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PILATES FOR KARATE

PILATES FOR KARATE

HOW PILATES IMPROVES KARATE

HOW PILATES IMPROVES KARATE TECHNIQUE

TECHNIQUE

GYAKU ZUKI PUNCH IN

GYAKU ZUKI PUNCH IN ZENKUTSU DACHI STANCE

ZENKUTSU DACHI STANCE

ARISTON SUTANDIO ARISTON SUTANDIO

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ABSTRACT

ABSTRACT

Karate is a martial art that use all extremities range of motion and all spinal articulation in Karate is a martial art that use all extremities range of motion and all spinal articulation in it

its movement.s movement.

Speed is a must in

Speed is a must in Karate techniques but speed without stability is nothing.Karate techniques but speed without stability is nothing.

Stances in Karate needs many muscle co-contracting together to get stability, same things Stances in Karate needs many muscle co-contracting together to get stability, same things in punching, kicking, blocking and body moving.

in punching, kicking, blocking and body moving.

Punching needs shoulder stability, kicking needs pelvic stability and all movement needs Punching needs shoulder stability, kicking needs pelvic stability and all movement needs spinal articulation and core strength to get better technique.

spinal articulation and core strength to get better technique. Because of so many muscles and joint work at

Because of so many muscles and joint work at the same time, Karate-Ka (person whothe same time, Karate-Ka (person who train Karate) needs body awareness to prevent injuries in doing Karate technique, in a train Karate) needs body awareness to prevent injuries in doing Karate technique, in a Karate competition and Karate as a

Karate competition and Karate as a martial art.martial art.

Pilates is a complete body, mind

Pilates is a complete body, mind and spirit exercise to acquire complete control of ourand spirit exercise to acquire complete control of our body and develops body uniformly, correct wrong postures, restores physical

body and develops body uniformly, correct wrong postures, restores physical vitality,vitality, invigorates the mind and elevates the spirit. (

invigorates the mind and elevates the spirit. (       Return to Life through Contrology Return to Life through Contrology       , Pilates, Pilates

H. Joseph, 1945 H. Joseph, 1945 ))

Principles of BASI PILATES are

Principles of BASI PILATES are Awareness, Balance, Breath, Concentration, Center,Awareness, Balance, Breath, Concentration, Center, Control, Efficiency, Flow, Precision and Harmony is a unique method and different from Control, Efficiency, Flow, Precision and Harmony is a unique method and different from many other

many other forms of forms of conditioning thaconditioning that t guides guides BASI Pilates BASI Pilates practicians to practicians to acquire aacquire allll Pilates benefits.

Pilates benefits.

BASI Pilates principles could be same principles in K

BASI Pilates principles could be same principles in Karate Techniques and very useful toarate Techniques and very useful to Karate-Ka to mastered his techniques.

Karate-Ka to mastered his techniques. Pilates will

Pilates will improve postureimprove posture, joints ROM, core streng, joints ROM, core strength, spinal flexibility, body stability andth, spinal flexibility, body stability and mobility and prepare the body to do any

mobility and prepare the body to do any kind functional activities, prevent injuries, anythingkind functional activities, prevent injuries, anything body conditioning like one of them is

body conditioning like one of them is Karate.Karate.

Karate-Ka needs Pilates to

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TABLES OF CONTENT

TABLES OF CONTENT

ABSTRACT ... 2 ABSTRACT ... 2

Chapter 1. WHAT IS GYAKU ZUKI AND

Chapter 1. WHAT IS GYAKU ZUKI AND ZENKUTSU DACHI ... 4ZENKUTSU DACHI ... 4

Chapter 2. MOVEMENT ANALYSIS GYAKU ZUKI AND ZENKUTSU DACHI ... 5 Chapter 2. MOVEMENT ANALYSIS GYAKU ZUKI AND ZENKUTSU DACHI ... 5

