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(1)

Questioned Document

A Comprehensive Review

Rhem Rick N. Corpuz, Ph. D Crim

(2)

Order of Presentation

• Preliminaries

• Questioned Document: Timeline and

Personalities

• Examination of Questioned Handwriting

• Standards in Questioned Document

• Examination of Signatures

(3)

Order of Presentation

• Examination of Counterfeiting

• Examination of Inks and Writing Materials

• Examination of Typewritten Notes and

Materials

• Laws on Questioned Documents

(4)

Preliminaries

• Document

– The term document came from the Latin word

“documentum”, which means lesson, or example.

It may have been derived also from the French

word “docere” means to teach.

– Any material containing marks, symbols, or

signs in which these components may either be

visible or partially visible in conveying message

or meaning to someone.

(5)

Kinds of Document

• Public document

– A document created, executed or issued by a public

official in response to the exigencies of the public

service, or in the execution of which a public

official intervened. (U.S. v. Asensi, 34 Phil. 765)

• Official document

– A document which is issued by a public official in

the exercise of the functions of his office. An

official document is also a public document. It falls

within the larger class called public document. (U.S.

v. Asensi)

(6)

Kinds of Document

• Private Document

– Every deed or instrument executed by a private

person without the intervention of a notary public or

of any person legally authorized, by which the

documents some disposition or agreement is proved,

evidenced or set forth (US v. Orera,11 Phil. 596).-

• Commercial Document

– Any instrument defined and regulated by the Code of

Commerce (People v. Co Beng, 1913) or any other

commercial law.

(7)

What may not constitute as document?

• A draft of municipal payroll which not yet

approved by the proper authority.

• Mere blank forms of official documents.

• Pamphlets or books which do not evidence

any disposition or agreement are not

documents but are mere merchandise.

(8)

Questioned Document

• Is a document or paper/s whose contents

have been contested either in whole or in any

part as to their authenticity.

• A document is questioned when there is a

controversy over its preparation, contents and

other circumstances surrounding it.

(9)

Questioned Document Examination

• Is a term used to refer to the act of making a

close and critical study of any document

which is questioned, disputed or attacked,

necessary to discover the facts about them.

(10)

Two Division of QDE

• Criminalistics Examination. This involves the

detection of forgery, erasure, alteration or obliteration

of documents.

– Dr. Wilson Harrison, a noted British Examiner of

questioned documents said that an intelligent police

investigator can detect almost 75% of all forgeries by

careful inspection of a document with simple magnifiers

and measuring tools.

• Handwriting Investigation/Analysis. This is more

focused in determining the author of writing. It is

more difficult procedure and requires long study and

experience.

(11)

Aspects of QDE

• Handwriting Examination (Graphology/Graphoanalysis)

– examination of signatures and initials – examination of anonymous letters – hand printing examination

• Examination of Typewritings and typeprints. • Examination of Inks

• Examination of Erasures, alterations or obliterations, etc.

– Detection of alteration

– Decipherment of erased writings – Restoration of obliterated writings

• Counterfeiting

– Examination of currency bills and coins and the like – Examination of fake documents

• Miscellaneous aspects

– Determination of age of documents – Identification of stamps

(12)

Purpose of QDE

To reveal/ discover the following:

– Identity of the author.

– True contents of the document.

– Origin of the instrument or paper used in making

the document.

– Alterations or erasures which have been made.

– Authenticity of the document.

(13)

Scientific Examination of QDE

• Analysis (Recognition) - properties or characteristics,

observed or measured.

• Comparison - Properties or

characteristics of the unknown

determined thought analysis are

now compared with the familiar or recorded

properties of known items.

• Evaluation- Similarities or dissimilarities in

properties or characteristics will each have a certain

value for identification, determined by its likelihood

of occurrence. The weight or significance of each

must therefore be considered.

(14)

Instruments used in QDE

Stereoscopic

Microscope

The

stereoscopic

microscope, two

low-powered microscopes

arranged to converge

on a single specimen,

provides

a

three-dimensional image.

(15)

Instruments used in QDE

The compound microscope uses

two lenses, an objective lens and

an ocular lens, mounted at

opposite ends of a closed tube, to

provide greater magnification

than is possible with a single lens.

The objective lens is composed of

several lens elements that form an

enlarged real image of the object

being examined.

(16)

Instruments used in QDE

Shadowgraph

an

instrument

that the images

are

cast

in

shadow:

an

image of a shape

made by casting a

shadow onto a

surface

(17)

Instruments used in QDE

Handwriting Protractor

An

instrument

for

measuring angles: an

instrument shaped like

a semicircle marked

with the degrees of a

circle, used to measure

or mark out angles.

(18)

Instruments used in QDE

UV Lamp

– this is usually used

in the detection of

counterfeited bills

but can actually be

used to detect

security features of

qualified

(19)

Instruments used in QDE

Transmitted Light

a device where light

comes from beneath

or behind glass on

document is placed.

(20)

Instruments used in QDE

Photo- enlarger

A device used to

enlarge

negatives and

transfer the

image to the

photo paper.

(21)

Instruments used in QDE

Forensic Comparator

An instrument which

captures images and

projects them on a

black

and

white

screen

for

enlargement

purposes.

