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Boston University

OpenBU http://open.bu.edu

School of Music Boston University Concert Programs

2011-05-03

Boston University Symphony

Orchestra Concerto Concert, May 3,

2011

https://hdl.handle.net/2144/30643

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Boston Univer

.

sity College of Fine Arts

School of Music

presents

Boston University Symphony Orchestra

Concerto Concert

Tiffany Chang, Konstantin Dobroyko"'

and Zachary Bruno, conductors

Maj a Tremiszewska, piano

Sang Ae Kim, flute

Davide Ianni, composer

Victor Cayres, piano

Tuesday

May 3, 2011

8:00pm

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Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers degrees in performance, composition and theory, musicology, music education, collaborative piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas.

Founded in 1839, Boston University is an internationally recognized private research university with more than 32,000 students participating in undergraduate, graduate,

and professional programs. BU consists of 17 colleges and schools along with a number of multidisciplinary centers and institutes which are central to the school's research and teaching mission. The Boston University College of Fine Arts was created in 1954 to bring

together the School of Music, the School of Theatre, and the School of Visual Arts. The University's vision was to create a community of artists in a conservatory-style school offering professional training in the arts to both undergraduate and graduate students, complemented by a liberal arts curriculum for undergraduate students. Since those early days, education at the College of Fine Arts has begun on the BU campus and extended into the city of Boston, a rich center of cultural, artistic and intellectual activity.

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Boston University College of Fine Arts

School of Music

B_oston University Symphony Orchestra

,

.

certo Concert

May

3, 2011

Tsai Performance Center

The

310th

concert in the

2010-11

season

Maurice Ravel (1875-1937) Carl Nielsen (1865-1931) ·~· Davide Ianni Robert Schumann (1810-1856)

Concerto in G Major for Piano and Orchestra

Allegramente Adagio assai Presto

Maja Tremiszewska, piano

Tiffany Chang, conductor

Concerto for Flute and Orchestra

Allegro moderato Allegretto

Sang Ae Kim, flute

Konstantin Dobroykov, conductor

-Intermission-Incastro

Konstantin Dobroykov, conductor

Concerto in A Minor for Piano and Orchestra

Allegro affetuoso An.dantino Grazioso Allegro vivace

Victor Cayres, piano Zachary Bruno, conductor

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Tiffany Chang, conductor

Originally from Taiwan, Tiffany Chang graduated from Oberlin Conservatory in 2009 with a Master of Music Education, Bachelors of Music in cello performance and music education, and minors in composition and music theory. Ms. Chang has conducted the Richmond Symphony (VA) and Richmond Symphony Chorus, Bohuslav Martinu Philharmonic (Zlin, Czech Republic), Astoria Symphony (NYC), and orchestras at Boston University artd Oberlin Conservatory. She wa::; the Music Director of the Oberlin College Symphony and served as assistant conductor for the Boston University Opera Institute, Boston University All-Campus Orchestra, and Northern Ohio Youth Orchestras. She has participated in the April2011 Conductor's Guild Workshop, 2010 International Conducting Festival and Workshop, the 2010 NYC International Conducting Workshop, and the 2008 Taipei International Choral Festival. Ms. Chang studied orchestral conducting with David Hoose, Bridget-Michaele Reischl, and Amy Chang; her other notable mentors include Gustav Meier, JoArm Falletta, Ann Howard Jones, Robert Spano, Gunther Schuller, Kirk Trevor, Larry Rachleff, Donald Schleicher, and John Page. Having studied cello with Amir Eldan and Hans Jensen, Ms. Chang actively teaches and performs as a cellist. She also studied composition with Amelia Kaplan and has been commissioned to write for schools and orchestras. Her notable awards include the Phi Kappa Lambda Prize for Musicianship, Theodore Presser Scholarship, Ernest Hatch Wilkins Memorial Prize, and Oberlin Conservatory Dean's Scholarship. Ms. Chang is pursuing a Doctor of Musical Arts degree in orchestral conducting at Boston University under the guidance of David Hoose.

