OVERALL NOTES FOR ENGLISH
These notes are divided into genres, so there may be many terms that appear once but are applicable to all genres. For example, a story may have an atmosphere or mood. But mood may also be used when discussing a play, a poem, or a piece of art. Most terms are defined only once, but the student must keep in mind that the term may be used in multiple genres.
THE SHORT STORY – IMPORTANT TERMS
ATMOSPHERE – the prevailing mood of a literary work, particularly when that mood is established in part by setting (i.e., opening of “The Highwayman”).
CLIMAX – the highest point of emotional interest, after which the only thing left to do is tie up loose ends
CHARACTERIZATION – the way in which an author reveals an aspect or aspects of a character’s personality.
Direct Characterization
The author comes right out and tells the reader what a character is like. Indirect Characterization
The author provides clues about the character through: 1) what the character says;
2) what the character does; 3) the character’s name;
4) the character’s appearance/surroundings; 5) what other people say about the character; 6) how other people act toward the character; 7) how animals react to the charge.
What about FLAT and ROUND characters? The first is undeveloped, showing only one trait usually, while the second is realistic, with numerous traits.
CONFLICT – the struggle that grows out of the interplay of two opposing forces in a plot. It provides interest, suspense, tension. The protagonist (usually) may be involved in one of those conflicts:
INTERNAL – struggle within EXTERNAL
PERSON vs. PERSON PERSON vs. NATURE PERSON vs. SOCIETY
PLOT - the imitation of an action; the arrangement of the incidents; the action imitated should be a whole – having a beginning, a middle and an ending. A plot should have UNITY: imitate one action and that a whole, the structural union of the parts being such that, if any one of them is displaced or removed, the whole will be disjointed. This unit should leave the reader with an impression.
Characters + Actions = Theme (Conflict will be present)
POINT OF VIEW – the vantage point from which the author presents the action of the story.
Types:
1) Third person omniscient – the author is not restricted to time, place or character and free to move and to comment at will (thoughts);
2) First person major – the main character tells the story (I); 3) First person minor – minor character tells story (I);
4) Third person limited – we know the thoughts and feelings of a single character 5) Second person – the use of “you”, as in a recipe where it will say “First you
Other definitions sometimes used when discussing point of view:
Naïve narrator – if the character does not comprehend the implications of what he or she is telling.
Panoramic – when actions and conversations are presented in summary rather than in detail.
On the other hand, the author may present actions/conversations in detail without authorial comment – called scenic method.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
SETTING – TIME + PLACE
This is the physical, and sometimes spiritual, background against which the action of a narrative takes place.
Elements:
1) geographical location;
2) the occupations and daily living of the characters; 3) the time or period in which the action takes place;
4) the general environment of the characters, for example, religious, mental, moral, social and emotional conditions through which the people in the narrative move. (LOCAL COLOR)
SHORT STORY – a relatively brief fictional narrative in prose. It may range in length from 500 words up to 15,000 words. It has a definite construction plot. It finds unit in PLOT, THEME, CHARACTER, TONE, MOOD and, on occasion, STYLE. It tends to reveal character through ACTION (a series of events or ordeals), the purpose of the story being accomplished when the reader comes to know the true nature of a CHARACTER (or sometimes a SITUATION).
climax suspense
conflict foreshadowing setting &
characters resolution
introduced
SYMBOLISM – when the author uses something concrete (a person, place or thing) to represent something abstract (an idea, a feeling for example); symbolism is often used to
reveal theme. FLAG = PATRIOTISM
THEME – a central or dominating idea of a work. In non-fiction prose, it will be called the thesis.
In fiction, it is the abstract concept that is made concrete through character, action, etc… Both theme and thesis imply a subject and a predicate
Thematic Topic – justice
Thematic Statement –Justice is not always a case of black and white. Other useful terminology:
Action – the important events in a narrative composition such as a novel or film
Allegory – a narrative in which abstract ideas are personified; a description to convey a different meaning from that which is expressed; a continued metaphor; in allegory, the characters in a narrative have other meanings that lie outside the narrative: the Lord of the Flies island is also our world that we are barbarically destroying and Roger is the worst of our race, standing for the cruelty inside mankind
Anachronism – the representation of somebody or something out of chronological order or in the wrong historical setting
Antagonist – a major character in a book, play, or movie whose values or behavior are in conflict with those of the protagonist or hero
Anticlimax – an unexpected change in tone or subject matter from the high-minded, serious, or compelling to the trivial, comic, or dull
Apostrophe - a rhetorical passage in which an absent or imaginary person or an abstract or inanimate entity is addressed directly
Archetype – the original pattern or model from which a thing is made or copied; prototype i.e. Dracula is the archetype from which Buffy and the Sesame Street Count gained their existence.
Autobiographical – written about oneself
Biography – the detailed story of a person’s life and achievements
Caricature – a ludicrous exaggeration (sometimes in picture form) of peculiar personal characteristics; to exaggerate or distort, in words or pictorial form
Complication – something that tangles the plot
Denouement – a final part of a story or drama in which everything is made clear and no questions or surprises remain
Dialect – way of speaking common to a particular area or group, i.e. people in Massachusetts.
