BASSDRUM
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Railroad Media
Presents...
By Jared Falk, Sean Lang, and
Dave Atkinson
Copyright © 2011 Railroad Media Inc.
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Table Of Contents
Introduction 10 Choosing A Pedal 10Drum Tuning & Muffling 11
Pedal Settings & Adjustments 11
Seat Height & Posture 13
Bass Drum Setup Tips 13
Heels Up Technique 14
Heels Down Technique 14
Flat Foot Technique 15
To Bury Or Not To Bury 15
Conclusion 16 Introduction 17 Beginner Exercises 18 Intermediate Exercises 20 Advanced Exercises 22 Jazz Exercises 24
Developing The Technique 26
Developing The Weaker Foot 27
Pedal Settings 27
Bass Drum Pedals 27
Applying The Technique 28
Beginner Beats 31 Beginner Fills 33 Intermediate Beats 34 Intermediate Fills 36 Advanced Beats 37 Advanced Fills 39
Module #1 -
Module #2 -
Module #3 -
Module #4 -
Getting Started
Bass Drum
Independence
The Heel Toe
Technique
Heel Toe
Exercises
(DVD #1) (DVD #2) (DVD #3) (DVD #3)Copyright © 2011 Railroad Media Inc.
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Introduction 40Footwear & Pedal Settings 41
Developing The Technique 41
Developing The Left Foot 42
Applying It Within A Beat 43
Applying It Within A Fill 44
Beginner Beats 47 Beginner Fills 49 Intermediate Beats 50 Intermediate Fills 52 Advanced Beats 53 Advanced Fills 55
The Element Of Groove 57
Developing Balance & Control 59
Basic 8th & 16th Note Patterns 61
Bass Drum Triplets 62
Foot Assignments 64
Single Stroke Beats 65
Single Stroke Fills 68
Note Value Exercises 70
The Herta Lick 72
Introduction 74
Double Bass Warm-Ups 75
Developing The Weaker Foot 76
Double Bass Slide Triplet 77
Developing Slow Speeds 78
Developing Speed With Single
Strokes 79
Developing Endurance 81
The Swivel Technique 86
Practicing Along To Music 86
Developing Hand & Foot
Independence 87
Ending With Odd Numbers 89
Module #5 -
Module #6 -
Module #7 -
Module #8 -
The Slide Technique
Slide Technique
Exercises
Double Pedal Single
Strokes (Sean)
Double Pedal Single
Strokes (Dave)
(DVD #4)
(DVD #4)
(DVD #5)
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Basic 16th Note Patterns 91
16th Note Triplets With Double
Strokes 93
Herta’s With Double Strokes 94
Beginner Beats 97 Intermediate Beats 99 Advanced Beats 101 Beginner Beats 104 Beginner Fills 106 Intermediate Beats 108 Intermediate Fills 110 Advanced Beats 112 Advanced Fills 114 Introduction 116
One Foot vs. Two Foot 116
Skank Blast 117
Hammer Blast 118
Bomb Blast 119
Gravity Blast 120
Traditional Blast 121
Hybrid Hammer Blast 122
Developing Speed With One Foot 123
Creating Groove Within Blasts 123
5 Stroke Rolls 125
6 Stroke Rolls 126
7 Stroke Rolls 127
9 Stroke Rolls 128
11 Stroke Rolls 129
Swiss Army Triplets 130
Module #9 -
Module #10 -
Module #11 -
Module #12 -
Module #13 -
Double Pedal Single
Strokes (Jared)
Broken Double Bass
Beats
Double Bass
Exercises
Metal & Blast Beats
Rudiments With The
Feet
(DVD #6) (DVD #6) (DVD #6) (DVD #7) (DVD #7)Copyright © 2011 Railroad Media Inc.
