip down your knees. Spit that shit for real o, brain real o.

Kiddo says he looks up to me; this just makes me feel old. Never thought that we could become someone else’s hero. Man, we were just in the food court eating our gyros. Yesterday that’s the way. Every single morning I try to pray. Grandmom and them they never forgot. Nothing else really mean nothing to me. I ain’t stunting to be. Talking to me? Girl, why you fucking with me? Move on, ain’t nothing to see. Shhh, always something to song.

I’m the raw off the rip. ’Cause of him all of them will remember the min that they fell in love with rap.

Black like having your cousin back. Blue like when that rent is due. Cream like when I’m loving you. Yeeaaah!

Additional Lyrics                                                                                                                                             

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(34)

Slow R&B

RATHER DIE YOUNG

Words and Music by BEYONCÉ KNOWLES, JEFF BHASKER and LUKE STEELE

© 2011 EMI APRIL MUSIC INC., B-DAY PUBLISHING, SONY/ATV MUSIC PUBLISHING LLC, WAY ABOVE MUSIC and SONY/ATV MUSIC PUBLISHING AUSTRALIA PTY LIMITED All Rights for B-DAY PUBLISHING Controlled and Administered by EMI APRIL MUSIC INC.

All Rights for SONY/ATV MUSIC PUBLISHING LLC, WAY ABOVE MUSIC and SONY/ATV MUSIC PUBLISHING AUSTRALIA PTY LIMITED Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203

    * Bbmaj7

Boy, you’ll be the death

6fr Ebm11/Bb of me.  mp   You’re Amaj13b5

my James Dean. You make me feel

Ab7sus

like I’m sev - en -teen.

Ab7 You      drive Bbmaj7

too fast, you smoke

6fr

Ebm11/Bb

too much but

 

* Recorded a half step higher.

                                                                                                                          

(35)

 that Amaj13b5

don’t mean a thing ’cause I’m ad dict

Ab7sus - - ed to the rush. Ab7 ’Cause I’d      rath Ebmaj7 er

- die young than live my

Dm7 life 3fr Cm7 with out Bbmaj7 -I’d rath you. er - not 3fr Cm7 live Dm7 at Ebmaj7    all Fm7 than live Gbmaj7 my life Fm7 with out 6fr Ebm7

- you. ’Cause I’d

     rath Ebmaj7 er

- die young than live my

Dm7 life 3fr Cm7 with out Bbmaj7 -I’d rath you. er - not 3fr Cm7 live Dm7 at Ebmaj7                                                                                                                                                                                        

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(36)

 all Fm7 than live Gbmaj7 my life Fm7 with out 6fr Ebm7 - you.      Bbmaj7

You know I’ve been in love

6fr

Ebm11/Bb

be - fore, you’re the

 

 

first Amaj13b5

one I ev - er seen that burns

Ab7sus

like gas - o - line.

Ab7 So       light Bbmaj7

a match, turn off

6fr

Ebm11/Bb

the lights. I’m

                                                                                                                                                         

(37)

  hold Amaj13b5 in’

- on to you ’cause this might

Ab7sus

be our last night,

Ab7

oh. ’Cause I’d

       rath Ebmaj7 er

- die young than live my

Dm7 life 3fr Cm7 with out Bbmaj7 -I’d rath you. er - not 3fr Cm7 live Dm7 at Ebmaj7    all Fm7 than live Gbmaj7 my life Fm7 with out 6fr Ebm7

- you. ’Cause I’d

     rath Ebmaj7 er

- die young than live my

Dm7 life 3fr Cm7 with out Bbmaj7 -I’d rath you. er - not 3fr Cm7 live Dm7 at Ebmaj7                                                                                                                                                                                    

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(38)

C To oda  all Fm7 than live Gbmaj7 my life Fm7 with out 6fr Ebm7 - you.      Fm7

What I’m tell ing- you, I’m giv ing

3fr

Gm7

- you my life,

Dm7

it’s in your hands. And what

3fr Gm7 I’m gon -    na 6fr Ebm7 do is be a wom an Fm7 - and you 4fr Ab/Bb

can be a man. And I

3fr Cm7 wan -      Fm7 na - say no bod- y 3fr Gm7 - un der- stands Dm7

- what we been through. I’d rath er

3fr Gm7 - give up                                                                                                                                                                                                                                                        

(39)

 ev 6fr Ebm7 ’ry - -thing Fm7 than to live 3fr Gm7 my, Dm7 live Eb/F my life with -     out Ebmaj7 you. Dm7 3fr Cm7 Bbmaj7 3fr Cm7 Dm7 Ebmaj7    Oh, Fm7 ooh. Gbmaj7 Fm7 6fr Ebm7 Ooh, Ebmaj7 ooh. Dm7 3fr Cm7        Bbmaj7 3fr Cm7 Dm7 Ebmaj7 Oh, Fm7 ooh. Gbmaj7 Fm7 6fr Ebm7                                                                                                                                                                       

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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