Dialogue – conversation.
Epiphany - a sudden insight, a new way of looking at something, thought by some to be a manifestation of god
Exposition – the beginning of the plot triangle, where setting, characters, and problem are introduced
Fiction –literature dealing with imaginary characters and situations
Flashback – the presentation of scenes or incidents that occurred prior to the opening scene of the work.
Foreshadowing – hints or clues about what will happen later. *Foreshadowing can result from:
(1) the establishment of an atmosphere; (2) an event;
(3) the appearance of physical objects;
(4) the revelation of a fundamental character trait.
Frame Story – a narrative that provides the framework within which a number of
different stories, which may or may not be connected, can be told. An example of a frame story is the pilgrims' ride to Canterbury that provides the starting point for Chaucer's Canterbury Tales.
Genre – a kind, sort or style: All literature can be sorted into different genres. Irony – the recognition of a reality different from appearance.
Dramatic Irony – refers to knowledge held by the audience but hidden from the character(s).
Tragic Irony – a form of dramatic irony in which characters use words that mean one thing to them but have foreboding, different meaning for those whom
understand the situation better.
Cosmic Irony – destiny controls one’s fate.
Juxtaposition – the act of placing side by side Memoir – reminiscences; a short biographical sketch
Metaphor – a direct comparison of two unlike things i.e. the moon was a ghostly galleon. An extended metaphor is one that runs through a piece, such as saying that our English course is a bus ride and then referring to the ride for the whole year.
Motif – an idea running through literary works, such as the damsel in need of rescue (in Cinderella, Snow White, and Sleeping Beauty)
Motivation – what makes the character “tick”
Myth – a legend embodying primitive faith in the supernatural; an invented story; many myths from different cultures have similarities, as these cultures made up answers to questions about the world around them
Narrator – the person telling the story Nonfiction – a true account of events
Oxymoron – a self-contradictory combination of words.
i.e. Romeo’s speech referring to “loving hate” and “sick health”, “feather of lead”,
“heavy lightness” pretty ugly
emphasizes trial of love bittersweet
Parable – a simple story used to give a lesson in morals (right vs. wrong); the best known are Biblical, including “The Feeding of the 5,000”, “The Lost Coin”, and “The Prodigal Son”
Parody – an imitation of a poem, song, whatever, where the style is the same but the theme is ludicrously different; a feeble imitation (i.e. “The Pints of Snails”)
Persona – in literature, the character who “speaks to” the reader or imagined audience; also called the speaker in a poem (a persona may be completely different than the actual author); a friend of mine (female) always wrote her poems using a male persona, a fact that one professor commented upon
Personification – giving inanimate objects human characteristics i.e. the leaves danced in the gentle wind.
Propaganda – the systematic, purposeful spreading of ideas, both good and bad
Protagonist – the most important character in a novel, play, story, or other literary work Pun – a play on words based on the similarity of sound between two words with different meanings.
(son)
“The sun of Rome is set”. Antony re: Brutus
Stereotype – a gross misrepresentation of people; to reduce a person to an empty formula, where individuality is lost, i.e. He is a ________ and so he must be ________. (Nflder/stupid)
Subplot – secondary action of a story, reinforcing or contrasting with the main plot (i.e. the Boo Radley story running side by side with the Tom Robinson story in To Kill A Mockingbird; connected subplots enhance our understanding of a story, while unconnected ones provide a temporary break from the main story
POETRY – IMPORTANT TERMS
Poetry – a term applied to the many forms in which human beings have given rhythmic expression to their most imaginative and intense perceptions
The following list of definitions will be useful in our discussions of poetry this year: Cacophony – a harsh, disagreeable sound
Enjambment – the continuation of meaning, without pause or break, from one line of poetry to the next
Euphony – the opposite of cacophony, pleasantness or smoothness of a sound;
assonance; assimilation of the sounds of syllables to facilitate pronunciation and to please the ear
Figurative Language – intentional departure from normal order, construction, or meaning of words in order to gain strength and freshness of expression, to create a pictorial effect, to describe by analogy, or to discover and illustrate similarities in otherwise dissimilar things.
1. Antithesis – characterized by strongly contrasting words; balancing of one term against another (Action, not words!)
2. Apostrophe – someone (usually absent), or some abstract quality, or a nonexistent being is directly addressed as though present (Lady Luck, smile on me.)
3. Hyperbole – conscious exaggeration, to heighten effect, or produce comic effect (This dog, with teeth the size of axe blades, started chewing at the seat of my pants.)
4. Irony – definition given previously 5. Metaphor – “ “ “ 6. Simile – “ “ “
7. Oxymoron (Gk. Oxus, sharp and moros, dull) – a figure of speech in which two words or phrases of opposite meaning are set together for emphasis or effect, i.e. falsely true, bittersweet
8. Personification– “ “
9. Metonymy– the substitution of a term naming an object closely associated with the word in mind for the word itself (i.e. the skirt, the badge)
Lyrics – words of a song
Onomatopoeia – the use of words that by their sound suggest their meaning i.e. meow, crunch
Poetic License – the poet’s privilege of departing from normal order
Quatrain - a verse of poetry consisting of four lines, especially one with lines that rhyme alternately (abab, abcb)
Repetition– repeating a word or phrase for emphasis
Stanza - a number of lines of verse forming a separate unit within a poem. In some poems, each stanza has the same number of lines and the same rhythm and rhyme scheme.
