Iron Maiden
Iron Maiden
Anthology
Aces High - 02 Be Quick or Be Dead – 11 Bring Your Daughter To The Slaughter – 22 Can I Play With Madness – 35 Fear Of The Dark – 44 Flight Of Icarus – 59 Hallowed Be Thy Name – 68 Iron Maiden – 81 Killers – 88 No Prayer For The Dying – 103 Powerslave – 116 Revelations – 126 Running Free – 135 Run To The Hills (PVG) – 141 Run To The Hills – 147
The Evil That Men Do – 156 The Number of the Beast – 171 The Phantom Of The Opera - 182 The Trooper – 200 Two Minutes To Midnight – 210 Wasted Years – 224 Wrathchild – 233
Digital Conversion © 2011 Sorgdal Disclaimer: This is not the official sheet music release for this artist, but rather my own digital offering. No warranty is expressed or implied regarding the usability of this score, nor do I make any Sorgdal
Intro
Moderately fast q = 160
Guitars:
Transcribed by Paul Pappas
Dave Murray Adrian Smith
Aces High
Words and Music by Steven Harris
from Iron Maiden - Powerslave
Copyright © 1984 by Iron Maiden Holdings Ltd.
All Rights in the United States and Canada Administered by Universal Music - Z Tunes LLC International Copyright Secured All Rights Reserved
Reprinted by Permission of Hal Leonard Corporation
1., 2., 3. 4. *Gtr. 1 (dist.) f ***F#m open 1 1 A5 1 3 F5 1 3 G5 1 3 C5 5fr 1 3 D5 1 3 B5 1 3 4 G5 7fr 1 3 E5 D E P.M. *Adrian Smith **Gtr. 2 (dist.) f P.M.
**Dave Murray ***Chord symbols reflect overall harmony.
P.M. D P.M. E P.M. P.M. 6 7 4 6 6 4 6 7 4 6 6 4 6 7 4 6 6 4 6 7 4 6 4 7 6 7 4 6 4 7 6 4 5 7 5 7 6 7 7 4 6 6 4 6 7 4 6 6 4 6 7 4 7 6 4 6 4 7 6 7 5 7 5 7 6 7 4 6 4 7
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1
Faster q = 252 Play 4 times Am F G There Move 1. 2. Verse E5 goes in F#5 the to G5 si fire A5 ren at G5 - that the F#5 warns main E5 of stream G5 the of F#5 air bomb D5 raid, ers. F#5 -D5 Gtrs. 1 & 2 Rhy. Fig. 1 then Let E5 comes off F#5 the the G5 sound sharp A5 of burst G5 the and F#5 guns then E5 send turn G5 ing a F#5 - flak. way. D5 -
End Rhy. Fig. 1
5 4 5 4 5 4 5 5 5 5 4 5 4 5 4 3 3 5 3 5 4 7 5 7 5 7 5 5 5 7 7 5 7 5 7 5 5 4 4 5 4 7 5 7 9 9 11 10 12 12 14 10 12 9 11 7 9 10 12 9 11 5 7 9 11 9 11 5 7 7 9 9 11 10 12 12 14 10 12 9 11 7 9 10 12 9 11 5 7
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2
Out Roll
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5 for o F#5 the ver, G5 -scram spin A5 ble, ’round G5 - we’ve to F#5 got come E5 to in G5 get be F#5 air hind D5 -borne. them. F#5 -D5 Got Move E5 to to F#5 get their G5 up blind A5 for sides G5 -the and F#5 com fir E5 ing ing G5 -at a F#5 tack. gain. D5 - Jump Ban A5 in dits B5 -the at C5 cock eight D5 pit o’ C5 - and clock B5 -start move A5 up in C5 the be B5 en hind G5 -gines. us, B5 -G5 Re - Gtrs. 1 & 2 Rhy. Fig. 2 move ten A5 all M B5 the E C5 wheel one D5 blocks, o C5 -there’s nine’s B5 -no out A5 time of C5 to the B5 waste. sun. G5 As -
End Rhy. Fig. 2
Gath cend
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5 er ing B5 -ing and C5 - speed turn D5 as ing C5 -we our B5 head Spit A5 down fires C5 -the to B5 run face G5 way, them, B5 -G5 0 2 2 4 3 5 5 7 3 5 2 4 0 2 3 5 2 4 3 5 24 3 5 0 2 2 4 3 5 5 7 3 5 2 4 0 2 3 5 2 4 3 X0 0 3 3
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3
1. 2. got head A5 ta ing B5 -get straight C5 air for D5 borne them C5 - be I B5 fore press A5 - it’s down C5 too my B5 late. guns. G5 Run Roll 1., 2. 3., 4. Pre-Chorus Em nin’ in’, -* scramb turn lin’, in’, -* fly div in’. in’. -*
Am Gtr. 1 Gtr. 2*w/ echo set for half-note regeneration w/ 1 repeat, next 7 meas.
