• No results found

BORTOLAMI. Negative Film Boxes, Bortolami Gallery, New York, NY. Interior Color Beauty, Bortolami Gallery, New York, NY

N/A
N/A
Protected

Academic year: 2021

Share "BORTOLAMI. Negative Film Boxes, Bortolami Gallery, New York, NY. Interior Color Beauty, Bortolami Gallery, New York, NY"

Copied!
11
0
0

Loading.... (view fulltext now)

Full text

(1)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Morgan Fisher (b. 1942 in Washington, D.C.) Lives and works in Santa Monica, California

Education

1960-64 Harvard College

1965 B.A. in Fine Art

1964-65 University of Southern California, work toward M.A. in Cinema

1965-66 University of California, Los Angeles, work toward M.F.A. in Motion Picture Division, Department of Theater Arts

Selected Solo Exhibitions / Screenings 2015

Negative Film Boxes, Bortolami Gallery, New York, NY

2014

International Art Objects, Los Angeles, CA Maureen Paley, London, United Kingdom

2013

Interior Color Beauty, Bortolami Gallery, New York, NY

2012

Conversations, Aspen Art Museum, Aspen, CO

The Frame Beyond, Generali Foundation, Vienna, Austria

2011

Museum Abteiberg, Mönchengladbach, Germany

Morgan Fisher: Films and Paintings and In Between and Nearby, Raven Row, London, United Kingdom

New Works: Photographs and Works on Paper, Bortolami Gallery, New York, NY

2010

Missing – An Evening with Morgan Fisher, Piet Zwart Institute, Rotterdam, Netherlands Works on Paper 1968-2008, Galerie Daniel Buchholz, Cologne, Germany

2009

Portikus Looks at Itself, curated by Melanie Ohnemus , Portikus, Frankfurt am Main, Germany

2008

Alien Pendant Pair Paintings, China Art Objects Galleries, Los Angeles, CA Art Unlimited, Galerie Daniel Buchholz, Art Basel, Basel, Switzerland

2007

Pendant Pair Paintings, Galerie Daniel Buchholz, Cologne, Germany

2006

Standard Gauge: Film Works by Morgan Fisher, 1968 – 2003, curated by Chrissie Iles, Museum of Contemporary Art, Los Angeles, CA

2005

Standard Gauge: Film Works by Morgan Fisher, 1968-2003, Whitney Museum of American Art, New York, NY

(2)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Standard Gauge: The Films of Morgan Fisher, film screening, Tate Modern, London, United Kingdom

2005

Edge and Corner Paintings, Adamski Galerie, Aachen, Germany

Morgan Fisher / Thom Andersen, film screening, Kölnischer Kunstverein, Cologne, Germany

2004

( ) / Film Cans and Film Boxes, Galerie Daniel Buchholz, Cologne, Germany Aspect Ratio Pieces, ( ), Greene Naftali, New York, NY

( ), Cubitt, London, United Kingdom

( ), film screening (with Sharon Lockhart), Kino Arsenal, Internationales Forum des jungen Films / Berlinale, Berlin, Germany

Filmforum, Los Angeles, CA Städelschule, Frankfurt, Germany

2002

To See Seeing, NAK - Neuer Aachener Kunstverein, Aachen, Germany

Photogenic Drawings / Color Balance, Galerie Daniel Buchholz, Cologne, Germany The Italian Paintings, Self-Portraits, China Art Objects Galleries, Los Angeles, CA Pacific Title and Art Studio, Hollywood, China Art Objects Galleries, Los Angeles, CA

2000

Kunstverein Hamburg, Hamburg, Germany

The Italian Paintings, presented by Dave Muller, Los Angeles County Museum of Art, Los Angeles, CA

1998

Künstlerhaus Stuttgart, Stuttgart, Germany

Film screening at the cinema of the British Council, Galerie Daniel Buchholz, Cologne, Germany