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Jared Falk’s Hand To Feet Combos 132
Dave Atkinson’s Hand To Feet
Combos 133
Sean Lang’s Hand To Feet Combos 135
Dave’s Play Alongs 138
Sean’s Play Alongs 139
Jared’s Play Alongs 140
Slide Technique 141
Double Pedal Slide Technique 141
Swivel Technique 141
Double Pedal Double Strokes 142
Double Pedal Single Strokes 142
Feathering The Bass Drum 142
Heel-Toe Technique 142
Heel-Toe Double Stroke Roll 143
Heel-Toe Triple Stroke 143
Heel-Toe Hi-Hat Splash 143
Heel-Toe Over Multiple Pedals 143
Double Stroke Herta’s 143
5 Stroke Rolls 144
6 Stroke Rolls 144
7 Stroke Rolls 144
9 Stroke Rolls 144
11 Stroke Rolls 144
Swiss Army Triplets 144
One Handed Roll 145
Break Beat 145
Double Pedal Single Strokes 145
Single Stroke Four 145
Single Stroke Herta’s 146
Double Pedal Slide Triplet 146
Gravity Blast 146
Module #14 -
Module #15 -
Module #16 -
Module #17 -
Module #18 -
Hand To Feet
Combinations
Drum Play Alongs
(Dave)
Drum Play Alongs
(Sean)
Drum Play Alongs
(Jared)
Slow Motion
(DVD #7) (DVD #8) (DVD #9) (DVD #10) (DVD #11)BASSDRUM
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Introduction 147
Gibraltar Intruder 147
Axis Longboard 148
Tama Speed Cobra 148
Tama Iron Cobra 149
Gibraltar 3311 149
Pearl Eliminator 149
Yamaha Flying Dragons 150
Pearl P900 150
Stomp Drive Direct Drive Retrofit 150
Playing In Unison 151
Double Pedal Boot Camp 151
Flat Foot Technique 154
Double Strokes With One Foot 154
Drum Solo #1 (Dave) 154
Drum Solo #2 (Dave) 155
Drum Solo #3 (Sean) 155
Drum Solo #4 (Sean) 155
Drum Solo #5 (Jared) 155
Drum Solo #6 (Jared) 156
Drum Solo #7 (Jared) 156
Drum Battle #1 157
Drum Battle #2 157
Drum Battle #3 157
Gear Talk 158
Triggers 158
Sean Lang Interview 158
Dave Atkinson Interview 159
Jared Falk 159
Behind The Scenes 159
Credits & Outtakes 159
Track Listing 160
Credits 171
Module #19 -
Module #20 -
Pedal Reviews
Drum Play Alongs
(Dave)
(DVD #11)
Copyright © 2011 Railroad Media Inc.
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Drum Set Notation Key
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x
x
x
x
x
x x
x
z
z
z
z
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y
y
y
y
Å Å Å Å
x
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+
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e e e e
..
..
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>
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!
/ / / /
Snare Drum Ride Cymbal2nd Tom (Mid Tom)
Cross-Stick
Open Hi-Hat
Accented Notes
Bass Drum
Crash Cymbal
3rd Tom (Low Tom)
Ride Cymbal Bell
Closed Hi-Hat
Repeat
Hi-Hat
1st Tom (High Tom)
2nd Bass Drum
Hi-Hat With Foot
Ghost Notes
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Welcome
Welcome to Bass Drum Secrets 2.0! This product gives you all the tools
you need to take your bass drum technique and drumming to the next level
while having a ton of fun. If you’re just getting started, check out the
intro-duction and get to know the men that will always be here to teach you bass
drum techniques: Jared Falk, Sean Lang, and Dave Atkinson.
With this product, practice, patience, and a very strong will to succeed will
get you on your way to becoming the drummer you aspire to be. As you
make your way through the exercises in this product, always remember
that it takes hard work and a lot of perseverance to become proficient with
any musical instrument. If you keep at it you WILL succeed. Just keep a
positive mind-set and most important of all, enjoy the ride.
Copyright Copyright © 2011 Railroad Media Inc.
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DVD #1
Module #1 - Getting Started
Introduction
The “Getting Started” Module is the perfect introduction to BDS 2.0. You will get to know your three instructors: Jared, Sean, and Dave while learning essential bass drum fundamentals.