(22)

Instruments used in QDE

Electro- Static Detection Device

An

Electro

Static

Detection

Apparatus is used to visualize

indentations by applying an

electrostatic

charge

to

a

transparent film. The film is laid

across the page in question and

once the charge has been applied,

black toner is passed across the

film

and

reveals

any

indentations. This method can

also determine if something has

been added to a journal or log

after the original entry was made

(23)

Instruments used in QDE

Video Spectral Comparator

is used to analyze inks and see

whether they are the same or

different. This is done by

looking at them under

different lighting conditions

where some wavelengths of

light are blocked. This

technique can uncover layers

in documents where words

have been scribbled out or

written over

(24)

Instruments used in QDE

Thin Layer

Chromatography

is used to do a more

thorough analysis of ink.

The ink is mixed with

chemicals and deposited

onto a silicate plate

where its constituents

can be measured

(25)

Instruments used in QDE

Infrared Reflectance

is used to show the residue

of pencil marks. This can

be done clearly even if

the writing has been

erased. Pencils are made

of graphite which is a

form of carbon – and this

absorbs infrared light

(26)

Instruments used in QDE

Magnifying Lens

(27)

Instruments used in QDE

Camera with Macro

Lens

To capture the

handwriting sample

and enlarge the same

for court presentation.

(28)

Basic Terminologies

• DISPUTED DOCUMENT. A term suggesting that

there is an argument or controversy over the

document, and strictly speaking this is true meaning.

• STANDARD a.k.a. STANDARD DOCUMENT -

Are condensed and compact set of authentic

specimens which, if adequate and proper, should

contain a cross section of the material from a

known source.

• EXEMPLAR. A term used by some document

examiners and attorneys to characterize known

material. Standard is the older term.

(29)

Basic Terminologies

• HOLOGRAPHIC DOCUMENT. Any

document completely written and signed by one

person; also known as a holograph.

• REFERENCE COLLECTION. Material

compiled and organized by the document

examiner to assist him in answering special

questions. Reference collections of typewriting,

check writing specimens, inks, pens, pencils, and

papers are frequently maintained.

(30)

Basic Terminologies

• ERASURE - The removal of writings, typewriting or

printing, from a document is an erasure.

– Mechanical – Chemical

• EXAMINATION - It is the act of making a close and

critical study of any material and with questioned

documents, it is the process necessary to discover the facts

about them.

• EXPERT WITNESS. A legal term used to describe a

witness who by reason of his special training or experience

is permitted to express an opinion regarding the issue, or a

certain aspect of the issue, which is involved in a court

(31)

Basic Terminologies

• HANDWRITING IDENTIFICATION EXPERT. A

common name for the document examiner.

• IDENTIFICATION (Identity) – as used in this text it

is the state of being identical or absolutely the same as

in similarity of source or authorship of the questioned

document and the standard document.

• INSERTION OR INTERLINEATION

The term "insertion" and "interlineations" include

the addition of writing and other

material between lines or paragraphs

(32)

Basic Terminologies

• NON-IDENTITIFICATION (Non-identity) – as used in this text it means that the source or authorship of the compared questioned and standard specimens is different.

• OBLITERATION - the blotting out or shearing over the writing to make the original invisible to as an addition.

• OPINION. In legal language, it refers to the document Examiner's conclusion. Actually in Court, he not only expresses an opinion but demonstrates the reasons for arriving at his opinion. Throughout this text, opinion and conclusion are used synonymously.

• QUALIFICATION. The professional experience, education, and ability of a document examiner. Before he is permitted to testify as an expert witness, the court must rule that he is qualified in his

(33)

Basic Terminologies

• ADDITION - Any matter made a part of the document after its

original preparation may be referred to as addition.

• CONCLUSION - A scientific conclusion results form relating

observed facts by logical, common-sense reasoning in

accordance with established rules or laws. The document

examiner's conclusion, in legal term is referred to as "opinion".

• DOCUMENT EXAMINER. One who studies scientifically

the details and elements of documents in order to identify their

source or to discover other facts concerning them.

(34)

Care and Preservation of Documents

• The improper or careless handling of a disputed

document can lead to serious curtailment of certain

technical examinations.

• DO’s

– Keep documents unfolded in protective envelope.

– The most useful and effective protective covering

of a disputed documents is a transparent plastic

envelop.

(35)

Care and Preservation of Documents

• Take disputed papers to the documents examiners

laboratory at the first opportunity.

• If storage is necessary, keep the document in a dry

place away from excessive heat and strong light.

• Once a document is disputed it is seldom stored or

filed for a long, but important documents should be

kept properly for a long period of time.

(36)

Care and Preservation of Documents

• Do not handle disputed papers excessively or carry

them in a pocket for along time.

• Do not mark disputed documents (either by

consciously writing or by pointing at them with

writing instrument or dividers).

• Do not mutilate or damage by repeated refolding,

creasing, cutting, tearing or punching for filing

purposes.

• ”

36 RHEM RICK N. CORPUZ, Ph. D Crim

(37)

Care and Preservation of Documents

• Do not allow anyone except qualified specialist to

make chemical or other do not treat or dust for latent

fingerprints before consulting a document examiner.

• Do not allow “Amateur Testing

• When possible, the charred documents should be

moved in the container in which they all found.