Österreichisches Filmmuseum, Vienna, Austria

1989

Series “The New Avant-Garde”, University of Rochester, Rochester, NY

1986

International Forum of Young Cinema, Berlin International Film Festival, Berlin, Germany University Gallery of Fine Art, Ohio State University, Ohio

1985

The Collective for Living Cinema, New York, NY San Francisco Cinematheque, San Francisco, CA Pacific Film Archive, Berkeley, CA

1981

Color Balance, P.S. 1, Long Island City, New York, NY

1980

Color Balance, Media Study, Buffalo, NY

Film as Installation, The Clocktower, New York, NY 1979

Boston Film/Video Foundation, Boston, MA

Art School, California Institute of the Arts, Valencia, CA

(3)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Art Program, School of Art, California Institute of the Arts, Valencia, CA

1978

Collective for Living Cinema, New York, NY

1976

Museum of Art, Carnegie Institute, Pittsburgh, PA Albright-Knox Art Gallery, Buffalo, NY

San Francisco Museum of Art, San Francisco, CA Anthology Film Archives, New York, NY

Museum of Modern Art, New York, NY

1975

Pacific Film Archive, Berkeley, CA

San Francisco Art Institute, San Francisco, CA

Series “The Very Eye of Light. A Primer in the Experimental Film”, Vancouver Art Gallery, Vancouver, Canada

Pacific Cinematheque in collaboration with the Vancouver Art Gallery, Vancouver, Canada

Canyon Cinematheque, San Francisco, CA

1974

Pratt Institute, Brooklyn, NY

1973

Millennium Film Workshop, New York, NY School of the Art Institute, Chicago, IL

Independent Film Festival, National Film Theater, London, United Kingdom

1972

Film Section, Massachusetts Institute of Technology, Cambridge, MA

1970

Department of Theater Arts, UCLA, Los Angeles, CA

Selected Group Exhibitions 2016

Daniel Buren. A Fresco, Bozar Center for Fine Arts, Brussels, Belgium Ordinary Pictures, Walker Art Center, Minneapolis, MN

2015

America is Hard to See, Inaugural Exhibition, Whitney Museum of American Art, New York, NY

Apparition: Frottages and Rubbings from 1860 to Now, Hammer Museum, Los Angeles, CA and The Menil Collection, Houston, TX

2014

Whitney Biennial, Whitney Museum of American Art, New York, NY

A Machinery for Living, curated by Walead Beshty, Friedrich Petzel Gallery, New York,NY Waywords of Seeing, Le Plateau, Paris, France

2013

T.J. Wilcox: In the Air, Whitney Museum of American Art, New York, NY

(4)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Made in L.A 2012, Hammer Museum, Los Angeles, CA

2011

Films by Richard Serra, Morgan Fisher, and Anthony McCall, The Artist’s Institute, New York, NY

2010

Richard Telles Fine Art, Los Angeles, CA

Monochrome Reflections, haubrokshows, Berlin, Germany rogalski, Haubrok Shows, Berlin, Germany

2009

Aspect Ratio, TENT, section of “Size Matters,” curated by Edwin Carels, Rotterdam International Film Festival, Rotterdam, Netherlands

Protective Coloration, curated by Niko Vicario, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY

See This Sound, Lentos Kunstmuseum Linz, Linz, Austria Quodlibet II, Galerie Daniel Buchholz, Cologne, Germany

38th International Film Festival Rotterdam, Rotterdam, Netherlands Fax, The Drawing Center, New York, NY

1999, China Art Objects Gallery, Los Angeles, CA

Restoring the Los Angeles Avant-Garde, La Filmforum, Los Angeles, CA

Collecting History: Highlighting Recent Acquisitions, curated by Bennett Simpson, Museum of Contemporary Art, Los Angeles, CA

Daily Film Program in conjunction with “See This Sound; Promises in Sound and Vision”, curated by Cosima Rainer, Lentos Kunstmuseum Linz, Linz, Austria (catalogue)