Lessons Include:
Choosing A Pedal
•
•
Bass Drum Setup Tips
Drum Tuning & Muffling
•
•
Heel Up Technique
Beater Choice
•
•
Heel Down Technique
Pedal Settings & Adjustments
•
•
Flat Foot Technique
Seat Height & Posture
•
•
To Bury Or Not To Bury
Bass Drum Speed Tips
•
Choosing A Pedal
With the amount of different brands and pedal specifications that we have at our disposal nowadays, choosing a bass drum pedal can be a daunting task. Like drumsticks, what to look for in a bass drum pedal can be very sub-jective – it depends heavily on your personal requirements. In this lesson, Jared, Sean and Dave, share their thoughts on what they look for when choosing a bass drum pedal, which will give you a greater level of confidence and knowledge when choosing one for yourself. What’s great about this lesson is that you’ll get three different sets of opinions from three very experienced drummers that have gone through many bass drum pedals. The tips and tricks shared here will help you attain a better understanding on what you should look out for in regards to build quality, features, and feel. Refer to page 146 for a number of detailed pedal reviews.
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Drum Tuning & Muffling
Like most things related to drumming, a good bass drum sound depends on numerous factors. Having a good understanding of some of them will help you shape the sound to your liking. There’s no such thing as “the right way” or “the only way” to tune or muffle a drum. In the video, Jared, Sean, and Dave go over
their personal muffling and tuning preferences. This lesson is filled with great tips and tricks regarding not only tuning and muffling, but drumhead selection and tuning for gigs.
The more time you spend experimenting with differ-ent types of tuning, drumheads, muffling, and miking techniques, the better you’ll understand the steps you’ll need to take in order to achieve the sound you
want. It’s all about how you want to sound. If you don’t know how you want to sound, focus on the bass drum sound of some of your favorite drummers and favorite record-ings for inspiration.
Beater Choice
Choosing a beater is often overlooked by drummers. We tend to focus our attention on bass drum pedals, muffling and tuning tech-niques, however the type of beater you use influences your sound and overall feel. In this lesson, Jared, Sean, and Dave discuss how the material of beaters influences the sound, tone, and feel you get from the bass drum and auxiliary percussion. They also give some insight on what types of beaters to use on electronic drums, and how the weight of the beater influences the way you play.
Copyright © 2011 Railroad Media Inc.
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Pedal Settings & Adjustments
Bass drum pedals are extremely adjustable. Even the cheapest ones have quite a few options. It can be overwhelming to figure out exactly how each setting will affect pedal response and feel, and how to use them to get the pedals to behave as you want them to. To help you out on this, Jared, Sean, and Dave discuss some of the most common pedal set-ups, and share some cool tips and tricks that will have you spending more time playing the pedals than setting them up.
When it comes time to adjust your bass drum pedals, you have to be aware that you’ll get a different response and feel from them as you change their settings. Jared, Sean, and Dave go over their own preferences in this lesson, with results from various years of experimentation. Use their tips as a guide as you mess around with your pedal settings. As you’ll get to see from Jared’s preferences, even the weirdest settings can work very well. Don’t be afraid to experiment and focus on comfort and results.
Adjust Spring Tension
Loosen The Screw
Adjust Both Beaters To The Same Height
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Seat Height & Posture
A well set up throne and proper posture will enhance your drumming. Seat height and posture also allow you to play comfortably for longer periods at a time. This makes it much easier for you to enjoy the time you spend behind the kit. In this lesson, Jared, Sean, and Dave go over their drum throne preferences, the way they sit behind a drum set, and discuss the advantages of their methods. They give you an overview of some of the most common problems you’ll find when using improper posture and seat height.
A good stool is a very important tool in help-ing you keep a proper posture behind the drum set. A drum throne with a back rest is a great example. It prevents you from
straining your back and avoiding long term injuries. You don’t have to buy a stool with a back rest like Jared’s, but don’t forget to think about your comfort first and foremost the next time you go out to buy a new throne.
Bass Drum Setup Tips
A drum kit set up to suit your body speci-fications makes a huge difference in your playing. Don’t underestimate the power of comfort when playing drums. The more comfortable you are the better you’ll be able to play and for longer peri-ods of time. In this lesson, Jared, Sean, and Dave dive into the world of bass drum setup, discussing bass drum and pedal positioning.