(38)

Historical Developments in QDE

• 1609- The first treatise on systematic document

examination was published by Francis Demelle of

France

• 1622- The first person that carried out systematic

observations on the manner of handwriting was

Camillo Baldi. He published the book entitled

“Treated how, by a letter missive, one recognizes the

writer’s nature and qualities”, which is considered the

first known graphological essay.

• 1810- The first recorded use of questioned document

analysis occurred in Germany. Konigin Hanschritt.

(39)

Historical Developments in QDE

• 1810- The first recorded use of questioned document

analysis occurred in Germany. A chemical test for a

particular ink dye was applied to a document known as

Konigin Hanschritt.

• 1882- Gilbert Thompson, railroad builder with the US

Geological survey in New Mexico, put his own thumbprint

on wage chits to safeguard himself from forgeries.

• 1894- Alfred Dreyfus of France was convicted of treason

based on mistaken handwriting identification by Bertillion.

• 1910- Albert S. Osborne- an American and arguably the

(40)

Techniques in Examination

• MICROSCOPIC EXAMINATION - Any examination or

study which is made with the microscope in order to discover

minute physical details.

• With proper angle and intensity or illumination, it aids in

the decipherment of erasures, some minute manipulations not

perfectly pictured to the unaided eye and the sequence of

entries done by different writing instruments.

• TRANSMITTED LIGHT EXAMINATION – In this

examination, the document is viewed with the source of

illumination behind it and the light passing through the paper.

Documents are subjected to this type of examination to

determine the presence of erasures, matching of serrations

and some other types of alterations.

(41)

Techniques in Examination

• OBLIQUE LIGHT EXAMINATION - An

examination with the illumination so controlled that

it grazes or strikes the surface of the document from

one side at a very low angle. Decipherment of faded

handwriting, determination of outlines in traced

forgery, embossed impressions, etc. are subjected to

this type of examination.

• PHOTOGRAPHIC EXAMINATION - This type

of examination is very essential in every document

examination. Actual observations are recorded in the

photographs

(42)

Techniques in Examination

• ULTRA-VIOLET EXAMINATION - Ultraviolet radiation

is invisible and occurs in the wave lengths just below the

visible blue-violet end of the spectrum (rainbow). These

visible rays react on some substances so that visible light is

reflected, a phenomenon known as FLOURESCENCE.

• This type of examination is done in a darkroom after the lamp

has been warmed up in order to give a maximum output of

the ultra-violet light. Exposure to the ultra-violet light

should be to the minimum duration in order to avoid fading

of some writing ink and typewriter ribbon.

• INFRARED EXAMINATION - This examination of

documents employs invisible radiation beyond the red portion

of the visible spectrum (rainbow) which is usually recorded

on a specially sensitized photographic emulsion.

(43)

Classes of QD

• Documents containing questioned signatures.

• Questioned documents alleged to have been containing

fraudulent alterations.

• Questioned or disputed holographic will.

– a. Holographic Will

– b. Notarial Will-

• Documents investigated on the question of typewriting.

• Questioned documents on issues of their age or date.

• Questioned documents on issues of materials used in their

production.

• Documents or writings investigated because it is alleged

that they identify some persons through handwriting.

(44)

Principle of QDE

“When two items contain a combination of

corresponding or similar and specifically

oriented characteristics of such number and

significance as to preclude the possibility of

their occurrence by mere coincidence and

there are no unaccounted differences, it may

be concluded that they are the same in their

characteristics attributed to the same cause.”

(45)

HANDWRITING ANALYSIS

Examination of Handwriting

(46)

Handwriting Defined

• It is the result of a very complicated series

of acts, being used as a whole, and

combination of certain forms of visible

mental and muscular habits acquired by

long, continued painstaking effort. Some

(47)

Physiological Basis

• This center near the motor area of

the cortex is responsible for the

finger movement involved in

handwriting. The importance of

this center is that when it becomes

diseased as in a graphic, one loses

the ability to write although he

could still grasp a fountain pen,

ball pen or pencil. Thus, the

ability or power to hold a fountain

pen or pencil to form symbols and

words can be said to emanate from

its cortical center.

(48)

Muscles involved in Handwriting

• A group of

extensor muscles

push up the pen to

form the upward

strokes and ease

the tension

produced as a

result by a group of

muscle called the

flexor muscles

that push the pen to

form a downward

strokes.

(49)

Development of Handwriting

• Children learn writing by following the school copy or

model.

• After acquiring some degree of skill the children no longer

follow the school model.

• As speed increases, conscious design and regularity begin

to break down.

• In the course of trial and error, modification are made,

simplification and elaborations, addition and omissions

occur.

• The writing pattern of each child embodies unique

combinations of such deviation from the standard letter

forms or school model, and becomes his personal habits.

(50)

Kinds of Handwriting

• Cursive –

connected; writing in which

one letter is joined to the next.

• Script – separated or printed writing.

• BLOCK – all CAPITAL LETTERS.

(51)

Basis of Handwriting Examination

• In Wigmore's Principles of judicial Proof, handwriting is

defined as a visible effect of bodily movement which is an

almost unconscious expression of fixed muscular habits,

reacting from fixed mental impression of certain ideas

associated with script form.

• Environment, education and occupation affect

individuals so variously in the formation of these muscular

habits that finally the act of writing becomes an almost

automatic succession of acts stimulated by these habits.

