Artists of the Renaissance
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(2) Artists of the Renaissance. Page 2. Christopher Marlowe By Chandler Zande. "And, to be short, when all the world dissolves, And every creature shall be purified, All places shall be hell that are not heaven.". Christopher Marlowe was born around February 6, 1564 in Canterbury, England to a shoemaker (John Marlowe) and Catherine Marlowe. Marlowe's youth if undocumented, but what is known is that he graduated from Benet College in 1584, he got his M.A three years later in 1587. In 1589, a friend of Marlowe's, named Francis Kett was burnt for heresy, this forever changed Marlowe's views of religion, making him a “devout” Atheist. Some of Marlowe's plays clearly depicted that, leading to a warrant for his arrest issued May 18th 1593. He was stabbed to death May 30th 1593, it is unknown if this had anything to do with the warrant for his arrest on the charges of Blasphemy and “Vile Heretical Concepts”. "And, to be short, when all the world dissolves, And every creature shall be purified, All places shall be hell that are not heaven." Christopher Marlowe was one of the, if not the originator, of the Elizabethan. Tragedy. He is known for implementing mysterious and untimely deaths into his tragedies, something that is carried on by Shakespeare's Elizabethan Tragedies. Marlowe's first play was Dido, Queen of Carthage, but was never performed on stage during his rather short lifetime. His first play to be performed on stage was Tamburlaine (1587). It was also the first English play to contain Blank Verse (A writing style in which regular meter is used, but no rhyme is used). Tamburlaine is often considered the first Elizabethan Tragedy written. Marlowe also portrayed his personal opinions in his dramas. In The Jew of Malta, he has a prologue delivered by a character representing Machiavelli. Infinite riches in a little room. The Jew of Malta. Act i. There is quite a bit of controversy surrounding the untimely death of Christopher Marlowe. It is often theorized that Marlowe faked his death and began writing under the assumed name “William Shakespeare”. There is no proof. either way other than the very similar writing styles and that Shakespeare often had direct copies of lines found in some of Marlowe's plays. As with most Renaissance artists, little is known of his life, his birth date is often disputed along with the date of his death, which allows more wiggle room for people to say he may have faked his death. Now will I show myself to have more of the serpent than the dove; that is, more knave than fool. The Jew of Malta. Act ii. Be ye therefore wise as serpents, and harmless as doves. William Shakespeare Overall, Christopher Marlowe contributed an entire genre of play writing. He was the originator of the Elizabethan Tragedy and died in a way that fit his writing, suddenly and mysteriously. What little we know of Marlowe's life contributes that he was a great playwright and a true renaissance artist..
(3) Page 3. Artists of the Renaissance. Miguel de Cervantes Saavedra By Sayre Weir Destined to become a great novelist, playwright, and poet, Miguel de Cervantes Saavedra was born the fourth of seven children on September 29, 1547 in Alcalá de Henares, Spain. Although little is known about Cervantes’ early life, it is known that as he grew up he enjoyed studying philosophy and literature. Also, at an early age, Cervantes studied in the school of Juan Lopez de Hoyos, where he first began to cultivate his passion for writing when the wife of Philip II died in the 1560s. In 1570, Cervantes joined the Spanish army in Naples, Italy where he lost the use of his left hand in the Battle of Lepanto. On his return home Cervantes was captured and imprisoned by Barbary pirates in Algiers. Influenced by his experiences in battle and enslavement, Cervantes commonly references themes of captivity and freedom in his literature. After his family paid for his ransom, Cervantes returned to Spain and found himself to be in a large sum of debt. He moved to Madrid where he published his first piece of prose, La Galatea, and multiple other poems and plays. Unfortunately, this occupation did not fulfill his family’s. financial needs, so Cervantes began to work as a tax collector for the Spanish Armada. In 1605, Cervantes published the first part of Don Quijote de la Mancha. Don Quijote brought Cervantes much success and a strong reputation, and he was henceforth able to publish more and more literature including the second part of Don Quijote in 1615. After he finished Don Quijote, Cervantes continued to write theatre, poetry, and novels that soon became commonly known throughout the world and that helped build his long lasting legacy. When Cervantes published Don Quijote de la Mancha, it was an immediate success. It was almost instantly translated into English and French, and then soon after it was translated into nearly every modern language. Within its first year of publication, it was already published in six different editions. It is arguably the world’s most commonly read book besides the Bible. But why did and does it captivate the attention of the world? Cervantes writes, “Every man is how Heaven made him, and sometimes a great deal worse” (http://www.onlineliterature.com/cervantes/). The. novel, considered by many to be the first modern novel, discusses the theme of human nature. It is also celebrated for Cervantes’ use of satire to portray chivalry, mischief, and adventure. Cervantes creates Don Quijote as a character who can either be seen as an idealist or as a complete madman. Also, Cervantes incorporates themes such as freedom and enslavement into his work, which were influenced from his personal experience of imprisonment. Part of what makes Don Quijote so captivating, according to BBC News, is that Don Quijote represents a universal character that can be identified with people of all sorts of backgrounds, and that he can be understood within any cultural context. In conclusion, Cervantes’ discussions of human nature and idealism versus madness and his use of satire and universality led to his distinctive style as a writer. This style was considered ahead of his time, and his innovations in themes and style are still evident in literature today..