Artists’ Cinema, in conjunction with “But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet?” and “David Hockney, 1960–1968: A Marriage of Styles,” curated by Alex Farquharson, Nottingham Contemporary, Nottingham, England

2008

Neutre Intense-Mitim, Maison populaire-Centre d’art Mira Phalaina, Montreuil, France You, Whose Beauty Was Famous in Rome, Mandarin Gallery, Los Angeles, CA To Square Light, Signal – Center for Contemporary Art, Malmö, Sweden Zuordnungsprobleme, Johann König, Berlin, Germany

Standard Sizes, Andrew Kreps Gallery, New York, NY

Please Stay Out, We’re Open, Redling Fine Art, Los Angeles, CA Haubroksshow, Sammlung Haubrok, Berlin, Germany

Neutre Intense-( ), Carl Freedman Gallery, London, United Kingdom

Index: Conceptualism in California from the Permanent Collection, curated by Phillip Kaiser and Corrina Peipon, Museum of Contemporary Art, Los Angeles, CA

California Biennial, curated by Lauri Firstenberg, Orange County Museum of Art, Newport Beach (catalogue)

2007

Internationale Kurzfilmtage Oberhausen, Oberhausen, Germany Monochrome Painting, Cardwell Jimmerson, Culver City, CA

2006

(5)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Los Angeles 1955-1985, Centre Pompidou, Paris, France

Program of films presented by Christopher Williams as an artist in the Whitney Biennial, Whitney Museum of American Art, New York, NY

2006

Blows into Microphone, curated by Achim Lengerer , Kunsthalle Exnergasse, Vienna, Austria (catalogue), presented at Wiener Votivkino, Vienna; later presented at the Deutsches Filmmuseum, Frankfurt

The Artists Cinema, Frieze Art Fair, Regent’s Park, London, United Kingdom Expanded Cinema I, film program curated by Patrick Huber and Fred Truniger in conjunction with the show “The Expanded Eye,” curated by Bice Curiger, Kunsthaus Zürich, Zürich, Switzerland

Bunch Alliance and Dissolve, curated by Public-Holiday Project, Contemporary Arts Center, Cincinnati, OH

2005

Beside the Dream Machine, Museum Moderner Kunst, Vienna, Austria

A Walk to Remember, curated by Jens Hoffman, LACE (Los Angeles Contemporary Exhibitions), Los Angeles (catalogue), Los Angeles, CA

Old News, curated by Jacob Fabricius, LACE, Los Angeles, CA

Gallery exchange, China Art Objects Galleries and Bowie Van Valen, Amsterdam, Netherlands

Bienal de Lisboa, curated by Ricardo Matos Cabo, Lisbon, Portugal

2004

Whitney Biennial, Whitney Museum of American Art, New York, NY

2003

Turbulent Screen, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany Fate of Alien Modes, Secession, Vienna, Austria

Morgan Fisher and Mason Cooley, China Art Objects Galleries, Los Angeles, CA Sandwiched, curated by Jacob Fabricius, Los Angeles, CA

Conceptualisms: Zeitgenössische Tendenzen in Musik, Kunst und Film, curated by Christoph Metzger, Akademie der Künste, Berlin, Germany

2002

Sie träumt von ihrem Lieblingsstar. Er spricht mit einer fremden Sprache. Vier Räume aus der Sammlung Schürmann, Sammlung Schürmann, K21 Kunstsammlung im Ständehaus, Düsseldorf, Germany

Morgan Fisher, Tomma Abts, Leica Dole-Recio, James Hayward, curated by Richard Hawkins, Galerie Daniel Buchholz, Cologne, Germany

A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA (catalogue)

2001

Frances Stark meets Morgan Fisher, Klosterfelde, Berlin, Germany

2000

The Italian Paintings, Dave Muller/Three Day Weekend, in “Made in California: Now”, LACMA, Los Angeles, CA

(6)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Not Coming, produced by Side Street Projects, Laemmle Grande Theaters, Los Angeles, CA