• The imitation of the style of writing by another person

becomes difficult because the other person cannot by mere

will power reproduce in himself all the muscular

(52)

History of Handwriting

Cuneiform Script

•The impressions left

by the stylus were

wedged shaped, thus

giving rise to the name

cuneiform

(“wedge

shape, “form the Latin

cuneus,

meaning

“wedge”)

•Is the earliest writing

system in the world.

(53)

Handwriting as an Exact Science

• In the hand of a qualified examiner

operating under right conditions:

–Sufficient questioned writing

–Sufficient known writing

–Sufficient time use of scientific

instruments

(54)

History of Handwriting

•Paleography (from Greek

palaiós, "old" and graphein,

"to write") is the study of

ancient handwriting and the

practice of deciphering and

reading

historical

manuscripts.

•The first time the term

"paleography" was used was

perhaps in 1708 by Bernard

de

Montfaucon,

(55)

History of Handwriting

•Calligraphy

•(from Greek kallos "beauty" +

graphẽ "writing") is a type

of visual art. It is often called the

art of fancy lettering (Mediavilla

1996:17).

•A contemporary definition of

calligraphic practice is "the art of

giving form to signs in an

expressive, harmonious and

skillful manner" (Mediavilla,

1996: 18).

(56)

History of Handwriting

•Petrography

•The word comes from

the Greek

words petros meaning "stone"

and glyphein meaning "to

carve" (it was originally coined

in French as pétroglyphe).

•(also called rock engravings)

are images created by removing

part of a rock surface by

incising, pecking, carving, and

abrading.

(57)

History of Handwriting

• Neolithic man began

written

communication as

long as 20,000 years

ago when he

graphically

represented objects

and ideas in drawings

on cave walls known

as Iconography.

(58)

History of Handwriting

•An Ideogram or Ideograph

(from

Greek

idea

"idea"

+ grafo "to write") is

a

graphic

symbol

that

represents an idea or concept.

(59)

History of Handwriting

•From the Italian “graffito”

meaning “a scatch” refers to

handwriting or images on

the walls or surfaces of a

public area, such as building,

parks, toilets, and trains,

etc..

•Graffiti" is applied in art

history to works of art

produced by scratching a

design into a surface.

(60)

History of Handwriting

•A scribe is a person

who writes books or

documents by hand as

a profession and helps

the city keep track of

its records.

(61)

Principles of Handwriting

• No two writers write exactly alike.

• The physical writing conditions and position

of the person including his writing instrument

may affect the handwriting characteristics but

they do not confine all its identifying

elements.

– Age, sickness, emotional state (transitory state),

position

(62)

Principles of Handwriting

• Individuality in handwriting can only be

determined through comparative examination

with the standard written or prepared under

comparable conditions.

– Under similar purpose

• Similarity does not mean identity.

(63)

Variations in Writing

• A more or less definite pattern for each is

stored away in the subjective mind but the

hand does not always produce a stereotyped

duplicate of that pattern.

• The hand ordinarily is not an instrument of

precision and therefore we may not expect

every habitual manual operation to be

(64)

Causes of Variation

• Function of some external condition i.e.

influence of the available space.

• Abnormal conditions such as physical injury,

toxic effects, inebriation's, emotion and

deception.

• Position of letter - all the letters are to be found

initially, medially, and finally. The fact of a

different position, especially in combination with

another and particular letter, may modify any

of them in some way or another.

(65)

Importance of Variation

• Personal variation encountered under normal writing

conditions is also a highly important element of

identification. The qualities of personal variation include

both its nature and its extent. It becomes necessary to

determine the amount, extent, and exact quality of the

variations.

• With a group of signatures of a particular writer, certain

normal divergence in size, lateral spacing and proportions

actually indicate genuineness. Variation in genuine writing

is ordinarily in superficial parts and in size, proportions,

degree of care given to the act, design, slant, shading,

vigor, angularity, roundness and direction of stroke.

(66)

Copybook System

• refers to the standard of handwriting

instruction taught in particular school.

Classes of copybook depend on the standard

school copy adopted by a writer.

(67)

Old Copybook System

• Old English round hand - in fact an Italian

hand popular in 1840.

• Modified round hand - early edition of the

Spencerian, and the Payson, Dunton, and

Scribners copybook - 1840 -1860.

• Spencerian - there is simplification by the

omission of extra strokes and flourishes. And a

general tendency toward plainer letters than the

preceding system, some of which were very

ornate - 1860-1890.

(68)
(69)

Modern Copybook System

• Spencerian Script (1850- 1895)

– Introduced by Platt Rogers Spencer

• Palmer Copybook (1900- 1980)

– Austin Norman Palmer

• D’ Nealian Copybook (1980)

• British Copybook

• French Copybook

• German Copybook

(70)

Spencerian Script Palmer Script

D’ Nealian Copybook

(71)

Importance of Copybook

• to the nationality of the writer.

• to the system learned

• to the date when the writing was acquired and

• to some of the influences that have

(72)

Terminologies in Handwriting

• Alignment

• Is the relation of

parts of the whole

of writing or line

of

individual

letters in words to

the baseline. It is

the alignment of

words. The relative

alignment

of

letters.

(73)

Terminologies in Handwriting

• GARLAND

FORMS – A cup-like

connected form that

is open at the top and

rounded on the

bottom.

• ARCADE FORMS –

Forms that look like

arches rounded on the

top and open at the

bottom.

