For the Mystery and the Riddles of the Universe to Be Revealed and Understood I Must Be Able to Understand Them

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“Concerning matter, we have been all wrong. What we have called matter is “Concerning matter, we have been all wrong. What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter 

There is no matter  .”  .” Albert EinsteinAlbert Einstein

 For the mystery and the riddles of the Universe to be revealed and understood I   For the mystery and the riddles of the Universe to be revealed and understood I 

must be able to understand them.

must be able to understand them. Marion GarcesMarion Garces

The Universe is better represented by number

The Universe is better represented by number patterns than by mathematics or patterns than by mathematics or  number formulas

number formulas!! The Book of Genesis The Book of Genesis The Book of Revelation The Book of Revelation The Book of John

The Book of John  No Beginning, no End  No Beginning, no End

In The Beginning In The Beginning The Serpent The Serpent The Tree The Tree The Apple The Apple The Ouruborus The Ouruborus Solomons Temple Solomons Temple Solomon’s Key Solomon’s Key The Two Pillars The Two Pillars The Emerald Tablet The Emerald Tablet The Kabbalah

The Kabbalah The Merkabah The Merkabah

Tte Philosopher’s Stone Tte Philosopher’s Stone  Numerology

 Numerology

The Hebrew Alphabet The Hebrew Alphabet The Greek Alphabet The Greek Alphabet Egyptian mythology Egyptian mythology As Above So Below As Above So Below The Pyramids The Pyramids Yin and Yang Yin and Yang The Vedas The Vedas Mayan Mythology Mayan Mythology Irish Mythology Irish Mythology The Solfeggio Tones The Solfeggio Tones The musical scale The musical scale Gregorian Chants Gregorian Chants The Vatican The Vatican The Phi Spiral The Phi Spiral The 3,6 and 9 The 3,6 and 9 Opposing Spirals Opposing Spirals Opposing Pressures Opposing Pressures Opposing vortices Opposing vortices Opposing spirals Opposing spirals Coral Castle Coral Castle Torus coil Torus coil Vibrations Vibrations

The Magic Square of the Sun The Magic Square of the Sun Self Similarity Self Similarity Sacred Geometry Sacred Geometry Ether  Ether 

The Fabric of Space The Fabric of Space Particle & wave Particle & wave Sine wave Sine wave Water  Water   Newgrange  Newgrange Magnetism Magnetism

Mason’s angle & compass Mason’s angle & compass Cymatics

Cymatics

Zero Point Field Zero Point Field

Walter’s 18 dimensions Walter’s 18 dimensions Analemma

Analemma Adam and Eve Adam and Eve

Hermes Trismegistus Hermes Trismegistus  Nicholas Flamel  Nicholas Flamel  Nassim Harramein  Nassim Harramein Tibetan monks Tibetan monks The Templars The Templars The Freemasons The Freemasons Pythagoras Pythagoras Jenkins Jenkins Hardiman Hardiman Hans Jenny Hans Jenny The Templars The Templars The Freemasons The Freemasons Ed Leedskalnin Ed Leedskalnin  Nicola Tesla  Nicola Tesla Marko Rodin Marko Rodin Infinity Infinity EVERYTHING EVERYTHING

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Call me crazy, have me committed, but I think I have stumbled upon the secret of  Call me crazy, have me committed, but I think I have stumbled upon the secret of  creation and the Universe!

creation and the Universe!

To document this journey of discovery I have

To document this journey of discovery I have to go back quite some to go back quite some time, to the mid 1950s.time, to the mid 1950s. When I was about 7 o

When I was about 7 or 8 years old. One winter afternoon, shortly before Christmas my brother and Ir 8 years old. One winter afternoon, shortly before Christmas my brother and I were looking out of our 4th floor apartment window, waiting for snow to start falling. It is one of  were looking out of our 4th floor apartment window, waiting for snow to start falling. It is one of  the clearest memories of my life. The whole sky was

the clearest memories of my life. The whole sky was filled with the tiniest, wiggely lights. Billionsfilled with the tiniest, wiggely lights. Billions of them! “I can see the air!”

of them! “I can see the air!” I burst out without thinking.I burst out without thinking.

“Where? I want to see too!” my little brother immediately demanded.

“Where? I want to see too!” my little brother immediately demanded. My parents wereMy parents were curious at first, but soon went back to

curious at first, but soon went back to whatever they were doing, shaking their hewhatever they were doing, shaking their heads, “where doesads, “where does she get this imagination?” My grandmother wisely kept quiet at that point, she knew where I got it. she get this imagination?” My grandmother wisely kept quiet at that point, she knew where I got it. From that point on I saw the air

From that point on I saw the air whenever I looked at a whenever I looked at a clear very bright area, the sky, a patch clear very bright area, the sky, a patch of of  snow, a sheet of paper

snow, a sheet of paper with the sunlight falling on it, all of them were with the sunlight falling on it, all of them were instantly alive with tinyinstantly alive with tiny squirming points of light.

squirming points of light.

My parents eventually became less and less amused

My parents eventually became less and less amused when I staked my claim to seeing when I staked my claim to seeing thethe lights and one day, quite sternly, told me that

lights and one day, quite sternly, told me that I was too old for such I was too old for such silliness. I eventually learnedsilliness. I eventually learned not to talk about the lights an

not to talk about the lights anymore. But I have seen them throughout ymore. But I have seen them throughout all of the many years thatall of the many years that have passed since then.

have passed since then.

I’m a very curious person, and I

I’m a very curious person, and I love, no, I adore weird things! So througholove, no, I adore weird things! So throughout my life I haveut my life I have always looked for and puzzled o

always looked for and puzzled over strange phenomena. One ver strange phenomena. One of the strangest, weirdest things I ever of the strangest, weirdest things I ever  came across was Coral Castle in Miami. In the

came across was Coral Castle in Miami. In the summer of 2009 I stumbled across asummer of 2009 I stumbled across a YouTubeYouTube videovideo of the castle and its creator, Ed

of the castle and its creator, Ed Leedskalnin.Leedskalnin. Ed claimed to see beads of light, which he believed to Ed claimed to see beads of light, which he believed to be the physical presence of nature's magnetism, and life force, or what we term today chi.

be the physical presence of nature's magnetism, and life force, or what we term today chi. Call itCall it what you will, Ether, the Fabric of space,

what you will, Ether, the Fabric of space, I can see it. I can I can see it. I can see it so clearly that I can’t understandsee it so clearly that I can’t understand how anyone can not see it.

how anyone can not see it.

Before going on, let me interj

Before going on, let me interject the second pivotal event that set ect the second pivotal event that set me upon my quest. me upon my quest. ItIt happened 7 or 8 years after the first.

happened 7 or 8 years after the first. I had pretty much divorced myself from science at this tiI had pretty much divorced myself from science at this time,me,  because I developed a mental block to understanding the

 because I developed a mental block to understanding the periodic table. periodic table. It just didn’t It just didn’t make sense tomake sense to me.

me. When I looked at the awkward arrWhen I looked at the awkward arrangements of the elements, so disangements of the elements, so disjointed and unconnected Ijointed and unconnected I  just felt in m

 just felt in my bones that this was y bones that this was not quite right. not quite right. I will shortI will shortly return to this ly return to this subject. subject. First a fewFirst a few more facts about Ed.

more facts about Ed.

