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The Edge of Glory SATB

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Arranged by Arranged by MARK BRYMER MARK BRYMER STEFANI GERMANOTTA, STEFANI GERMANOTTA,  PAUL BLAIR and FERNANDO GARIBAY  PAUL BLAIR and FERNANDO GARIBAY

5 5 S A S A T B T B Piano Piano                                                                                                                                                                        4444 4444 4444 4444                           T

Thheerre e aaiinn''t t nno o rreea a ssoon n yyoou u aannd d mmeseshhoouulld d bbe e a a lloonnee TTo o nniigghht t yyeeaahh, , bba a bby y ttoo nniigghhtt  = 124 = 124         

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8 11 14                                                                                                                                                                                                                                                 

yeah, ba by. I got a rea son that you're who should take me home to night.

right when it's so wrong. To night

I need a

yeah, ba by. To n ight

man that thinks it's

yeah, ba by.                

(3)

20 24                                                                                                                                                                                                                                                                                            

Right on the lim its wherewe know we both be long to night.

It's

I'm

hard to feel the

gon na run right to

rush to push the

to the edge with

dan ger ous.

you, where we can

cresc. cresc.                     

(4)

27 30 33                                                                                                                                                                                                                                                                                                                                                    

both fall o ver in love. I'm on the edge of glo

ry and I'm hang ing on a

of glo ry

mo ment of truth.

and I'm hang ing on

Out on the edge

a mo ment with you.

 A             

(5)

39 42                                                                                                                                                                                                                                                                                  

I'm on the edge, the edge, the edge, the edge, the edge,

the edge,

ry

the edge.

and I'm hang ing on

I'm on the edge,

the mo ment with you

of glo       

(6)

45 49 52                                                                                                                                                                                                                                                                                                    

I'm on the edge with you.

yeah, ba

An oth er shot

by. To night yeah, ba

be fore we kiss the oth

by. I'm on the

er side To night,

edge of some thing

To Coda B               

(7)

58 62                                                                                                                                                                                                                                                                                                                                   nal

fi we call life to night. To night to night to night. It's hard to

feel the

run right to

rush topush

the

to edge with you,

the dan ger ous.

where we can both fall

I'm gon na o ver in love.                       

(8)

65 66 69 74                                                                                                                                                                                                                                                                                                                                                                                      I'm on I'm on the edge the edge Oh ooh I'm on I'm onthe

the edge with you.

edge of glo ry, and I'm han ing on a mo ment of truth.

 D.S. al Coda C                       

(9)

82 85                                                                                                                                                                                                                                                                                                                                                                                              

Out on edge the of glo ry, and I'm hang ing on a mo mentwith you.

I'm

the edge,

on the edge, the edge,

the edge.

the edge, the

I'm on the edge, with

edge, the edge,

you, with you,

     

(10)

88 91 94                                                                                                                                                                                                                                                                                                                                                          

with you, with you. I'm on the edge with you,

with you,

I'm on the

with you, with you,

edge,

with you.

I'm on the edge,

     

(11)

                                                                  with you! 

References

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