(74)

Terminologies in Handwriting

• ANGULAR

FORMS – Sharp,

straight strokes that

are made by stopping

the pen and changing

direction before

continuing.

• THREADY FORM

– An indefinite

connective form that

looks flat and wavy.

(75)

Terminologies in Handwriting

• DISGUISED

WRITING - A writer

may deliberately try

to alter his usual

writing habits in

hopes of hiding his

identity. The results,

regardless of their

effectiveness are

termed disguised

writing.

(76)

Terminologies in Handwriting

• COLLATION - side by side comparison;

collation as used in this text means the critical

comparison on side by side examination.

• COMPARISON - the act of setting two or

more items side by side to weigh their

identifying qualities; it refers not only a visual

but also the mental act in which the element

of one item are related to the counterparts of

the other.

(77)

Terminologies in Handwriting

• Topline

• Midline

• Baseline

(78)

Terminologies in Handwriting

• GRAPHOANALYSIS - the study of

handwriting based on the two fundamental

strokes, the curve and the straight strokes.

• GRAPHOMETRY - analysis by comparison

and measurement.

• GRAPHOLOGY - the art of determining

character disposition and amplitude of a

person from the study of handwriting. It also

means the scientific study and analysis of

handwriting, especially with reference to

forgeries and questioned documents.

(79)

Terminologies in Handwriting

• GESTALT – The German word that means

“complete” or “whole”. A good gestalt needs

nothing added or taken away to make it “look

right”. Also a school of handwriting analysis

that looks at handwriting as a whole picture.

• HANDLETTERING. Any disconnected

style of writing in which each letter is written

separately; also called handprinting

(80)

Terminologies in Handwriting

• WRONG-HANDED

WRITING. Any writing executed with the opposite hand that normally used; a.k.a. as “with the awkward hand.” It is one means of disguise. Thus, the writing of a right-handed person which has been executed with his left hand accounts for the common terminology for this class of disguise as "left-hand writing".

(81)

Terminologies in Handwriting

• LETTER SPACE – The amount of space left between letters.

• LINE DIRECTION –

Movement of the baseline. May slant up, down, or straight across the page.

• LINE QUALITY - the overall character of the ink lines from the beginning to the ending strokes. There are two classes: Good Line quality and Poor Line quality.

• LINE SPACE – The amount of space left between lines.

(82)

Terminologies in Handwriting

• MANUSCRIPT WRITING. A disconnected form of

script or semi-script writing. This type of writing is

taught in young children in elementary schools as the

first step in learning to write.

• MARGINS – The amount of space left around the

writing on all four sides.

• MOVEMENT – It is an important element in

handwriting. It embraces all the factors which are

related to the motion of the writing instrument skill,

speed freedom, hesitation, rhythm, emphasis, tremors

and the like. The manner in which the writing

instrument is move that is by finger, hand, forearm or

whole arm.

(83)

Terminologies in Handwriting

• PEN EMPHASIS - The act of

intermittently forcing the pen against the paper surfaces. When the pen-point has flexibility, this emphasis produces

shading, but with more rigid writing points heavy point

emphasis can occur in writing w/out any evidence of shading; the act

intermittently forcing the pen against the paper with increase pressure.

• PEN HOLD – The place where the

writer grasps the barrel of the pen and the angle at which he holds it.

• PEN POSITION - relationship between the pen point and the paper.

(84)

Terminologies in Handwriting

• PEN PRESSURE - the average force with which the pen contacts the paper. Pen pressure as opposed to pen emphasis deals with the usual of average force involved in the writing rather than the period increases.

• PRINTSCRIPT – A creative combination of printing and cursive writing.

(85)

Terminologies in Handwriting

• PROPORTION or RATIO - the relation between the tall and the short letter is

referred as to the ratio of writing. • QUALITY. A distinct or peculiar

character. Also, “quality” is used in describing handwriting to refer to any identifying factor that is related to the writing movement itself.

• RHYTHM – The element of the writing movement which is marked by regular or periodic recurrences. It may be classed as smooth, intermittent, or jerky in its

quality; the flourishing succession of motion which are recorded in a written record. Periodicity, alternation of

(86)

Terminologies in Handwriting

• SHADING - Is the widening of the ink strokes due to the

added pressure on a flexible pen point or to the use of a stub

pen.

• SIGNIFCANT WRITING HABIT – Any characteristic of

handwriting that is sufficiently uncommon and well fixed to

serve as a fundamental point in the identification.

• SIMPLIFICATION – Eliminating extra or superfluous

strokes from the copybook model.

• SIZE – May refer to the overall size of the writing or the

proportions between zones.

• SKILL - In any set there are relative degrees or ability or

skill and a specimen of handwriting usually contains

evi-dence of the writer's proficiency; degree, ability, or skill of a

write proficiency

(87)

Terminologies in Handwriting

SLOPE/SLANT - the angle or

inclination of the axis of the letters relative to the baseline. There are three classes:

– Slant to the left;

– Slant to the right; and – Vertical Slant.

SPEED OF WRITING - The

personal pace at which the writer’s pen moves across the paper.

TENSION – The degree of force

exerted on the pen compared to the degree of relaxation.

WORD SPACE – The amount of

(88)

Kinds of Handwriting

• Finger Movement - the thumb, the first, second and

slightly the third fingers are in actual motion. Most

usually employed by children and illiterates.