Copyright © 2011 Railroad Media Inc.
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Heels Up Technique
The heel up technique is used by the majority of rock and double bass drummers. The idea behind this technique is that of keeping the heel off of the foot plate while you perform a stroke using your whole leg. This way you can get a lot of volume and power from each stroke, especially when compared to the heel down technique. In this video lesson, Jared, Sean, and Dave discuss the heel up technique, how to execute it prop-erly, and how to play it without burying the beater.
Heels Down Technique
With the heel down technique the heels never lift off of the pedal. It’s a great technique for soft playing. For example, it’s a very common technique in jazz drumming. Thomas Lang however uses it for powerful and fast playing, so this technique is very versatile. In this lesson, Jared, Sean, and Dave, discuss the heel down technique and how it can be applied to your drumming.
The way you use this technique will depend greatly on the type of sound you wish to produce. You can bury the beater on the drumhead, which is great for rock and all types of heavy music since the strokes generate a lot of power and volume, while choking the sound of the bass drum at the same time. You can play a stroke and let the beater re-bound, which creates a fat and resonant sound, which is great for playing funk and any type of groove based music. In the video, Jared demonstrates how he keeps the beater off of the drumhead while using the heel up technique. If you want to know more about burying the beater, check the lesson “To Bury Or Not To Bury” in this module on page
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The muscles we use the most for playing the heel down technique are commonly un-derdeveloped, since there are very few things we do on a day-to-day basis that uses them. Heel down playing is one of the few things we can do to exercise those muscles. Strengthening them will get you playing heel down with more speed, power, and control. You must be patient when practicing this technique. It takes quite a long time to develop any muscle. Practicing heel down playing for long periods of time is the best way to ensure a fast muscle growth.
Flat Foot Technique
The flat foot technique is basically a hybrid foot technique for playing fast strokes with your feet. It’s not heel up nor heel down, it’s a mix between both. In this lesson, Sean Lang introduces you to the flat foot technique, showing exactly how it’s played and how it works.
This is an introductory lesson on the flat foot technique. For further explanation of the Flat Foot Technique check out Sean’s in depth explanation of it in Module #20.
To Bury Or Not To Bury
Burying the beater is when you keep it in contact with the bass drum head right after performing a heel up stroke, and actually chokes the sound of the bass drum. This technique is often associated with rock drummers. In this next video, Jared, Sean, and Dave discuss the advantages and disadvantages of burying the beater into the bass drumhead.
Copyright © 2011 Railroad Media Inc.
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To Bury Or Not To Bury
(Continued)Burying the beater is usually a side effect of heel up playing. If you want to be an all-around drummer, using this technique all the time won’t get you far. Jazz, R&B, Latin, and even some styles of rock require a more open tone from the bass drum. It’s impor-tant you learn how to play the bass drum with and without burying the beater. There are two good approaches for getting your beater to stay off of the drumhead.
The first one is by using heel down playing. Due to the low pressure the ball of the foot has on the foot plate, it’s easy for the beater to just bounce back after hitting the bass drum. The second one is actually executed while in heel up position. Right after per-forming a stroke, relax the ball of the foot and let it come down to rest on the pedal. This is something hard to get at first, but like everything, diligent practice will allow you to master this approach. Watch Jared in this video as he demonstrates how he keeps the beater off of the drumhead while using heel up technique. Use his demo to study the required motions to play heel up without burying the beater.
Conclusion
This first module focuses heavily on gear tips, setup, and basic foot technique. Although you can skip it all together and go right to the instructional portion of Bass Drum Se-crets, we encourage you to make sure you go through all the lessons here. They are valuable resources that will really help you make the right decisions for your drumming techniques. The lessons contain material to which Jared, Sean, and Dave will refer back to during the other modules, so it’s best if you just watch them before the rest so you won’t get lost later on.
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Module
2
Introduction
Total independence is one of the most sought out things in the world of drum-ming. Independence is what lets you perform whatever you feel like playing with each limb at a given time. Much like everything drum related, for get-ting more independence takes prac-tice. This next video is an introductory lesson to bass drum independence. Here, Jared Falk explains what you can expect from this module, what type of exercises you’ll be working on, and gives you two very cool exercises for you to start working on your bass drum independence right away.