Chapter 3. IMPROVING GYAKU ZUKI TECHNIQUE ... 7 Chapter 3. IMPROVING GYAKU ZUKI TECHNIQUE ... 7

Chapter 4. CASE STUDY ... 10 Chapter 4. CASE STUDY ... 10

Chapter 5. PROGRAM DESIGN ... 11 Chapter 5. PROGRAM DESIGN ... 11

Chapter 6. CONCLUSION ... 13 Chapter 6. CONCLUSION ... 13

BIBLIOGRAPHY ... 14 BIBLIOGRAPHY ... 14

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CHAPTER 1. WHAT IS GYAKU

CHAPTER 1. WHAT IS GYAKU ZUKI AND ZENKUTSU DACHI

ZUKI AND ZENKUTSU DACHI

Gyaku

Gyaku Zuki Zuki is is Reverse Reverse Punch.Punch.

Zenkutsu Dachi is Long Forward Stance. Zenkutsu Dachi is Long Forward Stance.

Gyaku Zuki technique in basic Karate (KIHON) is straight punch to

Gyaku Zuki technique in basic Karate (KIHON) is straight punch to solar plexus and headsolar plexus and head where arm and leg in reverse position (cross pattern). One arm (right) straight punch, left where arm and leg in reverse position (cross pattern). One arm (right) straight punch, left arm on waist, pelvis facing to target, left leg in front dan right leg in rear.

arm on waist, pelvis facing to target, left leg in front dan right leg in rear.

Zenkutsu Dachi technique in basic Karate (KIHON) is stance which 60% weight

Zenkutsu Dachi technique in basic Karate (KIHON) is stance which 60% weight in frontin front leg, 40% weight in rear leg,

leg, 40% weight in rear leg, shoulder wide, twice shoulder length and hip facing 45 degreeshoulder wide, twice shoulder length and hip facing 45 degree to front.

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Chapter 2. M

Chapter 2. MOVEMENT ANALYSIS GYAKU ZUKI AND ZENKUTSU DACHI

OVEMENT ANALYSIS GYAKU ZUKI AND ZENKUTSU DACHI

Gyaku Zuki punch in Karate Techniques always in Zenkutsu Dachi Stance and could be do Gyaku Zuki punch in Karate Techniques always in Zenkutsu Dachi Stance and could be do in stance position (stable) like in KIHON ( Basic Techniques ), KATA ( form of

in stance position (stable) like in KIHON ( Basic Techniques ), KATA ( form of choreogra

choreographed pattern of movement ) and in phed pattern of movement ) and in dynamic movement like in KUMITE (fighting).dynamic movement like in KUMITE (fighting).

BASIC TECHNIQUE GYAKU ZUKI : BASIC TECHNIQUE GYAKU ZUKI :

Pelvis is place to generate and transverse power, to assist

Pelvis is place to generate and transverse power, to assist mobility, as a bridge verticallymobility, as a bridge vertically between legs and upper body in cross pattern movement.

between legs and upper body in cross pattern movement.

Essentially power generate from floor to push pelvis forward. Pelvis rotates spine, spine Essentially power generate from floor to push pelvis forward. Pelvis rotates spine, spine rotate scapula and shoulder then arm

rotate scapula and shoulder then arm straight forward in sequence movement asstraight forward in sequence movement as described below :

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 From stance position with pelvis facing From stance position with pelvis facing 45 degree forward.45 degree forward. 

 Movement start from rear leg with firing Movement start from rear leg with firing quadriceps and gluts to pivot ball of quadriceps and gluts to pivot ball of foot,foot,

pushing heel to the floor forcefully and explosively to extending knee join. pushing heel to the floor forcefully and explosively to extending knee join.

 There is transverse weight from rear leg to front There is transverse weight from rear leg to front leg and front leg should be very stableleg and front leg should be very stable

and pushing pelvis forward. and pushing pelvis forward.

