Table Of Contents
Acknowledgements 4
About the Author 5
Foreword 6 C minor Blues 8 F minor Blues 10 Bb minor Blues 12 Eb minor Blues 14 Ab minor Blues 16 Db minor Blues " ' 18 Gb minor Blues 20 B minor Blues 22 E minor Blues 24 A minor Blues 26 D minor Blues 28 G minor Blues 30 C major Blues 32 F major Blues 34 Bb major Blues 36 Eb major Blues 38 Ab major Blues , , 40 Db major Blues 42 Gb major Blues 44 B major Blues 46 E major Blues 48 A major Blues 50 D major Blues 52 G major Blues 54 C Rhythm Changes 56 F Rhythm Changes 60 Bb Rhythm Changes 64 Eb Rhythm Changes 68 Ab Rhythm Changes 72 Db Rhythm Changes 76 Gb Rhythm Changes 80 B Rhythm Changes 84 E Rhythm Changes 88 A Rhythm Changes 92 D Rhythm Changes 96 G Rhythm Changes 100 3
"",-~~C~-(
---A ckn 0 W I edgm en ts
The author would like to thank Brian McBrearty for editing and Micha! Shapiro for proof reading and helpful suggestions. My students who, through their questions helped me to see their needs and try to address them as best I can.
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About the Author
~
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~ Bruce Amold is from Sioux
...
.
.
"' Falls, South Dakota. HlS educatlonal
~ background started with 3 years of . music study at the University of South
~
Dakota; he then attended the Berklee ~ College of Music where he received a;
Bachelor of Music degree in composi-~ tion. During that time he also studied... privately with Jerry Bergonzi and
.
- Charlie Banacos.
~ Mr. Amold bas taught at some of
~ the most prestigious music schools in ~ America, including the New England
... Conservatory of Music, Dartmouth
.
College, Berklee College of Music, ~ Princeton University and New York
~ University. He is a performer, composer, jazz clinician and bas an extensive private
~ instruction practice.
... Currently Mr. Amold is performing with bis own "The Bruce Amold Trio,"
~ and "Eye Contact" with Harvie Swartz, as weIl as with two experimental bands, ...
~ "Release the Hounds" a free improv group, and "Spooky Actions" which re-interprets
; the work of 2Oth Century classical masters.
~ His debut CD "Blue Eleven" (MMC 2036J) received great critical acclaim, ; and bis most recent CD "A Few Dozen" was released in January 2000. The Los
- Angeles Times said of this release "Mr. Amold de serves credit for bis effort to
ex-;
pand the jazz palette."- For more information about Mr. Amold check bis website at
- http://www.amoldjazz.com This website contains audio examples of Mr. Amold's ; compositions and a workshop section with free downloadable music exercises. ; ~ ~ ~ , , , , ! ! 5 ! ,
"\
Foreword
The ability to read, play and make a convincing, consistent groove in a six-teenth note rhythm is one of the more formidable challenges facing a contemporary rhythm section player. This hook attempts to address that challenge by supplying chord progressions with different syncopated rhythmic pattems. Practice of these exercises wililead to an understanding of the style, and ability to execute the rhythms common to funk. The student should strive to maintain rhythmic precision throughout each exercise, and af ter gaining control should compose their own comping pattems.
The examples contained in this hook use mostly a one measure funk pattem but in the "real world" it is more common to find 2 or 4 measure pattems. In a attempt to keep this hook simpier I have used shorter but less common pattems which can be found in funk music.
Muse Eek Publishing bas created a website with a F AQ forum foT all my hooks. If you have any questions about anything contained in this hook feel free to contact me at [email protected] and I will happy to post an answer to your ques-tion. My goal is to educate and help you reach a higher degree of musical ability.
Bruce Amold
New York, New York
~ ~ ~ ~ ~
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r' 28
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34
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Play part with fingers or slap with thumb.
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Play part with fingers or slap with thumb.
40
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42
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Play part with fingers or slap with thumb.