The hand patterns provided with this lesson will be heavily used in the lessons included in this module. Nevertheless, you can combine them with every foot pattern included in the Bass Drum Secrets as well. So, once you’ve gone through a lesson in this product, go back to it and play these hand patterns with the foot patterns notated in the exercis-es. This is a great way for working on new ideas, independence, and to expand on the material included in this pack.
DVD #2
Module #2 - Bass Drum Independence
Module
2
Bass Drum Independence is something that a lot of drummers struggle with. Separating your hands from your feet and your right foot from your left foot is no easy task. That’s where this module hits the mark. It includes beginner, intermediate, and advanced hand patterns that are designed specifically to take your bass drum independence to the next level. Then once you have completed the module, you can apply your new skills with some of the included drum play along songs.
Lessons Include:
Introduction
•
Beginner Exercises
•
Intermediate Exercises
•
Advanced Exercises
•
Jazz Exercises
•
Copyright © 2011 Railroad Media Inc.
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Module2
DVD #2 | Module #2 - Bass Drum Independence
Beginner Hand Patterns
Welcome to the beginner section of the Bass Drum Independence Module. Here we have given you six hand patterns and ten beginner foot patterns to combine. For each hand pattern, you go through all ten foot patterns with your dominant foot. The level of difficulty increases as you progress through each pattern. In the video, Jared takes you through some combinations between the hand and foot patterns, so you can see exactly how they should be played. Although the material in this lesson is mostly used for devel-oping your independence, you can still apply it to your everyday playing.
Once you can play these combinations accurately, go through them once again adding the hi-hat foot as notated on the sheet music on page 25. You can further expand on these combinations by having your weaker foot play the bass drum patterns instead, use the hi-hat pedal to play them if you only have one bass drum pedal. Once you have that down, go through all combinations by playing the bass drum patterns with the weaker foot and the hi-hat foot patterns with the stronger foot. All of these different com-binations are awesome for developing control and independence with your weaker foot.
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1) 2) 3) 4) 5) 6) 5) 6)1
001-0201
041-0601
081-1001
021-0401
061-0801
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Module
2
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Beginner Foot Patterns
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Module2
DVD #2 | Module #2 - Bass Drum Independence
Intermediate Hand Patterns
Much like the beginner lesson on bass drum independence, in this lesson, Jared takes you through all possible combinations between six hand patterns and ten intermedi-ate foot patterns, so you can see exactly how they sound and how they should be played. The hand patterns are exactly the same as the ones used in the beginner les-son. The difference here is in the foot patterns, which are based around 8th and 16th notes. These patterns are challenging so make sure you start slow, get the sequence of strokes down, and then slowly increase the tempo. It’s very important that you’ve taken the time to go through the beginner lesson before trying these exercises.
Again, once you can play these combinations accurately, go through them once again adding the hi-hat foot as notated on the sheet music on page 25. These six hand pat-terns can be used in other lessons as well. You can do so by taking any beat from Bass Drum Secrets, remove the original hand pattern and add one of these six on top of the notated foot pattern. This is a great way of expanding the material on this training pack.
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1) 2) 3) 4) 5) 6) 6)1
121-1401
161-1801
201-2201
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Module
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DVD #2 | Module #2 - Bass Drum Independence
Intermediate Foot Patterns
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110 1301
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Module2
DVD #2 | Module #2 - Bass Drum Independence
Advanced Hand Patterns
In this lesson, Jared takes you through multiple combinations between six hand patterns and ten advanced foot patterns, so you can see exactly how they sound and how they should be played. The hand patterns are exactly the same as the ones used in the be-ginner and intermediate lessons. He also teaches you how to continue to work on foot independence once you’re done with the exercises provided in this module. Make sure you’ve been through the beginner and intermediate lessons on bass drum indepen-dence before diving into these patterns as these are very challenging. Remember, start slowly, learn the sequence first, and then increase the tempo gradually.