Of course when I found out that Ed could see the lights too (there have been others who can Of course when I found out that Ed could see the lights too (there have been others who can see them also), I had to investigate. From this point on things just seem

see them also), I had to investigate. From this point on things just seemed to fall into my lap. ed to fall into my lap. EveryEvery time I got to a seeming dead end where everything stopped, it didn’t take more than a week of  time I got to a seeming dead end where everything stopped, it didn’t take more than a week of   puzzling and I stumbled across a

 puzzling and I stumbled across a new piece of information, and just the new piece of information, and just the right one at that. Then I right one at that. Then I waswas off obsessed wi

off obsessed with working in th working in tise new inftise new info. o. At one point At one point during my investduring my investigation of Ed igation of Ed and Coraland Coral Castle, I came across Walter Russell and

Castle, I came across Walter Russell and The Universal One.The Universal One. Accepting the fact that I may well

Accepting the fact that I may well be perceived as a stark, raving be perceived as a stark, raving lunatic, which I can livelunatic, which I can live with, let me try and retrace the ne

with, let me try and retrace the next steps that led me to a xt steps that led me to a table of the most amazing numbers. I table of the most amazing numbers. I havehave no doubt that these numbers are

no doubt that these numbers are very significant, though I am still puzzling over just how very significant, though I am still puzzling over just how and whatand what the significance is.

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Before I get deeper into these

Before I get deeper into these numbers, I must tell you that I believe that for numbers, I must tell you that I believe that for the mystery andthe mystery and the riddles of the Universe to be revealed and understood I must be able to understand them. By this the riddles of the Universe to be revealed and understood I must be able to understand them. By this statement I mean that every average pe

statement I mean that every average person must be able to intuitively grasp the workings of it,rson must be able to intuitively grasp the workings of it, without resorting to and understanding hundreds, or

without resorting to and understanding hundreds, or even a handful of long, even a handful of long, complicatedcomplicated

mathematical formulas. To justify this conviction let me re-tell a story about one of the few people I mathematical formulas. To justify this conviction let me re-tell a story about one of the few people I admire very much, Walter Russell*.

admire very much, Walter Russell*. 3

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Walter Russell Walter Russell

Walter Russell 

Walter Russell was born in Boston, MA in 1871 was born in Boston, MA in 1871 and died in 196and died in 1963. He was an artist,3. He was an artist,

sculptor, architect, musician, champion athlete and

sculptor, architect, musician, champion athlete and not least of all a polarizing figure in the not least of all a polarizing figure in the fields of fields of  chemistry, physics and cosmogeny He proposed that the universe was founded on the unifying

chemistry, physics and cosmogeny He proposed that the universe was founded on the unifying  principle of “rhythmic balanced interchange”. He wrote

 principle of “rhythmic balanced interchange”. He wrote several books, but since he wseveral books, but since he was not,as not, according to mainstream science, an

according to mainstream science, an official “scientist”, his works have been largely ignored.official “scientist”, his works have been largely ignored. Lately however, some of the more o

Lately however, some of the more open-minded and inquisitive scientists, such aspen-minded and inquisitive scientists, such as mathematician Marko Rodin and quantum

mathematician Marko Rodin and quantum physicist Nassim Haramein, have been influenced by andphysicist Nassim Haramein, have been influenced by and have built upon his work.

have built upon his work.

Walter Russell stopped attending regular school when he was only eight. But Walter did not Walter Russell stopped attending regular school when he was only eight. But Walter did not leave learning. By the time he was 13 he had attained the position as church organist. He studied art leave learning. By the time he was 13 he had attained the position as church organist. He studied art and became a successful portrait painter and sculptor. He worked as an art editor at Collier's

and became a successful portrait painter and sculptor. He worked as an art editor at Collier's Magazine. As an architect he

Magazine. As an architect he designed the Hotel des Artists, on West 67th St, in designed the Hotel des Artists, on West 67th St, in New York , and aNew York , and a Gothic studio across from the Museum of Natural History on 79th St, also

Gothic studio across from the Museum of Natural History on 79th St, also in New York.in New York.

As a sculptor, Walter created the Mark Twain monument, which features the author and his As a sculptor, Walter created the Mark Twain monument, which features the author and his famous characters. As a scientist, Walter Russell studied physics, and became a

famous characters. As a scientist, Walter Russell studied physics, and became a member of themember of the group, which included Viktor Schauberger Albert

group, which included Viktor Schauberger Albert Einstein and Nikola Tesla, who beliEinstein and Nikola Tesla, who believed thateved that acquisition of energy from what Einstein referred to as the

acquisition of energy from what Einstein referred to as the 'fabric of space' was possible.'fabric of space' was possible. Walter Russell gave the world new theories such

Walter Russell gave the world new theories such as the fundamental principles of energyas the fundamental principles of energy dynamics, the nature of matter and the

dynamics, the nature of matter and the progression of the evolution of matter. He also dprogression of the evolution of matter. He also d epicted theepicted the universe as a continuously changing, creating effort, sustained by the systematic work of the energy universe as a continuously changing, creating effort, sustained by the systematic work of the energy of light which all matter is composed of (here

of light which all matter is composed of (here are my wiggely lights). His depictions of universalare my wiggely lights). His depictions of universal laws were expansive enough to be considered a complete non-standard cosmology. Today his works laws were expansive enough to be considered a complete non-standard cosmology. Today his works are known as Russellian science.

are known as Russellian science.

Russell portrayed the principles of the unity of universal law in a

Russell portrayed the principles of the unity of universal law in a way that brought manyway that brought many highly considered theories into direct conflict. He faulted science

highly considered theories into direct conflict. He faulted science for blindly believing manyfor blindly believing many erroneous theories, never having checked

erroneous theories, never having checked their accuracy, or trying to remedy their incompleteness.their accuracy, or trying to remedy their incompleteness. Among these were some of the

Among these were some of the fundamental principles derived by Newton.fundamental principles derived by Newton. Walter Russell, also presented a new view of

Walter Russell, also presented a new view of the periodic table of elements that led the periodic table of elements that led him tohim to the prediction of the existence of p

the prediction of the existence of plutonium and several other elements, which wlutonium and several other elements, which were still unknownere still unknown to mankind at the time. Some, like plutonium, have since been found, exactly where and how he to mankind at the time. Some, like plutonium, have since been found, exactly where and how he described them. Other elements he predicted are

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mathematical placement in his charts make their eventual discovery likely. He also predicted the mathematical placement in his charts make their eventual discovery likely. He also predicted the creation of heavy water, which is required for the

creation of heavy water, which is required for the  process of releasing nuclear energy.

 process of releasing nuclear energy.

Russell’s periodic table has not however been

Russell’s periodic table has not however been adopted fully despite these discoveries, as itadopted fully despite these discoveries, as it indeed defies a great deal

indeed defies a great deal of current scientific thought, primarily the nature of the evolution oof current scientific thought, primarily the nature of the evolution o f f  matter and the unified wavelength principle on which his table is based.

matter and the unified wavelength principle on which his table is based. 4

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Walter Russell was very spiritual, and his attempt to fuse science and

Walter Russell was very spiritual, and his attempt to fuse science and God, though to in myGod, though to in my opinion very successful, this is another reason why scientists ignore his contributions. However, opinion very successful, this is another reason why scientists ignore his contributions. However, many prominent scientists of his day, including Einstein, did respect Russell’s contributions. Nikola many prominent scientists of his day, including Einstein, did respect Russell’s contributions. Nikola Tesla, advised Russell to hide his findings for a thousand years until humanity was ready for them. Tesla, advised Russell to hide his findings for a thousand years until humanity was ready for them. Books of Walter Russell can be found

Books of Walter Russell can be found at the University of Science and Philosophy and include:at the University of Science and Philosophy and include: * The Universal One

* The Universal One

* The Secret of Light, 3rd ed., 1994 * The Secret of Light, 3rd ed., 1994 * The Message of the Divine

* The Message of the Divine Iliad, vols. 1 & 2Iliad, vols. 1 & 2 * A New Concept of the Universe