48
-! =. ~ ~
:
D - 9 G7(#9) ~ 7..
~ W ~ ~ ~r- .. , Gtr. ..,.. . ." ~ ~. ." I I ~ ." - -." R. " tJ . ... . ~.J.
~.
~ 7.
.
~.
-
_.
- Bass.
.".
.. - .." ... ." ~ I " ~ J "" 1 .. = ~..
r.
~ ~ C13 B13 ~ ~ = Gtr ~ -.
~ ~ ,. ~ Bass..
,
=
~ E7(#9) C#7(# 11) C 13 B 13 ~ ~ Gtr,
,
.
,. ~ ~ Bass . ~ ~ ~ ~ ~ ~ t t,
=
~ 49 ~t---Straight eight feel
A Major Blues
J=60
Al3
B~13
Ouitar BassAl3
E~9
Otr..
3 BassD9
Gl3
A~13
Otr..
Bass Ouitar:1. Use Pick on bags notes. 2nd, 3rd and 4th fingers on chord. Pick can also be used for larger chords 2. Mute the bags notes with the palm of your right hand.
Bass:
Play part with fingers or slap with thumb.
.
.
t
t
t
t
A13
B-ll
C#-ll
C-ll
~
t
t Gtr.
.
t
t
,
. Bass t . F7(#9) B~13 . . . Gtr. . t . t,
Bass , , , , ,, Gtr.
,
.
I,
, Bass
, ,,
I I , J , ,~
51
, iStrat
J
oghteightfeelD Major Blues
:60
D7(~9)
D9
D7(~9)
A~13
Guitar
Bass
.
G13
G~o 7
A-7
A~7(~13)
Gtr.
:
--Bass..
.
G13
A~13
G13
C9
Gtr. Bass Guitar:1. U se Pick on bass notes. 2nd, 3rd and 4th fingers on chord. Pick cao also be used for larger chords 2. Mute the bags notes with the palm of your right hand.
Bass:
Play part with fingers or slap with thumb.
52
-~
.
.
.
.
D9
D~7(#9)
C13
B13
.
.
7--. Gtr--.
.
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:8
:8
.
Bass.
.
.
-,:
B~13 E7(#9) A13 E~ 7(~~{Ó "'"".
"'"".
. Gtr.
.
.
:.
:.
.
.
Bass.
:8
D 9 B -11 B~7(# 11) A13(~9).
.
:.
. Gtr.:8
.
~»
»
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:8
;8
:8
;8
.
~
~
.
.
.
53
a
L
Straighteightfeel
G Major Blues
J=60 (~9) (~9)
c#o 7addL\7 F# 7(h13) B ° 7addL\7 E 7(h13)
Guitar
.
1.
Bass (~9) ~ (~9)A - 9
D 7(h13)
D - 9
D 7(h13)
Gtr.
.
Bass.
.
C9
B~13
A13
A~13
Gtr.
Bass
.
Guitar:
1. Use Pick on bass notes. 2nd, 3rd and 4th fingers on chord. Pick can also be used foT larger chords 2. Mute the bass notes with the palm of your right hand.
Bass:
Play part with fingers or slap with thumb.
~ ;
.
;
:
G13
F13
E7(#9)
B~13
.
;
.
Gtr.
i
.
.
i i 7-i Bass.
.
i
i
A -~
E~7(#9)
D 9
A~13
.
'" 9.
.
Gtr. ~.
.
,
.
~ ~ ~ Bass.
.
.
;
w(#9)
~
G13
E
7(#11)
E~9
D9
;
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-11 ~ . ,ti-t- =-- I;
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.
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.
Bass I ~ ~ .., 1-\ . - I ~ ,. 'I ~... I rJ . ~ ~ ~ ~ ~ ~ = -- 55 ~ ~ ~Str
J
aighteightfeelRhythm
Changes
in C Major
=100
CL\7
A-7
D-7
G 13
Guitar.
.
1.
Bass..
.
E- 7
A7(~13)
D- 7
G 13
3Gtr.