• Hand Movement - produced by the movement or

action of the whole hand with the wrist as the center

of attraction.

• Forearm Movement - the movement of the

shoulder, hand and arm with the support of the table.

• Whole Forearm Movement - action of the entire

(89)

Strokes in Handwriting

• Path followed by the pen in the paper

– Arc- a curved formed inside the top curve of loop as

in small letters “h”, “m”, “n”, & “p”.

– Arch- any arcade form in the body of a letter found in

small letters which contain arches.

– Ascender- is the top portion of a letter or upper loop.

– Baseline- maybe actually on a ruled paper, it might

be imaginary alignment of writing; it the ruled or

imaginary line upon which the writing rests.

(90)

Strokes in Handwriting

• Diacritic- “t” crossing and dots of the letter “i” and “j”.

The matters of Indian script are also known as diacritic

sign; an element added to complete a certain letter, either a

cross bar or a dot.

• Ending/Terminate stroke of toe- the end stroke of a

letter.

• Eye/ Eyelet/Eyeloop- a small loop or curved formed

inside the letters. This may occur inside the oval of the

letters “a,d,o”; the small loop form by the stroke that

extend in divergent direction as in small letters.

• Foot- lower part which rest on the base line. The small

letter ”m” has three feet, and the small letter “n” has two

feet.

(91)

Strokes in Handwriting

• Hesitation- the term applied to the irregular thickening of

ink which is found when writing slows down or stop while

the pen take a stock of the position.

• Hiatus/ pen jump- a gap occurring between a continuous

stroke without lifting the pen.

• Such as occurrence usually occurs due to speed; may be

regarded also as a special form of pen lift distinguished in

a ball gaps and appear in the writing.

• Hook- it is a minute curve or ankle which often occurs at

the end of the terminal stroke.

• It also sometimes occurs at the beginning of a initial

stroke. The terminal curves of a letters “a,d,n,m,p,u” is the

hook.

(92)

Strokes in Handwriting

• Long letter- those letters with both upper and lower loops.

• Loop- a oblong curve such as found on the small letter “f,g,I”

and letter stroke “f” has two.

• Majuscule- a capital letter.

• Miniscule- a small letter.

• Movement impulses- this refers to the continuality of stroke

, forged writing is usually produced by disconnected and

broken movements and more motion or movement impulses

then in genuine writing.

• Patching- retouching or going back over a defective portion

of a stroke. Careful patching is common defect on forgeries.

(93)

Strokes in Handwriting

• Shoulder- outside portion of the top curve, small letter “m” has three shoulders and the small letter “n” has two, the small letter “h” has one shoulder.

• Spur- a short initial or terminal stroke.

• Staff- any major long downward stroke of a letter that is the long downward stroke of the letter “b,g”.

• Stem or shank- the upright long downward stroke that is the trunk or stalk, normally seen in capital letters.

• Tick/ Hitch- any short stroke, which usually occurs at the top of the letters.

• Tremor- a writing weakness portrayed by irregular shaky strokes is described as writing tremor.

(94)

Strokes in Handwriting

• Linear Letters- lower case letters having no

ascending loops or stems, or descending loops or

stems sometimes called minuscule. No capital letters.

• Supralinear- letters that extend a distance vertically

above the linear letters, (b, d,h,k,l and t)

• Infralinear- Letters are those that extend a distance

vertically below the baseline of the writing or of the

linear letters. (g,j,p,q,y,z).

• Double-Length Letters- are those few letters that

extend a distance vertically both above and below the

linear letters. (f, y, z,p)

(95)

Characteristics of Handwriting

• GENERAL(CLASS) CHARACTERISTICS -

These characteristics refer to those

habits are part of basic writing system or which

are modifications of the system of

writing found among so large a group of writes

that have only slight identification value.

• INDIVIDUAL CHARACTERISTICS - They

are characteristics which are the result of the

writer's muscular control, coordination, age,

health, and nervous temperament, frequency of

writing, personality and character.

(96)

Individual Characteristics

• Writing movement

• Form and design of letters

• Muscular control or motor control -

• Loose writing - this is characterized by too much freedom of movement and lack of regulation. This is noticed especially in tall letters forms.

• Restrained writing - there is lack of freedom

and inhibited movements. It gives you the impression that every stroke was made with great difficulty. This writing is small.

There is distortion of letter forms which may lead to illegibility. • Motor Coordination

• Shading • Skill

(97)

Individual Characteristics

• Alignment

• Pen pressure

• Connection

• Pen hold

• Rhythm

• Disconnections or pen lifts between letters

• Speed.

• Slant as a writing habit

• Proportion of letters

• Quality of stroke or line quality

• Variation

(98)

Standards in Handwriting

• STANDARD. They are known writings which indicate how a person writes. A writer manifests fixed habits in his writings that identify him. This fact provides the basis for an opinion of conclusion regarding any writing identification problem.

• EXEMPLARS - Specimen of the writing of suspects are commonly known as exemplars. The term standards is a

general term referring to all authenticated writings of the suspects while exemplars refers more especially to a specimens of

standard writing offered in evidence or obtained or request for comparison with the questioned writing.