The hand and foot patterns that we’ve given to you in these lessons on bass drum in-dependence can be mixed and matched to create new combinations for you to work on. For instance, take the first count of hand pattern #5 and use it to replace the third count on hand pattern #2, and take the second count of hand pattern #6 and replace the sec-ond count of hand pattern #2 with it. Then, take this new hand pattern and go through the beginner, intermediate, and advanced foot patterns. This is not only a cool way of coming up with new exercises, but also of creating new drum beats. Use this concept for creating new foot patterns as well.
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1) 2) 3) 4) 5) 6) 6)2
001-0202
041-0602
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061-0802
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Module
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Advanced Foot Patterns
DVD #2 | Module #2 - Bass Drum Independence
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1) 2) 3) 4) 5) 6) 7) 8) 9) 10) 110 1302
110 1302
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110 1302
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Module2
DVD #2 | Module #2 - Bass Drum Independence
Jazz Exercises
It’s essential to develop a solid understanding of jazz independence for “comping” purposes. Comping is a term used in jazz music to refer to the ability of complementing or accompanying other musician’s musical phrasing. The more you work on jazz inde-pendence the easier it will be for you to react on the spot with what other musicians are doing. In this lesson, Jared introduces you to the world of jazz bass drum independence by showing you how to play ten bass drum patterns based in 8th note triplets. Practicing jazz comping will also do wonders for your blues, hip-hop, reggae, and shuffle playing.
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1) 2) 3) 4) 5) 6) 7) 8) 9) 10) 1202
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Module
2
DVD #2 | Module #2 - Bass Drum Independence
Additional Independence Exercises
To make the previous hand patterns even more challenging, consider adding in the hi-hat foot on the following counts. This will help further build your independence between all four of your limbs.
For even further work on your independence, play the hi-hat with your weaker hand and the snare drum with your stronger hand while going through different foot patterns. This is a great idea for strengthening your weaker hand and for developing control and inde-pendence with it as well.
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1) 2) 3) 4)Copyright © 2011 Railroad Media Inc.
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Module3
Developing The Technique
The heel-toe technique has been around for quite some time, but only recently has it become very popular amongst the drumming community. This is a great technique for playing fast double strokes with the feet, much like the slide technique. It is argued that the heel toe technique is easier to control than the slide technique, since you’re only re-quired to learn the correct foot motion instead of having to spend time building your leg muscles. In this lesson, Jared Falk breaks down the heel-toe technique for you, show-ing you exactly how and what to practice to develop it. He also takes the time to debunk some of the more common myths associated with the heel-toe technique as well, like foot size, type of footwear, and type of bass drum pedal.
As you practice this technique, strive for having the two motions meld into one single rocking motion with the foot. The rocking motion is what will enable you to play a fast double, since you’ll get two strokes from one single motion. Don’t slam the foot too hard onto the footboard when playing the heel stroke; easy does it. It may take you five minutes, or it may take you five hours to learn how to play this technique. Time doesn’t really mat-ter here, you can do it. You just have to be very patient and keep at it.
DVD #3
Module #3 - The Heel Toe Technique
The heel-toe technique has always been somewhat of a mystery to many drummers. When taught correctly, it can be learned in a few short minutes. However, without proper instruction, it can easily take days or even weeks of trial-and-error to get it working. This module simplifies the process and teaches you how to play the heel toe technique with step-by-step examples. You will learn how to master the technique and how to apply it within your drumming.
Lessons Include:
Developing The Technique
•
•
Bass Drum Pedals
Developing The Weaker Foot
•
•
Applying The Technique
Pedal Settings
•
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Module
3
Developing The Weaker Foot
Having the ability to play the heel-toe technique with your feet will take your drum-ming to a whole new level. Even if you don’t use a double bass pedal you still have the hi-hat pedal and the bass drum pedal to work with, so you’re still a double pedal drummer. Heel-toe works great on the hi-hat, enabling you to play very fast hi-hat splashes. Watch this drum lesson and find out how to develop heel-toe with your weaker foot, so you can use it on the hi-hat pedal, on your second bass drum pedal or even on an auxiliary percussion pedal.