Poetry Forms: The Dirty Dozen
1. Ballad(a type of lyric poem with rhyming stanzas; tells a story about romance, tragedy and/or the supernatural; can be sung; about common people; figurative language used; often passed down orally)
Ode to Billy Joe by Janis Joplin
It was the third of June, another sleepy, dusty Delta day I was out choppin' cotton and my brother was balin' hay
And at dinner time we stopped and walked back to the house to eat And Mama hollered out the back door "y'all remember to wipe your feet" And then she said "I got some news this mornin' from Choctaw Ridge" "Today Billie Joe MacAllister jumped off the Tallahatchie Bridge"
And Papa said to Mama as he passed around the blackeyed peas "Well, Billie Joe never had a lick of sense, pass the biscuits, please" "There's five more acres in the lower forty I've got to plow"
And Mama said it was shame about Billie Joe, anyhow
Seems like nothin' ever comes to no good up on Choctaw Ridge And now Billie Joe MacAllister's jumped off the Tallahatchie Bridge
And Brother said he recollected when he and Tom and Billie Joe Put a frog down my back at the Carroll County picture show And wasn't I talkin' to him after church last Sunday night?
"I'll have another piece of apple pie, you know it don't seem right" "I saw him at the sawmill yesterday on Choctaw Ridge"
"And now you tell me Billie Joe's jumped off the Tallahatchie Bridge"
And Mama said to me "Child, what's happened to your appetite?" "I've been cookin' all morning and you haven't touched a single bite" "That nice young preacher, Brother Taylor, dropped by today"
"Said he'd be pleased to have dinner on Sunday, oh, by the way" "He said he saw a girl that looked a lot like you up on Choctaw Ridge" "And she and Billie Joe was throwing somethin' off the Tallahatchie Bridge"
A year has come 'n' gone since we heard the news 'bout Billie Joe And Brother married Becky Thompson, they bought a store in Tupelo There was a virus going 'round, Papa caught it and he died last Spring And now Mama doesn't seem to wanna do much of anything
And me, I spend a lot of time pickin' flowers up on Choctaw Ridge
And drop them into the muddy water off the Tallahatchie Bridge
2. Blank Verse
Tomorrow, and tomorrow, and tomorrow
Macbeth:
To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale
Told by an idiot, full of sound and fury, Signifying nothing.
Macbeth Act 5, scene 5, 19–28
3. Elegy
(amournful, melancholy, or plaintive poem, especially a funeral song or a lament for the dead)
To an Athlete Dying Young
by Alfred Edward Housman
The time you won your town the race We chaired you through the market-place; Man and boy stood cheering by,
And home we brought you shoulder-high.
To-day, the road all runners come, Shoulder-high we bring you home, And set you at your threshold down, Townsman of a stiller town.
Smart lad, to slip betimes away From fields where glory does not stay And early though the laurel grows It withers quicker than the rose.
Eyes the shady night has shut Cannot see the record cut,
And silence sounds no worse than cheers After earth has stopped the ears:
Now you will not swell the rout Of lads that wore their honours out, Runners whom renown outran And the name died before the man.
So set, before its echoes fade, The fleet foot on the sill of shade, And hold to the low lintel up The still-defended challenge-cup.
And round that early-laurelled head Will flock to gaze the strengthless dead, And find unwithered on its curls
The garland briefer than a girl's.
4. Epic
(a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation)
5. Free Verse
It does not use consistent meter patterns, rhyme, or any other musical pattern. It thus tends to follow the rhythm of natural speech.
Out of Coffee Filters
By Logan Michael Albers
Give me some coffee I’d like it plain per say
I think it’d boost my spirits and send me hopping on my way I’d bet my happiness levels would skyrocket
And I'd be able to notice small things, like the common subway pickpocket I’d could run a marathon, or at least try
Until I have a sudden crash of my awesome energy high I could use the caffeine as a stimulant of the mind And perhaps I’d get even get to work on time I could talk quicker, find my way in the dark
And even have the motivation to scoop up Busters business in the park I could push that iron at the gym
And maybe even hit the pool for a nice leisurely swim Life would be great, life would be dandy
And I could savor every sip like it was some delicious candy And so this day, I have the desire
To make this happen, to climb higher, to aspire With a cup of coffee and my head in the clouds
Maybe I can make it big, make those haters look like clowns This is gonna work great, this is gonna be a bit off kilter If only I wasn’t late to work and out of coffee filters Ah, maybe tomorrow
6. Haiku
(5,7,5 syllables) The only problem
with haiku is that you just get started and then
7. Lyric
(a poem that may be sung, brief and unified impression of one topic, originally made up to be accompanied by the lyre, a string instrument)
Best Day Of My Life by American Authors
I had a dream so big and loud
I jumped so high I touched the clouds Wo-oah-oah-oah-oah-oh-oh
Wo-oah-oah-oah-oah-oh-oh
I stretched my hands out to the sky
We danced with monsters through the night Wo-oah-oah-oah-oah-oh-oh
Oah-oah-oah-oah-oah-oh-oh
I'm never gonna look back, woah I'm never gonna give it up, noo Please don't wake me now
Oo-o-o-o-o-o
This is gonna be the best day of my life My li-i-i-i-i-ii-ife
Oo-o-o-o-o-oooooo
This is gonna be the best day of my life My li-i-i-i-i-ii-ife
Oah-oah-oah-oah-oah-oh-oh But all the possibilities
No limits just epiphanies Wo-oah-oah-oah-oah-oh-oh Oah-oah-oah-oah-oah-oh-oh
This is gonna be, this is gonna be, this is gonna be The best day of my life
Everything is looking up Everybody up now
Etc.
