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• At 1.9 million, reach to the slot was at its lowest level since at least 2018 in Q1 2020. Share also declined on the quarter
to 14.2%
• The audience to the slot is significantly more female (59%) and older than the network average audience. 43% of
listeners are currently 65+
• On average, the audience listen to 1 hour 9 minutes of the two-hour show each week. There has been marginally growth
in listening among the 35-54s over the last year.
• Reach declines across the slot, with a small uplift in listening between 1400-1415. Reach was down on the quarter and
the year across the slot.
• Three quarters of listening occurs in the home. Very little listening occurs at work, which is understandable given the
Sunday afternoon slot
• Analogue listening makes up just under half of all listening. There has been a notable increase in the proportion of
online listening to the slot over the last three years
• The top online episode of the quarter was about Hollywood Musical Films, with 41k requests. Most requests were to
listen to the show live (70%)
3 CCO GROUP | AUDIENCES |
SNAP SHOT – Rad io 2. Sun , 13 :00 -15 :00 Gender profile
Quick-glance snapshot
Proportion of listeners who also listen to:
The Michael Ball Show Sun 11.00-13.00:
66%
Sounds of the 70s Sun 15.00-17.00:
47% Average age:
60
59% 41%
Av. Hrs per listener
01:09
Share of listening14%
Weekly Reach (000s’)1,863
Source: RAJAR Q1 2020 15+4 CCO GROUP | AUDIENCES |
Live radio listening
performance &
appreciation
Live radio
listening
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14 .2 15.6 16.1 16 .7 15 .6 15 .1 18 .2 14 .2 0 2 4 6 8 10 12 14 16 18 20 Q2 18 Q3 18 Q4 18 Q1 19 Q2 19 Q3 19 Q4 19 Q1 20 1,889 2,165 2,135 2,255 2,087 1,944 2,251 1,863 0 500 1000 1500 2000 2500 0 0.5 1 1.5 Share % Reach (000s)
At 1.9 million, reach to the slot was at its lowest level since at least 2018 in Q1 2020. Share also declined on the quarter to 14.2%
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01:07 01:00 01:11 01:09 01:05 01:11 Adults 15+ 35-54 55+ Q1 19 Q1 20
On average, the audience listen to 1 hour 9 minutes of the two hour show. There has been marginally growth in listening among the 35-54s over the last year.
Ave. hours per listener
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0 200 400 600 800 1000 1200 1400 1600 1800 2000 12:30 12:45 13:00 13:15 13:30 13:45 14:00 14:15 14:30 14:45 15:00 15:15 Q1 2019 Q4 2019 Q1 2020 Reach (000s) Radio 2 Sun, 13:00 - 15:00
Reach declines across the slot, with a small uplift in listening around 14:00-1415. Reach was down on the quarter and the year across the slot.
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0 200 400 600 800 1000 1200 1400 1600 12.30 12.45 13.00 13.15 13.30 13.45 14.00 14.15 14.30 14.45 15.00 15.15
Radio 2 Heart Network (UK) Smooth Radio Network (UK)
Reach (000s) Radio 2, Sun, 13:00 - 15:00
Reach during this slot was significantly higher for Radio 2, compared to Heart or Smooth. However, the decline over the slot was more pronounced for Radio 2
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The Audience
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White BAME 99% 1% 15-2425-34 35-44 45-54 55-64 65+ 3%4%8% 19% 24% 43%
The audience to the slot is significantly more female (59%) and older than the network average audience. 43% of listeners are currently 65+
The audience skews more well off: 60% are ABC1 The programme attracts a more Female audience: 59% vs 41% The audience heavily skews 65+: 43% are 65+ 59% 41% The majority of listeners are White
1% are BAME GENDER AGE ABC1 60% C2DE 40%
SOCIAL GRADE ETHNICITY
Source: RAJAR Q1 2020 15+ Radio 2 average: 50% vs 50% Radio 2 average: 15-24: 6% 25-34: 9% 35-44: 14% 45-54: 21% 55-64: 22% 65+: 29% Radio 2 average:
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131 492 1,241 0 200 400 600 800 1000 1200 1400 1600 Q2 2 01 0 Q3 2 01 0 Q4 2 01 0 Q1 2 01 1 Q2 2 01 1 Q3 2 01 1 Q4 2 01 1 Q1 2 01 2 Q2 2 01 2 Q3 2 01 2 Q 4 20 12 Q1 2 01 3 Q2 2 01 3 Q3 2 01 3 Q4 2 01 3 Q1 2 01 4 Q 2 20 14 Q3 2 01 4 Q4 2 01 4 Q1 2 01 5 Q2 2 01 5 Q3 2 01 5 Q4 2 01 5 Q1 2 01 6 Q2 2 01 6 Q3 2 01 6 Q4 2 01 6 Q1 2 01 7 Q2 2 01 7 Q3 2 01 7 Q4 2 01 7 Q1 2 01 8 Q2 2 01 8 Q3 2 01 8 Q4 2 01 8 Q 1 20 19 Q2 2 01 9 Q3 2 01 9 Q4 2 01 9 Q1 2 02 0 15-34 35-54s 55+
Reach (000s) by age groups for Radio 2. Sun, 13:00 - 15:00
Listeners aged 55+ account for the majority of listeners. The trend for 55+ reach is upwards with decreases among younger age groups
12 CCO GROUP | AUDIENCES | Source: RAJAR Q1 2020 15+
The majority of the audience live in England, but all nations, except Wales, experienced a small decline in reach quarter-on-quarter
1,583 143 128 9 0 500 1000 1500 2000 2500 Q2 2 01 0 Q3 2 01 0 Q4 2 01 0 Q1 2 01 1 Q2 2 01 1 Q3 2 01 1 Q4 2 01 1 Q1 2 01 2 Q2 2 01 2 Q3 2 01 2 Q 4 20 12 Q1 2 01 3 Q2 2 01 3 Q3 2 01 3 Q4 2 01 3 Q1 2 01 4 Q 2 20 14 Q3 2 01 4 Q4 2 01 4 Q1 2 01 5 Q2 2 01 5 Q3 2 01 5 Q4 2 01 5 Q1 2 01 6 Q2 2 01 6 Q3 2 01 6 Q4 2 01 6 Q1 2 01 7 Q2 2 01 7 Q3 2 01 7 Q4 2 01 7 Q1 2 01 8 Q2 2 01 8 Q3 2 01 8 Q4 2 01 8 Q 1 20 19 Q2 2 01 9 Q3 2 01 9 Q4 2 01 9 Q1 2 02 0
England Scotland Wales Northern Ireland
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Listening by platform and
location
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74%
21%
5%
Three quarters of listening occurs in the home. Very little listening occurs at work, which is understandable given the Sunday afternoon slot
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0 200 400 600 800 1000 1200 12:30 12:45 13:00 13:15 13:30 13:45 14:00 14:15 14:30 14:45 15:00 15:15 At Home In A Car/Van/Lorry At Work/Elsewhere Reach (000s) Radio 2, Sun, 13:00 - 15:00
Listening at home declines over the duration of the slot
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Digital
2017: 6.9% 2020: 5.3%DAB
AM/FM
Online
2017: 54.6% 2020: 48.1% 2017: 35.8% 2020: 37.8% 2017: 2.8% 2020: 8.8%Listening via analogue radio makes up just under half of all listening. There has been a notable increase in the proportion of online listening to the slot over the last three years
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The top online episode of the quarter was about Hollywood Musical Films, with 41k requests. Most requests were to listen to the show live (70%)
70% 30%
Live On Demand
Total online requests by episode. 01.01.2020 – 31.03.2020
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