Konsta

n

t

i

n Dob

r

oy

k

o

v,

conducto

r

Konstantin Dobroykov was born in Plovdiv, Bulgaria, into a family of musicians.

He started his musical training at the age of six at the Dobrin Petkov School of Music, majoring in Percussion Performance with a minor in Piano Performant

During his eleven years of studies in Bulgaria, he was the winner of a number VL

competitions, and became the recipient of numerous awards and honors, both in Bulgaria artd abroad.

In 2002, he received full scholarship and full ride to attend the Idyllwild Arts Academy in California, where he studied percussion with Professor Erik Forrester from the University of Southern California. Two years later, in 2004, he attended the Oberlin Conservatory of Music, again with full scholarship and full ride, studying percussion with the legendary Professor Michael Rosen and orchestral conducting with Professor Bridget-Michaele Reischl. In 2010, Mr. Dobroykov graduated the University of North Carolina: School of the Arts with Excellence in Scholarship, and received his Master of Music degree in Orchesh·al Conducting where he studied with Professor Ransom Wilson.

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Konstantin Dobroykov is currently a candidate for the Doctor of Musical Arts degree in Orchestral Conducting at Boston University, studying with Maestro

David Hoose.

!Jhary

Bruno, conductor

Zachary Bruno currently serves as assistant conductor of the Boston Civic

Symphony where he has conducted rehearsals and concerts since 2009. Mr. Bruno has also given concerts with the Pacific Symphonic Wind Ensemble, the Pacific Chamber Opera Project, the University of California Symphony

Orchestra, and the University of California Wind Ensemble and has led

rehearsals for the Parkway Concert Orchestra, the Worcester Youth Orchestra,

the Wellesley Symphony Orchestra, and the Atlantic Wind Symphony. Mr. Bruno

has worked with the University of Illinois Symphony Orchestra as well as the

Rochester Philharmonic Orchestra through the Eastman School of Music Summer

Conducting Institute.

While finishing a doctoral degree in orchestral conducting at Boston University, Mr. Bruno has frequently appeared as conductor of the Boston University

Symphony Orchestra and the Boston University Chamber Orchestra. In addition,

Mr. Bruno has conducted rehearsals for the Boston University All-Campus

Orchestra and has performed with the Boston University Opera Institute. Mr.

~runo spent the summer of 2010 working in New York as assistant conductor, staff arranger, and saxophonist at Camp-of-the-Woods. An active arranger of

classical and popular music, his arrangements have been performed by various ensembles in 16 states.

Mr. Bruno began his musical studies on piano at age seven. He later studied woodwind instruments, winning numerous awards and command performances at solo competitions in California on both clarinet and saxophone. He began

ies in conducting at age 16, and his teachers have included David Milnes, .._ Hammer, David Hoose, and Ann Howard Jones. Additionally, Mr. Bruno has had occasion to study condt;~.cting with Gunther Schuller, Neil Varon, David

Ramadanoff, John Page, Benjamin Zander, Eugene Corporon, and Donald Schleicher. Mr. Bruno holds a bachelor's degree in music from the University

of California, Berkeley, and a master's degree in music education from the

University of the Pacific's Conservatory of Music.

Maj a Tremiszewska, piano

Piano soloist Maja Tremiszewska is also an avid chamber musician. Her

Three Colors Trio won the first prize at the First International Chamber Music

Competition of New England and was awarded a performance at the Weill Recital Hall at Carnegie Hall. Ms. Tremiszewska received a Masters of Music from Gdansk Academy of Music in Poland and a Graduate Performance Diploma from the Boston Conservatory. During the summers o£2007 and 2008

(7)

she attended the Fontainebleau Ecole d' Arts Americaines in France, where she worked with Phillippe Entremont and Philippe Bianconi. In 2009 she began her doctorate degree at Boston University, which granted her its Dean's Award. A native of Poland, Maja Tremiszewska performs as a soloist, chamber musician and collaborative pianist in various venues including Jordan Hall, Symphony ' Hall, the Tsai Performance Center, and the Berklee Performance Center. An experienced collaborative pianist, Ms. Tremiszewska worked on various productions with local opera companies, including Boston Opera Collaborati, Guerilla Opera and Beyond the 4th Wall Expression Theatre. She was the rehearsal pianist for and a performer in the world premiere of Larry Bell's opera Holy Ghosts and she served as a staff pianist at the Killington Summer

Music Festival in Vermont. This summer she will be a vocal coach at the Boston University Tanglewood Institute.