(4) MOLIÉRE By: Erin Johnson Jean-Baptiste Poquelin, best known by the stage name Moliére, is most famous for his work as an esteemed playwright and actor. A few of Moliere’s plays, often performed for royalty or the higher classes of society, include Tartuffe, The School For Wives, The Miser, and Don Juan. He was born into fortune, a very prosperous family, and was able to afford the best education in acting from Collège de Clermont. After thirteen years of acting in known plays, he developed a real talent for Commedia dell'arte (Comedy of the Artists), which was improvising, usually less serious comedy. He combined this talent and his knowledge of the classier, more refined, comedy to write and perform in his own plays. Moliere is often considered the creator of modern French comedy. His plays exemplified a new kind of comedy for the people, the people enjoyed. Many of the words, phrases, and terms, used and created by Moliere, are still used today in modern French. A “Tartuffe” is a hypocrite,. specifically a hypocrite portraying affected morality or religious piety, a term directly from his play Tartuffe. A “Harpagon,” the main character’s name in his play The Miser, is and excessively greedy or cheap man. Most of his critics criticize him for never sticking to a distinct style and writing his play too carelessly. He would often misspell words, use incorrect grammar, or use many “filler” words in his dialogue. Though there was criticism, overall his work was very popular. Romanticists admired his plays for their unique and unconventional individualism. Modern day scholars continue study in Moliere’s work, studying the philosophical, religious, and morals of his comedies, as well as the genius of his comic technique..
(5) BIBLIOGRAPHY:. "Moliére (1622-1673)." Imagi-nation: Moliére. Web. 26 Oct. 2009. <http://www.imagination.com/moonstruck/clsc35.html>. Bermel, Albert. "Moliére-French Dramatist." Discover France! Web. 26 Oct. 2009. <http://www.discoverfrance.net/France/Theatre/Moliere/moliere.shtml>..
(6) Bibliography: Ben Jonson: Jokien, Anniina. “Ben Jonson.” Luminarium. 1996. Luminarium. May, 2, 2007. http://www.luminarium.org/sevenlit/jonson/ Holt, Henry. “Ben Jonson.” Theatrehistory. 2002. Theatrehistory.com. March, 14, 2006. http://www.theatrehistory.com/british/jonson001.html John Milton: Life and Writings of John Milton, the Teaching Company, http://www.teach12.com/ttcx/coursedesclong2.aspx?cid=305 Milton, John, New World Encyclopedia, http://www.newworldencyclopedia.org/entry/John_Milton John Milton, “Books and Writers,” http://www.kirjasto.sci.fi/jmilton.htm John Milton - Biography and Works, The Literary Network, http://www.online-literature.com/milton/# Christopher Marlowe Swinburne, Charles. "Life of Christopher Marlowe." Christopher Marlowe. Anniina Jokinen, 16 Feb. 2007. Web. 24 Oct. 2009. <http://www.luminarium.org/renlit/marlowebio.htm>. Baskerville, Charles R. "Christopher Marlowe." TheatreHistory.com. Henry Holt and Company, 13 May 2002. Web. 25 Oct. 2009. <http://www.theatrehistory.com/british/marlowe001.html>. Miguel de Cervantes Saavedra "BBC NEWS | Entertainment | Don Quixote: A surreal success." BBC NEWS | News Front Page. BBC News, 10 Feb. 2005. Web. 24 Oct. 2009. <http://news.bbc.co.uk/2/hi/entertainment/4254511.stm> Knox, Brenda. "Miguel de Cervantes Saavedra." The Don Quixote Exhibit. Milton S. Eisenhower Library at Johns Hopkins University, 26 May 1996. Web. 24 Oct. 2009. <http://quixote.mse.jhu.edu/Cervantes.html>. Merriman, C.D. "Miguel de Cervantes - Biography and Works." The Literature Network: Online classic literature, poems, and quotes. Essays & Summaries. The Literature Network, 2007. Web. 24 Oct. 2009. <http://www.online-literature.com/cervantes/>..
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