UNIT 6: SENSATION & PERCEPTION
Intro
• Prosopagnosia – face blindness
– Perfect Vision = Sensation
– Face Blindness = Perception
• In the brain, an area in the
underside of the right hemisphere allows us to
recognize human faces (takes us 1/7 of a second)
Basic Principles
• Bottom-Up Processing –
begins with sensory receptors and works up to brain’s
integration of sensory information
• Top-Down Processing –
guided by higher level mental processes; when we construct perceptions based on
UNIT 6: SENSATION & PERCEPTION
Basic Principles
• Our ears are most sensitive to sound frequencies that include human voice
consonants and baby’s cry
• Sensitivity to high-pitched sounds declines with age
Basic Principles
• Absolute Threshold – minimum stimulation necessary to detect a particular light, sound,
UNIT 6: SENSATION & PERCEPTION
Basic Principles
• Signal Detection Theory – theory that predicts
how/when we detect
presence of a faint stimulus (signal) amid background stimulation (noise)
– Says there is NO single absolute threshold
– Detection depends on experience, motivation,
expectations, level of fatigue
Basic Principles
• New parents may hear the faintest sounds of their baby, but miss out on hearing louder, less meaningful noises
• Soldiers during wartime • Video game playing may
UNIT 6: SENSATION & PERCEPTION
Basic Principles
• Subliminal – below one’s absolute threshold for conscious awareness
– Yes, we can be affected by these
stimuli; we do pick them up some of the time
– No, advertisers usually cannot
influence us with “hidden persuasion”
• In study of self-esteem and memory, student scores revealed NO affect from subliminal stimulation
Basic Principles
• Difference Threshold – (just noticeable difference or jnd) – minimum difference a person can detect between any two stimuli 50% of the time
• Weber’s Law – for a difference to be perceptible, two stimuli must differ by a constant
UNIT 6: SENSATION & PERCEPTION
Sensory Adaptation
• Sensory Adaptation – our diminishing sensitivity to an unchanging stimulus
– Eyes are always moving, or else they would miss some of the information in our field of vision
– We are alert to changes in our environment, but sensitivity “bores” with unchanging stimuli
Vision
• Transduction – conversion of one form of energy into another; transforming
sights, sounds, smells into neural impulses our brain can interpret
UNIT 6: SENSATION & PERCEPTION
Vision
• Wavelength – distance from one peak to the next peak; determines hue(color)
• Amplitude – height of each wave; determines intensity and brightness
• Vision happens as we receive light waves
Vision
• The Eye (from outside to inside – the path of light)
– Cornea – Iris
UNIT 6: SENSATION & PERCEPTION
Vision
1. Cornea – protects eye and bends light to provide focus 2. Iris – colored muscle
surrounding the pupil; it
adjusts light intake by dilating or constricting to control the size of pupil opening
3. Pupil – adjustable opening in center of eye through which light enters
Vision
4. Lens – transparent structure
behind pupil that changes shape to help focus image on retina 5. Retina – light-sensitive inner
surface of eye, containing rods and cones, plus layers of
neurons that begin processing visual information
UNIT 6: SENSATION & PERCEPTION
Vision
• Rods – in retina, detect
black, white, gray; used for peripheral and twilight
vision; dim light • Cones – in retina,
concentrated near center, function in daylight or well lit conditions; detect detail and colors
Vision
• Optic Nerve – nerve that carries neural impulses from eye to brain
• Blind Spot – point where optic nerve leaves the eye; no receptor cells there,
leaving blind spot
UNIT 6: SENSATION & PERCEPTION
Visual Information Processing
• From optic nerve, visual
information travels to visual area of thalamus (sensory switchboard), then on to the visual cortex in the occipital lobe at back of brain
Visual Information Processing
• Feature Detectors – nerve cells in brain that respond to specific features of a stimulus, such as shape, angle, or movement
• Discovered by David Hubel and Torsten Wiesel (1979) • Cluster in temporal lobe
behind right ear allows us to
UNIT 6: SENSATION & PERCEPTION
Parallel Processing