S

an

g Ae

Ki

m, fl

ute

Sang Ae Kim, a native of Korea, is currently a first year doctoral candidate under the tutelage of Elizabeth Ostling. Ms. Kim previously studied at the Peabody Conservatory of Music with Marina Piccinini and at the Korea National University of Arts with HyeKung Lee, Young Mi Kim and Valentine Zvreve. She has appeared as soloist with the Korea National University of Art Symphony, Paris Maissy Orchestra, Manhattan Chamber Orchestra, Seoul Wind Ensemble and has been given the privilege of performing a recital at Kum-Ho Art Hall. Ms. Kim has won prizes in several competitions such as the Dae gu TBC Competition, the Kyng-Hang & Ewha Music Competition and the Busan MBC Competition. She was also awarded the Eum-Yeon Summer Music Festival Coca-Cola scholarship. Ms. Kim most recently won 1st prize in the Osaka International Music Competition, the Mid-South Flute Competiton, the Baltimore Music Club Competition, and the COFA Flute Competition.

D

a

vid

e

I

a

nn

i,

co

m

po

s

er

---~]

Davide Ianni is a composer primarily working in the realm of sounds and theil:

behavior.

His compositions include works for orchestra, chamber ensemble, solo and live electronics. Davide Ianni is been performed in the US and Europe by a number of solo instrumentalist and contemporary ensembles. He is currently completing the DMA program in composition and theory at Boston University under the supervision of Professor Joshua Fineberg.

Incastro Program Note

Incastro was inspired by the idea of intrusive and germinating musical material

which in the first half of the piece, is presented as momentary interrupts momentarily the flow.

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-The Italian word 'incastro' means wedged, jammed or locked together.

The title describes how compositionally different musical materials/objects interact and merge into each other.

My primary interest was to draw upon the different degrees of perceived formal boundaries that such interactions allow for within the musical construct.

- Davide Ianni

Victor Cayres, piano

Victor Cayres has performed in his home country Brazil, Europe, and U.S. After a performance of piano quintets by Schumann and Shostakovich with the Sine Nomine string quartet in Switzerland, a reviewer from LaLiberte' described Mr. Cayres as having the "spirit of a leader." Mr. Cayres is a prize winner in competitions in Brazil, including Gina Bachauer South American Competition, Nelson Freire International Competition, Petrobras International Competition,

Magdalena Tagliaferro Competition, Artlivre International Competition, as well as competitions in Europe, such as the Sommerfestspiele Klavier Wettbewerb in

Murten, Switzerland.

Mr. Cayres's latest appearances as a soloist include the following orchestras and conductors: Brazilian Symphony Orchestra under Norton Morozowisk, Petrobras Orchestra Pro-Musica under Roberto Tibirica, University of Sao Paulo Symphony under Ronaldo Bologna, University of Sao Paulo Chamber Orchestra under Gil Jardim, Orchestre des Jeunes de Fribourg under Theophanis Kapsopoulos and later under Marc David, NEC Philarmonia under Donald de Palma, and Symphony Pro-Musica under Mark Churchill. Additional collaboration with conductor Theophanis Kapsopoulos includes a tour with the Orchestre des Jeunes de Fribourg in Czech Republic and Switzerland .