Roll Em in’, -* turn in’, -* div in’. -* Go Am ing - in a gain. -Am 5 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 4 7 5 4 7 5 0 5 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 4 7 5 7 5 4 0 5 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 7 5 4 5 5 7 5 4 5 5 7 7 7 7 5 7 7 7 7 7 7 7 7 7 5 4 7 5 7 5 4 7 5 7
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4
Run, Chorus E5 live C5 to D5 fly, E5
Gtrs. 1 & 2 Rhy. Fig. 3 End Rhy. Fig. 3
fly
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (1 3/4 times)
C5 to D5 live, E5 do C5 or D5 die. E5 Won’t C5 you D5 run? G5 Live Eb5 to F5 Gtrs. 1 & 2
Rhy. Fig. 4 End Rhy. Fig. 4
fly,
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (3 times)
G5 fly Eb5 to F5 live, G5 *Gtr. 3 (dist.) f _1 _1 _1 _1 _1 _1 steady dive Harm. w/ bar
*Adrian Smith Pitch: D G
_1 _1 _1 _1 _1 _1 –1 –4 1/2 –5 –6 0 7 9 7 9 3 5 5 7 0 7 9 7 9 0 7 9 7 9 3 5 5 7 3 X0 0 3 3 6 8 8 10 5 5 5 5 5 5 5 5
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5
C o T oda 1. 2. ac Gtr. 3 tacet Eb5 es F5 - high. G5 Eb5 F5 Gtrs. 1 & 2 Interlude A5 P.M. D5 A5 P.M. P.M. D5 A5 P.M. *Gtr. 4 Gtrs. 1 & 2 divisi (cont. in slashes) *Dave Murray ** **Gtr. 4 to the left of slash in tab. Gtrs. 1 & 2 Guitar Solo Rhy. Fig. 5 ***A5 F5 Gtr. 4 3 3 3
***See top of first page of song for chord diagrams pertaining to rhythm slashes. 1/2 1 0 2 3 3 0 0 3 2 0 57 57 0 3 3 0 0 3 2 0 3 0 2 0 2 0 3 3 0 0 3 2 0 57 57 0 3 3 0 0 3 2 0 3 0 2 3 2 0 3 0 2 X X
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
G5 A5 C5
End Rhy. Fig. 5
D5 3 1 1
Gtrs. 1 & 2: w/ Rhy. Fig. 5
A5 F5 3 3 3 3 3 3 3 3 3 3 3 3 G5 A5 C5 D5 8v a 3 3 3 3 3 1 Gtrs. 1 & 2 Rhy. Fig. 6 Gtr. 4 tacet B5 G5open A5 *Gtr. 5 (dist.) f *Adrian Smith
7 7 5 8 8 8 5 7 5 7 5 7 5 7 5 7 5 7 5 7 0 8 5 0 7 5 0 8 5 0 7 5 0 8 5 0 7 5 0 7 5 0 7 5 0 8 5 0 7 5 0 8 5 0 7 5 0 8 10 10 13 14 12 14 12 14 12 14 12 13 12 1412 13 15 12 13 12 15 15 15 15
10 12 0 10 14 0 10 12 0 10 14 0 10 12 0 10 14 0 10 12 0 10 14 0 10 12 0 10 14 0 0 0Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
2nd time, D.S. al Coda B5 D5 E5
End Rhy. Fig. 6
P.H. 15 ma loco P.H. 15 ma loco
Gtrs. 1 & 2: w/ Rhy. Fig. 6
B5 rake G5 A5 3 1 1/2 B5 3 P.H. 3 P.H. 3 D5 3 P.H. 3 E5 Pitch: G# C# A# B 1 1 1 Gtr. 5 Gtrs. 1 & 2 divisi Interlude 2nd time, Gtr. 5 tacet A5 Gtrs. 1 & 2 1st time, Gtr. 5 tacet P.M. D5 A5 P.M. P.M. D5 A5 P.M.