* A New Concept of the Universe * The Electric Nature of the

* The Electric Nature of the UniverseUniverse

* The Secret of Working Knowingly with God * The Secret of Working Knowingly with God * The Self Multiplication

* The Self Multiplication PrinciplePrinciple * The Fifth Kingdom Man

* The Fifth Kingdom Man * The Immortality of Man * The Immortality of Man Further reading

Further reading

Clark, Glenn, The Man Who

Clark, Glenn, The Man Who Tapped the Secrets of the Universe, Tapped the Secrets of the Universe, Univ of Science & Philosophy,Univ of Science & Philosophy, 1989 ISBN 1-879605-07-4

1989 ISBN 1-879605-07-4

What connects Walter Russell to my numbers is his theory of the

What connects Walter Russell to my numbers is his theory of the two opposing vortices thattwo opposing vortices that emerge out of and return

emerge out of and return into the field of equilibrium and his arrangement ointo the field of equilibrium and his arrangement o f the periodic table, tof the periodic table, to which I will turn later. Walter’s most basic premise seems to be that there

which I will turn later. Walter’s most basic premise seems to be that there is only one law for is only one law for 

everything, and that trying to find a unifying theory of everything by leaving out 99% of everything everything, and that trying to find a unifying theory of everything by leaving out 99% of everything is the ultimate foolishness.

is the ultimate foolishness.

Walter says that, "The whole Universe is manifested through One

Walter says that, "The whole Universe is manifested through One Force divided intoForce divided into  pulsation so that it appears to be two

 pulsation so that it appears to be two opposing forces that continually cycle in rhythmic balancedopposing forces that continually cycle in rhythmic balanced interchange to seek out balance

interchange to seek out balance and unity, but this is never the and unity, but this is never the end result for if it were there wouldend result for if it were there would  be no motion, and no life, and no Universe."

 be no motion, and no life, and no Universe."

Russell also states that "Electricity and Gravitation are one and

Russell also states that "Electricity and Gravitation are one and the same force as arethe same force as are Magnetism and

Magnetism and Radiation, which Radiation, which make up the make up the opposing force. opposing force. Both Both are evident are evident in every in every effect of effect of  motion in which they move in o

motion in which they move in opposite directions against a resistance set up by each pposite directions against a resistance set up by each against theagainst the other.

other. This is how they This is how they create a 'plus' equilibricreate a 'plus' equilibrium condition of increasing pressure grum condition of increasing pressure gradient andadient and smaller volume. We have come to know

smaller volume. We have come to know this as 'matterthis as 'matter. . They also create a 'minusThey also create a 'minus' equilibrium' equilibrium condition of decreasing pressure gr

condition of decreasing pressure gradient and larger volume. adient and larger volume. This we know of as This we know of as the 'space'the 'space' surrounding matter.

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force being in the centripetal direction of closing harmonic spiral vortices. In these vortices all attributes are endothermic. The second force being the negative, expanding, degenerative, magneto-ratiative force being in the centrifugal direction of opening harmonic spiral vortices in which all attributes are exothermic."

This man then, Walter Russell, in 1930, challenged all of science that they basically had everything wrong. The “New York Times” severely chastised him, accusing him of blasphemy against science, saying how dare a non-scientist intrude into those hallowed halls. They called his claims absurd and severely misguided at best.

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Walter responded that he was sorry that scientists were unable to provide the answers. He said “I am sorry that an artist had to do it. Walter pointed out that Sir Oliver Lodge** said “that no scientist could make the supreme discovery of the thing for which science is looking and hoping, such a discovery would have to be the supreme inspiration of some poet, painter, philosopher or  saint.” He continued, “In other words, science sorely needs the imagination of an artist or poet to synthesize her heterogenous complexities and put he r on a path of simplicity and truth, for nature is very simple in her causes. She is complex only in her repeative effects!”

So this has become my self-appointed mission, to make the complex so simple that anyone can understand it, even I. I will try to be Walter Russell’s artist and poet. Will I fail miserably at it? Probably! But until someone else tries and succeeds, I will kee p working at it. Will some people take this as a challenge? I hope so! I think it is time that the wonders of the Universe are simplified so that everyone can marvel over them, not just a few high priests! My goal is, absolutely no math above algebra 1, and of course geometry, the sacred kind.

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Physical Science

Many years after I stumbled unwittingly unto this great puzzle and after many career  changes I became an ESL (English as a Second Language) educator at a local high school. Since I am fluent in Spanish, my job is to go into the different classrooms with the students that have recently arrived from Spanish speaking countries and have not yet had time to learn English. I translate most of the materials and lectures for them.

A little over two years ago, after one of my colleagues quit, I reluctantly volunteered to go into the Physical Science class. I had never been in the physical science class before and was  prepared to either struggle or be totally bored. I am still sure this would have been the case, except

for the teacher who was there that year. She was amazing. She made the class so lively and fascinating that even the 9th grade students loved going to her class. Thank you,

Elizabeth!

I began looking for some basic books to expand my knowledge of physics. I had not had any luck, most books that were basic enough for me were also too boring. Fate stepped in and I found myself one June day, killing time in a coffee shop on 39th Street, close to KU Medical Center. Across the street from there is the “White Light Bookstore”, a kind of –not too serious – new age  bookstore. I can’t pass up any bookstore, serious or otherwise. Of course, I went in.

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In that dimly lit, cramped establishment of rejected secrets I came across “The Field”, by Lynne McTaggart and bought it. It wasn’t on physics, but on Quantum Physics, Lynne’s book 

 promised to remedy my ignorance of the subject. Thank you, Lynne, the promise was delivered and then some. I not only understood what the book was about, but I became hooked on the subject and wanted more. One thing that McTaggart was amazing at in her book, is bringing in so many other  disciplines and showing how they impacted physics. This is what I had for so long believed and  been looking for. The Universe includes everything, so it must be explained with everything. You

can’t explain what something is by leaving out 99% of it! Walter had it right 7

Reiki Session

Shortly after I bought Lynne’s book, I went with my dau ghter in law to visit a friend of hers who does reiki sessions. We chatted a while, and I told her about Lynne McTaggart’s books. I had  by then also read ‘The Intention Experiment”. Sarah offered me a session free of charge and I

accepted, not expecting much of anything. It started out quite ordinary, though very soothingly relaxing.

The first hint of something unusual came when I felt an incredible warmth come from her  hands, even though she never touched any part of my body. The heat became even more intense when her hands rested above my neck and shoulders and she asked me if I had been having any  problems related to this part of my body.

Many years ago I was in an accident, and I have had much pain in my right neck, shoulder  and hip ever since. After about ten minutes she told me to lie on my stomach. As she worked her  magic on my back I closed my eyes and listened to the music playing in the background. Almost instantly, with shocking suddenness I found myself looking at a classroom full of students, maybe 6 or 7 years old. The vision was so real. It was in 3-d, full color and incredible detail. But the most shocking thing was that right in the front row was a young girl I knew.

Even though I knew that girl, I’m not totally sure who it was. Either It was my sister in law who had died 3 years earlier or it was I myself at about the age of ten. Anyway the girl was trying to tell me something, but I could not hear her. She did motion me as if to say come on. I was

shocked and determined to go follow up on the reiki sessions. Sadly with all that I have become involved in since, I have neglected this.

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David Serreda and the Harmonic Codes

However, shortly after the reiki experience I came across a video series by David Serreda on the Harmonic Codes. What he had to say was fascinating. His lectures were really easy to

understand, even for someone who had no background in physics and they made me want to know more. One thing that struck me as interesting was that he talked about complementary pairs of  tones.

I recorded the lectures and burned them on CDs. As I listened to them on my 45 minute drive to work every morning and again going home. I suddenly and out of nowhere understood that the girl in my vision had been trying to tell me to follow up on whatever I had begun in the physical science class. I went to Google and Yahoo and did a search on Harmonic Codes. What I got were

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the 6 numbers of the Solfeggio Tones. I had never heard of these tones, but as of this writing I have a couple hundred recordings and hundreds of pages of notes on them.