.,._ pite of a late start at the piano at age 13, Mr. Cayres had the privilege to y with leading pianists in Brazil: Roselys Alleoni at the School of Music Maestro Ernst Mahle, Gilberto Tinetti and Eduardo Monteiro at the University of Sao Paulo. Before coming to the US he also had an opportunity to study at the Hoschule fur Musik in Karsruhe, Germany, while appearing in concert venues in Switzerland. In Boston, Mr. Cayres studied with renowned piano professor Wha Kyung Byun at the New England Conservatory, as a recipient of Dr. Paul Buttenwieser Scholarship Award. Currently he is a candidate for the Doctor of Musical Arts degree at Boston University under the guidance of internationally acclaimed pianist Anthony di Bonaventura, as a recipient of the Dean's Scholar Award and John Silber Scholarship Award. Under the artistic direction of Prof. Anthony di Bonaventura, the Brandywine International Piano Institute in West Chester-FA has played an important part in Mr. Cayres activities over the summers, an opportunity to expand his performance skills.

(9)

John Page, Acting Director of Orchestral Activities

John Page's conducting career began as a finalist in the

Dublin Conducting Masterclasses with the National Symphony Orchestra of Ireland in 2000. Prior to this he studied at King's College London, University College

Dublin, Trinity College Dublin, and Harvard University..

His formative conducting studies were with Gerhard Markson, principal conductor of the NSOI, and with world-renowned conducting pedagogue, George Hurst.

In Ireland, his 2002 performances of Viktor Ullmann's The

Emperor of Atlantis with Opera Theatre Company garnered the prestigious Irish Times Opera of the Year award and he was subsequently invited to give a Lyric FM broadcast concert with the NSOI. As a recording artist, he returns frequently to Ireland to record with the Irish Film Orchestra; among his most recent recordings is the platinum disk winning PBS

show, Celtic Woman.

In 2003 John Page moved to Boston as Zander Fellow to the Boston Philharmonic Orchestra, an honor that was extended to the following year. He became Music Director of the NEC Youth Chorale in 2004 and subsequently developed close links with Walnut Hill School as Director of the WHS chorus and conductor of the WHS Gala orchestra. He was appointed to the newly created position of Assistant Conductor to the Boston Philharmonic in 2005 and the following year was invited to join the Faculty of New England Conservatory as Resident Conductor and Music Director of the NEC Sinfonietta and, later, NEC Symphony. Whilst living in England John Page worked with Modem Band at the Royal Opera House and Surrey Opera. He also assisted Benjamin Zander in his

Philharmonia recordings of Mahler's First, Third and Sixth Symphonies and most

recently the Grammy-nominated recording of Bruckner's Fifth Symphony, all 1

released under the Telarc label.

More recently, John Page was Director of Large Ensembles for the New York City based Mimesis Ensemble, a group dedicated to the performance of music by living composers. He performed with them at the Kennedy Center (DC) and in Symphony Space (NYC) as well as conducting numerous studio recordings. In 2009 he began his continuing role as cover conductor for the Portland Symphony Orchestra, Maine, and travelled home to his native Northern Ireland to conduct the BBC Ulster Orchestra.

John Page is currently Visiting Associate Professor of Instrumental Conducting at Boston University.

(10)

-BOSTON UNIVERSITY SYMPHON

Y

ORC

HE

S

TRA

Violin I Cello (continued) Horn

Heather Braun, concertmaster Graham Boswell Jon Anderson

tudor Dornescu Kai-Yun Cheng Samanthan Benson+

Nelli J abotinsky Jeremiah Moon Josh Blumenthal

Sarah Atwood Daniel Doyle * #

young Kim Double Bass Molly Flanagan

abeth Levens Yi-Jung Su, principal Krysta Harmon "

Lisa Barksdale Bebo Shiu Parker Nelson

Sean Larkin Benjamin Green

Daniel Faris Adam Davis Trumpet

Lee Anne Blackmore Brandon Mason Samantha Barnhart

Ashlyn Olson Zachary Camhi David Baroody

Katherine Love Richard Neckermann

Jiyeon Han Flute Peter Nelson-King "

Gabrielle Fischler Nikoma Baccus # RyanNoe*

Annie Elmer " Andrew Stetson #

Violin II Jessica Nelson*

Hyun Ji Kim, principal Liz Trinidad Trombone

Rachel Saul Philip Varricchio Christopher Haynes

Jamie Chimchirian Robert Hoveland *

Michael Hustedde Piccolo Justin Mitnik"