 At the same time At the same time adductor, lower abdominals, oblique and intercostal muscles to pulladductor, lower abdominals, oblique and intercostal muscles to pull

pelvis forward and bring rear leg and front leg

pelvis forward and bring rear leg and front leg narrow and keep legs and pelvisnarrow and keep legs and pelvis completely still.

completely still.

 The momentum bring pelvis facing perpendicular to the target, rotates the spine andThe momentum bring pelvis facing perpendicular to the target, rotates the spine and

shoulder to release the punching arm to the target and the

shoulder to release the punching arm to the target and the others arm to waist.others arm to waist.

 Keeping upper back and shoulder relax, Keeping upper back and shoulder relax, straightening punching arm once index andstraightening punching arm once index and

middle knuckles perpendicu

middle knuckles perpendicular to the target, lar to the target, tightening the other arm elbow to the body.tightening the other arm elbow to the body.

 Just before impact, begin to turn the Just before impact, begin to turn the wrist ( keeping elbow facing to wrist ( keeping elbow facing to the floor as much asthe floor as much as

possible), rotates wrist from the center of t

possible), rotates wrist from the center of two knuckles to ensure direct path to the target.wo knuckles to ensure direct path to the target.

 On impact, completely rotate wrist (wrist On impact, completely rotate wrist (wrist and forearm remain straight) and extend theand forearm remain straight) and extend the

elbow. elbow.

 Ensure good posture throughout to ensure power transverse from rear leg, Ensure good posture throughout to ensure power transverse from rear leg, to the to the pelvispelvis

and to front arm. and to front arm.

 Use the breath to focus the Use the breath to focus the power, maintain lower center of gravity then tense to power, maintain lower center of gravity then tense to thethe

impact. impact.

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picture from GKR KARATE BLUDENSELLS DOJO, Liverpool. (note: akan di

picture from GKR KARATE BLUDENSELLS DOJO, Liverpool. (note: akan di ganti dgn fotoganti dgn foto sendiri)

sendiri)

Chapter 3. I

Chapter 3. IMPROVING GYAKU ZUKI TECHNIQUE

MPROVING GYAKU ZUKI TECHNIQUE

Practice

Practice Karate in DOJO (place KarateKarate in DOJO (place Karate-Ka practising Karate) Gy-Ka practising Karate) Gyaku Zuki do hundaku Zuki do hundredred

even thousand repeatation in long times to be perfect. Strengthening muscles like push up, even thousand repeatation in long times to be perfect. Strengthening muscles like push up, sit up,

sit up, back extension, run are exercise complimentary to back extension, run are exercise complimentary to support techniques need.support techniques need.

The others way to make gyaku zuki more speed and powerful is

The others way to make gyaku zuki more speed and powerful is use of rubber band as anuse of rubber band as an assistant to gain muscles flexibility

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Pilates as body, mind and

Pilates as body, mind and spirit exercises is a powerful body conditioning to improvesspirit exercises is a powerful body conditioning to improves muscles strength, flexibility, power, speed, good posture, core strength as Karate-Ka muscles strength, flexibility, power, speed, good posture, core strength as Karate-Ka needed to improves Karate Techniques and body

needed to improves Karate Techniques and body awareness.awareness.

GYAKU ZUKI

GYAKU ZUKI MUSCLESMUSCLES

Gyaku Zuki is punching. Punching needs muscles

Gyaku Zuki is punching. Punching needs muscles strength, flexibility and strength, flexibility and endurance toendurance to built speed, power and

built speed, power and endurance punch.endurance punch.

Latissimus Dorsi and Serratus Anterior is the main punching muscles needs to make good Latissimus Dorsi and Serratus Anterior is the main punching muscles needs to make good punch because Serratus Anterior stable the shoulder and Latissimus

punch because Serratus Anterior stable the shoulder and Latissimus Dorsi toDorsi to strengthening punch.