.
.
3.
..
.
BassG-7
C 9
FL\7
F-7
Gtr.
.
.
5.
..
.
BassE- 7
A7(~13)
D- 7
D~9
Gtr..
.
7
.
.
.
Bass
56
-
-I !
,
!
Straight Eight FeelRhythm Changes
in C Major cant.
!
07C 6
A7(~9)
D- 7
D#
!9
! ! G.
tr.,
,
,
9,
.
,
Bass.
,
,
E - 7
E~
07
D -11
G 13
,
,
,
Gtr.
.
.
,
,
,
11.
.
,
Bass.
.
,
,
,
G-7
C 13
FL\7
F-7
,
,
G
tr.
.
,
,
,
13,
.
.
.
Bass
.
,
~E- 7
A7(~13)
D- 7
G 13
,
;, ~ Gtr. . ~ ~ ! 15.
.
~ Bass.
.
~ ~ ~--
57-~
iI
--Straight Eight Feel
Rhythm Changes in C Major conto
E9
17.
-=
~-
~
..ti.. ~ Gtr..
.
.
~ 17.
.
.
.
.
Bass -=-
r
r
r
r
r
Al3
.
.
Gtr.
.
19.
.
.
.
BassD9
.
.
Gtr..
21.
.
.
.
.
Bass Gl323
~ --.
-=
-
-
~
.
.
Gtr.
.
. I - - -+ I -f I -t;J ~ "-î "-î"-î ~ ~ ~ "I "I ... "'"1 23 ~ ~ -L . . . . . Bass - -58-t t ~
~
Rhythm Changes in C Major conto
~
t
C
117A-11
A~7#11
G 13
t t t Gtr. 0 0 ~ t 25 ~.
.
0 0 t Bass tt
C 6
c#o 7
D-9
G 9
~ 9 13 ~ ~ Gtr. 0 0 ~ ~ ~ 27 ~: 0 0 Bass ~ ~ ~ G-11 G~ 9 FL\7 B~ 9 ~ 13 13 ~ ~ Gtr. 0 0 t t 29 t.
.
0 0 t Bass ~ a ~ (~9) ~ t E-7( 5) A 7(~13) D-9 D 7(#9) ~ t Gtr. 0 0 ~ s S 31 S : 0 Bass ! . . . -. 59 . -.~Straight Eight Feel
Rhythm Changes
in F Major
J=80F 6
D
7(#11)G-9
C 13
9
---Guitar .: .: , 1.
.
.
.
.
.
BassA-7(~5)
D7(~13)
D~13
C 13
.
.
Gtr...
..
3.
.
.
.
.
Bass.
C_7
F7(#9)
B~~~
B~-~
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.
.
, 5.
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.
A-11 Ab9(# 11) G-9 G~ 7(~#(~-
---
-
.
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,
,
, Straight Eight Fee!
Rhythm Changes
in F Major conto
:
F /:17
A~ 7(~~193
G
-
7(~5)c
7!;j]
t
6
0 ~ 9 : 0 0 , Gtr. 0~
. . 9 0.
0.
0 . Bass . 0 , F 6 D-11 D~ 7(#11) G~7(~9) ~ 9 ~ 0 0 0 0 . 0 0 ' G o 0 tr. ~ . ~ 11 ..
0 0'
0 0 ~ Bass.
~ ~F9
B7(~13)
B~/:1~
E~9
~-
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, 0,
1.
...
.:
-- -'- 0 0 ~ Gtr. 0 0 0 ~ ~ I 0-=
I ~ "'1 'f' 1;1"1 0 "I "I ',1 -- ~~
~ 13 h.-.
0 0.
0 ~ Bass 0 . .r
: A- 7 D 13 G-7 C 13 -~ -.115 ~-: r- ~ ! : ~~ ~ ~~
0 0 0 0 Gtr. 0 ~ ~ .0 . ~.
~ ~~ .. r . ~ 15 ~ ..
0 0'.
