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Commentary on the Portfolio of Compositions

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Figure

Fig. 1.1.1: Colour trills in adjacent frequencies in Hiraeth: Bassoon, bars 65-70.
Fig. 1.1.3: An array of techniques applied to the Cello in Reheal showing the bow position clef
Fig. 1.2.2: Resonance durations on an upper stave in Giacinto Scelsi’s Okanagon: Bass and Harp,
Fig. 1.2.3: Piano preparation showing threads and wires. Each pitch cluster is marked with tape
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