8. Narrative (poem that tells a story, need I say more)
9. Ode
(a lyric poem in the form of an address to a particular subject, often elevated in style or manner and written in varied or irregular meter)
Ode to Newfoundland by Sir Cavendish Boyle When sunrays crown thy pine clad hills
And summer spreads her hand When silvern voices tune thy rills We love thee smiling land
God guard thee, God guard thee, God guard thee Newfoundland
10. Sonnet (Shakespearean)
(14 lines, 3 quatrains, rhyming couplet comments on these stanzas)
BY WILLIAM SHAKESPEARE 1564–1616 William Shakespeare SONNET 64
When I have seen by Time's fell hand defac'd The rich-proud cost of outworn buried age; When sometime lofty towers I see down-razed And brass eternal, slave to mortal rage;
When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss, and loss with store; When I have seen such interchange of state, Or state itself confounded to decay;
Ruin hath taught me thus to ruminate -- That Time will come and take my love away. This thought is as a death, which cannot choose But weep to have that which it fears to lose.
11. Sonnet (Italian)
(14 lines, octave and sestet - octave tells story or presents a proposition, sestet comments, drives the idea home)
Batter my heart (Holy Sonnet 14) John Donne Batter my heart, three-person'd God; for you
Labour to admit you, but O, to no end.
Reason, your viceroy in me, me should defend, But is captived, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth'd unto your enemy;
Divorce me, untie, or break that knot again, Take me to you, imprison me, for I,
Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
12.
Villanelle
(aba, aba, aba, aba, aba, abaa)
(
Tercet- a group of three lines of verse that rhyme with each other or with
another group of three
)
Mad Girl's Love Song
By Sylvia Plath
"I shut my eyes and all the world drops dead; I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red, And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane. (I think I made you up inside my head.)
God topples from the sky, hell's fires fade: Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)"
SOUND TERMINOLOGY
Alliteration – the use of words beginning with the same consonants or any vowel sounds in successive or closely associated syllables, especially stressed syllables i.e. “In a summer season, where soft was sun…” OR “Apt alliteration’s artful aid is often an occasional ornament in prose.”
Assonance – similar vowel sounds in stressed syllables that end with different consonant sounds i.e. “Lake” and “fake” demonstrate rhyme. “Lake” and “fate” show assonance.
&
Consonance – the use at the end of verses of words in which the final consonants in the stressed syllables agree but the vowels that precede them differ i.e. “add-read,” “bill-ball,” “born-burn”
Foot – poetry a basic unit of rhythm in poetry, made up of a fixed combination of stressed and unstressed or long and short syllables
Iambic pentameter – a ten syllable line in which for every two syllables, the first is short or unaccented while the second is long or accented; used by Shakespeare
Melody – sound devices, the main one being rhyme (assonance, onomatopoeia, alliteration)
Meter – an arranged pattern of rhythm in a line of verse
Parallelism – the repeated use of a grammatical pattern in a line or lines of a poem
Quatrain - four lines, usually having one of these rhyme schemes – abab, abba, abcb
Refrain – a group of words forming a phrase or sentence and consisting of one or more lines repeated at intervals in a poem, usually at the end of a stanza
Repetend – a poetic device marked by a repetition or partial repetition of a word or phrase frequently throughout a stanza or poem. Repetend differs from refrain in that the refrain usually appears at predetermined places within the poem, whereas the repetend offers an element of surprise by appearing irregularly.
Rhythm – accents of syllables in the words fall at regular intervals, like the beat of music
Rhyme scheme – the pattern of rhyme in the poem (abab cdcd efef gg)
Rhyming Couplet – two lines with identical rhymes
Stanza – a group of lines of poetry having definite pattern; a division of a poem, separated by white space
WE WILL STUDY THESE COMMON FORMS OF POETRY.
Ballad Lyric Poetry
Blank verse Monologue
Elegy Narrative Poetry
Epic Ode
Free Verse Sonnet (Shakespearean/ Italian) Villanelle
DRAMA – IMPORTANT TERMS
ACT – a principle division of a play, with a SCENE being a further division (SCENE can also refer to the place and time of action in a novel, short story, or play.)
