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Style

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style

 The way the words are put together to tell

the story, develop the argument,

dramatize the play or compose the poem

 Style is individual and unique

 An author’s style will change depending on

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diction

 Same as word choice.

 There are three basic degrees of word

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Formal diction

 Formal diction is more “elegant.”

 It employs more polysyllabic words, word order is

correct, no contractions.

 “They resolved to leave me and neither of ingress

nor egress to the sudden impulses of despair or frenzy from within. The abbey was amply

provisioned. With such precautions the courtiers might bid defiance to contagion.” -Poe, “The

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Neutral diction

 Ordinary, standard vocabulary.  Not a lot of big words.

 Contractions as necessary.

 If there are long words, they’re not hard.  Very conversational.

 “What surprised them in the second place was that when

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Informal

 Language is relaxed and casual.

 Use of colloquialisms, slang expressions is

common.

 Good for dialogue, in certain

circumstances.

 “In walks these three girls in nothing but

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Degree of explicitness

 Specific v. General

 “My dog barks.” v. “Dogs make good

pets.”

 It all depends on the intent of the writer.

 General and abstract words are usually

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Concrete v. abstract

 Concrete words show some immediate

perception.

 Abstract words are broader.

 “Cold” is concrete, because it is a specific

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Analyzing style

 You can count elements of writing: number

of words in a sentence, types of sentences, number of syllables in words. You can

conclude one author is brief if sentences are 12 words or less, or expansive if sentences average 35 words. Short sentences with

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Style: Look at sentence types

 When analyzing style, look at diction and

sentence types. This helps to determine how to describe them.

 Recognizing sentence types is one aspect

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Sentence types

 Simple – one subject and verb (used

often with action and dialogue)

 Compound – two simple sentences

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Sentence types, cont’d

 Complex – main clause and a subordinate

clause (often focuses on cause-effect relationships and analysis and reflection)

 Compound-complex – two main clauses

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Examples

 “Nora sat in front of me by the confession box.”

 “Later he felt the need to talk but no one wanted to

hear about it.”

 “It was the Wawanash River, which every spring

overflowed its banks.”

 “And yet, though the elder person was as simply clad

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Parallelism

 A rhetorical device that uses the repetition of the same

grammatical form to balance expressions, conserve words, build climax and intrigue.

 “I grew, day by day, more moody, more irritable, more

regardless of the feelings of others.”

 --more moody  --more irritable

 --more regardless of the feelings of others

 This shows the increase in his depression through the

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Another example

 “Then quickly and quietly, looking at the piece of

canvas frequently, he slipped the records into the case, snapped the lid shut, and carried the

phonograph to his couch.”

Quickly and quietly -- both -ly words

Slipped, snapped, carried --all past tense verbs, all

ending in –ed

 Parallelism can be found within paragraphs as well,

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Writing about style

 Make sure you know the meanings of all the

words. Look them up if you don’t.

 Are the words commonly used, or not? Why is

that important?

 Pay attention to word length and sentence

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Writing about style…

 Look at sentence types; lots of

complex-compound sentences are harder to discern

 Look at specificity v. generality. Why would the

author choose one over the other and how does it affect the topic/theme/story?

 Pay attention to level of diction in dialogue.

What does it say about character?

 What’s the point of slang? Jargon?

 Pay attention to rhetorical devices and and the

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Writing about style…

 Focus on one aspect of style unless length

requirements or the prompt says to do otherwise. Look at:

 Levels of diction

 Specific/General description, language  Simple/Complex sentence structure

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Example

“Though the passages are narrative, the mark of Twain’s style is to underscore how the

hero’s blundering foolishness is always saved by luck. In every respect –

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Assignment

 Read Frank O’Connor’s short story “First Confession” on

pages 360-365.

 Write a paragraph that contains at least one sentence for

each of the following elements of style as is pertains to the story. Be sure to include a quote from the story for each description.

Describe the author’s syntax

Describe the author’s use of imagery/fig. lang. Describe the author’s diction

Then, write a one-sentence thesis explaining the

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Words used to describe style

References

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