• SAMPLE - A selected representative portion of the whole is

(99)

Types of Standards

• Collected Standards are KNOWN (genuine) handwriting of

an individual such as signature and endorsements on canceled checks, legal papers letters, commercial, official, public and

private document and other handwriting such as letters,

memoranda, etc. written in the course of daily life, both business and socials.

• Request standards are signature or other handwritings (or hand printings) written by an individual upon request for the purpose of comparison with other handwriting or for specimen purposes.

• Post Litem Motan Exemplars - writings produced by the subject after evidential writings have come into dispute and solely for the purpose of establishing his contentions.

(100)

Considerations in Acquiring Standard

• The amount of Standard written

• Similarly of Subject Matter. If the questioned writings are hand printed, then get hand printed standard or exemplar.

• Relative Dates of the questioned and the standards writing

standard signatures or writing must be those written five (5) years before or five (5)after the date of the questioned signature or

writing.

• Contemporaneous Standards Condition under which both the questioned and the standard are prepared. look for standards prepared under comparable circumstances such as: paper rested on the knee; standing; sitting; lying down; and/or while on moving vehicle.

(101)

Procedures for Examination

• Determine whether all standards are written by

same person.

• Examine the standard handwritings.

• Examine the individual handwriting

characteristics of standards and questioned

exemplar.

• Weigh the points of similarities and points of

dissimilarities.

• Subject the questioned handwriting to a

microscopic examination

(102)

Post Litem Motan

• Standard writings witnessed

• Standards writings admitted

• Record Maintained in Regular Course of

Business as Standard Writings

• Government Document as standard

Writings

(103)
(104)

SIGNATURE

• SIGNATURE defined – It is the name of a

person written by him/her in a document as a

sign of acknowledgement. Or, it is a name or

a mark that a person puts at the end of a

document to attest that he is its author or that

he ratifies its contents.

(105)

Terminologies in Signature

• FRAUDULENT SIGNATURE. A forged signature. It

involves the writing of a name as a signature by someone

other.

• CROSS MARK. Historically, many who could not write

signed with a cross mark or crude X. This authenticating mark

is still used today by illiterates, and if properly witnessed, it

can legally stand for a signature.

• EVIDENTIAL SIGNATURE - Is not simply a signature - it

is a signature, signed at a particular time and place, under

particular conditions, while the signer was at particular age, in

a particular physical and mental condition, using particular

implements, and with a particular reason and purpose for

recording his name.

(106)

Terminologies in Signature

• FREEHAND SIGNATURE. A fraudulent signature that was

executed purely by simulation rather than by tracing the outline of a genuine signature.

• GUIDED SIGNATURE. A signature that is executed while the writer’s hand or arm is steadied in any way. Under the law of most jurisdictions such a signature authenticates a legal document

provided it is shown that the writer requested the assistance. Guided signatures are most commonly written during a serious illness or on a deathbed.

• IMITATED SIGNATURE. Synonymous with freehand forgery. • MODEL SIGNATURE. A genuine signature that has been used

(107)

Types of Signatures

• FORMAL (a.k.a. CONVENTIONAL or

COPYBOOK FORM) - complete correct

signature for an important document such as

will.

• INFORMAL (CURSORY) - usually for routine

documents and personal correspondence.

1. Personalized

2. Semi-personalized

• CARELESS SCRIBBLE - for the mail carrier,

delivery boy or the autograph collector.

(108)

Forgery

• Forgery is, strictly speaking, a legal term

which involves not only a non-genuine

document but also and intent to fraud.

However, it is also used synonymously

with fraudulent signature or spurious

document.

(109)

Classes of Forged Signatures

• SIMULATED OR FREEHAND IMITATION

FORGERY – executed purely by simulation rather than

by tracing the outline of a genuine signature can

be referred as freehand imitation or simulated forgery. Or

it refers to the free-hand drawing in imitation of model

signature.

• TRACED FORGERY (TRACED SIGNATURE)

• DIRECT TRACING - tracing is made by transmitted light.

• INDIRECT TRACING - forger uses a carbon paper and

place document on which he will trace the forged signature

under the document bearing the model signature with a

(110)

Classes of Forged Signatures

• TYPES OF TRACED SIGNATURE:

– CARBON PROCESS

– INDENTATION PROCESS

– TRANSMITTED LIGHT PROCESS

• SPURIOUS SIGNATURE (SIMPLE

FORGERY) - Forger does not try to copy a

model but writes something resembling what we

ordinarily call a signature. For this, he uses a

false (spurious) name and makes a rapid stroke,

disturbing his usual writing by adopting a

(111)

Steps in Signature Examination

• STEP 1 - Place the questioned and the standard signatures in the juxta-position or slide-by-side for simultaneous viewing of the various elements and characteristics.

• STEP 2 - The first element to be considered is the handwriting

movement or the manner of execution (slow, deliberate, rapid, etc). The fundamental difference existing between a genuine signature and an almost perfect forgery is in the manner of execution.

• STEP 3 - Second elements to examine is the quality of the line, the presence or tremors, smooth, fluent or hesitation. Defect in line

quality is only appreciated when simultaneous viewing is made. • STEP 4 - Examine the beginning and ending lines, they are very

significant, determine whether the appearance blunt, club-shaped, tapered or/vanishing.

(112)

Steps in Signature Examination

• STEP 5 - Design and structure of the letters -

Determine as to roundness, smoothness, angularity

and direction. Each individual has a different concept

of letter design.

