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Fast and Blues

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(1)FAST and BLUES Concert Band ES B1363.19a Grade: 3 ===============================================================. Instrumentation 1.. Full Score. 1. 2. 2. 1. 1. 1. 4. 4. 4. 1. 1. 2. 2. 2. 1. 1. 2. 2. 2. 2. 2. 1. 1. 1. 2. 2. 3. 2. 2. 1. 2. 1. 1. 2.. C Piccolo C Flute 1 C Flute 2 Oboe Bassoon Eb Clarinet Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Bb Bass Clarinet Bb Soprano Sax Eb Alto Sax 1 Eb Alto Sax 2 Bb Tenor Sax Eb Baritone Sax Eb Cornet / Eb Flugelhorn Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F + Eb Horn 1 F + Eb Horn 2 Trombone 1 Trombone 2 Trombone 3 C Euphonium / C Baritone Bb Euphonium / Bb Baritone / Bb Tenorhorn C Bass 1-2 Bb Bass 1-2 / Bb Bass Sax Eb Bass String Bass Timpani Mallets (Xylophone, Glockenspiel) Drum Set Percussion (Tambourine, Cowbell, Shaker, Woodblock,. Triangle, Claves, Suspended Cymbal). Additional Parts (for several countries) 1. 1. 1. 2. 2. 2.. Bb Bb Bb Bb Bb Eb. Trombone 1 Trombone 2 Trombone 3 Euphonium / Bb Baritone Bass 1-2 Bass. Fanfare Parts 1. 1. 4. 4. 4.. Bb Soprano Sax Eb Bugle Bb Bugle 1 Bb Bugle 2 Bb Bugle 3. (optional). (optional) (optional) (optional). (optional) (optional). (optional) (optional). (optional) (optional) . (optional). (optional).

(2) . C Flute 1-2 C Piccolo (optional). . Oboe (optional). . Bassoon. (optional). . Eb Clarinet (optional). Bb Clarinet 1. . Bb Clarinet 2-3.  . Bb Bass Clarinet (optional). . Bb Soprano Sax (optional). Eb Alto Sax 1-2. . Bb Tenor Sax.  . Eb Baritone Sax (optional). Bb Soprano Sax Eb Bugle Bb Bugle 1 Bb Bugle 2-3. Bb Trumpet 1-2-3. F Horn 1-2 (optional). C Trombone 1-2. C Trombone 3 (optional). C Euphonium C Bass 1-2. String Bass (optional). Timpani. F A N F A R E. Tempo di Blues   .                                 + Piccolo (written 8vb).                                            .                      .       .   . .    . Drum Set. . Percussion. . .      .  .   . .         .        .                  .               Tambourine      . .   .          . Tempo di Blues  I.           II. - III.               I.   II. - III.                    . Mallets.  . Fast and Blues.   .   .    .  . .  . .        . .     .  .                     .  .  .   .                 . .  .  . .  .   .     . .   .     .      .  . .  .  .       .       .     . .   .      .  .   . . .   . .  .  . .    .   . .   .   . . . .  .   . . .         . Picc..    .  . .                      .  .  .  .                          .  . .               .  . . . .     . .        .   .                .            .  . .  . .   .                               . .        . . . .  .                                     .  . .   .      . Xylophone (hard mallets).            .  .           .  . Carlo Pucci.            .                 .      .  .    .  .      .           .   . . .  .   .      .            .                          .   .  . Proprietà: SCOMEGNA Edizioni Musicali s.r.l. - Via Campassi 41 - 10040 LA LOGGIA (TO) Italia. Tel. (+39) 011/962.94.92 - www.scomegna.com © Copyright 2017 by SCOMEGNA Edizioni Musicali - Tutti i diritti di esecuzione, riproduzione e trascrizione sono riservati per tutti i Paesi.. .                    .   .   . .      . . .                                .    .