Pedal Settings
If you only have a really cheap double bass or single bass drum pedal, don’t worry about it. The heel-toe technique can be performed on virtually any pedal there is. You don’t need to have the most expensive pedal on the market that features eighty different adjustments to be able to play this technique. In this lesson, Jared Falk shows exactly what you can adjust on your pedal that will help you play the heel-toe technique with ease.
Bass Drum Pedals
Virtually any pedal works with the heel-toe tech-nique. The type of pedal you use depends on your own personal preferences. In this lesson Jared shares his thoughts on a few pedals he thinks have the best price/quality relationship for playing the heel-toe technique. If you’re thinking of up-grading to a new bass drum pedal, this lesson will be very helpful.
In the video, Jared shares three pedal possibili-ties for you to purchase. However, as you may be well aware of, there are a ton more out there that could be better for you. So after you’re done with this video, check out module 19 for pedal reviews on the models Jared talked about in this video, as well as some other very popular bass drum pedals.
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Module3
DVD #3 | Module #3 - The Heel Toe Technique
Applying The Technique
This lesson is where the fun really begins. Here, you’re introduced to your first drum beats and drum fills that incorporate the heel-toe technique. If you haven’t taken the time to work on the previous lessons from this module, make sure you go over them first. Doing so will enable you to go through these exercises a lot quicker and with better sounding results.
Applying the heel-toe technique to the drum set is the next natural step. Each exer-cise on this lesson works on different aspects of this technique. You have very differ-ent note values to work with, some hand-to-feet combinations, and single stroke roll to double stroke roll transitions. Jared also teaches you how to play a triple stroke using heel-toe, as well as how to use the heel-toe technique on the hi-hat pedal.
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1) 2) 3) 4)Let’s start practicing the heel-toe technique by playing this beat on the drum-set.
Next, let’s use the technique within a simple drum fill.
Now we’ll apply the technique to the double pedal and play the beat below.
Take your time developing this next fill. Start at a tempo that you feel most comfort-able playing the technique. From there, you can slowly speed it up over time.
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Module
3
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8) 9) 10) 6) 7) 5)The below exercise is just one example of how the heel-toe technique can be used to play quick triple strokes.
Use this exercise to independently work on your right and left foot.
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Module4
DVD #3
Module #4 - Heel Toe Exercises
Module #3 is dedicated to teaching you how to develop the heel-toe technique accurate-ly. Once you’ve been through its lessons and are able to play the heel-toe comfortably with at least one foot, you can start working on the exercises Jared Falk included in this module.
This fourth module covers beginner, intermediate, and advanced drumming patterns that make specific use of this unique technique. These examples will help you get started with incorporating double strokes in beats, and will leave you well prepared for creating your own unique heel-toe-based beats and fills in the future!
If you use a different technique from the heel-toe, like the slide technique for instance, you can still use every exercise in this module. You just have to replace the heel-toe double strokes with the technique you’re most comfortable with to perform bass drum double strokes. Once you’ve mastered these exercises, go through all of them with your weaker foot as well.
Lessons Include:
Beginner Beats
•
•
Intermediate Fills
Beginner Fills
•
•
Advanced Beats
Intermediate Beats
•
•
Advanced Fills
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4
DVD #3 | Module #4 - Heel Toe Exercises
Beginner Beats
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1) 2) 3) 4) 5) 100 1502
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Module4
DVD #3 | Module #4 - Heel Toe Exercises
Beginner Beats
(continued)
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6) 7) 8) 9) 10) 100 1502
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DVD #3 | Module #4 - Heel Toe Exercises
Module
4
Beginner Fills
The number of drum fills you can come up with is not limited by the number of ex-ercises on the Bass Drum Secrets, it’s limited only by your imagination. Like Jared states in the video, after you’ve mastered the fills as notated, you can start by mov-ing your hands around different drums and cymbals to come up with new variations. Other cool things you can do include playing some of the double strokes with the hi-hat pedal instead, playing the doubles as singles and spread them between the two pedals, and changing the sticking pattern of the hand strokes.
