she-used-to-be-mine-waitress-the-musical-sheet-music.pdf

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Fro

From: m: “W“Waitraitress: ess: The The MusicalMusical””

She Used to Be Mine She Used to Be Mine

from W

from Waitraitress ess the the Musical Musical by

by

SARA BAREILLES SARA BAREILLES

Published Under License From Published Under License From

Hal Leonard Music Publishing Hal Leonard Music Publishing

All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219

Authorized for use by

Authorized for use by Skye Butcher Skye Butcher

NOTI

NOTI CE: CE: Purchasers Purchasers of of this musical this musical file file are are entitled to entitled to use it use it for for their their personal epersonal e njoynjoyment and ment and musical fmusical f ulfillment.ulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties.

laws of the United States and other countries and may subject the user to civil and/or criminal penalties. Musicnotes.com

Musicnotes.com

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Ï j È G G G G G G G F F F F b b b b b b b b b b b 34 34 úúú_úú úúú_úú úúú_úú úúú_úú úúú úú úúúúú ú úúú úú úúúúú ú úúú úú úúúúú úúú úú ú úúú úú úúúú úúúú úúúú úúú úúú ú úúúú úúúú ... .. ... ... ... ... .. ... . _. ... .. ... . ... .. ... ... .. ... . ... . ... . . . ... . ... . . ... . . . ... . .... . mp Î « Î « Î « « « Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï _Ï _{Ï Ï Ï Ï Ï Ï Ï Ï} _{Ï Ï Ï Ï Ï} Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï ÏÏÏÏ ÏÏÏ_Ï j j j j j j j j j j j j j j ·

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Moderately slow, with a pulse F

F

It’s not sim - ple to say; most days C

I don’t

rec - og - nize me with these shoes Dm

and this a - pron. That place and its pa

-- trons have tak Bb

- en more than I gave them.

F/A With pedal

Words and Music by SARA BAREILLES

from WAITRESS THE MUSICAL

SHE USED TO BE MINE

(q q₌ q

3

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Authorized for use by: Skye Butcher Musicnotes.com

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G G G G G G G G F F F F b b b b b b b b b b b b Î Î Î Î Î Î Î Î úúú úú úúúúú ú úúú úú úúúúú úúú_úú ú úúú úú úúú úú úúúúú úúúú úúú ú úúú ú úúú úúú ú úúúú ú úúú ú úúú_ú úúú ú ú úúú úú ú ú úúú ú úúúú ú úúú ... .. ... . ... .. ... . ... .. ... ... .. ... . ... . ... . . ... . ... . . ... . . ... . . ... . . ... . . ... . . ... . .. . ... . .... . ... . « « « Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï _{Ï Ï} Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï Ï ÏÏÏ Ï ÏÏÏ_Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï j j j j j j j j j j j j j _j J

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F

It’s not eas - y to know; I’m not an C

- y - thing like I

used to be, al -though it’s true, Dm

I was nev - er at - ten -tion’s sweet

cen - ter.

Bb

I still re - mem - ber that girl: She’s F/A

im F

- per - fect,

but she tries. She is

C

good, but she lies.

2

3

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G G G G G G G G F F F F b b b b b b b b b b b b Î Î Î Î Î úú ú ú ú úúú úú úúúúú ú úúú úúú ú úúú ú úúú ú ú úúú úúú ú úúú ú ú úúú úú ú ú úúú ú úúúú úúú ú úú ú úúú ú úúúú ú úúú úúú ú Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏÏ ÏÏ Ï Ï ÏÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï .. . ... .. ... . ... .. .... ... . . ... . . ... . ..._. . ... . . ... . .. _... . .... ... . .. ... . .... ... . ... j j j j _j j j J · «

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She is Dm

hard on her - self. She is

Bb

bro - ken and

won’t ask for help. She F/A

is

F

mess - y, but she’s

kind. She is

C

lone - ly most of the time.

She is

Dm

all of this, mixed up and baked in a beau - ti - ful pie.

3 3

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G G G G G G G G F F F F b b b b b b b b b b b b ú úúú ú úúúú úúú úúúú úúú_ú ú ú úúú ú ú ú ú ú ú ú ú ú ú ú ú ú úú ú úú ú úú ú ú úú ú úú ú úú ú ú ú ú . ... . .... ... . .... ..._. . ... . . . . . . . . . . . . . . .. . .. . . .. . . . . .. . .. . . .. . .. . . . Î Î Î Î Î Î Î Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï ÏÏ Ï Ï J j j j j j j j j j j j j j · · « «

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Bb

She is gone, but she used to be F

mine.

F

And it’s not what I asked for.