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ZENKUTSU DACHI MUSCLES ZENKUTSU DACHI MUSCLES

Stance is essential manner for martial art like

Stance is essential manner for martial art like Karate and need many muscles to stabilizeKarate and need many muscles to stabilize to bring punch more powerful because the power start from firing rear leg as

to bring punch more powerful because the power start from firing rear leg as an initiator ofan initiator of the power, amplified with the pelvis

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Karate is a dynamic body movements. Strengthening only few muscles gain no st

Karate is a dynamic body movements. Strengthening only few muscles gain no stabilityability and mobility in it

and mobility in its dynamic movements yet s dynamic movements yet need balance muscles and good posture.need balance muscles and good posture.

Agonist and antagonist muscles work in the same

Agonist and antagonist muscles work in the same manner, cossentric and essentricmanner, cossentric and essentric

muscles work together to build speed, flexibility and strength. Co-contracting build stability muscles work together to build speed, flexibility and strength. Co-contracting build stability to support speed.

to support speed.

Pilates is the ultimate body conditioning to Karate-Ka to win in Karate competition, to Pilates is the ultimate body conditioning to Karate-Ka to win in Karate competition, to mastered Karate technique as martial art and to build

mastered Karate technique as martial art and to build MIND OVER THE BODY because AMIND OVER THE BODY because A SANE MIND IN A SOUND BODY.

SANE MIND IN A SOUND BODY.

Chapter 4. CASE STUDY

Chapter 4. CASE STUDY

KURO, 20 years old male, is an individual KATA athlete. He was a gold medalist in Junior KURO, 20 years old male, is an individual KATA athlete. He was a gold medalist in Junior High School Olympic when he was 13 years old.

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He is an active young man,

He is an active young man, practice Karate twice a week for regular exercise and could bepractice Karate twice a week for regular exercise and could be 5 days a week if

5 days a week if were in training center for Karate competition. His ambition were in training center for Karate competition. His ambition to be nationalto be national individual KATA athlete.

individual KATA athlete. One of his weakness in

One of his weakness in Karate Technique is left side kick not Karate Technique is left side kick not as good as right one. as good as right one. RangeRange of motion (ROM) left hip

of motion (ROM) left hip when external rotation lower because of muscle tightness in Glutswhen external rotation lower because of muscle tightness in Gluts Med and Min. The body compensate hin forward rather than side

Med and Min. The body compensate hin forward rather than side hindging. Left adductorhindging. Left adductor weak and the result his left

weak and the result his left gyaku zuki slower and not as strong as gyaku zuki slower and not as strong as his right arm. Righthis right arm. Right Zenkutsu Dachi weak.

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Chapter 5. PROGRAM DESIGN

Chapter 5. PROGRAM DESIGN

BLOCK

BLOCK 1 - 101 - 10 11 - 2011 - 20 21 ONWARDS21 ONWARDS WARM UP

WARM UP  pelvic curlpelvic curl 

 spine twist supinespine twist supine 

 chest liftchest lift 

 chest lift & rotationchest lift & rotation 

 side liftside lift

 roll uproll up 

 spine twist supinespine twist supine 

 double leg stretchdouble leg stretch 

 single leg stretchsingle leg stretch 

 criss crosscriss cross

 roll uproll up 

 spine twist supinespine twist supine 

 double leg stretchdouble leg stretch 

 single leg stretchsingle leg stretch 

 criss crosscriss cross

FOOTWORK •

FOOTWORK • footwork footwork (R) (R) •• footwork footwork (C) (C) •• footwork (MC)footwork (MC) ABDOMINAL

ABDOMINAL WORK

WORK

 mini roll up (C)mini roll up (C) 

 mini roll up &mini roll up &

oblique (C) oblique (C)

 hundred (R)hundred (R) 

 short box seriesshort box series

(R) (R)

 hamstring pull 3hamstring pull 3

(M) (M)

 full pike (MC)full pike (MC) 

 torso press sittorso press sit

(MC) (MC) HIP

HIP WORK WORK •• supine single legsupine single leg series (C)

series (C)

 frog avalonfrog avalon 

 opening avalonopening avalon 

 scissors avalonscissors avalon

•• lying side singlelying side single leg series (C) leg series (C)