0 . Bass 0 p ~ ~ ~ 61 , lStraightEightFeel
Rhythm Changes
in F Major conto
E-ll
A7(b9)
17 ~-"o ..;::=:::I.
b..-~:
~:~ I:.
L---o
.~
0 ~ ~ o. Gtr. - . 0 ""-
.
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0.
.
Bassr
D 13
A~9
19 11 0 ~:-
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1:.::=::1-: ~::::=::: I--.ti. ~- =-0 -Gtr. 0 0 o. --..;L r
L-
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0.
.
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G 9
D~7(~13)
-'00-~
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.
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C 13
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62
5
-'~
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Rhythm Changes
in F Major conto
~
~
F 6
D-11
G7(~9)
C 13
~
9
I~
25 --- --.
:
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..
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.
L .. I ~ -~-~
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i -
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D 13
G-11
G~
7(#11)-=
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p
r~
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F 9
B ~
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11
E~ 9
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13
13
.
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..
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.
I ~~
(~9)
~
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D 7(~13)
G 9
G~7(#9)
f;
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b
]1~
p~~
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l.~
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Otr..
...
.
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--
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3: . -,,' Ib
Bass ..
.
f.:;
p
,
~
E
63
~
Straight Eight Fee)
J=80
Rhythm Changes in B~ Major
B~13
D~9
G~13
F13
Guitar 1.
Bass.
.
.
E 9
A 13
D~ 9
C 9
Gtr.:
3.
Bass.
.
.
B-7
E9
B~-11
E~9
Gtr.
.
5.
Bass.
.
.
.,D-9
G7(~13)
C- 7
B 13
Gtr.
.
7
.
Bass .
.
.
64
~
~
~
~
Straight Eight Fee)~
Rhythm Changes in Bb Major conto
~
Bb13
Db13
Gb9
F9
I
-~
.
,
.
.
~
Gtr..
:f;
~
9 I i~:
.
.
h;
Bass~
~
E7(b9)
A 13
Db_11
C7(#
11)
I~
I ~~
:
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i -,~~
, - 11~
-~.
,.
.
.
~
Bass ,~
~
.. B-7
E7(#9)
Bb_7
Eb9
~
I~
i-~
Gtr.~
~
~ 13 ,"'S: . . ~ Bass~
..E
D-9
G7(bI3)
C-9
Db9
~
15
i Gtr. : : ~ . .:
~
! -~
~
k;
15
~
Bass :
.
.
~
~
~
65
~
~
Straight Eight Feel
Rhythm Changes in Bb Major conto
D7(b9)
0 Gtr. 0 0 0 17.
Bass.
0 0G7(b9)
)9 ~ I- ~ ~ ~ ~ I- 1-: Gtr.~
:... 1
J
0 0 ~ IJ
~
0-
-19.
Bass.
0 0.
r r r rC 7(b9)
Gtr. 0 0:
21.
.
0 0 BassF7(b9)
23 Gtr. 0 0 0 23 . . 0 0 Bass 66'S ~ -=
~
Rhythm Changes in B~ Major cant.
~
~
F#-7(~5)
B7(~13)
E-9
E~9
~ r:"'"-
~25
--
-
- .,
-I.. r- ~ ... I . ~ . .1-
Otr.
.
.
~ ~ TIl 1-~...
- -
- ,,-
-b
-Il;
25 ~ I:.
.
Bass ~ =- .J-
rI' ~-
r
~D - 9
D~ 9
C 9
B 9
~ ~ ~ Otr..
:
.
!~.
I~
27 ~6
Bass :
.
.
i !~ I~
~
B ~ 13
E 9
B ~
- 7
E~ 9
!~
~ : ! Otr. .~
6
29~:
.
.
~
Bass ~~E
D-9
G7(~13)
C-7
B 13
~
E
Otr. :~
~
31 !.
~ Bass.
.
.
~
~
i:
67--Straight Eight Fee)
J=80
Rhythm Changes in E~ Major
I # (~9) ~ (~9) EpLl7( 5) C-ll F 7(111) B 7(~13) 1 ~ Guitar
.