12 0 10 0 8 0 10 0 8 0 7 0 8 0 7 0 5 0 7 0 8 0 7 0 6 6 7 9 X 7 10 9 7 9 9 7 9 9 9 7 9 99 77 9 7 9 5 5 0 7 10 7 11 9 8 7 9 8 7 7 16 15 17 17 17 15 17 0 2 17 3 3 0 0 3 2 0 57 57 0 3 3 0 0 3 2 0 3 0 2 0 2 0 3 3 0 0 3 2 0 57 57 0 3 3 0 0 3 2 0 3 0 2Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
Coda Play 3 times Free time rit. rit. Gtr. 1 Outro Am F G Gtr. 2 Am F G 3 3 Gtr. 4 Gtr. 5 divisi Am A5 µ 3 3 Gtr. 2 divisi Gtr. 1 fdbk. Pitch: E 5 4 5 4 5 4 5 5 5 5 4 5 4 5 4 3 3 5 3 5 4 7 5 7 5 7 5 5 5 7 7 5 7 5 7 5 5 4 4 5 4 7 5 5 4 5 4 5 4 5 5 5 5 4 5 4 5 4 4 3 3 3 5 3 5 3 1 4 7 5 7 5 7 5 5 5 7 7 5 7 5 7 5 5 4 4 4 5 4 5 4 2 5 9 8 7 9 7 5 6 8 6 5 4 3 5 5 7 6 5 5 5 4 7 5 7 5 5 2 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
Intro
Fast Rock q = 256
Be Quick or Be Dead
Words and Music by Bruce Dickinson and Janick Gers from Iron Maiden - Fear of the Dark
Copyright © 1992 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc.
International Copyright Secured All Rights Reserved
*Gtrs. 1 & 2 (dist.) µ (Drums) ** XIII G5 f 8fr 134 F5 6fr 13 Bb5 10fr 134 G5 4fr 13 Ab5 10fr 1341 Gsus2 10fr 13 D5 8fr 13 C5 10fr 11 G5/D 8fr 11 F5/C 13fr 13 F5 11fr 13 Eb5
*Composite arrangement **Chord symbols reflect implied harmony.
F5 Eb5 C5 G5 Riff A F5 Eb5 C5 G5 Ah, F5 Eb5 C5 G5 3 5 0 0 0 1 0 3 0 1 0 0 3 3 3 3 5 0 0 0 1 0 3 0 1 0 3 3 3 5 0 0 0 1 0 3 0 1 0 0 3 3 3 5 0 0 0 1 0 3 0 1 0 3 3 3 5 0 0 0 1 0 3 0 1 0 0 3 3 3 3 5 0 0 0 1 0 3 0 1 0 3 3
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ow! F5 Eb5 C5 Bb5 End Riff A Cov ser Verse 2nd time, Gtr. 2: w/ Fill 1 1. G5 ered pent -in is sin crawl ners ing -and in drip side -ping of - with your guilt. ear. D5 Eb5 He Rhy. Fig. 1 P.M. Mak says G5 ing you - your must mon vote ey for - from what slime you Bb5 and want C5 from to filth. hear. Eb5 Bb/D Pa Don’t - P.M.