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A Short History of the Solfeggio Tones

The first time I came across the Solfeggios I got the following six numbers: UT – 396 Hz RE – 417 Hz MI – 528 Hz FA – 639 Hz Sol – 741 Hz LA – 852 Hz

The numbers are the Hertz frequency values; the letters are letters of the musical scale. Note that there are only six of them. This is the solfeggio scale; the famous Gregorian Chants are supposedly  based on this scale. This scale is very well adapted to vocal vibrations. The names of the notes are

taken from the now lost, or rather hidden, “Hymn to St. John the Baptist”, and stand for: UT Queant Laxis” That your servants' voices

RE-sonare fibris may resound with MI-ra gestorum your great miracles FA-muli tuorum the stains

SOL-ve poluti cleanse from LA-bi ireatum our polluted lips Sancte Ioannnes

My knowledge of Latin is just what I picked up here and there, so this may not be 100% accurate. The “Hymn to St John the Baptist”, hidden by the Vatican, most interesting! John the Baptist, is one of several figures I’ll just hint at in passing here. Each one of these subjects is  probably worth a whole book to itself. I’ll just mention that, there is a mystery and controversy

connected to John the Baptist. It is something the Catholic church does n ot want to discuss. It is also connected to Freemasonry, Gnostic Gospels and many other things. Here are some links if you are interested:

http://www.elija.de/dossiers_engl/main_dossiers.htm Godlike Productions Banner 

Users Online Now: 2,801 (Who's On?) Visitors Today: 1,168,680 Pageviews Today: 1,710,588 Threads Today: 797Posts Today: 13,064 02:59 PM

This site has some interesting things to say about John the Baptist and Jesus, here are some examples:

Unlike Jesus, we do have testimony outside the Bible that John the Baptist existed. John is talked about by the first century historian Josephus. Incredibly the Bible Jesus himself says that John is the true Son of God. This contradicts the Christian lie that Jesus is the Son of  God and the Messiah. This is the evidence that John was the Messiah not Jesus who was a fake having leapt on to John’s bandwagon. Anybody who was baptised by John the Baptist

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 became John’s disciple. Jesus was baptised by John in the Jordan. So by accepting baptism, Jesus was declaring to John that he was learning from him and not vice versa.

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http://www.godlikeproductions.com/forum1/message1098699/pg1 http://www.encyclomedia.com/john_the_baptist.html

These are things I have read, studied and puzzled about over the years, and I mention them now only to give an idea why I became so intrigued by these numbers. They touched almost every deep universal mystery across beliefs and cultures. When I began listening to the Solfeggio

harmonics on “YouTube”, I found that each one of them corresponds to a Sacred Chakra color. Each one of the tones also is said to have specific healing properties. For instance, MI - the 528 frequency, is supposedly used by geneticists in order to repair damaged DNA. I found all of this information and wrote it down. However, it was not until much later that I found other and even more amazing connections between these subjects and the Solfeggios. For instance I found that the church, supposedly and intentionally, hid additional lost Solfeggio tones.

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My Solfeggios

As I was writing the information in a notebook, something odd struck me about the

numbers. I noticed that there were 3 sets of two numbers that used the same digits, so I wrote the numbers in a different order:

396 – 639 417 – 741 528 – 852

Staring, at the numbers I noticed two additional things. One of those things unfortunately seemed to negate the other. The first pattern was that from 417 to 852 the difference between any two

consecutive numbers is 111. However the 396 did not fit into that theory. I kept staring at the numbers or several days and eventually something else hit me. These numbers are in pairs and so the harmonic pairs David Serreda, had been talking about came immediately to my mind.

But again, as soon as I recognized this pattern I also saw that the number sets were not complete. It seemed obvious that some numbers were missing. I had 6 numbers, but there should actually be 9 numbers. Each set was missing a third number and should be:

396 – 639 – 963 or  174 - 417 – 741 417 – 741 – 174 285 – 528 - 852 528 – 852 – 285 396 – 639 - 963

not harmonic pairs, harmonic triplets. I was ready to forget about Mr. Serreda.

The moment I was going to forget David’s harmonic pairs, because there were none, I realized that there were harmonic pairs. The Solfeggios were not a set of 9 numbers, but a set of 18 numbers, like this:

147 – 174 258 – 285 369 – 396 417 – 471 528 – 582 639 – 693

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714 – 741 825 – 852 936 – 963 3 sets of 6 or 6 sets of 3 or 9 sets of 2 or 9 pairs!

Encouraged by this small triumph, I began looking again at the numbers and again I noticed almost immediately, that put in a certain order, I had two sets of 9 numbers that increased by 111 from one to the next, like this:

147 – 174 258 – 285 369 – 396 417 – 471 528 – 582 639 – 693 714 – 741 825 – 852 936 – 963 12

There were two exceptions, between 369 and 471 and between 639 and 741. So once again I re-arranged:

147 – 258 – 369 – 471

aha!!! Eureka!!! I rememberedthe Pythagorean Skein (Base 9 ignoring 0), Kabbalah – 

Numerology, Hebrew and Greek Language, no 0! 369 + 111 = the 3 becomes 4, the 6 becomes 7 and the 9 becomes 10, but since 0 is not used it becomes 1 = 471. Thus it

works out this way:

147 – 258 – 369 –  471 – 582 – 693 –  714 – 825 – 936 – 

One set of the Solfeggio Tones.

For the second set I started again with the lowest number” 174 – 285 – 396 – 

417 – 528 – 639 –  741 – 852 – 963 – 

The 2nd set of the Solfeggio Tones.

By now, do you notice what I noticed? In the 1st set the next number in the

sequence that begins with 147 and goes on to 936, will again return to 147, the last number returns you to the 1st number, Infinity!This is also true for the 2nd set of numbers, 963 will give 174 as the next number in sequence using the Pythagorean skein.

This was too much of a coincidence, so I decided I now had the sequence right. I looked at the numbers to see what else was hidden in them, but for a couple of weeks I got absolutely nowhere. Then it hit me, base 9, Nikola Tesla, the 3, 6 and 9! I thought I had the 9; so where were the 3 and the 6?

I saw several numbers with the digits of 3,6,9, and then I realized that these numbers are all divisible by (or multiples of ) 3. I checked all the other numbers and some can be divided by 6 and 9, but all can be divided by 3. Aha!

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I was elated, because I had a good puzzle on my hands, but I had no idea what to do with the puzzle. I put the numbers for each set of the Solfeggios in order. I had already noticed the fact that between each number in the set was a difference of 111, so the most logical next move was to figure out the difference between the numbers in order. This is what I got: 174 285 396 471 582 693 741 852 963 147 258 369 417 528 639 714 825 936 27 27 27 54 54 54 27 27 27 84 84 21 57 57 21 84 84 174 - 147 = 27 258 – 174 = 84 285 – 258 = 27 369 – 285 = 84 396 – 369 = 27 417 – 396 = 21 471 – 417 = 54 528 – 471 = 57 582 – 528 = 54 639 – 582 = 57 693 – 639 = 54 714 – 693 = 21 741 – 714 = 27 825 – 741 = 84 852 – 825 = 27 936 – 852 = 84 963 – 936 = 27

I’m not sure what meaning this has. The only thing I have been able to come up with so far is that the sum of 27+84=111. So we have 111 twice on each side of the center  54. The real numeric difference for the 21 is 111, which gives us that number 3 times on each side. Now the remaining numbers 27+57+54+57+27= 222 – 111 on each side for a total of 8 times 111. I may be way off on this, but it seems there is some connection. But what did suddenly strike me was, that the original 6 numbers I had were after all Hz

vibrations for our musical scales, and that David Serreda, had talked about harmonic pairs. There certainly seems to be a certain harmony in the arrangement if of these notes.

