Boss
Boss GT-5 GT-5 custom custom patch. patch. WARWAREHOUSE EHOUSE `A`A
WAREHOUSE `A
WAREHOUSE `A It sounds like a soIt sounds like a some 1950me 1950s Chicago blues lead guitar in a big boomy rooms Chicago blues lead guitar in a big boomy room (hence the WAREHOUSE moniker) recorded with a litt
(hence the WAREHOUSE moniker) recorded with a little too much gain (teasing in & out le too much gain (teasing in & out the red). Itsthe red). Its low, mean & cuts the air like a hammer throw.
low, mean & cuts the air like a hammer throw.
This is an early patch I did. It has endured & sounds like no other I
This is an early patch I did. It has endured & sounds like no other Ive made since. It sounds differentve made since. It sounds different
because the effe
because the effects chain is ordered ALL WRcts chain is ordered ALL WRONG. I corrected this after abouONG. I corrected this after about 18 months but it thent 18 months but it then sounded bland. I quickly reverted to the original chain. Doing it t
sounded bland. I quickly reverted to the original chain. Doing it the wrong way is not too good he wrong way is not too good for for clarity, tonal balance etc. but it
clarity, tonal balance etc. but it sounds like it actually should.sounds like it actually should.
Obviously it ideally needs a single coil pickup & a clean amp channel. The amp should be slaved to Obviously it ideally needs a single coil pickup & a clean amp channel. The amp should be slaved to the GT-5 using the effects
the GT-5 using the effects loop. This means using at loop. This means using at least 4 instrument leads. Although, this patch isleast 4 instrument leads. Although, this patch is pretty tolerant of h
pretty tolerant of humbuckers and other corruptive umbuckers and other corruptive hardware. The Exhardware. The Expression pedal will accenpression pedal will accentuate thetuate the dirt and add some volume, so t
dirt and add some volume, so thathats good for lead breaks.s good for lead breaks. The patch uses = overdrive /
The patch uses = overdrive / preamp / delay / reverb / pedal assignpreamp / delay / reverb / pedal assign overdrive/dist overdrive/dist ---TYPE crunch TYPE crunch DRIVE 50 DRIVE 50 BASS +14 BASS +14 TREBLE +44 TREBLE +44 LEVEL 20 LEVEL 20 preamp preamp ---TYPE
TYPE clean clean twintwin VOLUME 30 VOLUME 30 BASS 36 BASS 36 MIDDLE 32 MIDDLE 32 TREBLE 36 TREBLE 36 PRESENCE 65 PRESENCE 65 MASTER 80 MASTER 80 BRIGHT off BRIGHT off GAIN high GAIN high delay delay --- NORMAL
NORMAL = = dlydly
TYPE = tap
TYPE = tap
DLY
DLY TIME TIME 30 30 msms TAP
TAP TIME TIME 50%50%
FEEDBACK 0
FEEDBACK 0
DELAY
DELAY HOLD HOLD off off DELAY SMOOTH off DELAY SMOOTH off DELAY
DELAY HI HI CUT CUT flatflat EFFECT
EFFECT LEVEL LEVEL 7070 DIRECT
DIRECT LEVEL LEVEL 100100
reverb reverb ---ON = P10 ON = P10 TYPE
TYPE room room 11 REV
REV TIME TIME 1.6 1.6 ss PRE
PRE DELAY DELAY 5 5 msms LOW
LOW CUT CUT 110 110 HzHz HIGH
HIGH CUT CUT 8.00 8.00 HzHz
DENSITY 5 DENSITY 5 EFFECT LEVEL 30 EFFECT LEVEL 30 pedal assign pedal assign ---EXP PEDAL (on) EXP PEDAL (on) DD: e.level DD: e.level MIN 100 MIN 100 MAX 0 MAX 0 CTL off CTL off ASSIGN 1 on ASSIGN 1 on ASSIGN
ASSIGN 1 1 TARGET TARGET DD DD : : d d levellevel TARGET
TARGET MIN MIN : : 00 TARGET MAX: 100 TARGET MAX: 100
SOURCE
SOURCE exp exp pedalpedal SOURCE
SOURCE mode mode normalnormal SOURCE
SOURCE act act range range Lo Lo : : 00 SOURCE
SOURCE act act range range Hi Hi : : 127127 ASSIGN 2
ASSIGN 2 TARGET
TARGET ON ON : : on on / / off off TARGET
TARGET MIN MIN : : off off TARGET MAX : on TARGET MAX : on
SOURCE CTL PEDAL SOURCE mode toggle
Another one of my GT-5 sounds here. Nothing special. just thought i'd share anyway Dont Forget....Tone Is All In The Fingers!!