1999

Afterimage: Drawing Through Process, Museum of Contemporary Art, Los Angeles, CA

1999

A History of European Cinema through Technical Evolution, Festival dei Popoli, Florence, Italy

The American Century: Art and Culture 1950-2000; The Cool World: Film and Video in America 1950-2000, Whitney Museum of American Art, New York, NY

Thanks, visiting faculty show, School of Art, California Institute of the Arts, Valencia, CA

1998

Time Dilates, Dave Muller/Three Day Weekend, The Downtown Arts Festival, New York, NY

1997

Threshold, Side Street Projects, Santa Monica, CA

1996

Projections, produced by Side Street Projects, AMC Old Pasadena Theaters, Pasadena, CA

1995

Inaugural Film Screening, ACME, Gallery, Santa Monica, CA

Reconsidering the Object of Art: 1965-1975, The Museum of Contemporary Art, Los Angeles, CA

23 Short Films / 23 Film Posters, a show of and by Maria Eichhorn, Galerie Eva Presenhuber, Zürich, Switzerland

1994

Scratching the Belly of the Beast; Cutting-Edge Media in Los Angeles, 1922-1994, Filmforum, Los Angeles, CA

Detours, Side Street Projects, (group show), painting installation, Santa Monica, CA Color This!, coloring book with drawings by Los Angeles artists, Foundation for Art Resources, Los Angeles, CA

1993

Fade to Black, Eldorado Centrum voor Beeldcultuur, Antwerp, Belgium Robert Flaherty Seminar, Ithaca, New York, NY

Stichting Amsterdams Filmhuis, Amsterdam, Netherlands

1991

Faculty show, School of Art, California Institute of the Arts, Valencia, CA

1990

retrospective of American Independent Films of the 1980s, Mostra internazionale del nuovo cinema, Pesaro, Italy,

Beyond Illusion: American Film and Video Art, 1965-1975, in conjunction with “The New Sculpture, 1965-1975: Between Geometry and Gesture”, Whitney Museum of American Art, New York, NY

Metamedia, in conjunction with “Image World: Art and Media Culture”, Whitney Museum of American Art, New York, NY

(7)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

What’s Wrong with These Pictures?, retrospective (with George Landow), The American Museum of the Moving Image, New York, NY

1988

mot:dites, image, Musée National dʼArt Moderne, Centre Pompidou, Paris, France

1988

Independent America; New Film 1978-1988, American Museum of the Moving Image, New York, NY

1987

Text as Image, Pacific Film Archive, Berkeley, CA

1985

Biennial Exhibition, Whitney Museum of American Art, New York, NY (Catalogue) New York Film Festival, New York, NY

1983

Word Works, Walker Art Center, Minneapolis, MN Film as Installation II, The Clocktower, New York, NY

1982

Ten Years of Living Cinema, Collective for Living Cinema, New York, NY (Catalogue)

1981

West Coast, Anthology Film Archives, New York, NY (Catalogue)

American and French Independent Cinema, Padiglione d'arte contemporanea/Cineteca italiana, Milan, Italy (Catalogue)

P.S. 1, Long Island City, New York

1980

The Pleasure Dome, American Experimental Film, 1939-1979, Moderna Museet, Stockholm, Sweden

1979

The New West, curated by Jack Goldstein, The Kitchen, New York, NY

Re-Visions, (gallery leaflet), curated by John G. Hanhardt, Whitney Museum of American Art, New York, NY

1978

International Forum of Young Cinema, Berlin International Film Festival, curated by John G. Hanhardt, Berlin, Germany

Frameworks, Water Street Branch, Whitney Museum of American Art, New York, NY Artists' Film, Artists Space, New York, NY

1977

The Poetic Eye: Perspectives on the American Independent Film, 1923-1977, Los Angeles County Museum of Art, Los Angeles, CA

Time, Philadelphia College of Art, Philadelphia, PA (Catalogue)

The Moving Image/N.Y. State, Tour program organized by Gerald O’Grady, NY Film Spaces, Art Gallery, Mount San Antonio College, Walnut Creek, CA