1.
.
Bass.'.
--G-fl
C9(#11)
F-9
B~13
Gtr..
3.
.
.
Bass.
.
--B~- 7
A 13
A~Ll7(#5)
A~- 7
6
Gtr.
.
5.
Bass'.
.
.
~ (~9) (#9)G-7( 5)
C7(111)
F-9
E7(~13)
7 - ~ - " »1. ..Gtr.
.
..> -
..
--- ---
I
-=
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-7
~
~
.
.
Bass '.
.
-
.,.
I
68
-
-~
~ ,
~ Straight Eight Fee!
~
Rhythm Changes in E~ Major conto
:
E~~
G~9
B 13
E9
-
-~ 9-
I-.
;. ~ _Lp~~.
~
Gtr..
,~
.J"-.
6
I
9 I.
f:=f;
Bass :.. . I ,. r r I~
I~
E~~#ll
D~9(~13)
G~9
B9
~
~
Gtr..
i i~ ~ I 11 ~6
Bass :.
.
, .--~
~
I I (#9) I # I7
~
BI1-9 EI17(~13) AI1L\7( 5) AI1-6I I ~ Gtr.
.
~
f.;
~
13~
:
.
~
Bass
.
.
~
E
D~7(~9)
C7(~9)
F7(#9)
B~ 7(~#1~
f.;
#~
Gtr..
E
~
15~
Bass :..
'--~
~
69
Straight Eight Feel
Rhythm Changes
in E~ Major cant.
(b9) b (b9) G 7(13) D 7(~13) 17 ~ Gtr. 17.
.
..
Bass.
C 7(b9)
p# 7(b9)
(13)
(13)
~ )9 I .. ttGtr.
.
.
.J"'"*.
11I
~ -19 I ~ ~...
..
Bass.
.
, (b9) (b9) P 7(13) B 7(~13) 21 Gtr..
21.
.
Bass.
..
B b 7(b9) E 7(b9) (13) (13);3
~~
#~:=:~
Gtr.--.
.--.Jp..1
...1. -
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-=
-23
~
..
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Bass
.
I
,.,.
70
-
~
~
E
--
Rhythm Changes in Eb Major conto
6
~ A -7(~5) D 7(#9) G- 7 C 7(~9) ~ add9 (~13) 9 (~13) ~ ~
,~
Gtr.
.
I~
~
~
25b
Bass :..
.
E
F -7(~5)
B~ 7(#9)
A-9
A~ 9
,('J,13)
(~13)
13
::
~b
Gtr.
.
b
b
f.;
2:.
E
Bass..
.
~
I (#9) I9
I 1.- Dp 7(~13) Gp Gp- 7 B 9 ~ 13 1 ~ I I~
Gtr..
~
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29 I.
i~ Bass..
.
.
-~
~
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~9
-
F
f
3
F-9
E7(#9)
31
I..
~~
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3~ ~.
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.
~
.
..
r I
~
E
71
~
Straight Eight Fee)
J=80
Rhythm Changes in A~ Major
Ab!!:.7
Ao
7
Bb-
7
Eb9
-
~ 1-
1 -;~-1-
-Guitar.:
-.
-.. ~....
~...~!-~
P-' _.-8- " 1 I..
.
Bass.
.
.
.
1 r-r-C-9
F 13
Bb_11
Eb9
-
~ 3-
-
-~ -' -;.1 ---Gtr...
'-"".
.
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I -t b-. ,-8- "" "'--* 3 ~ ~.
.
.
.
.
Bass.
r-r-Eb_9
Ab13
DbL\7
Db_9
Gtr.
.
:
5
.
Bass .
..
.
.
C-9
B9
E9
A13
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-
-
-
.
-~ -~
.
.-Gtr.
.
:
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7 ~
~
.
.
.
.
.
Bass
.