(3)  . Oboe. . Bassoon. .     . Eb Clarinet Bb Clar. 1 Bb Clar. 2-3. . Bb Bass Clar..  . Soprano Sax.   . Alto Sax 1-2.   . Tenor Sax. . .         .                        .  . .                 .  .  . Bar. Sax.     . . S. Sax. . Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3 Bb Trpt. 1-2-3. F A N F A R E.     . . F Horn 1-2. . C Trbn. 1-2. C Trbn. 3. . C Euph.. . Str. Bass. . Timpani. . C Bass 1-2. .  . .   . Mallets.  . Drum Set. . Perc.. . 2.                            .       .     .         .              .              . .     .    .    .                          .  . poco rit.. .      .   . poco rit.. .                    .         poco rit..                       . . . .   .      .      . .      .          .       poco rit..                                      . .  .                  .  . . . .            . .  . poco rit.. .                   .         . ES B1363.19a. . . . . . .  .  .               . . .  . . . . . . . .           . .    . . . . .   .        .   .   . .  .      .           .    .                          .    . .      .     . .   .   . Allegro vivace .                     .  . .                  . .        . . . .   .  . .      . . .        . . . . . .     .        . . .  . Allegro vivace . . . poco rit..      . .  . . . .      .  . . . poco rit..     . 7. . .   . 5. www.scomegna.com. C Piccolo. .    . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION.  . C Flute 1-2.      . ― Piccolo.   .                         Cowbell      .          .             .    .    .      .      .                            .

(4) C Flute 1-2.  . . . Oboe.  . . . C Piccolo. Bassoon. . Eb Clarinet.   . Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . .   .   . Tenor Sax. . . Bar. Sax.   . S. Sax. . Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3. .  .        . C Trbn. 1-2. . C Euph.. . . Str. Bass. . . Timpani. . .  . Drum Set. . Perc.. . . . .  .      .            . .        .                  . . .        . . . . F Horn 1-2. Mallets.  . . . C Bass 1-2. .   . Bb Trpt. 1-2-3. C Trbn. 3. . . Alto Sax 1-2. F A N F A R E.     . .                .         . . . . . . .                          .     .  .        .                            .        .                           .  .               . . .               .    .     .    .   .    .              .  .    .                                 .   .                .             .          .           .   .       .  .         .                        .    . .                                   ES B1363.19a.   .   .          .        .    .        .               .           .                 . .     .           .  . .     .            . . .     .                                                                 .                              . .          .               .    .    .   .       . .     .                           . 13.                             . www.scomegna.com. 11.                                             .    .                              .                  . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 9.     .   .                                     .    .             .            . .                          .     .   .      .                     . . .      . .      . 3.

(5)  . Oboe. . Eb Clarinet. Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar..  . Soprano Sax. . Alto Sax 1-2. . Tenor Sax. . Bar. Sax. Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3. . F A N F A R E. .    .    .     .  . . Bb Trpt. 1-2-3. . F Horn 1-2. . C Trbn. 1-2. . C Trbn. 3 C Euph.. . . C Bass 1-2. . Timpani. . Str. Bass. .   .    .    .  .         .                                 .            . .                                           .      . . Perc.. . . 4.    .     . Drum Set.  .    .                            .             . Mallets.     .                   . Bassoon. S. Sax.   .       .  . .   .              . 15.       . + Piccolo.  .  .   .      .  .    .   .                        .       .   .           .          .     .   .           .              .  . .    .                 .      .     . .  .              .   .   .              .                                     . ES B1363.19a. .      .           . . .    . . .   . . .    . . .  .    . .    . .    . .         .              .   . .        .           .       .               . .         . .           .  .              .              . . . .       .              .        . .            . . . . .               . . . . .  .      .  .  .            . .    .    . . .    .  . . .     . . . .        .   . . .  .                 .    . .        .  .    .    .                 .  .      .   . .      .      . www.scomegna.com. C Piccolo.      . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION.  . C Flute 1-2.   .   . .  .           .         .                      .