ACTION - the important events in a narrative composition such as a novel or film ANTAGONIST – the character who acts in opposition to the protagonist
CATHARSIS – in Greek tragedy, the play makes the audience feel such terror and pity that they experience an emotional release, causing them to learn not to make the same mistakes
CHORUS – originally a band of singers and dancers; in a Greek play, certain performers who witness the action, and at intervals express their feelings regarding it
COMIC RELIEF – a break from the serious action of a work
COMPLICATION – an event or character whose introduction into a story causes difficulty
DIALOGUE - conversation
DRAMATIC MONOLOGUE – a poem in which the speaker addresses an unseen listener; related to soliloquy
HUBRIS – in Greek tragedy, excessive pride and ambition that leads to the fall of the tragic hero
FOIL – this character acts as a good contrast to the main character, helping to highlight the characteristics of the main character
PROLOGUE – the address spoken before a dramatic performance; also, the introduction to a discourse, poem, or book
PROPS – objects used during the performance of a play
PROTAGONIST – the principle actor in a drama; usually the protagonist is seeking to accomplish something
SCENE – a short section of a play, movie, opera, or work of literature that presents a single event
SCREENPLAY – a script or scenario for a film
SCRIPT - the printed version of a stage play, movie screenplay, or radio or television broadcast, including the words to be spoken and often also technical directions
SOLILOQUY – an actor is alone on stage, talking to his/herself; often such lines reveal the actor’s innermost thoughts
STAGE DIRECTION – self explanatory
TRAGEDY – a serious play with a tragic theme, often involving a heroic struggle and the downfall of the main character
TRAGIC HERO – a person of high birth, previously just, who has a tragic flaw TRAGIC FLAW – a flaw of character leading to a tragic downfall
VOICE - the form of a verb that indicates the relation of the subject to the verb. In the active voice, the subject performs the action, as in "I hit him," while in the passive voice the subject suffers the effect of the action, as in "he was hit."
NOTES on the ESSAY
Every essay will have a PURPOSE, which is the central concern or reason behind the writing. The THESIS STATEMENT will indicate the main idea behind the essay, revealing its purpose. The thesis statement will usually be found at the beginning or end of paragraph one.
Every individual paragraph will have a main point, revealed by the TOPIC SENTENCE of the paragraph.
An essay will also have an intended AUDIENCE, those people that the writer is
intending to speak to specifically. Sometimes an audience may be a very general group. TONE is a term that refers to the attitudes toward the subject and toward the audience. An essay may have a tone that is: formal, informal, intimate, solemn, somber, playful, serious, ironic, condescending, and so on. Tone may be aided by diction, sentence structure, repetition, imagery, alliteration, assonance, consonance, and so on.
An essay’s PLAN is the ordered arrangement of the ideas in an essay. It is also known as an outline.
A writer’s STYLE is the arrangement of words in a manner best expressing the individuality of the author and the idea and intent in the author’s mind. Style involves the way a writer uses language – how s/he handles words, phrases, sentences, non-sentences, and paragraphs.
Long or short sentences and paragraphs?
Personal feeling? Philosophy?
Wide vocabulary?
Appealing to the senses?
Denotation/connotation?
Sometimes an essay may use SATIRE, when a serious subject is treated in a humorous way, exaggerated, ridiculed, so that on the surface it becomes a laughing matter.
Sometimes ANALOGY is used, whereby a relationship, or likeness, or parallelism is used for explaining something: “This course is like a long hike. If you have the right provisions, and you follow the right path, you’ll make great discoveries and enjoy the journey with your companions. But you shouldn’t fall behind.”
Other useful data: Bias – prejudice
Cliché – a worn out phrase
Closing by return – ending an essay with a reference to the same anecdote or personal experience that was used to open the essay
Colon – (:) this punctuation signals a list or an explanation
Composition – something that is created, a piece of art or a piece of music or a piece of writing
Context - the words, phrases, or passages that come before and after a particular word or passage in a speech or piece of writing and help to explain its full meaning
Conventions – accepted usage of language, capital letters, punctuation, etc…i.e. A convention of letter writing would be the inside address.
Connotation – ideas and images associated with words that go beyond dictionary meaning, i.e. New Orleans
Dominant Impression – the main idea, especially in a piece of descriptive writing or a piece of artwork
Ellipsis – (…) this punctuation indicates that something has been left out; it is often used for implication, i.e. “If I told you once, …”
Fallacy - a mistake made in a line of reasoning that invalidates it
Figurative meaning is not literal, i.e. crawling the walls (very bored); literal meaning, on the other hand, would involve doing a wall at Walnuts.
Paradox – a statement that seems to be absurd or self-contradictory, but it is really founded on truth (i.e. “More haste, less speed.)
Paraphrase – to restate in shorter, simpler words
Pun - a humorous use of words that involves a word or phrase that has more than one possible meaning, i.e. Did you hear about the artist who ended up in jail? He was framed. Punctuation – the system of separating the written word (sentences, clauses) by the use of punctuation marks; we will review the uses of each in class (capitalization, colon, dash, exclamation mark, hyphen, italics, period, quotation marks, semicolon)
Rhetorical question – statement in the form of a question to which no answer is expected
Sarcasm - remarks that mean the opposite of what they seem to say and are intended to mock or deride
Speaker – Whose voice do we hear? What do we know about that person? Stereotype - to categorize individuals or groups according to an oversimplified standardized image or idea
Syntax – rules governing sentence construction Temporal Reference – a reference to time
Voice – the personality of the speaker or creator that is revealed in a literary work through such elements as style, tone, diction, etc.
