Beth Stuart BIOGRAPHIE

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Beth Stuart

BIOGRAPHIE

Née à Saskatoon en Saskatchewan, Beth Stuart obtient sa maîtrise au département des beaux-arts à l’Université de Guelph en Ontario en 2009. Elle prit part à de nombreuses expositions, à des projets solos à La Centrale (what bonds are these?) à Montréal, à Erin Stump Projects à Toronto et à la Fondation Esker (Doubting Thomas) à Calgary ainsi qu'à des expositions de groupes à la Galerie de l'UQÀM (Le projet peinture) à Montréal et à The Power Plant (One, and Two, and More than Two) à Toronto. Elle a présenté WARM.WORN.UNIFORM à la Battat Contemporary à l'automne 2014 et READ.PLAID.CLAD à Open Studio à Toronto en 2015. Elle vit et travaille à Toronto, en Ontario.

ÉDUCATION

2009 MFA, University of Guelph, Guelph, Ontario, Canada 2004 BFA, Université Concordia, Montréal, Québec, Canada

EXPOSITIONS INDIVIDUELLES

2015 READ.PLAID.CLAD, Open Studio, Toronto, ON

2014 WARM.WORN.UNIFORM, Battat Contemporary. Montréal, QC

Doubting Thomas, Esker Foundation, Calgary, AB

2013 LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON

2012 what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON

what bonds are these? March/April 2012, La Centrale, Montréal, QC

2011 The Cliques, Erin Stump Projects, Toronto, ON

two sticks in a shed, Battat Contemporary, Montréal, QC

2009 if not this, what? BOARD OF DIRECTORS, Toronto, ON

Braiding A Hole, MacDonald Stewart Arts Centre, Guelph, ON

2003 Exquisite Stiff, Galerie VAV Gallery, Montréal, QC

EXPOSITIONS DE GROUPE

2015 Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary

There is no There, commissaire: Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON

Lacis, organisé par Claire Bartleman, OCAD U Student Gallery, Toronto, ON

2014 Rendering Emblems, avec Austin Eddy et Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON

2013 One, and Two, and More Than Two, The Power Plant, Toronto, ON

L'image en question, Battat Contemporary, Montréal, QC

Le projet peinture, Galerie de l’UQÀM, commissaire: Louise Déry, Montréal, QC

2012 60 Painters, Humber College, Toronto Ontario

Vendu-Sold: Encan Bénéfice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC

2011 Chicago NEXT Fair, LVL3 Gallery, Chicago, IL

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Plant, Toronto, Hamilton Art Gallery, Hamilton

Group Exhibition, Erin Stump Projects, Toronto, ON

2010 RBC Canadian Painting Competition Exhibition (tour), The Power Plant Centre for Contemporary Art, Toronto, ON; Dalhousie Art Gallery, Halifax, NS; Art Gallery of Calgary, Calgary, AB

Vendu-Sold: Encan Benefice, éditions ESSE, Musée des Beaux Arts de Montréal, Montréal, QC

2009 Phoenix Art, Galerie Simon Blais, commissaire: Robert Enright, Montréal, QC

1:15, Georgia Scherman Projects, Toronto, ON

art in the automne / Nuit Blanche, 401 Richmond, Toronto, ON

2007 the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia

BIBLIOGRAPHIE

2015 Clément, Éric, "Virée des galeries: les autres expos", La Presse (1er novembre 2015) En ligne Campbell, James D., « Beth Stuart », Frieze Magazine, no. 170 (Avril 2015): 150-51.

Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels », Artsy, 21 avril 2015. En ligne.

2014 Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture »,Le Devoir, 8 novembre 2014 Potter, Naomi et Shauna Thompson, eds. Beth Stuart: Doubting Thomas, contrib. Jon Davies, Beth Stuart, et Shauna Thompson. Calgary, Esker Publications, 2014

2013 Ritchie, Christina, « Micah Lexier: Making It Make Itself », Canadian Art 30, no. 3 (Automne 2013) Campbell, James D., « The Image in Question »,Magenta Magazine 4, no. 2 (Été 2013). En ligne. Dault, Gary Michael, « Beth Stuart: Rapture Rupture Raptor », Border Crossings 126 (Mai 2013): 64-69.

Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Galerie de l'UQÀM, Montréal

2012 Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart »,ETC, no. 97 (octobre 2012/février 2013): 64-70.

Ninacs, Ann-Marie, « Portfolio », ESSE, no.70 (Automne 2012): 66-73.

2011 Vaughan, R.M., « Double visions and scary dolls », The Globe and Mail, 22 octobre 2011 Bethune-Leamen, Katie, « Beth Stuart », Canadian Art 29, no. 2 (Été 2011): 116.

Isé, Claudine, « Don’t Cry for Me, Art Chicago »,Bad at Sports: Contemporary Art, 2 mai 2011 Enright, Robert, « Immodest Modesty », Border Crossings 30, no. 2 (mars 2011): 17.

2010 « Artist of the week – interview », LVL3 Gallery, Chicago, En ligne.

Campbell, James D. «The Phoenix Art », Frieze Magazine, no.131 (Mai 2010): 146-47.

Babin, Sylvette, ed., «Beth Stuart,» dans VENDU-SOLD, Montréal, Les éditions ESSE, p.138-141. 2009 « The Phoenix Art: Viewing Painting’s Renewed Power »,Canadian Art (17 décembre 2009), En ligne.

Delgado, Jerome, Étincelles et enterrement de la peinture, Le Devoir. Friday December 18, 2009 Landry, Michael, « Braiding a Hole », Things of Desire 1, no. 36 (21 au 27 mai), En ligne.

PRIX ET BOURSES

2016 Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale, Paris, France

2013 Conseil des arts de l’Ontario (CAO)

Conseil des arts du Canada – Bourse Recherche et création

2011 Gagnante, mention honorable, Concours de peintures canadiennes RBC Conseil des arts de l’Ontario (CAO)

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2010 Demi-finaliste au concours de peintures canadiennes RBC 2008 Bourse d’études supérieures de l’Ontario 2008/2009 2007 Bourse d’études supérieures Tony Scherman 2007/2008

Bourse du doyen, Guelph University 2003 Prix Ada Lovelace, Université Concordia

Prix d’excellence en peinture Heinz Jordan Award, mention honorable, Université Concordia RÉSIDENCES

2016 Conseil des arts du Canada, Programme de résidence internationale, La Cité des arts internationale, Paris, France

2015 Residence VA à Open Studio, Toronto, On 2014 Residence VA à Open Studio, Toronto, On

2009 Why Are Conceptual Artists Painting Again? Avec Jan Verwoert, Banff Centre for the Arts, Banff, AB

PROJET DE COMMISSARIAT

2014 CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON

ÉCRITS ET PUBLICATIONS

2011 JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011

2009 «Amna Malik: Au Naturel,»C Magazine, Issue 105 (printemps 2010) p. 55

2009 «Cinema and Painting», pour Mixing the Message: Painting and Translation, International Painting Symposium, Macdonald Stewart Art Centre, Guelph, ON

CONFÉRENCES

2015 Conférence d'artiste invité, NSCAD University, Halifax, NS

2013 Conférence d’artiste invité, dans le cadre de Art Now, University of Lethbridge, AB 2012 Conférence d’artiste, School of Fine Arts, Concordia University, Montréal, QC

Conférence d’exposition, LA CENTRALE Galerie Powerhouse, Montréal, QC

2011 Conférence d’artiste invité, Painting and Drawing Department, OCADU, Toronto, ON Conférence d’artiste, University of Toronto, School of Visual Studies, Toronto, ON

2009 Présentation, Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph, ON

2008 Présentation du panel Cinema and Painting, Colloque annuel de l'UAAC, York University, Toronto, ON

COLLECTIONS TD Canada Trust Banque Nationale

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B

ETH

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TUART BIOGRAPHY

Born in Saskatoon (Saskatchewan), Beth Stuart works in an expanding range of media including writing, painting, ceramic, textiles, and sculptural installation. Often picking up on overlooked historical moments, characters and material techniques; she creates alternative plot points in the narrative of modernist abstraction. Improbable and conflicting ideologies form new negotiations, straight lines collapse, facts blend into feelings and hard structures dissolve into soft bodies. Notable recent presentations include a solo project at the Esker Foundation in Calgary Alberta, The Painting Project curated by Louise Dery at UQAM and More

than Two: Let it Make Itself, curated by Micah Lexier at the Power Plant. In 2010 she was shortlisted for the