(6)  . C Flute 1-2. C Piccolo.  . Oboe. . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. .    .    . . F A N F A R E. .  . . F Horn 1-2. . C Trbn. 1-2. C Trbn. 3. . C Euph.. . Str. Bass Timpani. . . . .        . .   .        . . . .   . Bb Trpt. 1-2-3. C Bass 1-2. .          . Bar. Sax. Bb Bgl. 2-3. . . Tenor Sax. Bb Bgl. 1. . .    . Eb Bgl.. . . Alto Sax 1-2. S. Sax. .          . Bassoon.  . .  .  . . Mallets.  . Drum Set. . Perc.. .                  .  .    . .  .  .    . .      . . .     .   .      .        . .  .     .    . .     . .     .       . . . . .    . . .     .        . . . . . . . . . . . .                                 .  . I. - II.. III.. .          . .      .                       .  .  .  .  .     .    . .    . .     . .    .       . . . .      .     .     .       . . .     . .     . .     .     . .        . . .  . 23. www.scomegna.com. 21. SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 19.   .        .     .        .                        .                       .                        . ES B1363.19a. . 5.

(7) C Piccolo Oboe.  . . .  . . . . Bassoon. . Eb Clarinet. . Bb Clar. 1 Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . . Tenor Sax. Bb Bgl. 1 Bb Bgl. 2-3 Bb Trpt. 1-2-3. F Horn 1-2.   . . F . A N F A R E.      . . . . C Euph.. . Str. Bass. . Timpani. .   . Mallets.  . Drum Set. . Perc.. . 6.                  .      .      .     .             .        . . . . .    II. - III.    .  .            .    .                      . .          . . .    .  . .    . . . .  .   . .  . .  .    .     . .     .            .                          . Glockenspiel (hard mallets). . .  . 27.          .      .     .    .     .   . .   .      .          .    . .      . .            . .       .     .     . . .   . .     .      .     .     . .      .     .     .       . . I.. . . . .  . C Bass 1-2.   . . C Trbn. 3. C Trbn. 1-2.  .        . Bar. Sax. Eb Bgl.. .   . Alto Sax 1-2. S. Sax. . . .  . .      .       .  .       . .   .       . .  .    .        . .   . .  . .       . .  .        .        .      .                              Tambourine   .         . ES B1363.19a. .          . . .   .       .        .  .     .   . . .      .    .     .    .     . www.scomegna.com. C Flute 1-2. ― Piccolo. SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 25. .  . .    .  . . .        .      .       .        . . . . .                         .

(8) C Flute 1-2. C Piccolo Oboe Bassoon. Eb Clarinet Bb Clar. 1 Bb Clar. 2-3. Bb Bass Clar.. Soprano Sax. Alto Sax 1-2 Tenor Sax. Bar. Sax S. Sax Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3. F . A N F A R E. .     . .  . . . . . . Bb Trpt. 1-2-3. . F Horn 1-2. . . C Trbn. 1-2. C Trbn. 3. .  . C Euph.. . Str. Bass. . Timpani. . C Bass 1-2.   . Mallets.  . Drum Set. . Perc.. . .           .             . .                          . . 31                                                                                                                                                                     .    .          .    .                                            .   . .    . .  . .                      .          .  .   .                              .  .                          .                                                                                    .              .  .         .    .           .  . . .   .  .       . I.      II. - III.           .          .       .        .   ES B1363.19a. 33.                          .  .       .     . .  . .       . .      . .        .      .           .      .                   .             .        .                       .                    .       .  . . . .       .       . www.scomegna.com.      + Piccolo                                                                 . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 29. .     .             .            .          .   .         .      .         .  .  .  . . 7.

(9) C Piccolo Oboe Bassoon. Eb Clarinet. Bb Bass Clar.. Soprano Sax. Tenor Sax. Bar. Sax. Bb Bgl. 1 Bb Bgl. 2-3. F A N F A R E. . .  . Bb Trpt. 1-2-3. . F Horn 1-2. . . C Euph.. . Str. Bass Timpani. .   .  . Drum Set. . Perc.. . 8. I..         . Mallets. .                         Tambourine          . Shaker.          . .     . .    .      .  . .    .  .   .      . .       .     . .    .        . .        .      .  .      . . . . . .                                 .                                 . ES B1363.19a.        .     .      .      .       .     .              .    .     . .      . . . . . . .       .      . .     . .       . . . . .    . .  . .    . .     . .       . . .          . II. - III..      .    .     . .    .   . .     . .         I.. . . .      . . C Trbn. 3. C Bass 1-2.    .      . . . C Trbn. 1-2. . .   . . .                         . Alto Sax 1-2. Eb Bgl..       .                          . Bb Clar. 2-3.    . . . Bb Clar. 1. S. Sax. . 37.     . www.scomegna.com. C Flute 1-2.    . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 35.                            ― Piccolo.     .         .                                 .      . . .    .       .   .       .                                 .