1976

Text and Image, New American Filmmakers Series, Whitney Museum of American Art, New York, NY

Fisher/Serra/Shulman, New American Filmmakers Series, Whitney Museum of American Art, New York, NY

(8)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Neue Avantgardefilme aus den USA, Werkstattkino, Munich, Germany

1975

Stills, New American Filmmakers Series, Whitney Museum of American Art, New York Institute of Contemporary Art, London, United Kingdom

1974

Thom Andersen / Morgan Fisher, Theatre Vanguard, Los Angeles, CA

1973

Walker Art Center, Minneapolis, MN

Independent Film Festival, National Film Theatre, London, United Kingdom

1970

Information, Museum of Modern Art, New York, NY (Catologue)

North American Filmmakers: At Home and Abroad, Tour program organized by the Film Department, Museum of Modern Art, New York, NY

Selected Group Screenings 2009

Aspect Ratio, Rotterdam International Film Festival, Rotterdam; curated by Edwin Carels “Restoring the Los Angeles Avant-Garde: Thom Andersen and Morgan Fisher,” Hammer Museum, UCLA, Los Angeles, co-presented with the UCLA Film and Television Archive and Los Angeles

Filmforum; curated by Mark Toscano

2008

Los Angeles, in “Paul McCarthy: Film List,” a series of programs of films and videos curated by Paul McCarthy to accompany his one-person show at the Whitney Museum of American Art, New York

Sunshine Noir in “Los Angeles: Eine Stadt im Film; A City on Film”; a retrospective of the Viennale and the Austrian Film Museum, Vienna (catalogue); curated by Thom Andersen

2007

Kinomuseum, Oberhausen International Short Film Festival, Oberhausen, Germany (publication)

2006

Expanded Cinema: Film als Spektakel, Ereignis und Performance, Hartware Medien Kunst Verein, Dortmund (program also presented at Württembergischer Kunstverein Stuttgart); curated by Mark Webber

2005

Edinburgh International Film Festival, Edinburgh

Thom Andersen and Morgan Fisher, Galerie Daniel Buchholz, Cologne (presented at the Kölnischer Kunstverein, Cologne)

2004

Rotterdam International Film Festival, Rotterdam

International Forum of Young Cinema, Berlin International Film Festival, Berlin The Robert Flaherty Film Seminar, New York

Toronto International Film Festival, Toronto Athens International Film Festival, Athens

(9)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

London International Film Festival, London

2003

Turbulent Screen; Die strukturelle Bewegung in Film und Video, Edith-Ruß-Haus für Medienkunst, Oldenburg; curated by Rosanne Altstatt and Ralf Sausmikat

2003

Views from the Avant–Garde, New York Film Festival, New York; curated by Mark McElhatten and Gavin Smith

2001

Two Film Screenings Organized by Christopher Williams (Poster, Introductory Remarks and Film Screening) For the Exhibition, ʻIn Between Art and Architecture, Silver Screen Theater, Pacific

Design Center/MAK Center for Art and Architecture, Los Angeles

1999

A History of European Cinema through Technical Evolution, Festival dei Popoli, Florence

1995

Inaugural film screening, ACME. Gallery, Santa Monica

1994

Scratching the Belly of the Beast; Cutting-Edge Media in Los Angeles, 1922-1994, Filmforum, Los Angeles (catalogue)

1993

Fade to Black, Eldorado Centrum voor Beeldcultuur, Antwerp The Robert Flaherty Film Seminar, New York

Stichting Amsterdams Filmhuis, Amsterdam

1992

Unknown Territories: American Independent Film, presented by Sixpack Film at the Vienna Film Theatre, Vienna

1990

Mostra internazionale del nuovo cinema, Pesaro, Italy

1998

INPUT 88 (International Public Television screening conference), Philadelphia

1976

Neue Avantgardefilme aus den USA, Werkstattkino, Munich Institute of Contemporary Art, London