“HOW TO WRITE AN ESSAY” WILL BE THE SUBJECT OF A SEPARATE HANDOUT.
SOME THOUGHTS ON STYLE
Style - the arrangement of words in a manner best expressing the individuality of the author and the intent in the author’s mind; adaptation of one’s language to one’s ideas Points to consider:
(1) arrangement of ideas
sentence variety (short? long? simple? compound? complex?) paragraphs (long? short?)
(2) diction (word choice)
a. standard diction - words found in the dictionary formal writing style b. colloquialism - conversational, informal language informal writing style c. journalese - newspaper writing
d. slang - language of a particular place or age group
(4) Coherence - logical order; showing the relationship between ideas
(i) Transitional Terms - are words or phrases which help to achieve carry-over within sentences, between sentences, and between paragraphs. Many good examples of transitional terms are provided in Appendix O.
(ii) Pronoun Reference - is the use of a pronoun in one sentence or clause to refer to a noun in a preceding sentence or clause.
Examples
(a) The men who put together the sealing video did a great disservice to our province. __________ should be punished. (They)
(b) Hemingway and Orwell are famous writers. __________ book is entitled A Farewell To Arms ? (Whose)
(iii) Repetition of a Key Word or its Synonym - Sometimes repeating a word can lend
coherence to your writing, emphasizing your ideas. Examples
(a)“We shall fight on the land . We shall fight in the air.
We shall fight and we shall never give up.” Winston Churchill
(b)Violence is becoming prevalent in our school yards. ___________ has become an issue for teachers at every level. ___________ has, in some cases, led to broken bones. (Aggression, bullying, fighting, etc…)
(iv) Parallel Structure - Parallel structure requires that all ideas presented in a series or list have the same grammatical form.
Example
Going to school, listening to teachers, and ____________________ are not my idea of a good time. (doing homework)
How to have parallel structure:
Conjunctions (and, but, or, both...and, either...or, neither...nor) should connect like grammatical elements:
-two nouns i.e. He loves __________ and __________. -two verbs i.e. She loves __________ and __________.
-two adjectives i.e. The kittens are neither __________ nor __________. -two adverbs i.e. They ran __________ but __________.
-two prepositional phrases i.e. The school group will travel _______________ and _______________.
-two participial phrases i.e. Jake likes the girl _________________________. Bill likes the girl ________________________.
(v) Organization – spatial, chronological, or logical order
(5) figurative language
a. simile - a comparison of two unlike things, using like or as, i.e. the raging river was like a savage beast licking at the rocks as it barreled past
b. metaphor - a comparison of two unlike things, i.e. the cat’s eyes were two green emeralds (...and yes, I am referring to a living creature)
c. personification – giving inanimate objects human characteristics, i.e. the trees danced in the breeze
(5) purpose - the reason(s) for writing, normally expressed using the following diction:
- to explain - to entertain -to warn, etc…
- to celebrate - to criticize
Here are some words which may be used to describe a writer’s style. This list is by no means all-inclusive; however, it will give you an idea of how to talk about someone’s style.
-poetic -journalistic -humorous
-straightforward (explicit) -dull -sophisticated
-scientific -vivid -exaggerated
-descriptive -dramatic -subtle (implicit)
SOME COMMON TYPES OF ESSAYS
The argumentative essay is one in which a side is taken on an issue of importance. An argumentative essay could be written on the controversial issue of CBC picketing the Terry Fox Run, for example.
Eulogy – a speech or writing in praise of an individual, especially praising a dead person A persuasive essay is an argumentative essay taken one step further, with a call to action being made. i.e. “Write to CBC to complain about their interference in an important national fundraiser.” This form will often use more passionate emotional appeals to stir up the reader to feel the same way about the issue. In argumentation and persuasion, often emphatic devices make the most appearances as well: repetition, bold and italicized fonts, short sentences, short paragraphs, strong punctuation.
A letter to the editor is a popular method of voicing opinions in a public forum. Descriptive essays and narrative essays are defined below, under their methods of development.
METHODS OF DEVELOPING AN ESSAY Exposition is writing which explains.
The subcategories include:
Cause and effect - i.e. This happened because… OR A result of this was…
Classification and division - i.e. Every society can be broken down into these groups…
Comparison and contrast - i.e. A morning person vs. a night owl
Example and illustration - i.e. One example of Newfoundland’s uniqueness …
Definition - i.e. A good student is one who…
Process Analysis – i.e. How to [make, be, obtain]…
Description is writing which describes a person, place, or object. Its main purpose is to create a dominant impression (main feeling) about that which is being described. Use spatial order and numerous adjectives.
Narration is writing which tells a story, but in a narrative essay the story is a means by which the writer can make a point, rather than a narrative shared more for entertainment purposes. There will be a thesis statement.