(10) C Piccolo Oboe.  . .  . . . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . Alto Sax 1-2. . Tenor Sax. . Bb Bgl. 1 Bb Bgl. 2-3. Bb Trpt. 1-2-3. .    .  . F A N F A R E. . . .  . . . C Trbn. 1-2. . C Euph.. . Str. Bass. . Timpani. . C Bass 1-2.       .        .    .  . . F Horn 1-2. C Trbn. 3. .    . .  . Mallets.  . Drum Set. . Perc.. .         . . .  .    . .    .         . .                                 .  . . .  .          .     .     . . . . .     . . .    .  . .  I.  .     . . . .     . II. - III..          . .            . . .  .                                 . .              .       . ES B1363.19a.              . Xylophone. . . . .   .        .              . .      . .        .       . .       .       . .   .  . .       .       .     .     . .  . . .   . . . .      . .       .                .     . .  .     .                .     .     . .       . 43.     . .    . . .  .   .        .             . .        . .  .      . . . . .    . .      . .       . . .  . . .           .    .      .    .          . Bar. Sax. Eb Bgl..    .          . Bassoon. S. Sax.    . . www.scomegna.com. C Flute 1-2. 41.      . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 39. tutti.  . .                .       .         .         .     .         .            .                                . .      .                              .         . 9.

(11)  . Oboe. . Bassoon. . Eb Clarinet.      . Bb Clar. 1 Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . .     . .    .   .    .     . Tenor Sax. . Bb Bgl. 1 Bb Bgl. 2-3. F A N F A R E. . .     .  . . Bb Trpt. 1-2-3. . F Horn 1-2. . C Trbn. 1-2. . C Trbn. 3 C Euph.. . Str. Bass. . Timpani. . C Bass 1-2. Mallets.   .  . Drum Set. . Perc.. . 10.    . .      .   . .  .      .      .                 .  .               .        .    . . .      . .        .    .                  . .                                 .        . Bar. Sax. Eb Bgl.. .   .     . Alto Sax 1-2. S. Sax.   . 45.       .         .                                      .        . . . . . .       . .                       .    .        .    .   .  .          . .  . .  .       .               .   . .    .        . .     .  .    .      .    .          .   . .   .  .               . . ES B1363.19a.                  .     .               .                                                                                                      . . .                        . + Piccolo. . . .         .                                                 . .      . . 47. .               . .            .                        .   .  .  .   .              .  . www.scomegna.com. C Piccolo.   . . .   .  .   .  .   .  .            .                   .            .    .      .           . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION.  . C Flute 1-2. .                                .                                                                             .        .            .

(12) C Piccolo.  . Oboe. . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . Alto Sax 1-2. . Tenor Sax. Bb Bgl. 1 Bb Bgl. 2-3. .   .  . F . A N F A R E. .     .  . . Bb Trpt. 1-2-3. . F Horn 1-2. . C Trbn. 1-2. C Trbn. 3. . . C Euph.. . . Str. Bass. . Timpani. . C Bass 1-2. Mallets. Drum Set. Perc.. . .       .           .                      .          . Bar. Sax. Eb Bgl..        .                             . Bassoon. S. Sax. .  .    .    . .                            .  .                  . .     .   .           .        .        .     .           .   . .    .            .                                                               .                                                        .   .     .     .     .          .         .                                                . .                   .     .                                         .                             . 51.         .    .  . .              .    .   .   . .   . .  . . ES B1363.19a.  .  . .  . .  . .             .                                             .          .  . .    .    .    .            . .    .           .            . .    . . .        . .  .    .                                  .  . .   .    . .        . . . . .     .         .    .    .  .  . 53.                          I. - II.        III.            .  . .                                                                                        . Picc. upper notes. www.scomegna.com.  . C Flute 1-2.        . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 49.           .          Woodblock. 11.