End Rhy. Fig. 1
Gtr. 3 Fill 1 3 3 5 0 0 0 1 0 3 0 1 0 0 3 3 3 5 0 0 0 1 0 3 0 1 0 3 1 0 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 7 6 8 6 8 1 3 3 3 3 3 3 3 3 3 3 3 3 3 1 3 3 5 6 8 5 8 5 8 10
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rad mat
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G5 ing ter -your what’s bel wrong lies - in as i long as vo - ry you’re - tow all D5 ers. -right. Eb5 In - vest Call G5 ing your - our self -lives stu - pid in your and schemes rob Bb5 and your C5 your self -pow blind. Eb5 ers. -Bb/D 3rd time, Gtr. 4: w/ Fill 2 C5 Pre-Chorus
You’ve got to watch them, be quick
Bb5 or be dead. F5 Gtrs. 1 & 2 Rhy. Fig. 2 P.M. Snake C5
eyes in heav - en, the thief’s
Bb5
in your head.
Eb5 Bb/D Eb5
P.M.
End Rhy. Fig. 2
Gtr. 4 Fill 2 8v a 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1 1 1 1 1 1 1 68 58 68 18 18
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2 To Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 2
C5
You’ve got to watch them, be quick
Bb5 or be dead. F5 Snake C5
eyes in heav - en, the thief’s
Bb5 in your head. Eb5 Bb/D Eb5 Chorus G5 Eb5 D5 Be Bb5 G5 Gtr. 1 Gtr. 2 divisi quick or be dead. Eb5 D5 Be Bb5 G5 Riff B
Riff B1 End Riff B1
End Riff B
quick,
Gtrs. 1 & 2: w/ Riffs B & B1
*w/ echo set for whole-note regeneration w/ 2 repeats. * or Eb5 be D5 Bb5 G5 3 10 7 14 5 12 6 3 13 10 5 12 3 10 5 3 12 10 3 10 6 13 3 3 10 10 136 136 136 125 13 10 6 3 3 10 7 14 5 12 6 3 13 10 5 12 3 10 5 3 12 10 3 10 6 13 3 3 10 10 136 136 136 125 13 10 6 3
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1 To Coda dead. * Eb5 D5 Bb5 F5 Gtr. 1 Gtr. 2 divisi (cont. in slashes)
*w/ echo set for whole-note regeneration w/ 3 repeats. **Gtr. 1 to left of slash in tab. ** Gtr. 1 Bridge G5
See what’s rul - ing all our lives.
Gtr. 2
Rhy. Fig. 3
F5 G5
End Rhy. Fig. 3
See who’s pull - ing strings.