I started searching on “Ggoogle” again, this time for base 9 and other number  systems that do not use 0. I came across the amazing Marko Rodin and his torus-shaped universe. While I was watching his videos, I noticed that one of the images that I had of  the Solfeggio Tones, had them arranged around a circle. This arrangement perfectly

These frequencies do seem

to have a harmonic wave to

them, increasing and

decreasing in a very

harmonic attern.

As above, so Below! Walter Russell’s opposing vortices

 Note: the difference of 21 is reall a difference of 111.

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matched the angles of the windings of Marko’s torus coil. It also so happened that they matched the angle of the Freemason’s compass. But much more, I could hardly keep up with the connections at this point.

To begin with, notice that Marko Rodin’s manner of winding his wire is just an infinity symbol with squared edges instead of rounded ones. But more so, notice the numbers and how they match. The Gold numbers are Marko’s. Notice the center  number of the Solfeggio Tones matches Marko’s number.

When it gets to a double digit numbers, i.e. 16 and 32, notice that 1+6 = 7 which is the middle digit of the Solfeggio 174, 3+2 = 5, which is the middle digit of  the Solfeggio 852. I followed this pattern, going around the circle a couple of times, and it continues to work out the same way with all of the numbers.

Now take the other 9 numbers and put them in the same positions. Next based on the center number draw the 1,2,4,8,16, etc. connections of Rodin and the 3,6,9 angle. Superimpose the two and see what you

have.

This is also works with the other set of 9 Solfeggio numbers. If we keep in mind, that Marko Rodin’s torus coil is not a 2 dinensional figure, but a 3 dimensional figure, then it must have another  side to it. Fig. 2 shows the backside of the torus coil. It works the same way, but the infinity loop now starts at the 4 position instead of the 1. This was way too much of a pattern for me to believe in coincidence. But I have not even started yet with the patterns. Notice, the red/black open triangle is the same as the angle of the Freemasons’

compass.

Does the second figure remind you of something? Like the facets on a diamond (crystal). Formation or manifestation of matter by sound! I now started looking into

Cymatics. I recommend starting with Dr. Hans Jenny. I will not go into it here; I am still too much of a novice to try and explain it to someone else. But would it work with 3 circles also? As you can see with the line-up below, it does not work. When it gets to the 528, it will not automatically return to the next number, which is 693.

I’m getting these images tattooed on my arms! 

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The next thing I did, was look at the numbers themselves. All of them resulted in either 3, 6 or 9 when I reduced them all the way down to their single digits. Tesla’s 3,6 and 9 again. Back to surfing the www. Unfortunately at this time I had two computers, and the one I found the next, and perhaps the most important site, died shortly afterwards and I can not go back to it. What I found was incredible, but there was not a lot of 

documentation either. It looked like someone had started and then given up and left the barely begun project out in the www ether (a prophetic term I think).

Anyway, during one of the searches I came across a site where I found a 9x8 (9 rows, 8 columns) table. Most of the boxes were empty, but a handfull were filled in. Three of the numbers given happened to be my Solfeggios. The center column had a number in the 1st and the 6th row, 111 and 666 respectively. It seemed obvious where to start. I filled

in all of the numbers in the center column. And yes, I did notice the 666!

111 123 135 159 222 333 174 444 285 555 396 666 777 888 999

The red numbers are the ones that were filled in when I found the table.

Step two was easy also, I filled in the rest of my Solfeggios in the way that seemed most logical, the ones from the 2nd set of the Solfeggios. Conveniently there were 9

numbers - perfect since there were 9 slots. At that point I was stuck for a moment. Then the brainstorm came. I noticed that the 111, 123 and 135 made a pattern. Take 111 and 123: the first digit stays the same, the second digit increases by 1 and the last digit

increases by 2. This same pattern holds true going from 123 to 135. There is an

arithmethic pattern also, it turns out that each cell increases by 12 over the previous one. but I noticed the other pattern first, because it is an obvious visual pattern, 111 123, etc.

741 111 123 135 159 852 222 963 333 174 444 285 555 396 666 417 777 528 888 639 999

The next number was missing, but assuming that I had found the pattern it should be 147. To check if I was right, all I had to do now is compare the 147 and the next

number, which was given, 159. Eureka, it worked! From here it was easy to fill in the rest of the numbers on the right side of the center column.

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741 111 123 135 147  159 852  222 234 246 258  261 963 333 345 357 369 372 174 444 456 468 471 483 285  555 567 579 582  594 396  666 678 681 693 615 417  777 789 792 714 726 528  888 891 813 825  837 639 999 912 924 936  948

But now I was faced with the other side! I tried to work it backwards, no go. The problem here was that I had a specific set of numbers I had to match the others to. So I studied the completed side some more. It didn’t take me long to notice the 3rd column,

they were some more of my Solfeggios. Looking at the left side of the table I noticed that the original Solfeggios were in the 3rdcolumn from the center. So the rest must go into the

3rdcolumn from the center on the left side also. Now I had 18 Solfeggios .

An OMG moment! Looking at the Solfeggios I now had on both sides it jumped at me. “As Above, So Below”**. MIRROR IMAGE! Notice the Solfeggio columns the one

closest to the center on the right is 147, 258 etc. the one closest to the center on the left is 741, 852 etc. MIRROR IMAGE! From that it was easy to fill in the other numbers as well. The left side was a mirror image of the right side.

951 741 531 321 111 123 135 147 159 162 852 642 432 222 234 246 258 261 273 963 753 543 333 345 357 369 372 384 174 864 654 444 456 468 471 483 495 285 975 765 555 567 579 582 594 516 396 186 876 666 678 681 693 615 627 417 297 987 777 789 792 714 726 738 528 318 198 888 891 813 825 837 849 639 429 219 999 912 924 936 948

One evening, sitting in front of my computer with a bottle of wine, I got out the

numbers and stared at them again. I thought, why not see where the sequence takes me. I continued on the right side and was stunned when I ended with the table looking like this.

111 123 135 147 159 162 174 186 198 111 222 234 246 258 261 273 285  297 219 222 333 345 357 369 372 384 396  318 321 333 444 456 468 471 483 495 417  429 432 444 555 567 579 582 594 516 528  531 543 555 666 678 681 693 615 627 639 642 654 666 777 789 792 714 726 738 741 753 765 777 888 891 813 825 837 849 852  864 876 888 999 912 924 936 948 951 963 975 987 999

The sequence returns to the beginning number.

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Of course I immediately finished the other side of the table. There were no

surprises this time, as I got exactly what I suspected. The sequence on the left side of the center 111 column too, returned to its beginning, the 111 column (I left them off here, for  lack of space). 891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 912 792 582 372 162 852 642 432 222 234 246 258 261 273 285  297 219 123 813 693 483 273 963 753 543 333 345 357 369 372 384 396  318 321 234 924 714 594 384 174 864 654 444 456 468 471 483 495 417  429 432 345 135 825 615 495 285 975 765 555 567 579 582 594 516 528  531 543 456 246 936 726 516 396 186 876 666 678 681 693 615 627 639 642 654 567 357 147 837 627 417 297 987 777 789 792 714 726 738 741 753 765 678 468 258 948 738 528 318 198 888 891 813 825 837 849 852  864 876 789 579 369 159 849 639 429 219 999 912 924 936 948 951 963 975 987

Let’s look at the completed table, maybe there are other oddities hidden in the numbers.