• Parallel Processing – doing many things at once; like our brain
• Serial Processing – step-by-step; like most computers • Blindsight – localized area of
blindness in part of the visual field
– Patient is NOT aware of seeing stimulus, but may accurately make predictions about it
Color Vision
• Objects do NOT possess color; color resides in our brains
– A “red” tomato is everything but red, as it reflects the long wavelengths of red
– 1 out of every 50 people is color deficient
• Usually male
• Defect is genetically
UNIT 6: SENSATION & PERCEPTION
Color Vision
• Young-Helmholtz
trichromatic (3-color) theory
– Retina contains red, green, and blue color receptors – When stimulated in
combination, they produce the perception of any color
Color Vision
• Opponent-Process theory
– Opposing retinal processes enable color vision
• Red-Green • Yellow-Blue • White-Black
UNIT 6: SENSATION & PERCEPTION
Color Vision
• Color-Deficient – these people are not actually
blind to color; they simply lack functioning red- or green- sensitive cones, or both
– Monochromatic = one color – Dichromatic = two colors
Color Vision
• Afterimages – confirm Ewald Hering’s opponent-process theory
– Red-Green
– Yellow-Blue
– White-Black
UNIT 6: SENSATION & PERCEPTION
Hearing
• More of the brain cortex is devoted to vision than any other sense
• Audition = hearing
• Ears detect air pressure changes and can also feel the vibrations of some sounds
Hearing
• Amplitude = strength or loudness
• Frequency = pitch
• Decibels = units used to measure sound
– Every 10 decibel increase is
equal to 10x increase in sound intensity
– 60 decibels is 10,000 times
UNIT 6: SENSATION & PERCEPTION
The Hearing Process
1. Outer ear channels sound waves through auditory canal to eardrum
– Eardrum is a tight membrane
that vibrates with the waves 2. Middle ear transfers
vibrations from eardrum through a piston (hammer, anvil, stirrup) to the cochlea
– Cochlea is snail-shaped tube in
inner ear
The Hearing Process
3. Membrane (oval window) on cochlea vibrates, moving the fluid in the tube
4. Movement of fluid causes ripples in the basilar membrane (hair cells that bend)
5. Hair cells trigger impulses in adjacent nerves, which lead to the auditory nerve
UNIT 6: SENSATION & PERCEPTION
Hearing
• If we cannot talk over a noise, it is potentially harmful to our ears • Ringing of the ears is
hearing’s equivalent to bleeding; it indicates possible hearing damage
• Men’s hearing is less acute than women’s
Hearing
• Brain can interpret loudness from the number of
activated hair cells • When hair cells lose
sensitivity to soft sounds, they may still be as
responsive to loud sounds • Prolonged exposure to
UNIT 6: SENSATION & PERCEPTION
Hearing
• Place Theory – in hearing, links pitch we hear with the place where the cochlea’s membrane is stimulated • Frequency Theory – in
hearing, the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone,
enabling us to sense pitch
Hearing
• Place Theory – helps explain high-pitched sounds
• Frequency Theory – helps explain low-pitched sounds • Volley Principle – when
UNIT 6: SENSATION & PERCEPTION
Locating Sounds
• Sound travels at 750 mph • Sound waves strike one ear
sooner and more intensely than the other; helps locate direction of sound
• Sounds equidistant from
both ears are tough to locate • To pinpoint a sound, we tilt
our head to allow sound to read one ear first
Hearing Loss & Deafness
• Conduction Hearing Loss
– Damage to mechanical system
that conducts sound waves to cochlea
• Sensorineural Hearing Loss
– Damage to cochlea’s receptor
cells or to the auditory nerves; also called nerve deafness
• Cochlear Implant
– uses electrical signals to
UNIT 6: SENSATION & PERCEPTION
Other Important Senses
• People who lose one channel of sensation do compensate with a slight enhancement of other sensory abilities
Other Important Senses
• Vision (most cortical space) • Hearing (next most…)
• Touch
• Body Position & Movement • Taste
UNIT 6: SENSATION & PERCEPTION
Touch
• Touch is essential to development
– Baby monkeys not allowed to
touch their mother become very unhappy
• Some spots on skin are especially sensitive to
pressure, warmth, cold, & pain
– Pressure is only sensation with
identifiable receptors; the rest are the same
Touch