• STEP 6 - Look for the presence of retouching or

patching.

• STEP 7 - Connecting strokes, slant, ratio, size, lateral

spacing.

• STEP 8 - Do not rely so much in the similarity or

difference of the capital letters, for theses are the

often changed according to the whim of the writer.

(113)

Proof of Genuineness

• Carelessness

• Spontaneity

• Alternation of thick and thin strokes

• Speed

• Simplification

• Upright letters are interspersed with slanting letters

• The upward strokes to a threadlike tracing

• Rhythm

• Good line quality

• Variation

(114)

Indicia of Forgery

• Tremulous and broken connecting strokes between letters, indicating points at which the writer has temporarily struck. • no rhythm

• carefulness or unusual care and deliberation

• no contrast between upward and downward strokes • slow writing- angular writing

• blunt beginning and endings

• placement of diacritical marks just over the stem of letters • absence of spontaneity - lack of smoothness of letters

• restrained writing - there is lack of freedom or "inhibited"

movements THAT gives the impression that every stroke is made with great difficulty. This writing is small.

(115)

COUNTERFEITING

• COUNTERFEITING - It is the crime of making,

circulating or uttering false coins and banknotes.

Literally, it means to make a copy of; or imitate; to

make a spurious semblance of, as money or stamps,

with the intent to deceive or defraud. Counterfeiting is

something made to imitate the real thing used for gain.

• FALSIFICATION – The act/process of making the

content/s of a document not the intended content.

• FORGERY – The act of falsely making or materially

altering, with intent to defraud, any writing which if

genuine, might be of legal efficacy or the foundation

of a legal liability.

(116)

Making of Paper Money

• ENGRAVING – It is the process by which the line to be printed are cut into pieces of metal by hand or with a machine. Ink is rubbed over the plate to fill the cuts in the metal and the extra ink wiped-off the top. The pressure of the paper on the plate causes the ink in the holes to be lifted on the surface of the paper. The ink lines will be felt to be raised above the surface. The engraving process is used for the production of all genuine bank notes.

• LETTERPRESS PRINTING – is the most common form of printing books, magazine, letterheads and the usual printing in common uses. In the process, the letters are made on raised pieces of metal which covered with ink and then impressed upon the paper in the same form as a rubber stamp or cliché. The serial numbers of a bank note are usually added by this letterpress process after the note has been produced by an engraving.

(117)

Making of Paper Money

• OFFSET PRINTING – is the method a photograph is

taken of the desire material and a print is made on a

specially prepared aluminum plate. The plate is kept

wet with water. When ink is applied, it sticks only

these parts of the plate where printing is desired. The

aluminum plate is then put in contact with rubber

roller which transfers the ink to the papers. The offset

process is quite used in small printing plants. Because

it was photographic process, it is the most common

modern used by counterfeiter to make false paper

money.

(118)

Characteristics of Genuine Bills

Distinctive feel & embossed effect

Generally smooth

1. The fingers will readily feel the the main print on the front & back on fairly new notes.

2. This is due to the

measurable thickness of the ink deposited on the paper which gives the prints an embossed effect.

1. The fingers will hardly feel the main prints of the front & back even on new notes.

2. This is brought about by offset print the most common

process employed by counterfeiters

3. The prints are mere stains on the coating of the sensitized paper which is glossy.

(119)
(120)
(121)

Paper Fibers

• The first one is the visible

security fibers. These are

easily seen in current

Philippine banknotes as

the blue and red fibers

that are randomly spread

throughout the front and

back of the paper bill.

(122)

Paper Fibers

• The other kind is

the invisible

security fiber. These

glow a fluorescent

yellow under

(123)

Writing Materials and Papers

• ANACHRONISM – It refers to something wrong in time and in place. This means that the forger has trouble matching the paper, ink, or writing materials to the exact date it was supposed to have been written.

• PAPER – These are sheets of interlaced fibers - usually cellulose fibers from plants, but sometimes from cloth rags or other fibrous materials, that is formed by pulping the fibers and causing to felt, or mat, to form a solid surface.

• WATERMARK - Certain papers are marked with a translucent design, a watermarks impressed in them during the course of their manufacture.

• WRITING MATERIALS – Any material used primarily for writing or recording such as papers, cardboard, board papers, Morocco paper, etc.

(124)

Historical Development

• PAPYRUS - This came into use about 3,500 B.C. - people of Egypt. Palestine, Syria, and Southern Europe used the pith (soft spongy tissue of the stem) of the sedge (grass-like herb) CYPERUS PAPYRUS to make a writing material known as PAPYRUS.

• PARCHMENT - writing material made from skin of

animals primarily of sheep, calves or goats - was probably

developed in the Middle East more or less contemporaneously with papyrus. It came into wide use only in the 2nd century B.C. in the city of PERGAMUM in ANATOLIA.

• VELLUM - writing materials from fine skins from young

calves or kids and the term (name) was often used for all kind of parchment manuscripts, it became the most important writing material for bookmaking, while parchment continued for special manuscripts.

(125)

Anachronism

• An anachronism (from the Greek "ana",

"against, anti-", and "chronos", "time") is

anything that is temporally incongruous in

the time period it has been placed in—that

is, it appears in a temporal context in

which it seems sufficiently out of place as to

be peculiar, incomprehensible or

References

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