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1) 2) 3) 4) 5) 120 1602
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DVD #3 | Module #4 - Heel Toe Exercises
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Module4
Intermediate Beats
After you’ve been through the beginner drum beats and drum fills in this module, we recommend checking out this lesson next. These ten intermediate exercises are designed to get you working with heel-toe on 16th note triplet foot patterns. These drum beats are for you to exercise the heel-toe technique and to inspire new ideas in your playing.
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1) 2) 3) 4) 080 1002
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Module
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Intermediate Fills
DVD #3 | Module #4 - Heel Toe Exercises
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Module4
Much like the lesson on intermediate drum beats played with the heel-toe technique, the following exercises are focused heavily on 16th note triplets. In this video, you’ll find five hand to feet combinations and some tips to help you improve the time you spend behind a drum set practicing these drum fills.
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3 1) 2) 3) 4) 5) 100 1402
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DVD #3 | Module #4 - Heel Toe Exercises
Module
4
Advanced Beats
The ten advanced drum beats Jared created for you in this lesson are built upon the beginner and intermediate videos. These beats incorporate the rhythmic themes of those lessons, 16th notes and 16th note triplets, as well as 32nd notes, linear drum beats, tom patterns, and even some syncopation with the snare drum. You’ll have a blast with this one.
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1) 2) 3) 4) 5) 080 1302
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197198 080 1102
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DVD #3 | Module #4 - Heel Toe Exercises
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Advanced Beats
(continued)
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203204 080 1102
205206 080 1102
207208 080 1202
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DVD #3 | Module #4 - Heel Toe Exercises
Module
4
Advanced Fills
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1) 2) 3) 4) 5)In this lesson, Jared Falk teaches you how to execute five advanced drum fills based on 32nd notes. He also gives you some cool tips on how to create fills as well as how to practice the exercises here so you can see big results quickly. Remember to work on the beginner and intermediate heel-toe drum fills before taking on these ones. 070 100
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Module5
DVD #4
Module #5 - The Slide Technique
This module covers the slide technique, a popular alternative to the heel-toe technique. The slide technique can be used in many different styles of music and is a natural way to play quick double strokes.
Introduction
In this lesson, Dave Atkinson introduces you to the slide technique. The slide technique is Dave’s weapon of choice for playing fast double strokes with a single pedal. This is an awesome technique to learn and develop, and much like the heel-toe, it will let you add some doubles here and there without the need to use a double bass drum pedal.
Lessons Include:
Introduction
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•
Developing The Left Foot
Footwear & Pedal Settings
•
•
Applying It Within A Beat
Developing The Technique
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5
Footwear & Pedal Settings
How important is the type of shoes I wear? What about playing with socks or barefoot? I have big feet, will I be able to perform this technique properly? How do I setup the pedals to improve my playing experience? If these are some of the questions you have regarding this technique, then look no further. In this lesson, Dave answers all of those questions and much more.
Developing The Technique
This technique may take a little longer to master than heel-toe, since it’s not only required of you to learn the proper motions behind the technique, but to spend some time building your leg muscles to perform it at faster tempos. In this lesson, Dave breaks down the slide technique for you, showing you exactly how and what to prac-tice to develop it. Below are five basic exercises for you to start practicing the slide technique.
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DVD #4 | Module #5 - The Slide Technique
Module
5
Developing The Left Foot
Having the ability to play the slide technique with both feet will take your drumming to a whole new level. Even if you don’t use a double bass pedal you still have the hi-hat pedal and the bass drum pedal to work with. Watch this drum lesson and find out how to develop the slide technique with your weaker foot, so you can use it on the hi-hat pedal, on your secondary bass drum pedal or even on an auxiliary percussion pedal.
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230BASSDRUM
SECRETS
BASSDRUM
SECRETS
Copyright © 2011 Railroad Media Inc.
43
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BASSDRUM
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SECRETS
DVD #4 | Module #5 - The Slide Technique
Module
5
Applying It Within A Beat
Now that you’ve learned how to play the slide technique with at least one of your feet, it’s time to put it to good use. In this lesson, Dave Atkinson teaches you how to play eight drum beats that incorporate the slide technique. The exercises you’ll find in this lesson range from punk, to shuffle and even samba based drum beats. As you play these exercises you’ll start to realize that the slide technique is applicable to all different styles of music.