Visual Terms
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Angle - space between diverging lines; part that sticks out; position from which something may be viewed
Asymmetry - lacking equality, balance, or harmony; not regularly arranged on opposite sides of a line or around a central point
Balance - The way shapes are arranged. When shapes are balanced, they create a feeling of order or harmony. When shapes are not balanced, they create tension.
Composition - The arrangement of visual elements within a picture (layout of the elements)
Contrast - an effect created by placing or arranging very different things such as colors, shades, or textures next to each other
Color - The appearance of objects (or light sources) described in terms of a person's perception of their hue/tint. It is used to represent the ways things really look and also to create feeling
Dominant Image - more important, effective, or prominent than others Emphasis - Drawing attention to something by use of color, size or placement Focal Point - Part of a visual that is the main area of interest
Focus (in or out) - the quality that makes an image sharply defined with clear edges and contrast
Font - style and size of type
Foreground - the part of a picture or scene that appears nearest the viewer Frame - a structure that surrounds or encloses a particular space
Genre - The kind or category of visuals.
Ex. Landscape, portrait, nature photography, abstract painting, etc.
(Intensity - Purity or strength of a color (brightness or dullness)*** not on spec list) Harmony - The quality that binds the parts of a visual image into a while. It is often created through simplicity and repetition
Lighting - the amount or type of light in a photograph, painting, or other artwork Line - The basic unit of any image that has both length and direction
Movement - A sense of energy in a visual, determined by the spaces between shapes and by the shapes themselves
Panel - a section depicting a single scene in a comic strip
Perspective - the appearance of objects to an observer allowing for the effect of their distance from the observer
Proportion - the correct or desirable relationship of size, quantity, or degree between two or more things or parts of something
Scale - a ratio representing the size of an illustration or reproduction, especially a map or a model, in relation to the object it represents
Shadow - a darkened shape on a surface that falls behind somebody or something blocking the light
Symbol - covered in previous notes, it still remains that a symbol is a person, place, or object which stands for or represents an abstract thought or idea i.e. the Canadian flag represents our country, its people, its ideas and its history
Symmetry - the property of being the same or corresponding on both sides of a central dividing line; the harmony and beauty that results from such balance
FORMS
Caricature - a drawing, description, or performance that exaggerates somebody's or something's characteristics for humorous or satirical effect
Collage- a picture made by sticking cloth, pieces of paper, photographs, and other objects onto a surface i.e. see my right wall
Comic Strip - a series of cartoons that tell a story or a joke i.e. Garfield, Peanuts, Cathy, For Better For Worse are my favorites
Editorial Cartoon - a cartoon that appears in the editorial section of a newspaper, using humour to criticize a serious issue in the news
Graphics - the presentation of information in the form of diagrams and illustrations instead of as words or numbers
Photo essay - a collection of photographs in a magazine or book (or English project), often accompanied by a short commentary, that provide an overview
Poster - a printed picture, often a reproduction of a photograph or artwork, used for decoration or advertisement
Print - a work of art made by inking a surface with a raised design and pressing it onto paper or another surface
Storyboard - a set of sketches, arranged in sequence on panels, outlining the scenes that will make up something to be filmed, e.g., a motion picture, television show, or
advertisement
MEDIA LITERACY
General Terms
Media – forms of public communication (such as newspaper, radio, television, information network, poster, or brochure) that is designed to reach large numbers of people.
Media Literacy – evaluating media texts for comparison, message, intended audience, etc.
Advertisement – the promotion of goods or services for sale through impersonal media, such as radio or television; the physical promotion of a product (commercial or
magazine)
Agenda – a list or program of things to be done or considered; could also mean the purpose or motive behind a media text
Blog – a website that contains an online personal journal with reflections, comments, and often hyperlinks provided by the author
Brochure – a booklet of printed informational matter, like a pamphlet, often for promotional purposes
Caption – the words beneath a photograph that explain the subject and give background information; help to shape the meaning of the photo, sometimes in misleading ways Commercial – a public promotion of a product or service
Demographic – a portion of a population, especially considered as consumers Endorsement - a message issued on behalf of some product, cause, idea, person, or institution; usually involves companies and their products
Format – style, plan or arrangement
Form – smaller division within a genre (Ex: poetry is a genre; haiku, a type of poetry, is a form of the genre)
Headline – the heading, title or caption of a newspaper article; usually very attention-grabbing.
Icon – in media, it can be referred to as an image; in literature, it is known as a description of a person or thing, usually using a figure of speech
Image – an object that usually represents a larger idea Intent – an aim or purpose
Lead – the introductory section of a news article/story; usually a news story of major importance in a newspaper
Logo – an identifying symbol used to advertise and promote an organization, event, product or service. Usually, such symbols combine pictorial and textual elements in a distinctive manner. When consisting solely of stylized textual elements, such symbols are referred to as logotypes or wordmarks.