MIRROR IMAGE;

Row Right Side Left Side

All All numbers = 3, 6 or 9 when the digits of that number are added together 

All numbers = 3, 6 or 9 when the digits of that number are added together  1 All numbers start with 1 All numbers end with 1

2 Center digits range in order from 1 to 9

Center digits range in order from 1 to 9 3 Last digits increase by 2 starting with

odd number ending with even, would return to first odd number in next step

First digits increase by 2 starting with even number ending with odd, would return to first odd number in next step Column

All To be a Solfeggio frequency the digits of the number must give the single digit 3,6,or 9

To be a Solfeggio frequency the digits of the number must give the single digit 3,6,or 9

Center 111, 222, 333, 444, 555, 666, 777, 888, 999

111, 222, 333, 444, 555, 666, 777, 888, 999

1 From top to bottom all digits 1-9 present in each position in the following order:

first digit in order from1,2,3, etc. 1-9 second digit in order 2,3,4, etc. 2-1 third digit in order 3,4,5, etc.3-2 etc.

From top to bottom all digits 1-9

present in each position in the following order:

third digit in order from1,2,3, etc. 1-9 second digit in order 2,3,4, etc. 2-1 first digit in order 3,4,5, etc.3-2 etc. 2 Now we go to the 2nd column to

the right of the center and we keep up the same pattern. The first series is 1-9. The second series now starts with 3 and ends with 2 and then the 3rd

series starts with 5 and ends with 4. On this side of the center column all columns start with the 1-9 sequence.

Notice that on the other side of the center column the pattern is the same, all sequences go through all the digits in order, depending on which one they start with

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Once I was done with verifying that all the columns followed this pattern I noticed the most awesome thing of the whole table. At least I thought so at the time. As I just pointed out, to the right of the center column, looking at the last number in the row, the next number in this sequence would be 111 again, in the 2 nd row it would be 222 again,

and in the third 333, etc. Weird! But iIt gets weirder! To the left of the center column, after  891 the next number would also give you 111, 222, etc. again. In each row, on either side the end leads you to the beginning! It doesn’t matter what column you start with, you

always will end up in the same place again.

But there is just one more step of weirdness! When you apply the same scheme to each column the result is the same. The last number in each column will bring you to the first number again if you follow the sequence. What we have is a pattern of infinity,

because in either direction each end simply starts over again, and again… . 891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 912 792 582 372 162 852 642 432 222 234 246 258 261 273 285  297 219 123 813 693 483 273 963 753 543 333 345 357 369 372 384 396  318 321 234 924 714 594 384 174 864 654 444 456 468 471 483 495 417  429 432 345 135 825 615 495 285 975 765 555 567 579 582 594 516 528  531 543 456 246 936 726 516 396 186 876 666 678 681 693 615 627 639 642 654 567 357 147 837 627 417 297 987 777 789 792 714 726 738 741 753 765 678 468 258 948 738 528 318 198 888 891 813 825 837 849 852  864 876 789 579 369 159 849 639 429 219 999 912 924 936 948 951 963 975 987 891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198  

Now I’m not a religious person, actually I try to keep religion out of my life and as far  away from me as possible. However, didn’t the Bible say God has no beginning and no end, a concept most of us struggle with. I can suddenly see how this is possible, and I’m beginning to think that the Bible may well be a book written in a code that no one has yet discovered. In the book of John it also says that “in the beginning was the word”, now what is a word? It is sound! And what is sound? It is vibration! And what are these

numbers, they are harmonic vibrations. And what does vibration do? It manifests matter!  Are you with me here? 

Before I go on, let me tie these numbers to Marco Rodin. Marco Rodin is an amazing mathematician who uses a number system closely based on the Pythagorean skein. For more information, which I highly recommend, go to YouTube and look for  Marco Rodin, Torus Math, Torus Coil or Rodin Coil. Marco demonstrates (by using a mindboggling, ingeniously simple mathematical system) how the universe is a torus (a donut or inner tube shape). So how does my table connect with all of this?

Put the table on a sheet of paper. Roll the paper up so that the top row connects to the bottom row, and you will have a tube. Connect the ends of the tube to one another  you get A TORUS!  You can keep adding tables both vertically and horizontally and you will always keep that torus shape, just like in a globe. Actually if you look at our terrestrial globe and picture the North and South Poles as the Axis Mundi, going right through the center of the ball and meeting in the middle at the core, you have a torus! Actually, if you

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look at an apple and picture the core going through the whole fruit, you have a torus. Just  what was it that dawned on Eve when she bit into the Apple??? 

No, I’m not done with patterns yet, but let’s just review here for a moment: 1. the difference between the numbers in the rows is 111 for all rows

and in each column.

2. all of the numbers are divisible by 3 (multiples of 3). 3. All numbers will reduce to the single digits of 3, 6 or 9. 4. No 0 is used.

5. No number has 2 or more identical digits, excep the center and end columns. 6. The last numbers in both the rows and in the columns connect back

to the first number again.

7. the numers on the left side are mirror images of the numbers on the right side.

8. Every column cycles through the digits 1-9 three times in varying orders, but always in sequence

9. The center and end column has the number 666

10.Columns 3 and 6 on either side of center hold a copy of the Solfeggios

11.The Vatican would like to keep some secret connected to the Solfeggios secret. 12.The difference between the Solfeggios have a very rhythmic, harmonic pattern 13.The Solfeggios are Hz frequencies

14.Frequencies are sound 15.Sound is vibration

16.Vibration manifests matter 

17.The Bible says everything came into existence through the Word (sound/vibration)0

Now to some additional oddities:

+780 +570 +360 +150 +840 +630 +420 +210 +12 +24 + 36 +48 +60 +72 +84 +96 891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 111 210 222 12 222 360 333 72 333 420 444 24 444 570 555 84 555 630 666 36 666 780 777 96 777 840 888 48 888 999 999

Notice how harmoniously the numbers increase. The columns on either side of the center column =:

1st R +12, L +210 = 222

2nd R +24, L +420 = 444

3rdR +36, L +630 = 666

4th R +48, L +840 = 888

These are the even numbers and it is pretty easy to see how this works. With the uneven numbers 111, 333,555,777 and 999, it is trickier. Let’s take the hardest one:

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5th R + 60, L +150 =210 since we don’t use 0, we have 2+1 = 3 or 111

6th R +360, L +72 = 432 = 4+3=7+2=9 = 333

7th R +570, L +84 = 654 = 6+5=11+4=15=555

8th R +780, L +96 = 876 = 8+7=15+6=21=777

I am still puzzling over the 999, though I am sure it is in there somewhere.

Let’s look some more. We have looked at the relationship between each column and the next one, but now lets look at the relationship between the columns on either side of the center one.

1. 111 + 111 = 222

2.

321 + 123 = 444

3.

531 + 135 = 666 4. 741 + 147 = 888 5. 951 + 159 = 1110 =111 6. 261 + 162 = 423 = 4-1=3 2+1=3 3=3 =333 7. 471 + 174 = 645 = 6-1=5 4+1=5 5=5 =555 8. 681 + 186 = 876 = 8-1=7 6+1=7=7 7=777 9. 891 + 198 = 1089 = 10-1=9 8+1=9 9=9 = 999

But let’s just look at the numbers in the second row of each set of columns. 1. 222 + 222 = 444 2. 432 + 234 = 666 3. 642 + 246 = 888 4. 852 + 258 = 1110 = 111 5. 162 + 261 = 324 = 4-1=3 2+1=3 3=3 = 333 6. 372 + 273 = 645 =555 7. 582 + 285 = 867 =777 8. 792 + 297 = 1089 = 999 9. 912 + 129 = 1041 =333

This pattern works all the way across the table. Also notice that it does not matter in this table where you start, you will always return to the same position. Once you know the most basic pattern, you can give someone any one of these numbers, just one, and that person will be able to construct the whole table in as long as it will take to write the

numbers. Once you have one number, you have them all.