• A tickle from someone else produces MORE
somatosensory cortex activation than one from self
– Brain is wise enough to be most sensitive to unexpected stimuli
UNIT 6: SENSATION & PERCEPTION
Touch
• Warm & Cold water hoses wound around each other produce sensation of hot • Rubber hand illusion
produces sensation of warmth for most people
– This is top-down processing
Position & Movement
• Kinesthesis – system for sensing the position and movement of individual body parts
– Vision interacts with this
• Vestibular Sense – the sense of body movement and
UNIT 6: SENSATION & PERCEPTION
Position & Movement
• Ian Waterman
(proprioception video) – lost functioning of sensory neurons; feels disembodied, as though body is dead or not real; reinforces that vision interacts with
kinesthesis
Position & Movement • Vestibular Sense
– Semicircular Canals and
Vestibular Sacs contain fluid that moves when your head tilts or rotates
– Movement stimulates hair-like
receptors which send message to cerebellum, enabling sense of body position and balance
UNIT 6: SENSATION & PERCEPTION
Pain
• “Pain Protects Us” – it is our body’s way of telling us
something has gone wrong
– Some individuals are born
without the ability to perceive pain (opposite is true too)
– Many times these individuals
suffer severe injury or death prior to adulthood
• This happens as a result of
accumulated strain on body
Pain
• Nociceptors – sensory receptors that detect hurtful temperatures, pressure, chemicals
UNIT 6: SENSATION & PERCEPTION
Pain
• Gate-Control Theory – spinal cord contains a neurological “gate” that blocks pain signals and allows them to pass on to the brain
– Gate is opened by pain signals traveling up small nerve fibers – Gate is closed by activity in
larger fibers or by info. coming from the brain
Pain
• Distraction from pain plus the release of endorphins can greatly diminish
sensation of pain
• Brain can also “create” pain, as exemplified by the
phantom limb phenomenon
UNIT 6: SENSATION & PERCEPTION
Pain
• Tinnitus – phantom sounds experienced by those with hearing loss; ringing sound • Hallucinations – phantom
sights experienced by those with vision loss
• Phantom tastes and smells also exist
– All these examples illustrate
the brain is prewired to experience sensation
Pain
• We edit our memories of pain
– We tend to remember pain’s peak moment
– We register pain based on the amount we feel at the end of the experience
• When pain lasts longer, but
UNIT 6: SENSATION & PERCEPTION
Pain
• We tend to perceive more pain when others also seem to be experiencing pain
(social effect)
• When feeling empathy for another’s pain, a person’s own brain activity may partly mirror that of the other’s brain in pain
Controlling Pain
• Physical & Psychological Methods
– Drugs
– Surgery
– Acupuncture
– Electrical Stimulation
– Massage
– Exercise
– Hypnosis
– Relaxation Training
UNIT 6: SENSATION & PERCEPTION
Controlling Pain
• Giving fake pain-killing
chemicals may help body to release real ones
• Drawing attention away from pain with “pleasant images” is an effective way to increase pain tolerance • Pain is “in the brain”, so
diverting attention away can bring relief
Taste
• Sweet, Sour, Salty, Bitter
• Umami
– Savory, meaty taste
• Tastes have evolutionary background
– Good tastes led to energy- and protein-rich foods
UNIT 6: SENSATION & PERCEPTION
Taste
• Taste is a chemical sense • Receptors in taste buds are
specialized to respond to different tastes
• Taste receptors reproduce every few weeks
• As we grow older, number of taste receptors decreases
• Expectations of tastes
influence our brain’s response
Taste
• Sensory Interaction
– Smell + Texture + Taste = Flavor
• McGurk Effect
– Seeing the mouth movements for “ga” while hearing “ba” we may perceive “da”
– Illustrates that our senses interact
• Synaesthesia – rare
phenomenon where senses become joined
UNIT 6: SENSATION & PERCEPTION
Smell
• Smell = Olfaction or your Olfactory Sense
• Smell is a chemical sense
– Approximately 350 receptor
proteins work to recognize particular odor molecules
– Odors trigger a combination of
receptors, triggering smell • Human’s senses of seeing
and hearing are better than our sense of smell
Step-By-Step Smell