Rhy. Fig. 3A End Rhy. Fig. 3A
See
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
F5
what’s rul - ing all
G5 our lives. 3 10 7 14 5 12 6 3 13 10 5 12 3 10 5 3 12 10 3 10 6 13 3 3 10 10 136 136 13 12 13 108 10 6 5 6 13
1 3 3 5
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Gtr. 1
F5 G5 Gsus2
(cont. in notation)
See who pulls the strings. I
Gtr. 2 bet Bb5 you F5 won’t fall C5 on G5 your face. Bb5 F5 G5 Your bel Bb5 ly F5 - will Gtrs. 1 & 2 hold C5 you G5 in place. Bb5 C5 D5 Eb5 F5
1 3 1 3 1 3 3 5 3 5 3 5 1 3 1 3 35 3 5 13 1 3 3 5 13 1 3 3 5 3 5 13 35 57 68 108 108Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 6
D.S. al Coda 1 Uh! Interlude G5 Iz, F5 Eb5 C5 ak! G5 Gtrs. 1 & 2: w/ Riff A F5 Eb5 C5 G5 Gtr. 3 (dist.) f F5 Eb5 C5 G5 F5 Eb5 C5 The 2. Bb5 3 5 0 0 0 1 0 3 0 1 0 0 3 3 3 5 0 0 0 1 0 3 0 1 0 3 3 10 10 10 12 0 7 0 8 0 10 0 8 0 7 0 10 10 10 12 0 7 0 8 0 10 0 8 7 10 10 10 10 12 0 7 0 8 0 10 0 8 0 7 0 10 10 10 12 0 7 0 8 0 10 0 8 7 10 8 7
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1 Coda Eb5 D5 Bb5 C5 Gtrs. 1 & 2 Guitar Solo C5 F5/C C5 F5/C C5 F5/C Gtr. 3 grad. release w/ bar -2 1/2 -1 Gtr. 1 Gtr. 2 divisi (cont. in slashes) (cont. in slashes) C5 F5/C C5 Eb5 C5 F5/C C5 Gtr. 3 3 3 3 3 F5/C C5 F5/C C5 F5/C C5 Bb5 Ab5 3 3 3 3 3 3 3 3 8 X X X 8 8 3 10 136 136 13 12 13 8 10 6 5 6 8 8 8 11 10 8 11 8 11 10 8 10 8 7 7 8 7 10 7 10 7 8 7 10 7
10 7 8 7 10 7 10 7 8 7 10 7 10 7 10 7 10 7 10 7 8 7 10 8 7 10 8 10 10Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 8
C5 F5/C C5 F5/C C5 F5/C C5 F5/C C5 3 3 3 3 1 1 Eb5 C5 F5/C C5 F5/C C5 F5/C 1 C5 F5/C C5 Bb5 Ab5 D5 G5/D D5 Gtr. 4 (dist.) f w/ bar 8v a -2 Gtr. 3 w/ bar 8v a 3 3 -3 1/2 -1 1/2 10 8 8 8 8 8 8 11 8 11 8 10 8 8 8 11 8 10 11 8 11 8 8 11 10 8 11 11 13 13 11 10 11 10 11 10 11 10 8 10 8 7 8 17 7 8 7 10 7 10 7 10 7 10 8 10 8 13
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G5/D D5 G5/D D5 G5/D D5 F5XIII w/ bar 8 v a loco w/ bar 8 v a Gtr. 3 tacet D5 G5/D D5 G5/D D5 G5/D Gtr. 4 3 3 3 3 3 3 D5 G5/D D5 C5 Bb5 D5 G5/D D5 _1 /2 w/ bar –1 1/2 w/ bar -1 -3 _1 /2 –1 1/2 17 18 17 15 18 17 15 18 17 18 10 11 13 15 15 13 12 15 13 12 15 13 15 10 11 10 10 11 10 11 10 9 10 9 10 9 12 10 11 13 11 10 12 10 11 13 11
12 10 12 10 10 12 15 14 18Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 10
D.S.S. al Coda 2 2 Coda G5/D D5 G5/D D5 G5/D D5 F5XIII w/ bar 8v a -1 1 D5 G5/D D5 G5/D D5 G5/D 8 v a 3 3 3 3 D5 G5/D D5 C5 Bb5 (cont. in notation) 8v a 3 3 3 1 G5 Eb5 D5 Be Bb5 G5 quick! µ 15 17 15 18 18 17 15 15 17 15 13 15 13 15 13 12 12 13 12 15 13 11 13 11 13 11 14 12 12 14 15 14 12
14 15 17 15 16 15 17 15 16 15 15 18 15 15 18 15 17 15 18 15 17 18 15 18 15 3 10 136 136 6 5 6 3 13 12 13 10Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 11
Intro
Moderate Rock q = 144
Bring Your Daughter to the Slaughter
Words and Music by Bruce Dickinson from Iron Maiden - No Prayer for the Dying
Copyright © 1989 by Iron Maiden Holdings Ltd. All Rights in the world Administered by Zomba Music Publishers Ltd. All Rights in the United States and Canada Administered by Zomba Enterprises, Inc.