(13) Oboe. . .  . .   . . Bassoon. . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3.  . Bb Bass Clar.. . Soprano Sax. . Tenor Sax. Bb Bgl. 1 Bb Bgl. 2-3 Bb Trpt. 1-2-3. F A N F A R E. .  .  . C Trbn. 1-2. . C Euph. C Bass 1-2. Str. Bass Timpani.   . . .   . F Horn 1-2. C Trbn. 3. . .  . .  .  . Mallets.  . Drum Set. . Perc.. . 12.  . . . . . .   .  .        .    .     .  . .  . . .  . . .  . . .  .     .     I.. II. - III..       I.        II. - III.    .           3             .   . .        . 3. 3. .          .           3                . 3.    3.        3.   .   . . 3.  .     .      . .      .         .                  .        .               3.   .              . 3. . .     I. - II.        . III..     .  .  . . .  .                        . . 3. . . .           . .        . Bar. Sax. Eb Bgl.. .      .    . Alto Sax 1-2. S. Sax. . 3. 57.    .           3 3      .       .                                     .     ES B1363.19a.   .       .    .              .                                       .                                      .    .    .   . .             .    . .  . . . . . . .  .     . . . .  .        .  .     .    .          . .  . .              .    . .    .              . www.scomegna.com. C Piccolo.  . 55             .    . .    . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. C Flute 1-2.   .     .  . I..  . . II. - III..    I.     . . .  .        .   .       .                   .  . .    . .  .  .        . .  . .    . .  .  .    . .  . . . .  . II. - III.    .              .  .

(14) C Piccolo.  . Oboe. . Bassoon. Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. Alto Sax 1-2. . Tenor Sax. Bb Bgl. 2-3 Bb Trpt. 1-2-3. F Horn 1-2.   . . F A N F A R E. . .     . .  . .  . C Euph.. . Str. Bass. . Timpani. . C Bass 1-2. Mallets. 3. . . 3. .  .  . Drum Set. . Perc.. .      3.       3       .  . . C Trbn. 1-2. C Trbn. 3.      .             .    . Bar. Sax. Bb Bgl. 1. . 3.               3               . Soprano Sax. Eb Bgl..              .            3           3. Eb Clarinet. S. Sax. . 3.    . 3 3.  .  .                          .                3.                . . .           3 3      .   . .                               .     .        .     .        . 61.              .                 .            .                        .                .      . . .   .       .        .        .  . .      .    .       . .  .               .            .            Glockenspiel. .        Triangle. ES B1363.19a.                                . .                                                                         .          .       .                            .            . 63.     .  .     . .  .    .  .           .  .                           .   . . .   . .  .  . . .  . .             . . . .  . .  .            . .      .   .    .          .   . .       . .  . . . .  . .   .  . .  . . . . . . . . . . . . . . .   .  . .             I.                     . . . .           . .      .        . .  . . Mute                 . .  . . www.scomegna.com.  . C Flute 1-2.           . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 59. . Xylophone                   .        Woodblock.             . 13.

(15) C Piccolo.   . Oboe.                   . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. .      . Alto Sax 1-2.     . Tenor Sax. . Bb Bgl. 2-3. F A N F A R E. .   .      . . F Horn 1-2. . C Trbn. 3. C Euph. C Bass 1-2. Str. Bass Timpani Mallets.   .   . . Perc.. . .        . .     .                                 . .   . .  . .            .                  . . . . . . . . . .  . .  . . .   . .                           . Drum Set. . .   .            . . .                          II. - III.             . . 14. .    . Bb Trpt. 1-2-3. C Trbn. 1-2. .                           . Bar. Sax. Bb Bgl. 1. .                  . Soprano Sax. Eb Bgl.. . . Bassoon. S. Sax.  . .         . . .      I. - II.          III.           . .   . .   . . . .   .             .  .  .  .                                          .              .  .       .          .                            . . .   .    .    .  . . . .  .                      .         .    . 69.           . www.scomegna.com.    . C Flute 1-2.                    .     . .                 .     .                           . .  . .       . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION.  67         Picc.            . 65.   .              .             . . .                  .  . .  . .  . .  .  . .  . .  . .  .  . .  . .  . .  . .  . .          Triangle     . Glockenspiel. ES B1363.19a.         . . .        .  .        . .      .  . . .  . .                .  . .      .