1. Airborne molecules reach receptors at top of nose
2. Receptor cells send messages to the brain’s olfactory bulb 3. Message moves on to
temporal lobe – specifically the primary smell cortex
UNIT 6: SENSATION & PERCEPTION
Smell
• Women and young adults have best sense of smell • Smells are very difficult to
describe and recall
• Animals with heightened sense of smell have more olfactory receptors
Smell
• We associate smells with experiences
– Smell associated with a
positive prior experience will lead us to like that smell
• Even though smells are
tough to describe, smells do evoke feelings and
UNIT 6: SENSATION & PERCEPTION
Perceptual Organization
• Gestalt – an organized whole; a German word meaning form or whole
– Gestalt psychologists
emphasized our tendency to integrate pieces of
information into meaningful wholes
Perceptual Organization
• Gestalt psychologists say that the “whole may exceed the sum of its parts”
– Sodium = a corrosive metal – Chlorine = poisonous gas
UNIT 6: SENSATION & PERCEPTION
Figure and Ground
• Figure-Ground – the
organization of the visual field into objects (figures) that stand out from their surroundings (the ground)
– Sometimes figure and ground are reversible, as in the
picture on page 264 of text
Grouping Principles (pg. 265)
• Proximity
• Similarity
• Continuity
• Connectedness
UNIT 6: SENSATION & PERCEPTION
Depth Perception
• Depth Perception – seeing objects in 3-dimensions
enables us to estimate their distance from us
• Visual Cliff – a laboratory device for testing depth perception in infants and young animals
– Most will NOT crawl over the
visual cliff; illustrates they have depth perception
Depth Perception
• By the time we become mobile, we have the depth perception we need to
survive
UNIT 6: SENSATION & PERCEPTION
Depth Perception
• Binocular Cues – depth cues, such as retinal
disparity, that depend on two eyes
– Our eyes are 2.5 inches apart – Difference between images in
either eye is retinal disparity – Makers of 3-D movies use
concept of retinal disparity by using 2 cameras to film the same scene (like eyes)
Depth Perception
• Monocular Cues – depth cues, such as interposition and linear perspective,
available to either eye alone
– Relative height – we perceive vertical dimensions as longer than identical horizontal
dimensions
UNIT 6: SENSATION & PERCEPTION
Depth Perception
• Other Monocular Cues (pg 268)
– Relative height – Relative size – Interposition
– Linear Perspective – Light & Shadow – Relative Motion
Motion Perception
• Brain computes motion
– Shrinking objects are retreating
– Enlarging objects are approaching
– Large objects appear to move slower than smaller objects at the same speed
UNIT 6: SENSATION & PERCEPTION
Motion Perception
• Phi Phenomenon – an
illusion of movement when two adjacent lights blink on and off in quick succession
– Strings of Christmas lights – Marquee signs
Perceptual Constancy
• Perceptual Constancy – perceiving objects as unchanging (having
consistent shapes, size,
lightness, and color) even as illumination and retinal
images change
UNIT 6: SENSATION & PERCEPTION
Size Illusions
• Moon Illusion – the moon appears much larger as it is closer to the horizon, and smaller as it rises in the sky • Ames Room Illusion –
trapezoidal room is viewed by one eye; room appears normal with two very
differently sized people in it
Lightness Constancy
• Lightness Constancy
(Brightness Constancy) – we perceive an object as having a constant lightness even while its illumination varies • Relative Luminance – the
amount of light an object reflects to its surroundings
UNIT 6: SENSATION & PERCEPTION
Color Constancy
• Color Constancy –
perceiving familiar objects as having consistent color, even if changing
illumination alters the wavelengths reflected by the object
Perceptual Interpretation
• Immanual Kant (1724-1804) – German philosopher who
said knowledge comes from our inborn ways of organizing sensory experiences
• John Locke (1632-1704) – British philosopher who said that it is through our
UNIT 6: SENSATION & PERCEPTION
Sensory Deprivation & Restored Vision
• Situation: A man born blind learns difference between a sphere and a cube by touch. With restored vision, is the man able to visually
discriminate between the two?