Mass media – when media methods are used to communicate to thousands of people at the same time
Media texts – any communication product, including radio and television, movies, billboards, magazine and television advertisements, books, paintings, photographs, collages, posters, comics, and web pages
Medium – a means of mass communication, such as newpapers, magazines, radio, or television
Motive – the underlying purpose behind a text
Poster – a sign usually consisting of a combination of print and visuals; mainly designed to attract and hold the attention of the audience; may convey a message to make people think
Product – any text
Product placement – putting a product in an actor’s hand in a movie scene, for example Propaganda – attempts to sway popular opinion and beliefs through distortions of the truth or outright lies. It is the way of presenting a belief that seeks to generate acceptance without regard to facts or the right of others to be heard. Propaganda often presents the same argument repeatedly, in the simplest terms and ignores all rebuttal or counter-argument. It is essentially self- interested and often associated with authoritarian regimes. Propaganda is often used to convey official descriptions of reality, when it may be allied with bureaucratic control of media, censorship of opposing opinions and deliberate misinformation.
Dialogue bubbles/Speech balloons – a graphic convention used mostly in comics, cartoons, and graphic novels which contain a character’s spoken words (balloons are shaped with smooth circular lines) as well as their thoughts (words are contained in balloons shaped like clouds); thoughts sometimes appear in boxes in the upper corners of the graphic
Script – the text of a play, broadcast, or movie
Foreground –part of a scene, landscape, etc., which is near the viewer (between the observer and up to l/4 or 1/2 mile distant). The surface patterns or objects and visual elements are important in the "foreground" portions of views
Background –distance part of a landscape; surroundings, especially those behind something, and providing harmony and contrast; area located from 3-5 miles to infinity from the viewer, characterized by perception of outline shape, landforms, and patterns of light and dark. Skylines or ridgelines against other land surfaces are the strongest visual elements of background.
Angle – slant; a biased way of looking at or presenting something
Lighting – illumination, can often establish mood or serve a symbolic purpose
Contrast –perceptual effect of the juxtaposition of very different colors. Occurs when there is a visual difference between things or qualities being compared; degrees of dynamic imbalance between elements of a composition which draw the eye and demand resolution (dominance) to establish unity and overall balance in the design as a whole. Logical fallacies – errors of reasoning, errors which may be recognized and corrected by prudent thinkers
Colour – appearance of objects (or light sources) described in terms of a person's perception of their hue and lightness (or brightness) and saturation
Message – any thought, idea, or information, whether expressed in plain or in secret language, prepared in a form suitable for transmission by any means of communication. Text choice – often reflects purpose and target audience (ex: Big, bold if appealing to children and elegant if appealing to young women)
Bias – is a mental leaning or inclination; partiality; prejudice; bent. It is sometimes delivered to the audience subconsciously.
Subliminal message – used by advertisers as a way to sell their product; it can be defined as any sensory stimuli below an individual’s threshold of perception (an individual does not know they are subjected to the message or object); a form of advertising on film or television that employs subliminal images to influence the viewer unconsciously
Subtext – the implicit meaning or theme of a literary text; a message which is not stated directly but can be inferred
Web page – a page of information on a website; may include text, graphics, and links to other pages
Whitespace – space on a page or poster not covered by print or graphic matter
Media Strategies
An advertisement is a public announcement in a newspaper, magazine or on the radio, television, or Internet advertising something such as a product for sale or an event. In order to tackle this portion of your exam, you will need to KNOW the following definitions. Luckily, MOST OF THESE STRATEGIES HAVE THEIR MEANING WITHIN THEIR NAME:
1.Bandwagon - this technique appeals to your desire for conformity; if you don't buy the product, you are not up-to-date or part of the in crowd, so jump on the bandwagon
Example: Every day, thousands are switching to Lay's Potato Chips.
2. Cartoon/Cute Characters - this technique relies on the entertainment value of the cute character to encourage us to purchase the product
Example: The Charmin bear uses toilet tissue.
3. Celebrity Endorsement - this technique involves a public figure speaking on behalf of a product; the plan is that your admiration for the singer or sports star will cause you to buy the product
4. Emotional Appeal - this technique appeals to one of our emotional needs
Example: Buy Nutella and you will be a great parent, providing your child with good nutrition.
5. Facts and Figures - this technique tells the consumer that this product has been proven to be the best buy or the most effective or whatever; often "tests" have been conducted to prove this
Example: In clinical studies, Crest has been clinically proven to whiten teeth.
6. Gender/Sex Appeal - this technique uses sex or gender connection to sell a product Example: Buy Axe and all the women will want you.
7. Name Calling - this technique uses slander of the opponent to win support
Example: The current government has not managed your tax dollars well. They have been wasteful.
8. Plain Folks - this technique appeals to people who feel that they want products for ordinary folks; often these people are family oriented, and certainly those who feel that they are down-to-earth, part of average society
Example: Shop at Walmart; we make family budgets go furher.
9. Shock Appeal - this technique involves shocking you into believing that you should buy or do something
Example: there is a very scary old ad for a cell phone that has a woman stranded on a deserted road with no phone and an unknown man in a pickup stopping to check on her 10. Snob Appeal - this technique involves convincing you that the product is for people who will have only the best; people who choose the product involved here are "in a league above the rest"
Example: Come dine at The Keg, where we cater to those who deserve the best. 11. Testimonials - This technique occurs when an ordinary person says that a certain product is of good quality, is a good deal, etc.