(16) C Piccolo. .   . Bassoon. . . Eb Clarinet.     . . Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . Oboe. Bar. Sax. Bb Bgl. 1 Bb Bgl. 2-3. F A N F A R E. Str. Bass Timpani. Mallets.  .   . . .   . .         . . C Bass 1-2. . . F Horn 1-2. C Euph..   . . . . C Trbn. 3.   . .     . Bb Trpt. 1-2-3. C Trbn. 1-2.   . .            . Tenor Sax. Eb Bgl..   .     . Alto Sax 1-2. S. Sax.   .   . .   . Perc.. . . . . . . .  . .  . .             . .           . .    . . .  . . . . . . . . . . . . . . .  . . Woodblock       . . .                         . . .        .   .         .  . . Xylophone            . . .                .                 I.                   II. - III.                               . Drum Set. .                   .      .                               .      . .   . .  .                    ― Piccolo.              . .   .  .   .                   .      .  . www.scomegna.com.    . C Flute 1-2. 73. SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 71. .    . .       I.       I.       . Open.      II. - III.                                                           Tambourine            . Shaker. ES B1363.19a. .       . .                  . 15.

(17) C Piccolo.  . Oboe. . . .          . Bassoon Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. .    .    .      .    . . Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3. .  . . F Horn 1-2. . C Trbn. 3 C Euph.. .  . .  . Str. Bass. . Timpani. . C Bass 1-2.   . Mallets.  . Drum Set. . Perc.. . 16.   . .    . .  . .  .     . . .     . .    . .    . .    .      .     . . . . .       . . .        . .     .   .                            . . .     .        .                            . ES B1363.19a. .       .   .    . .     .   .    .       .                            .    . .    . .    .         .        . .     . . .      . . .     .     .    . .     .        . .     . .        .    . .    . .      .    .       .     . .  . . . .      . .        .                            .      . .     .  .    .        .     . . . . .       . . .          .  . 79.     .         .    . .     .  .  . . .   . Bb Trpt. 1-2-3. C Trbn. 1-2. .          . F A N F A R E.     . . Tenor Sax. Bar. Sax. . .  .     .    .     .     . . Alto Sax 1-2. S. Sax.    . . 77.     . www.scomegna.com.  . C Flute 1-2.    . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION. 75.        .                            .        .

(18)  . Oboe. . Bassoon. .   . Eb Clarinet Bb Clar. 1. . Bb Clar. 2-3. . Bb Bass Clar.. . Soprano Sax. . Alto Sax 1-2. . Tenor Sax. .    .  .        .  . . . Eb Bgl. Bb Bgl. 1 Bb Bgl. 2-3. Bb Trpt. 1-2-3.   . . F Horn 1-2. . C Trbn. 1-2. C Trbn. 3. . C Euph.. . .  . . . Mallets.  . Drum Set. . Perc.. . .  . .  . . . .    .         . .  I.   . .  . .     . . . .     . .  .  .                           . II. - III..          .            .  .                                         Xylophone.        . . .      .   .     . tutti.   . . .  .                  .    .     .         . ES B1363.19a. .        . .      .           .           .      .   .  .       .     . .       .  .       .  .          .   . . .       .         .     .                                . .  .        .     .        .    .              .                 . .              . .              .        . . .      . .       . .     . .       .       . . .       . .      . .       .                .     . .  .     .      . . Timpani.     . . . .  .          .     .       . . . . Str. Bass. .     .     . . .       . C Bass 1-2. .  . 83.     . .    . . .  .   .        . . . .  . . S. Sax. . .     .         F A N F A R E. .       . Bar. Sax. .       .  .         . . .     . .  . www.scomegna.com. C Piccolo. . SECURITY MARK AGAINST ILLEGAL MUSIC DUPLICATION.  . C Flute 1-2. 81.      .       .         .          .                                .        . 17.

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A goal of the DMPTool is providing a means for the “research community to gain insight into the methods and practices of research data management across the entire lifecycle at both