Grace Nakano Annie Elmer

Lisa Park Philip Varricchio Bass Trombone

Sarah Leonard Courtney Sander "

NaraeHan Oboe Matthew Visconti +

Jihye Kim Lindsay Hollingshead

Constance Bainbridge Marizabel Lebron+ # Piano

ChenTi Lin Nathan Swain*" AnnaArazi"

John Bian Kai-Chien Yang

George Millsap Harp

English Horn Mason Morton *

Viola Marizabel Lebron

Esther Nahm, principal Kai-Chien Yang Timpani

Christopher McClain Jenica Anderson #

Michelle Rahn Clarinet Kyle Brightwell

Andrew Salo Elizabeth Garcia Kirk Etheridge+

Kiara Ana Perico Kaitlin Pucci*+ Eric Huber

'T' -WuHsu Thomas Weston " # Michael Roberts *

ah O'Shea

.:,, vija Kristapsons E-flat Clarinet

Evan Perry ThQmas Weston * Denotes principal in the

Brianna Pesce Ravel

Bass Clarinet

+Denotes principal in the

Cello Kaitlin Pucci

Hyun Min Lee, principal Nielsen

Robert Mayes Bassoon " Denotes principal in the

Christopher White Tzu-! Lee+ Ianni

Chi-Hui Kao Jensen Ling * #

# Denotes principal in the

Matthew Flynn Rachael Stachowiak "

Ian Gottlieb Schumann

_Natalie Raney Contrabassoon

Personnel Managers

Eric Adamshick Kaitlin Fry

Nikoma Baccus

Korynne Bolt Konstantin Dobroykov

Noah Wheeler Bebo Shiu

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FRIENDS OF THE COLLEGE OF FINE ARTS

We are grateful to our communi h) of alumni, faculty, families, and friends who believe in the importance of

supporting gifted students in nntsic, theatre, and the visual arts through their generous contributions. Gifts to

the College of Fine Arts fund important capital initiatives, scholarships, educational outreach, performances, and exhibitions, all of which directly benefit the talented young artists of Boston UniversihJ. ~

For more information about how you can join our growing list of supporters, please contact us at 617-353-5;).,-r

or make a donation online at www.bu.edu/cfa/alumni/giving-back. We would love to welcome you into our

donor communihj!

We thank the following donors for their generous support during the 2009-2010 fiscal year•:

$100,000 and above SungEun Han-Andersen

$25,000 to $99,999 The Estate of Peter Donnelly BobbiHamill

The Estate of

James Nelson Humphrey

Andrew Lack

Stewart F. Lane and Bonnie Comley Mary Ann Milano

2009 Revocable Trust Mary Ann Milano-Picardi Neil and Jane Pappalardo Dr. John Silber James H. Stone The Estate of A. Theodore Tellstrom Virginia E. Withey $10,000 to $24,999

John and Harriet Carey

Ann and Gordon Getty Foundation

Greek Composers' Union The Avedis Zildjian Company, Inc. $5,000 to $9,999

Michael Chiklis Clovelly Cl1aritable Trust

Chester and Joy Douglass The Florence J. Gould Foundation

Margaret S. Lindsay Foundation

Montgomery Symphony Association

Ernst and Gail von Metzsch Francis Williams

$1,000 to $4,999

Jason Alexander

Cathy Altholz

The ASCAP Foundation Richard Balsam

Cathy Barbash

Bette Davis Foundation, Inc. Linda Cabot Black Bose Foundation, Inc.