--
.
r
I
72
~
~
~ Straight Eight Feel
~
Rhythm Changes in A ~ Major conto
::
Ab 1:\
~
F- 7
Bb- 7(bS)
Eb7(#9)
-
-
-~ 9-
"'i L -.-,., .. I. 1»
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Gtr..:
'-".
'-"~
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P""I-
~... "-~
~
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9:.
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Bass.
~
~,.,.
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C-II
-
B 7(#11)-
Bb_II
A 7(#11)
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.
.
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b
11 .. ~ ~E
Bass :.
.
'
.
,E
AbI3
Ab7(b13)
Db9
GbI3
~
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-: I-
-
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Gtr. ~ ~~.
.
-:-J!-~
:
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~.
'I
I
ft..
.
E
C-7
F7(b13)
Bb_II
A 7(#11)
,-
15-
-
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..
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Bass :...
.
~
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73
~
StraightEightFeel
Rhythm Changes in A~ Major conto
(~9) G-7(~5) C 7(#11) 17 I -.i IGtr.
..
..
.. 0-. t: :;t.. ::;0/ 17~
I.
.
-=-.
.
Bass.
--
~-(~9)
C - 7(~5)
F 7(~13)
I ~R. 19 I I ~ J1l ~,
b8:: Gtr.. .
.
f:;...'.
...
19 I.
.
.
.
Bass.
r ~ (~9) F-7(~5) B 7(~13) I~~
21 ~ I~~.
b.-~
..
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. .
..
b...: d. ..;.
-21.
~ ~ - - . ..
.
Bass ~ (~9) B~-7(~5) E 7(#11) 23 l il f-~ i :: Gtr.. .
.
~/ ...; p",..
-23
.
..
.
Bass
~-~
.
I
'f
74
~
~
~
~
Rhythm Changes in A ~Major conto
~
D-7(~5)
G7(~13)
C-7(~5»
F7(~13)
--=
("'13)
("'13
"=
~ ~ ~ Gtr..
~
.
~
25,E
Bass :.
.
-.
.
I
~
6
B~-ll
E~7(#9)
A- 7
D 9
,l;
27-
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:
.
.
~.
~
Bass.
~
r
1r,-,
~
E~-9
A~13
D~Ll7
G~13
~
6
-
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'i
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I~
Gtr.
.:
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h~./ -::f1--~
V" -'" p-..
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~~
Bass :..
.
~
.P
Iff-.
.
~
b
C-7(~5)
F7(~13)
B~-ll
A 7(#11)
~
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-
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-~
31~
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Bass :...
.
~
.--~
~
75
~
Straight Eight Feel
J=50
Rhythm Changes in D~ Major
D~~7#11
B~-~
E~-9
D7(~9)
-Guitar-- .
1.
Bass.
.
.
.
...
B~7sus4
E7(#9)
E~-9
A~7(~ 13)
Gtr. '--"". ---3
.
Bass.
."
.
.
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77
=--Straight Eight Feel
Rhythm Changes in Db Major conto
C - 7(bS)
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79
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J=50
Rhythm Changes in
d
Major
G~A7
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.
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in
d
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A
07
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81
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Straight Eight Fee!
Rhythm Changes in
d
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.
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d
Major conto
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Rhythm Changes
m B Major
",J=
120
Bd7(#S)
a#- 7
E-9
A 13
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.
.
D#- 7
Do 7
C#-11
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.
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F#7sus4
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84
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~ Straight EightFeel
Rhythm Changes in B Major conto
~
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B~7#11
G#-ll
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85
~
StraightEightFeel
Rhythm Changes
in B Major conto
D#9
A 13
17.
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.
G#7sus4
D 9
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13
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.
C#-7
C 13
23 . . . . .Gtr.
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.
86
~
~
~
Rhythm Changes
in B Major conto
~
(
~ ) (#9) ~ (~ ) (~9) ~ F-7 5 E 7(#11) E -7 5 D 7(#11)~
~
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25,
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~
C#-11
A 13
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F#7sus4
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C#7sus4
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E
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.
.
~
~
87
=--Straight Eight Feel