Some-times life C

just slips in through a back door and

carves Dm

out a per -son and makes you be - lieve it’s all true, Bb

4

3 3

3

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G G G G G G G G F F F F b b b b b b b b b b b b Î Î Î Î Î Î Î Î ú ú ú ú ú ú _ú ú ú ú ú ú ú ú úúú ú ú úúú ú ú úúú ú ú ú úúú ú úú ú úú ú ú ú ú ú úú ú ú ú ú ú ú ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï _{Ï Ï Ï Ï} Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï Ï ÏÏ Ï ÏÏ ÏÏ Ï Ï ÏÏ Ï ÏÏ Ï ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï ÏÏ Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ÏÏ Ï Ï ÏÏ Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï ÏÏ Ï Ï Ï Ï . . . . . . . . . . . . . . . . .. .. .. ... .. ... . ... . . .. . .. . . . . . . . . .. . .. . . . . . . . « « « « j j j j j j j j j j _{j j} _j j j j j # # # # # # # J J J n mf

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and now I’ve got you.

F

And you’re not what I asked

for. If I’m hon A7

- est, I know I would give it all

back for a chance Dm

to start o - ver and re - write an end-ing or two

Bb

for the girl that I knew, who’d be F

reck - less,

3 3 4

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G G G G G G G G F F F F b b b b b b b b b b b b Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ÏÏ Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï Ï Ï Ï Ï ú ú ú ú ú ú ú ú úú ú úú ú ú ú ú ú ú ú ú ú úú ú ú ú úú ú úú ú ú ú ú ú ú ú ú ú úú ú ú ú ú ú ú ú . . . . . . . .. . . . . . . . . . .. . . . .. . . . . . . . . . . . .. . . .. . . Î Î Î Î Î Î Î « « « « « j j j J # #

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just e - nough; who’d get hurt, C

but who learns how to tough

-en up when she’s Dm

bruised and gets used by a man who can’t Dm/C

love. Bb

And then she’ll get stuck, and be

F

scared

of the life that’s in - side her, grow-ing A7

strong -er each day, till it

6 3 3 3 3 3

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G G G G G G G G F F F F b b b b b b b b b b b b Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ÏÏÏ Ï Ï ÏÏÏ Ï ÏÏÏ ÏÏ Ï Ï Ï ÏÏ Ï ÏÏ Ï ÏÏÏ Ï Ï ÏÏÏ ÏÏÏ Ï Ï ÏÏ Ï Ï ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏÏ Ï ÏÏ Ï Ï Ï Ï ÏÏÏ Ï Ï ÏÏÏ Ï ÏÏÏ Ï Ï Ï ÏÏÏ ÏÏ Ï ÏÏÏ ÏÏ Ï ÏÏÏ ÏÏ Ï ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï Ï ÏÏÏÏ ÏÏÏ _Ï ÏÏÏ_Ï ÏÏÏ _Ï ÏÏÏ_Ï Ï ÏÏÏ Ï Ï Ï ÏÏÏ Ï Ï Ï ÏÏÏ ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ Ï ÏÏÏ ÏÏÏ ÏÏÏ Ï ÏÏÏ Ï Ï ÏÏÏ Ï Ï ÏÏÏ Ï Ï ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ Ï Ï ÏÏÏ Ï Ï Ï Ï ÏÏÏ Ï Ï Ï ÏÏÏ Ï ú ú ú ú ú ú úú ú ú úú ú ú ú ú ú ú úú ú ú _úú ú ú ú ú ú # # # # # # # j j j j j j j j _j j . . . . . . . . .. . . .. . . . . . . . . .. . . . .. . . . . « « « n J J J Î Î f ·

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fi - n’lly re - minds her to

Dm

fight just a lit - tle to bring back the fire

Dm/C

in her eyes

Bb

that’s been gone, but used to be

F mine, A7 used to be Dm mine. 3 3 3 3 3 3 3

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Ð Ð Ð Ð Ð G G G G G G G G F F F F b b b b b b b b b b b b Ï ÏÏÏ Ï Ï ÏÏÏ Ï ÏÏÏ Ï Ï Ï ÏÏ Ï Ï Ï ÏÏ Ï Ï Ï ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï _{Ï Ï Ï Ï Ï Ï Ï} Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú _úú ú ú ú ú ú ú úúú ú úúú ú ú úúú ú úúúú ú úúú ú úúú ú úúú ú ú úúú ú úúúú úúúú ú úúú ú úúú_ú ú úúúú ú úúúú ú úúúú ú úúúú_úú ú úúúú úú . . .. . . . _... . ... . . ... . .... ..._. ..._. ..._. ... _... . .... .... ..._. . .... . .... . .... . ...._.. ...._.. j j j · · · · · · Î Î Î Î Î Î mp « J ; ; ; ;

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Freely Bb She is F mess - y,

but she’s kind. She is

C

lone - ly most of the time.

She is

Dm

all of this, mixed up and baked in a beau Dm/C

- ti - ful pie.

Bb

She is gone, but she used to be

F

mine.

8

3