Fred Bronstein Richard D. Carmel

Charitable Remainder Trust Stewart and Judith Colton

Saul and Naomi Cohen Frank D' Accone Margaret May Damen

Teresa Del Piero

Robert K. and Alberta J. Dodson William Earle Jimmie Jackson Chiyomi Kanazawa Ellen Kazis-Walker Saran Kraichoke Richard Lenz Beth Marcus Marian Morash

Larance and Charla Morgan

ThomasMunn MiaOberlink Richard Ekdahl Marie Falabella Thomas C. Farrell Judith Flynn Steven Friedlander

Michael Goldenberg Richard and Susan Grausman Lady Mercia M. Harrison

Robert and Phyllis Hoffman Lindsey V. Humes

Dmitri and Elena I! yin

Larry G. and Ann Howard Jones

Tom F. and Irene Gesiak Kelley

David Kneuss

Robert Krivi

The Reverend Dr. Joan B. Malick Rita Mehos

Andrea Okamura

F. Taylor Pape The Presser Foundation Sandra Lee Rowsell

Kenneth D. Rudnick Madeleine Schulman Amy Abrich Shemin Nina Tassler

Robert TI1obum

Gael Towey

The Ushers & Programmers Fund

in honor of Robert and Dorothy Dandridge LuoYan

Moshen Darius and Shu Bing Yaraghi

$500 to $999 Apostolos Aliapoulios Amy Lynn Barber

Salvatore Cania, Jr. and Lisa Cania Beth Chen

Terrence and Patricia Connell Roger Davidson

Edna Davis

Emily Deschanel

Ann B. Dickson Keith Druhl

Debra Dion Faust

David Feigenbaum and Maureen Meister

Wilbur and Lorraine Fullbright

Frank Ginsberg Gudjonson Hermannsson Richard and Marilyn Hobbs

Colonel Capers A. Holmes,

USAF(Ret.) Joan Horton

Bernard Schwartz Roberta Steiner

Mr. and Mrs. Mose W. Stuart lli Patrick Szymanski and

Margery Lieber Richard Van Deusen Ellen Yates Linda Neil Yee Kalman Zabarsky and

Kerry Loughman

"111is list reflects donations made between July 1, 2009 and June 30, 2010. For a complete list of all CFA donors visit www.bu.edu/cfa/alumni/giving-back. If your name has been omitted from this list, please contact us so that we can correct our records.

(12)

-BOSTON UNIVERSITY SCHOOL OF MUSIC

STRINGS Don Lucas tl'omboue. •

Steven Ansell viola • Richard Menaul hom

Edwin Barker double bass• Suzanne Nelsen bassoo11

Cathy Basrak viola Craig Nordstrom, clnriut!l

Lynn Chang violin Toby Oft troml1one Gabriela Diaz, violiu Elizabeth Ostling flute

niel Doi\a pedagogy Ken Radnofsky saxopltone

Eskin cello Richard Ranti lmsso011

olyn Davis Fryer double Thomas Rolfs trumpet bass Mike Roylance tuba Edward Gazouleas viola Matthew Ruggiero

Raphael Hillyer viola baSSOOII

Marc Johnson cello Eric Ruske /rom

Bayla Keyes violin • Robert Sheena

Michelle LaCourse viola English hom Katie Lansdale violin Ethan Sloane clariuet •

Benjamin Levy double bass Jason Snider /tom

Lucia Lin violin ,. Samuel Solomon Malcolm Lowe violi11 percussi01t

Dana Mazurkevich violilt James Sommerville /tom

Yuri Mazurkevich violi11 Linda Toote flute

Jkuko Mizuno violin Lee Vinson percussion

John Muratore guitar

George Neikrug cello ++ PIANO

James Orleans double bass Anthony di Bonaventura,..

Leslie Pamas cello Maria Clodes-J aguaribe •

Ann Hobson Pilot harp Gila Goldstein

Barbara Poeschl-Edrich harp Linda Jiorle-Nagy

Asa Raykhtsaum, violin Michael Lewin Michael Reynolds cello • Boaz Sharon

Rhonda Rider cello

Todd Seeber double bass COLLABORATTVEP~O

Roman To ten berg violin ++ Shiela Kibbe •

Michael Zaretsky viola Robert Merfeld

Peter Zazofsky violin •

Jessica Zhou ltarp ORGAN

Nancy Granert

WOODWINDS, BRASS, and Peter Sykes

PERCUSSION

Laura Ahlbeck oboe VOICE

Ken Amis tuba Michelle Alexander •

Jennifer Bill saxophone Sarah Arneson

Peter Chapman tru111pet Penelope Bitzas •

Geralyn Coticone flute Sharon Daniels

Doriot Dwyer flute James Demler

Teny Everson trumpet • Gary Durham

John Ferrillo oboe Phyllis Hoffman •

thy Genis percussiou Frank Kelley reitzer clari11et Matthew Larson . _ .... aid Haroutounian bassoon Susan Ormont John Heiss flute Bonnie Pomfret