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BLOCK

BLOCK 1 - 101 - 10 11 - 2011 - 20 21 ONWARDS21 ONWARDS BRIDGING

BRIDGING  leg pull back (M)leg pull back (M) 

 leg pul front (M)leg pul front (M) 

 shoulder bridgeshoulder bridge

prep (M) prep (M)

 push up (M)push up (M) 

 shoulder bridgeshoulder bridge

(M) (M) SPINE SPINE ARTICULATION ARTICULATION 

 bottom lift &bottom lift &

extension (R) extension (R)

 monkey (C)monkey (C) 

 roll over avalonroll over avalon

 boomerang (M)boomerang (M) 

 jackknife (R) jackknife (R)

STRETCHES

STRETCHES  standing lunge (R)standing lunge (R) 

 shoulder stretchshoulder stretch

side lying (LB) side lying (LB)

 full lunge (R)full lunge (R) 

 shoulder stretchshoulder stretch

prone (R) prone (R)

•• side split (R)side split (R)

FULL BODY FULL BODY INTEGRATION INTEGRATION (fundamental / (fundamental / intermediate) intermediate)

•• scooter (R)scooter (R)  reverse kneereverse knee

stretch (R) stretch (R)   up stretch 1,2,3up stretch 1,2,3 (R) (R) 

 kneeling cat (C)kneeling cat (C)

ARM WORK

ARM WORK  arm supine seriesarm supine series 

 standing seriesstanding series

(mc) (mc)

 shrugs (MC)shrugs (MC)

 arms standingarms standing

series (C) series (C)

 arms kneelingarms kneeling

series (R) series (R)

•• arms kneeling sidearms kneeling side series (R) series (R) FULL BODY FULL BODY INTEGRATION INTEGRATION (intermediate / (intermediate / advanced) advanced) 

 tendon stretchtendon stretch

(WC) (WC)

 balance controlbalance control

front (R) front (R)

 balance controlbalance control

back (R) back (R)

 saw (C)saw (C)

LEGWORK

LEGWORK  gluteals kneelinggluteals kneeling

series (box) series (box)

 gluteals side lyinggluteals side lying

series (box) series (box)

 adductor squeezeadductor squeeze

(mc) (mc)

 backward stepbackward step

down (WC) down (WC)

 hip opener (WC)hip opener (WC) 

 skating single (R)skating single (R) 

 jumping series (R jumping series (R)) 

 squat (C)squat (C) 

 Lunge group (WC)Lunge group (WC)

LATERAL FLEXION LATERAL FLEXION / ROTATION

/ ROTATION

 side lift (SB)side lift (SB) 

 spine twist supinespine twist supine

(SB) (SB)

 side over prepside over prep

(SB) (SB)

 mermaid (R)mermaid (R) 

 side lift w/ PTB (C)side lift w/ PTB (C) 

 side over the boxside over the box

(R) (R) side pike (WC) side pike (WC)   butterfly (C)butterfly (C)   corkscrewcorkscrew advanced (SB) advanced (SB)

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BLOCK

BLOCK 1 - 101 - 10 11 - 2011 - 20 21 ONWARDS21 ONWARDS BACK EXTENSION

BACK EXTENSION  breaststroke prepbreaststroke prep 

 swan prep (SB)swan prep (SB) 

 swan prep (mc)swan prep (mc)

 swan from floorswan from floor

(WC) (WC)

 pulling strap 1,2pulling strap 1,2

(R) (R)

 back extensionback extension

single arm (WC) single arm (WC)   rockingrocking   swan (SB)swan (SB)

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References

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