International Copyright Secured All Rights Reserved
*Gtrs. 1 & 2 (dist.) D f G5 D VII A5 11 E5 7fr 13 E5 5fr 13 D5 D G5 E5 *Composite arrangement P.S. Hon
1. -ey, it’s get-ting close w/ bar +1/2 0 2 3 2 3 X0 0 3 3 0 2 3 2 0 2 2 0 2 3 2 3 X0 0 3 3 0 2 2 4 0 0 0 X X X X X X X X X X X X X X X X X X X X X X X X X X 0 2 2 0 2 2 0 2 2
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to Verse * 2nd time, Gtr. 3: w/ Fill 1 Em7 mid to night, day -break -G6 and all the sun is the myths creep are ing -still in in A5 town. the sky. Gtr. 3 (dist.) **w/ delay P.S. f
**Set for half-note regeneration w/ multiple repeats.
Gtrs. 1 & 2 let ring Riff A let ring
*Chord symbols relfect overall harmony.
True No love pat and ent -lip rem-e stick dies -on your for lin heart Em7 en, -ache, -G6 bite just emp the ty -pil words low, -and make let ring End Riff A let ring Fill 1 Gtr. 3
w/ delay
P.S. X X X X 2 0 3 0 2 5 X X 5 2 0 3 14 14 14 14 X X X XDigital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 2
no
Gtrs. 1 & 2: w/ Riff A (1 1/2 times)
A5 hum sound. ble - pie. If there’s So some get liv down ing - to be on your done, knees, 1st time, Gtr. 3 tacet Em7 ha, hon - ey, Gtr. 3 Harm. 8v a loco Harm. Pitch: G F# G6 be fore as - your sume -life an be at comes ti A5 -- - tude.
your tomb, you’d
You bet just ter - know pray I’m that I’ll the one. Em7 be wait - ing, Un G6 chain ’cause - your you back know, door, you in know A5 vite I’m - me com a round. ing
-soon.
Bring your daughD5
-
Gtrs. 1 & 2
let ring let ring
Chorus
ter,
E5
- bring your daugh
D5 ter E5 - to the slaugh C5 ter. A5
- Let her go,
D5
Rhy. Fig. 1
P.M.
End Rhy. Fig. 1
8 X X X X 7 9 9 2 0 3 0 2 5 5 7 5 7 7 9 7 9 7 9 7 9 X X X X 5 7 7 9 7 9 7 9 X X X X 3 5 3 3 3 35 35 35 02 0 3 4 2 2 3 4 0 2Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 3
1. D6 let D5 her D6 go, A5 let her G5 go. E7 G5 E7 Bring your G5 daugh D5 - Rhy. Fig. 2
End Rhy. Fig. 2
1/4 1/4 1/4
Gtrs. 1 & 2: w/ Rhy. Fig. 1
ter,
E5
- bring your daugh
D5 ter E5 - to the slaugh C5 ter. A5
- Let her go,
D5 D6 let D5 her D6 go, A5 let her G5 go. E7 G5 E7 Let her G5 go, E5 Gtrs. 1 & 2 1/4 1/4 1/4
yeah. Heh, heh, heh, heh, heh, heh,
3
heh, ha, ha,
3 w/ bar +1 +1/2 0 2 0 2 0 4 0 2 0 2 0 4 0 2 0 2 0 4 0 2 0 2 3 02 2 5 2 4 2 3 02 2 5 2 4 2 3 5 7 0 2 0 2 0 4 0 2 0 2 0 4 0 2 0 2 0 4 0 2 0 2 3 02 2 5 2 4 2 3 02 2 5 2 4 3 02 0 2 0
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2. ha. Hon
2. -ey, it’s get ting- close
µ G5
Bridge
So pick up your fool - ish pride.
D
No go-ing back, no -
where, no way, no place to hide.