• Answer: No, the man would have never learned to see the difference
Sensory Deprivation & Restored Vision
• Retinas still relayed signals to the visual cortex (in this situation)
• Lacking earlier stimulation, the cortical cells did not
develop normal connections • There IS a critical period for
normal sensory and
UNIT 6: SENSATION & PERCEPTION
Perceptual Adaptation
• Perceptual Adaptation – in vision, the ability to adjust to an artificially displaced or even inverted visual field
– Perception Goggles
• Humans make the adjustment to the new visual field; chicks do NOT
• Humans quickly adjust back after goggles are off
• Brain does NOT eventually
switch to “upside down” view;
Perceptual Set
• Perceptual Set – a mental predisposition to perceive one thing and not another
– Experiences, assumptions, expectations give us a “top-down” predisposition
UNIT 6: SENSATION & PERCEPTION
Perceptual Set
• Loch Ness Monster or a log • Perceptual sets also effect
what we hear
– Pilot to depressed co-pilot, “gear-up” rather than “cheer up”
• Young kids like french fries better when served in a McDonald’s bag
Forming Perceptual Sets
• Through experience, we form concepts (or schemas)
• Sometimes faces shown in caricature (emphasizing certain details) are more
UNIT 6: SENSATION & PERCEPTION
Context Effects
• When a 6’9” basketball
player stands next to a 7’9” player, the first player
appears short; in reality, he is tall
• When we see a newborn
clothed in pink, we
generally recognize more feminine characteristics about the baby
Emotion & Motivation
• If motivated to see a particular object in an
ambiguous set, we are more likely to see that object
• When driving, we are stressed by pedestrians; when walking, we are stressed by drivers
UNIT 6: SENSATION & PERCEPTION
Perception & the Human Factor
• Human Factors Psychology – explores how people and machines interact, and how machines and physical
environments can be made safe and easy to use.
– Examples include:
• Ideal kitchen layout • Sales ideas for stores
• Landing tips for pilots
Perception & the Human Factor
UNIT 6: SENSATION & PERCEPTION
Extrasensory Perception
• ESP (extrasensory perception) – controversial claim that
perception can occur apart from sensory input; includes telepathy, clairvoyance, and precognition
• Parapsychology – the study of paranormal phenomena,
including ESP and psychokinesis
Extrasensory Perception • Telepathy – mind-to-mind
communication
• Clairvoyance – perceiving remote events, like sensing a friend’s house is on fire
• Precognition – perceiving future events
UNIT 6: SENSATION & PERCEPTION
Extrasensory Perception
• “A person who talks a lot is sometimes right.”
– Spanish Proverb
– No scientific evidence that any ESP actually works
– 35% of U.S. police depts. have at one time used psychics; none found it helpful
– Vague predictions can later be retrofitted to make them seem meaningful
Extrasensory Perception
– Billions of events happen in the world daily; given enough days virtually anything is
possible somewhere
– $1 million offer still stands for scientific proof that ESP is real; not one person has claimed it yet