891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 111 912 792 582 372 162 852 642 432 222 234 246 258 261 273 285  297 219 222 123 813 693 483 273 963 753 543 333 345 357 369 372 384 396  318 321 333 234 924 714 594 384 174 864 654 444 456 468 471 483 495 417  429 432 444 345 135 825 615 495 285 975 765 555 567 579 582 594 516 528  531 543 555 456 246 936 726 516 396 186 876 666 678 681 693 615 627 639 642 654 666 567 357 147 837 627 417 297 987 777 789 792 714 726 738 741 753 765 777 678 468 258 948 738 528 318 198 888 891 813 825 837 849 852  864 876 888 789 579 369 159 849 639 429 219 999 912 924 936 948 951 963 975 987 999

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Remember 555 + 555 = 1110 = 111, 666 + 666 = 1332 = 33(1+2)3, etc. 891 111 198 111 222 222 333 333 444 444 555 555 666 666 777 777 888 888 108 9 999 108 9 11x 99 999 891 111 198 111 792 222 297 222 693 333 396 333 594 444 495 444 495 555 594 555 396 666 693 666 297 777 792 777 198 888 891 888 108 9 999 108 9 999 681 111 186 111 222 222 333 333 444 444 555 555 666 666 867 777 867 777 888 888 999 999 681 111 186 111 582 222 285 222 483 333 384 333 384 444 483 444 285 555 582 555 186 666 681 666 987 777 789 777 888 888 999 999

If you add the two mirror image numbers on the diagonal they will always add to the same number. 471 111 174 111 222 222 333 333 444 444 645 555 645 555 666 666 777 777

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888 888 999 999 471 111 174 111 372 222 273 222 273 333 372 333 174 444 471 444 975 555 579 555 876 666 678 666 777 777 888 888 999 999 261 111 162 111 222 222 423 333 423 333 444 444 555 555 666 666 777 777 888 888 999 999 261 111 162 111 162 222 261 222 963 333 369 333 864 444 468 444 765 555 567 555 666 666 777 777 888 888 999 999 951 111 0 111 111 0 159 111 222 222 333 333 444 444 555 555 666 666 777 777 888 888 999 999 951 111 159 111 852 222 258 222 753 333 357 333 654 444 456 444 555 555 666 666 777 777 888 888 999 999

Notice the pattern on he diagonal: on the right side of the center column – starting with the number in the first row – the succeeding number adds 1 to the first digit and subtracts one from the second digit, the center digit stays the same. On the left side the first digit

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increases by one, the last digit decreases by one, the center digit stays the same. This will always return to the center column to the same triplet number as the sum of the three

individual digits. Ex. 753 – the next number on the diagonal is 654 – 7+5=12+3=15 15 divided by 3 (3 digits) = 5 = 555. Now take 654 or 456 applying the above diagonal pattern both numbers will give 555 as the next sequence. And true to the pattern, the next and center number is 555 . This works for all diagonals, and it works whether you divide by 3 or  7-2=5 3+2=5 and 5 =5 (753) = 555. 741 111 147 111 222 222 333 333 444 444 555 555 666 666 777 777 888 888 888 888 999 999 741 111 147 111 642 222 246 222 543 333 345 333 444 444 555 555 666 666 777 777 888 888 999 999 531 111 135 111 222 222 333 333 444 444 555 555 666 666 777 777 888 888 999 999 531 111 135 111 432 222 234 222 333 333 444 444 555 555 666 666 777 777 888 888 999 999 321 111 123 111 222 222 333 333 444 444 555 555 666 666 777 777 888 888 999 999

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111 111 912 222 219 222 813 333 318 333 714 444 417 444 615 555 516 555 516 666 615 666 417 777 714 777 318 888 813 888 219 999 912 999 111 111 222 222 123 333 321 333 444 444 444 444 555 555 666 666 777 777 888 888 999 999 111 111 222 222 123 333 321 333 924 444 429 444 825 555 528 555 762 666 627 666 627 777 726 777 528 888 825 888 429 999 924 999

Notice that when marking the numbers across the rows (horizontally) the pattern moves towards the center. Now, marking the numbers down the columns (vertically), they move faway from the center.

111 111 222 222 333 333 234 444 432 444 135 555 531 555 936 666 639 666 837 777 738 777 738 888 837 888 639 999 936 999

Notice: the next number in sequence after 936/639 would be 135/531. Where are

135/531? It is in the next column in at the top. The next sequence on the diagonal would then be 234/432, and -VOILA - so it is.

531 111 135 111

432 222 234 222

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234 444 432 444 135 555 531 555 936 666 639 666 837 777 738 777 738 888 837 888 639 999 936 999

Truly Harmonic Pairs! 

There are more patterns. The next pattern became clear when I looked at the difference between the matching columns. The difference between each set of mirror  image columns is a multiple of 99 from 1x to 10x, working out to 2,4,6, and 8 x 99 in the innermost sets and 1,3,5 and 7 x 99 in the outer 4 sets. The outermost set = 10 x 99 if the true sequence numbers are used.

111 x 9 = 999 222 x 9 = 1998 = 1+8=9 99 333 x 9 = 2997 = 999 444 x 9 = 3996 555 x 9 = 4995 666 x 9 = 5994 777 x 9 = 6993 888 x 9 = 7992 999 x 9 = 8991

I am a long way from being done with finding patterns. If you add the mirror image columns in the following manner you will also get:

198+891=999 186+681=777 174+471=555 162+261=333 159+951=1110=111 147=741=888 135+531=666 123+321=444 111+111=222

Notice that these numbers also make MIRROR IMAGE pairs! 1998 8991 222 999

2997 7992 333 888 3996 6993 444 777 4995 5994 555 666 Notice something else? 2 + 9 = 11

3 + 8 = 11 4 + 7 = 11 5 + 6 = 11

Notice something else? 222 + 999 = 1221 = 222

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333 + 888 = 1221 = 222 444 + 777 = 1221 = 222 555 + 666 = 1221 = 222

There is always just one more pattern to be found. Notice that all triple numbers can be evenly divided by 37, starting with 3X37, 6X37, 9X37 aha, Mr. Tesla again.

We are not done. Notice that each column adds up to the same total, 4995. And notice too that – SURPRISE - 4995/9=555, the center number of the table .

891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 912 792 582 372 162 852 642 432 222 234 246 258 261 273 285  297 219 123 813 693 483 273 963 753 543 333 345 357 369 372 384 396  318 321 234 924 714 594 384 174 864 654 444 456 468 471 483 495 417  429 432 345 135 825 615 495 285 975 765 555 567 579 582 594 516 528  531 543 456 246 936 726 516 396 186 876 666 678 681 693 615 627 639 642 654 567 357 147 837 627 417 297 987 777 789 792 714 726 738 741 753 765 678 468 258 948 738 528 318 198 888 891 813 825 837 849 852  864 876 789 579 369 159 849 639 429 219 999 912 924 936 948 951 963 975 987 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995 4995

At this point I came across Walter Russell, whom I introduced at the beginning and I began to believe in a higher hand messing with my life, or at least my mind. I can’t

remember which number I typed into the www, or if it was GOOGL or YAHOO, but typing in each one of the center numbers 111, 222, etc. the problem was that when I was

working on these numbers at that time, I would just type in the first word, and then click on the first interesting thing that came up and then on the next one. When I finally found

something I was 35 links away from where I started . But anyway on one of them, Walter 

popped up.

Since the very first time I ever looked at the periodic table I have had the feeling, no the deep belief, that the order in which we have the elements listed is very awkward and does not make sense. I can’t explain why, but all the gaps in the arrangement have never  seemed logical to me.