G5 D A5 Let D her go! G5 E5 Gtr. 4 (dist.) f Harm. _1 w/ bar Pitch: G -2 1/2 _1 Gtrs. 1 & 2 P.S. 0 0 0 0 0 2 2 0 2 2 5 2 4 2 3 X0 0 3 3 3 X0 0 3 3 0 2 3 2 0 2 3 2
12 5 7 19 19 0 0 14 X X X X X X X X 0 2 3 2 3 X0 0 3 3 0 2 3 2 0 2 2 0 2 3 2 3 X0 0 3 3 0 2 2Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 5
Guitar Solo C5 w/ bar G/B A5 D5 -1 Rhy. Fig. 3 G5 E5 C5 G/B A5 3 1 1 1 1
End Rhy. Fig. 3
Gtr. 4
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 2 meas.)
D5 G5 E5 6 6 6 6 6 6 6 14 14 14 14 12 14 12 10 9 12 10 12 10 12 10 12 12 7 12 0 2 2 0 2 2 X X X 2 2 0 0 3 5 3 5 X X 3 5 2 5 0 2 0 2 0 5 X X 0 2 0 2 02 14 12 12 12 12 14 12 12 12 12 X X 14 12 1412 12 12 12 12 12 12 12 12 12 12 12 14 12 12 12 14 12 12 12 12 12 1212 1212 12 12 0 2 0 2 0 2 3 X0 0 3 3 3 X0 0 3 3 0 2 2 0 2 2 X X X 2 2 0 0 3 5 3 5 X X 3 5 2 5 0 2 13 13 12 15 14 12 13 12 13 12 12 15 12 13 12 13 12 15 15 12 13 12 13 15 12 14 15 17 17 15 17 17 15 14 16 15 14 12 12 14 14 14 0 14
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Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)
C5 G/B A5 6 3 1 1 D5 G5 E5 3 C5 G/B A5 6 6 3 6 6 1 D5 Bring G5 your daugh E5 - w/ bar 1 14 1214 12 14 12 15 12 14 12 14 12 13 12 14 12 14 12 15 12 14 12 14 12 13 12 14 12 14 12 14 12 16 12 14 12 14 12 12 16 14 12 14 12 12 12 16 14 12 14 12 12 16 14 12 15 12 12 14 12 13 12 15 12 13 12 12 12 12 15 12 13 12 13 12 15 15 12 13 12 13 15 15 17 14 15 15 14 17 17 14 15 14 15 15 14 17 15 14 16 12 15 14 12 14 14 19 17 0 16 19 0 0 7 0 5 0 5 0 3 0
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Gtrs. 1 & 2 Bridge ter,
- bring your daugh - ter, bring your daugh - ter, bring your daugh - ter, bring your daugh - Gtr. 4 w/ bar -1 slack -4 1/2 -3 1/2 -1 1/2 -1/2 Gtr. 5 (dist.) Riff B mp P.M. Gtrs. 1 & 2 tacet C5 ter,
- bring your daugh
D5 ter - to the slaugh E5 ter. -Gtr. 4 tacet
Bring your daugh
- End Riff B P.M.
0 0 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 0 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed. 8
Gtr. 5: w/ Riff B
E5
ter,
- fetch your daugh
G6
ter,
- bring your daugh
A5
ter,
- fetch your daugh - ter, bring your daugh - Gtr. 1 Gtr. 2 divisi * * mp mp
*Vol. swells (next 8 meas.)
C5 ter,
- fetch your daugh
D5 ter - to the slaugh E5 ter. - (Ah. Interlude Gtrs. 1 & 2 tacet Gtr. 5: w/ Riff B (2 times) E5 G6 A5 Gtr. 6 (dist.) Riff C mp End Riff C Ah. Gtr. 6: w/ Riff C (3 times) C5 D5 E5 7 9 10 12 12 14 3 5 5 7 7 9 9 8 7 8 10 8 7 8 9 8 7 8 10 8 7 8 9 8 7 8 10 8 7 8 9 8 7 8 10 8 7 8
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