RBC Painting Prize and in 2011 she received an honorable mention. Beth Stuart is based in Toronto, Ontario. EDUCATION

2009 MFA, University of Guelph, Guelph, Ontario, Canada 2004 BFA, Concordia University, Montreal, Quebec, Canada

SOLO EXHIBITIONS

2015 READ.PLAID.CLAD, Open Studio, Toronto, ON

2014 WARM.WORN.UNIFORM, Battat Contemporary, Montreal, QC

Doubting Thomas, Esker Foundation, Calgary, AB

2013 LOUD.BROWN.SHROUD. Erin Stump Projects, Toronto, ON

2012 what bonds are these? August/September 2012, Latcham Gallery, Stoufville, ON

what bonds are these? March/April 2012, La Centrale, Montreal, QC

2011 The Cliques, Erin Stump Projects, Toronto, ON

two sticks in a shed, Battat Contemporary, Montreal, QC

2009 if not this, what? BOARD OF DIRECTORS, Toronto, ON

Braiding A Hole, MacDonald Stewart Arts Centre, Guelph ON

2003 Exquisite Stiff, Galerie VAV Gallery, Montreal, QC

GROUP EXHIBITIONS

2015 Marie-Michelle Deschamps - Julie Favreau - Sophie Jodoin - Beth Stuart, Battat Contemporary

There is no There, curated by Stefan Hancherow, Hamilton Artists’ Inc., Hamilton, ON

Lacis, organized by Claire Bartleman, OCAD U Student Gallery, Toronto, ON

2014 Rendering Emblems, with Austin Eddy and Olivier Kosta-Thefaine, LVL3 Gallery, Chicago, Illinois

Painting Hamilton, Art Gallery of Hamilton, Hamilton, ON

2013 One, and Two, and More Than Two, The Power Plant, Toronto, ON

The Image in Question, Battat Contemporary, Montreal, QC

The Painting Project, Galerie UQÀM, curated by Louise Déry, Montreal, QC

2012 60 Painters, Humber College, Toronto, ON

Vendu-Sold: Encan Bénéfice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC

2011 Chicago NEXT Fair, LVL3 Gallery, Chicago, IL

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Group Exhibition, Erin Stump Projects, Toronto, ON

2010 RBC Canadian Painting Competition Exhibition (tour), The Power Plant, Toronto, ON, Dalhousie Art Gallery, Halifax, NS, Art Gallery of Calgary, Calgary, AB

Vendu-Sold: Encan Benefice, éditions ESSE, Montreal Museum of Fine Arts, Montreal, QC

2009 Phoenix Art, Galerie Simon Blais, curated by Robert Enright, Montreal, QC

1:15, Georgia Scherman Projects, Toronto, ON

art in the fall / Nuit Blanche, 401 Richmond, Toronto ON

2007 the end (ORANGEBROWN), Queensland University of Technology in Brisbane, Australia

BIBLIOGRAPHY

2015 Clément, Éric, "Virée des galeries: les autres expos", La Presse (november 1, 2015) Online Campbell, James D., « Beth Stuart,» Frieze Magazine, no. 170 (April 2015): 150-51.

Soboleva, Elena, « 9 Emerging Artists You Should Buy at Art Brussels,» Artsy (April 21, 2015), Online. 2014 Delgado, Jérôme, « Du théâtre entre la peinture et la sculpture, »Le Devoir (November 8, 2014)

Potter, Naomi and Shauna Thompson, eds.,Beth Stuart: Doubting Thomas, Contrib. Jon Davies, Beth Stuart, and Shauna Thompson, Calgary: Esker Publications, 2014

2013 Ritchie, Christina, « Micah Lexier: Making It Make Itself, »Canadian Art 30, no. 3 (Fall 2013).

Campbell, James D., «The Image in Question,» Magenta Magazine 4, no. 2 (Summer 2013) Online. Dault, Gary Michael, «Beth Stuart: Rapture Rupture Raptor,» Border Crossings 126 (May 2013): 64-9. Déry, Louise, Jonathan Shaughnessy et al., The Painting Project, Montreal: Galerie de l'UQÀM, 2013. 2012 Campbell, James D., « Bondage Unbound: Rupture and Suture in the art of Beth Stuart,»ETC, no.