Gregg Henegar bassoon Jerrold Pope •

Renee Krimsier flute Andrea Southwick

Gabrfel Langfur bass tro111bone Maria Spacagna

SCHOOL OF MUSIC PRODUCTION DEPARTMENT

Michael Culler, Head Recording Engineer Oshin B. Gregorian, Manager, Opera Institute

Diane McLean, Stage Ma11ager

Shane McMahon, Recording Eugi11eer

Ephraim Eric Roberson, Schedulittg a11d Progra111s Coordinator

I<ris Sessa, Librarian

. Martin Snow, Keyboard Tecltttician and Restoration

J. Casey Soward, Manager of Production and Perforlltaltce

COLLEGE OF FINE ARTS ADMINISTRATION Benjamin Juarez, Dean, College of Fi11e Arts Robert K. Dodson, Director, School of Music

Jim Petosa, Director, School ofT11eatre

Lynne Allen, Director, School of Visual Arts

HISTORICAL MUSIC EDUCATION

PERFORMANCE Richard Sunbury •

Aldo Abreu recorder Bernadette Colley Sarah Freiberg Ellison Susan Conkling •

cello Diana Dansereau ""

Laura Jeppesen Andre de Quadros viola da gamba Jay Dorfman • Christopher Krueger Andrew Goodrich •

Baroque flute Lee Higgins • Catherine Liddell lute RonKos • Martin Pearlman Warren Levenson

Baroque ensembles • Roger Mantie • Robinson Pyle Sandra Nicolucci

natural trumpet Evan Sanders Marc Schachman

Baroque oboe CONDUCTING

Jane Starkman David Hoose

Baroque violin, viola Ann Howard Jones • Peter Sykes ltarpsicltord • Scott Allen Jarrett

David Martins

MUSICOLOGY John Page

Victor Coelho •

Steven Cornelius • OPERA INSTITIITE

Ellen Exner Helena Binder

Sean Gallagher Judith Chaffee Brita Heimarck ,.. Phyllis Curtin ++

Ami Heimir Ingolfsson Sharon Daniels •

Evan MacCarthy Melinda Sullivan-Friedman

Joseph Morgan Frank Kelley

Thomas Peattie • Angie Jepsen

Joshua Rifkin • William Lumpkin •

Ed win Seruoussi Adam Mclean

Andrew Shenton• Jim Petosa

Jacquelyn Sholes Betsy Polatin

Jeremy Yudkin • Christien Polos

Jeffrey Stevens •

COMPOSITION Nathan Troup

AND THEORY Allison Voth •

Brett Abigaiia

Vartan Aghababian STAFF PIANISTS

Martin Amlin • Michelle Beaton

Deborah Burton • Eve Budnick

Justin Casinghino Matthew Larson

Richard Cornell • Phillip Oliver

Joshua Fineberg • Lorena Tecu

Samuel Headrick • Noriko Yasuda

DavidKopp• Molly Wood

Mary Montgomery Koppel Rodney Lister •

Ketty Nez • Department Chairs

John Wallace • represented in bold

Steven Weigt

• full-time faculty

++Emeritus SCHOOL OF MUSIC

Richard Cornell, Associate Director

Phyllis Hoffman, Director, Applied Studies and Perfonltmtce

SCHOOL OF MUSIC EXECUTIVE COMMIITEE Susan Conkling. Music Education

Richard Cornell, Music Studies

Phyllis Hoffman, Applied Studies a11d Perforlltaltce Ann Howard jones, Ensembles

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·.

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