1974

Thom Andersen/Morgan Fisher, Theatre Vanguard, Los Angeles

1973

Walker Art Center, Minneapolis

1969

Oberhausen International Short Film Festival, Oberhausen

Visiting Artist / Lectures 2007

École Nationale des Beaux-Arts, Lyon (Visiting artist)

(10)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

Merz Akademie, Stuttgart Städelschule, Frankfurt

1997

Otis College of Art and Design, Los Angeles (Visiting artist) Art Center College of Design, Pasadena, California (Visiting artist)

1997

School of Film/Video, California Institute of the Arts, Valencia, California (Visiting artist)

1996

Art Department, University of California at Riverside (Visiting artist) Occidental College, Los Angeles (Visiting artist)

1995

California Institute of the Arts (Visiting artist)

1992

Art Center College of Design, Pasadena (Visiting artist)

1986

Art Center College of Design, Pasadena (Visiting artist)

1980

Philadelphia College of Art, Philadelphia

1978

Contemporary Art Survey (lecture series), Art Department, UCLA

College of Creative Studies, University of California at Santa Barbara (Visiting artist) Department of Visual Arts, University of California at San Diego

1977

Otis Art Institute, Los Angeles

Other Activities 1990

Juror, dramatic film competition, U.S. Sundance Film Festival, Park City, Utah

1986

Panelist, annual meeting at University Film and Video Association, “Film in Los Angeles: The Avant Garde and the Industry”

1981

Member of the Board of Advisors, The Foundation for Art Resources

1980

Member of Evaluation Committee for The George A. and Eliza Gardner Howard Foundation

1977

Guest Editor “Journal”, No. 14, April-May, Los Angeles Institute of Contemporary Art

1976

Panelist, annual meeting of the College Art Association, “Object/Illusion: The Filmic Dialectic”

Programming Secretary, The Los Angeles Independent Film Oasis, a cooperatively-run non-profit screening organization for independent film (1976-78)

Grants and Fellowships

1989 Media Arts Program, National Endowment for the Arts

1988 California Arts Council

(11)

5 2 0   W E S T   2 0 T H   S T R E E T     N E W   Y O R K     N Y   1 0 0 1 1     T   2 1 2   7 2 7   2 0 5 0     W W W . B O R T O L A M I G A L L E R Y . C O M  

1980 Media Arts Program, National Endowment for the Arts

Collections

Whitney Museum of American Art, New York FRAC Ile-de-France, Paris

Museum of Modern Art, San Francisco Museum of Contemporary Art, Los Angeles Museum of Modern Art, New York

Moderna Museet, Stockholm Deutsche Kinemathek, Berlin

References

Related documents

1997 Curt Marcus Gallery, New York, NY 1994 Curt Marcus Gallery, New York, NY 1991 Curt Marcus Gallery, New York, NY 1989 Michael Kohn Gallery, Los Angeles, CA.. Curt

Figures 6.36 and 6.37 show the test results. Panel SUC3 Testing Procedure. The failure mode for panel SUC3 was bending moment. This failures mode was unexpected as the test was

Kent’s work is held in the col- lections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Brooklyn Museum; Hammer Museum, Los Angeles; Los

AIM 23: Artists in the Marketplace, Bronx Museum of the Arts, Bronx, NY, USA 150 Artists Make 150 Shirts, Daniel Silverstein Gallery, New York, NY, USA 100 $mack$, Covivant Gallery,

An annual census of shoots in plots permanently installed in seagrass meadows (photo 2.8) allows to estimate the survival, birth, and death rates of a given population, and thereby

OVERVIEW OF THE VA SCHEDULES SERVICE 65 I B - Drugs and Pharmaceutical-related Products 65 II A - Medical Equipment and Supplies.. 65 II C - Dental Equipment and Supplies 65 II

— The Indomitable Spirit, International Center of Photography/Midtown, New York, NY, USA travelled to Lorence Monk Gallery, New York, NY, USA; Pace-MacGill Gallery, New York,