97 (October 2012/February 2013): 64-70.

Ninacs, Ann-Marie, « Portfolio, » ESSE, no. 70, (Fall 2012): 66-73.

2011 Vaughan, R.M., « Double visions and scary dolls, » The Globe and Mail (October 22, 2011) Bethune-Leamen, Katie, « Beth Stuart, » Canadian Art 29, no. 2 (Summer 2011): 116.

Isé, Claudine, « Don’t Cry for Me, Art Chicago, »Bad at Sports: Contemporary Art (May 2nd, 2011) Online.

Enright, Robert, « Immodest Modesty, » Border Crossings 30, no. 1 (March 2011): 17. 2010 Artist of the week – interview, LVL3 Gallery, Chicago. Online.

Campbell, James D. «The Phoenix Art,» Frieze Magazine, no. 131 (May 2010): 146-147. Babin, Sylvette, ed., «Beth Stuart,» in VENDU-SOLD, Montreal: Les éditions ESSE, p.138-141 2009 «The Phoenix Art: Viewing Painting’s Renewed Power, »Canadian Art (December 17, 2009) Online.

Delgado, Jerome, « Étincelles et enterrement de la peinture, » Le Devoir (December 18, 2009) Landry, Michael, « Braiding a Hole,» Things of Desire 1, no. 36 (May 21 to 27, 2009)

AWARDS AND GRANTS

2016 Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris, France.

2013 Ontario Arts Council Grant

Canada Coucil for the Arts - Research and Creation Grant

2011 Winner, Honourable Mention, RBC Canadian Painting Competition Ontario Arts Council Grant

Canada Coucil for the Arts - Research and Creation Grant 2010 RBC Canadian Painting Competition Semi-Finalist

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2008 Ontario Graduate Scholarship 2008/2009 2007 Tony Scherman Graduate Scolarship 2007/2008

Dean’s Scholarship, Guelph University 2003 Ada Lovelace Award, Concordia University

Heinz Jordan Award for excellence in painting, Honourable Mention, Concordia University RESIDENCIES

2016 Canada Council for the Arts, International Residency Program, La Cite des Arts Internationale, Paris, France.

2009 Why Are Conceptual Artists Painting Again? w/ Jan Verwoert, Banff Centre for the Arts, Banff, AB CURATORIAL PROJECTS

2014 CAMOUFLEURS: Kathleen Ritter, G Gallery, Toronto, ON

PUBLISHED WRITINGS

2011 JOINERY/MENUISERIE, éditions Battat Contemporary, Montréal, 2011

2009 «Amna Malik: Au Naturel,»C Magazine, Issue 105 (Spring 2010) p. 55

2009 «Cinema and Painting,» in Mixing the Message: Painting and Translation, International Painting Symposium, Macdonald Stewart Art Centre, Guelph, 2009

PUBLIC LECTURES

2015 Visiting Artist Lecture, NSCAD University, Halifax, NS 2013 Visiting Artist Lecture, Georgian College, Barrie, ON

Art Now Lecture, University of Lethbridge, AB

2012 Visiting Artist Lecture, School of Fine Arts, Concordia University, Montreal, QC Exhibition Lecture, LA CENTRALE Galerie Powerhouse, Montreal, QC

2011 Guest Artist Lecture, Painting and Drawing Department, Ontario College of Art and Design, Toronto, ON

Visiting Artist Lecture, School of Visual Studies, University of Toronto, Toronto, ON

2009 Mixing the Message: Painting and Translation, MacDonald Stewart Art Centre, Guelph, ON 2008 UAAC, panel presentation Cinema and Painting, York University, Toronto, ON

COLLECTIONS

TD Canada Trust Banque Nationale