Among the many things Walter did so amazingly well, is drawing incredible

diagrams and schematics. Here is one of them, it is his Octave Table of the Elements. It looks like he based the order on how stable the elements are, and perhaps on hardness, which means spin, which means vibration. What struck me, is that if you straighten this horseshoe shape, it looks pretty much like my table.

Besides re-arranging the periodic table, Walter Russell also proposed that there are not 3 or 4 dimensions, but 18 of them, he listed them in his book “ The universal One”These are Walter’s Diminsions;

* The first Dimension is "Length". * The second Dimension is "Breadth". * The third Dimension is "thickness". * The fourth Dimension is "Time". * The Fifth, "sex"

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* The sixth, "pressures" * The seventh, "potentials" * The eighth, "temperature" * The ninth, "ionization" * The tenth, "crystallization" * The eleventh, "valence" * The twelfth, "axial rotation"

* The thirteenth, "orbital revolution" * The fourteenth, "mass"

* The fifteenth, "color" * The sixteenth, "plane" * The seventeenth, "tone" * The eighteenth, "elliptic" I

I immediately thought, 18, that too matches my table, especially if you add another 111 column at the end. Notice that there are also 18 periods in the periodic table; that does not change by re-ordering it. I am working on these angles also, but have not gotten very far, because I keep finding odd connections to the table itself.

Next I looked at each individual number. I started with the first row. I looked to see if I could find that same number repeated anywhere. Sure enough, I found every number  in the first row repeated. The first oddity I noticed was the fact that each number was indeed repeated, but it was repeated on the opposite side of the 111 center column. I began marking the position of each number and ended up with the most amazing pattern. Following is a printout of the pattern. The small one at the top is of one individual table, the larger one is what emerges as I strung several tables together, both vertically and horizontally. Looking at the pattern horizontally it looks like a Navajo Indian blanket, looking at it sideways I see a harmonic sine wave.

All of the above makes a weaving pattern, which gives the term “Fabric of the

Universe” a literal meaning! Now look at the pattern and imagine a slight twist to it. Does it remind you of something else? How about the Double Helix – DNA – The Building Blocks of life itself! I will shortly show more evidence of this connection.

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This is what Walter Russell Was talking About when he Wrote “The Universal One”

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Now unbend the chart, so that instead of a horseshoe shape you have a table. Keep in mind that at Russell’s time not all elements we have today had been discovered. Also don’t forget that Russell predicted and included a large number of elements that even today have not yet been found.(see the chart here for Russell’s elements). I now predict that we will eventually have a periodic table with 144 (2(8x9 )) elements plus 2 times 9 the same substance between the two sides. Perhaps that substance will be Russell’s inert gases. You can see on the chart here the fat dots along the center column (there are 9 of  them) are his inert gases. Anyway I am convinced we will end up with a total of 162

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Professor Willi Apel, wrote “ the origin of what is now called Solfeggio…arose from a Medieval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher than the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be  peculiarly adapted for vocal use. Hence “Ut” was artificially replaced with “Do.” 

(Something to consider – there is a controversy surrounding Jesus and John the Baptist, something the Catholic Church is trying to hide at all costs, but hints and rumors of it are found throughout the non-traditional texts of the Gospels) In the 11thcentury Guido of 

Arezzo first adopted this scale. Six hundred years later a French musician, le Marie , added a seventh note, “Si”.

,The knowledge that sound and vibration are the cause of the manifesting of all matter was probably known to our earliest ancestors, but like so much other information was lost and/or hidden through the centuries. Then just a century after le Marie, added the additional note that knowledge re-emerged. The modern knowledge of this began with Ernst Chladni, a German scientist. In 1787 he wrote “Discoveries Concerning the Theory of Music”, a book about his research with sound.

Chladni documented his method of making sound waves (look into the fact that sound is not a wave, but a sphere) produce structures. If you draw a violin bow across a plate that has a thin layer of sand in it, the vibrations of the bow produce distinct pattern in the sand (YouTube again, look for Cymatics). We call these patterns Chladni figures now.

Nathaniel Bowditch, in 1815, determined that the appearance of these figures wa because of the frequency oscillations, which were in certain ratios to one another, ex.1:1, 1:2, 1:3, etc. A more recent researcher into the characteristics of sound is Dr. Hans Jenny. Jenny even discovered that when he took a plate with a layer of sand, put it on an

oscillator and spoke the letters of such ancient alphabets as Hebrew and Sanskrit, the sand actually formed these letters.

Another modern scientist, Dr. Candice Pert, PhD, said “ Energy and vibration go all  the way to the molecular level. We have 70 different receptors on the molecules and  when vibration and frequency reaches that far they begin to vibrate.

That sound has an effect on the human body is another example of knowledge that the ancient people possessed and we today did not discover this, but re-discovered it. All ancient religions and philosophies used sound to enter into spiritual connection with their  sacred figures. They also used sound in healing. To find out more about this subject read the works of Drs. Barber, Horowitz and Puleo.

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Take another look at my table and now imagine 6 notes (the solfeggios instead of 8) mark the notes above the columns. I noticed a couple of things;

1. The note DO uses the columns that contain the major Solfeggio tones and the triplet column

2. The note FA also uses the major Solfeggio columns and the center triplet column.

3. Not knowing much about musical scales and intervals, I did however notice how extremely harmonic these numbers are.

Here are some ways the notes can be arranged.

DO RE MI FA SO LA DO RE MI FA SO LA DO RE MI FA SO LA FA SO LA DO RE MI FA SO LA DO RE MI FA SO LA DO RE MI DO RE MI FA SO LA DO RE MI FA SO LA DO RE MI FA SO LA 111 891 681 471 261 951 741 531 321 111 123 135 147 159 162 174 186 198 222 912 792 582 372 162 852 642 432 222 234 246 258 261 273 285  297 219 333 123 813 693 483 273 963 753 543 333 345 357 369 372 384 396  318 321 444 234 924 714 594 384 174 864 654 444 456 468 471 483 495 417  429 432 555 345 135 825 615 495 285 975 765 555 567 579 582 594 516 528  531 543 666 456 246 936 726 516 396 186 876 666 678 681 693 615 627 639 642 654 777 567 357 147 837 627 417 297 987 777 789 792 714 726 738 741 753 765 888 678 468 258 948 738 528 318 198 888 891 813 825 837 849 852  864 876 999 789 579 369 159 849 639 429 219 999 912 924 936 948 951 963 975 987

I can prove that Carl Jung’s theory of synchronicity is correct. Some 2 years ago I bought Michael Hayes’ book “The hermetic Code in DNA” thinking it would answer some of  my questions. I have since forgotten what answers to what questions I was searching for  at the time. The book however, did not provide the answers I had hoped to find.

Three days ago the Cuban, a.k.a. my husband, a.k.a. Tito, started working for  himself, driving a delivery route halfway across the ‘Realm of the People of the West wind, a.k.a. Kansas. I decided that since I have the summer off I’ll ride with him. Thus I started looking for reading material. Since my last move in May I have not yet unpacked the boxes with my books. I have been reading online since the move. I started looking for  something that would allow me not to have to go to the basement, or my son’s house, or  the trunk of my car to look for my books.

I came across Hayes’ book again and decided to finish reading it. I started reading where I had left off, and was stunned, on every page there were at least a couple of 

answers to questions I have accumulated since I bought the book. I’ve found at least a couple of references to my number table on every page. Especially connected to the above subject is the chapter called “Inner Octaves” I can only recommend anyone interested in these subjects to read this book.

Among a number of incredibly interesting facts, Mr. Hayes said that understanding the theory of full, half and quarter tones allows one to re-construct the whole scale of  frequencies and harmonies from just one note. This is exactly true of the numbers in my table.

Figure

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