• No results found

Mozart Duets Vlv c

N/A
N/A
Info
Download
Protected

Academic year: 2021

Share "Mozart Duets Vlv c"

Copied!
15
0
0

Loading.... (view fulltext now)

Download now ( 15 Page )

Full text

(1)W.A.Mozart 12 EASY DUETS for violin and cello. www.virtualsheetmusic.com.

(2) Virtual Sheet Music PDF files - License Agreement. Carefully read all the terms and conditions of this license agreement prior to use of this document. Use of this document whether all or a portion of this music indicates your agreement to the following terms and conditions. Virtual Sheet Music grants you, the purchaser, a non-exclusive license to use this score (the »PDF score«), under the terms and conditions stated in this agreement. You may: 1. make one copy of the PDF score solely for back-up purposes. 2. print this document for your personal use. You may not: 1. make copies of the PDF score in whole or in part except as expressly provided for in this agreement. 2. make alterations or modifications to the PDF score or any copy, or otherwise attempt to discover the source code of the PDF score. 3. sub-license, lease, lend, rent or grant other rights in all or any copy to others. 4. make verbal or media translation of the PDF score. 5. make telecommunication data transmission of the PDF score. Terms: This agreement is effective until terminated. You may terminate it at any time by destroying the PDF score, together with all copies in any form. It will also terminate if you fail to comply with any term or condition in this agreement.. Virtual Sheet Music - all rights reserved. NOTE: when you select Print, be certain to select the "shrink to fit" or "fit to page" option before clicking OK.. Cover photo: Two teddy-bears.

(3) www.virtualsheetmusic.com. Classical Sheet Music Downloads™. for support: support@virtualsheetmusic.com.

(4) 12 EASY DUETS for violin and cello. 1 W.A.Mozart (1756-1791).         Violin        Cello  8                                                             15                                                                                            Allegro.               .                                                              . 24. MINUETTO Allegretto. 2.          7.    .                                                                                   www.virtualsheetmusic.com. 1.

(5)  .   .  .      .      . 13. .          . .   . .     .                                                         . 19. End. TRIO. .  . . .     .   . 25.   33.         .        .   .  .  .    .             . .    .                                    Minuetto from begin to End. 3 Larghetto.                                                                     . 5.    .               .                         . www.virtualsheetmusic.com. 2.      .

(6)    . 9. .       .                         .                                                   . 13.         . 4 Allegro                               .              .                . . .        . 8.   .                                             .      .                                             . 13.                                                           . 21. www.virtualsheetmusic.com. 3.

(7)                                         . 27.                        .   . 5.                               . Allegretto.  . . .        . . . . .  .  . .            . 6.  . . . . . . .  .    . .         . . . 10.                                         . 14.        . . .                    . . . . . www.virtualsheetmusic.com. 4. . . . .

(8) 6 MINUETTO.              6.      . . .         .      . . .             .    .       .   .                  .  . 20. .     . .     . .    .     .         . . . .  . .   . . . .    .     .              .       www.virtualsheetmusic.com. 5. .       . . .          .                   .     .   . . . 9. 15.      . . . . .  .

(9) 7 MINUETTO.     .                  .   .         . 7.   .    .   .  . .    .        .     .   . .   . .                         . 12.             End. 17. TRIO.  . .   . . . .   . . . .  .                                                . 22.                  . 27.             . .     .  .                         .     . .         . Minuetto from begin to End www.virtualsheetmusic.com. 6.

(10) 8.                              Allegro.              .  .   .                                               . 9.        . 17.  . . .                             .        . .                                                 . 24.                     . 32.            . 41.    .    1. 2.                         .                               www.virtualsheetmusic.com. 7.               .

(11) 9 MINUETTO.                . . .  .  .        .      . . .    .          . .  . . 5.                            .  .     . 9.       . .          .                            .     .   . . 13. .                . .  . . . . .     End. 17.   . TRIO.    21.   .    . . . .   .       .            .       . . .                        . www.virtualsheetmusic.com. 8.  .

(12) 25.      3.     . .  . 29.      . 3. . . 3.  . .      . . . .  . . . 3. .  .  .  .   . . . . .     .  .    . . . .     . . . Minuetto from begin to End. 10 Andante grazioso.    .  .    . .     .   . .     .   . 13.   .  . . .  .     .               .     . 9.    . .  .   . 5.  . .  . .                  .                    .       . . www.virtualsheetmusic.com. 9.  . . . . . .  . .   .  . . .  . .

(13) 11.                                                           POLONAISE. 5.                         .  .                                 .  .                                                       . 9.     .     . .                 . 14.  .                 . .      .     . .                                              . 19. 23.                         .  .                                   . www.virtualsheetmusic.com. 10.

(14) 12.                                                                    Allegro.   1.     2.                               . 8.           . 15.       .        .               .              .                                             .    .                                                                             . 21.                                                                  . 28.         . .                 .    . .                     .    . . 36. www.virtualsheetmusic.com. 11. 1.. 2..        .

(15) www.virtualsheetmusic.com.

(16)

References

Download now ( PDF - 15 Page - 250.40 KB )

Related documents

Changes in the world distribution of output-per-worker 1960-98: how a standard decomposition tells an unorthodox story

In this case — as illustrated by panel (f) of the figure — this counterfactual brings the 1998 distribution almost inline with the 1960 distribution, implying that two factors

UAF Student Organization Advisor Handbook

Through leadership, volunteer experience and student involvement opportunities, the LIVE program at UAF seeks to develop leadership in individuals, groups and communities in order

Introduction to Data Communications. Dr Steve Gordon ICT, SIIT

– Accuracy: the data received must be accurate representations of the data sent – Timeliness: the data should be delivered within a reasonable time... Simplified

Course Catalog

Robert Morris University is approved by the Illinois Board of Higher Education and is authorized to award the following degrees: Master of Business Administration, Master

Facies Metamórficas

o o Límites no Límites no absolutos: difusos, absolutos: difusos,

Take the Sega Challenge! */, iif * / Ordergames lor your * - Sega Master System! - - -

Sega Visions and in this issue Mail Box and Game Doctor are two pages each.. You can send your drawings to the Great Sega Brush Off (see

Advanced Water Distribn Mod & Mgt

Therefore, this type of model loading is a point-to-point demand allocation technique, meaning that known point demands (customer meters) are assigned to network demand points

Optical Glass. Description of Properties 2011

A strong acid (nitric acid, c = 0.5 mol/l, pH 0.3) is used for the more resistant glass types, whereas glasses with lower acid resistance are exposed to a weak acidic solution