Here is the settings if you want to play along at home (dont expect it to sound the same. your own gear will change the sound)
Comp CS Sus 40 Attack 35 Tone +3 Level 50 OD Natural OD Drive 18 Bass 0 Treble -33 LVL 56 Preamp Custom Pre 1 Volume 50 Bass 0 Middle 40 Treble 20 Pres 100 Master 60 Gain High SP Sim
Type Voxy Off Mic Set 3cm Mic lvl 100 Direct lvl 0 EQ Low eq +1db Lo-Mid f 100kHz Delay Mode Normal Type Tap Time 800ms Tap Time 50% Feedback 30 Hold/Smooth Off Hi Cut 3.00Khz effect Level 16 Direct Level 100 Tremelo
Mod wave Tri Rate 79
Depth 50 Bal L50 R50 EXP Pedal (P1) Ctl Pedal
Pre: Trem On/Off Min: off Max: on Mode: toggle Preamp Customize Pre1 Bottom Tight 1 Top Mild 4
Vol Type Bright 4 3Tone Brit [3]
1.Rock chorus sound
add your own reverb and delay if its needed.
OD vintage OD Drive 26 Bass 0 Treble +6 LVL 45 Preamp Custom Pre 2 Volume 35 Bass 86 Middle 95 Treble 75 Pres 48 Master 75 Gain Low SP Sim
Type Voxy Off Mic Set 6cm Mic lvl 100 Direct lvl 0 EQ Low eq +1db Lo-Mid f 100kHz Lo-Mid Q 1 Lo-Mid EQ +6db Hi-id f 1.00Khz Hi-Mid Q 1 Hi-Mid EQ +2db High EQ -20db Level +2db EXP Pedal (P1) Ctl Pedal Pre: Gain Min: Low Max: Middle Mode: toggle Preamp Customize Pre2 Bottom Normal Top Sharp 2
Vol Type Bright 4 3Tone Brit [3] Clip Type Pre Tone Presence Type [3] Gain High
Low boost 2 High Boost 2 Cabinet Built In
Boss GT-5 - Marie'verb
anyways, as promised...the boss gt5 patch...i think you can do it on your gt3 almost exactly. any effects or things not mentioned are not on.
FU<<IN' HUGE COMP ON MODE C/S SUST 63 ATTA 40 TONE 0 LEVE 40 WAH ON
MODE AUTO WAH ON AW MODE BPF POLAR UP SENS 50 FREQ 15 PEAK 50 RATE 50 DEPTH 30 LEVEL 100 OD/DIST ON TYPE DISTORTION2 DRIVE 35 BASS 0 TREB 0 LEVEL 43 PREAMP ON TYPE JC120 VOL 28 BASS 55 MID 70 TREB 50 PRES 6 MASTER 80 BRIGHT OFF
PRE GAIN MIDDLE
EQ ON LO -20DB LO MID FREQ 315HZ LO MID Q 1 LO MID EQ +20DB LO MID FREQ 3.15KHZ HI MID Q 1
HI MID EQ +20DB HI EQ -20DB LEVEL -10 DB MOD ON HARMONIST ON FX SELECT HR VOICE 2 STEREO HR1 MODE SLOW HR1 PITCH +7 HR1 PITCH FINE 0 HR1 PRE DELAY 41 MS HR1 FEEDBACK 12 HR1 LEVEL 80 HR2 MODE SLOW HR2 PITCH -8 HR2 FINE +1 HR2 PRE DELAY 100 MS HR2 LEVEL 80 DIRECT LEVEL 100 DELAY ON
DELAY MODE NORMAL DELAY TYPE TAP DELAY TIME 400MS TAP TIME 50/50% FEEDBACK 30 HOLD OFF SMOOTH ON HI CUT FLAT FX LEVEL 40 DIRECT LEVEL 100 CHORUS ON MODE STEREO RATE 25 DEP 50 PRE DL 4.0MS HI CUT FLAT FX LEV 37 TREM/PAN ON MODE TREM MOD WAV TRI
BAL 50/50 REVERB ON (P1) TYPE PLATE TIME 2.8S PREDELAY 0MS LO CUT 165HZ HI CUT 6.00KHZ DENS 8 FX LEV 15 PED ASSIGN EXP ON (P1) TARGET FV:LEVEL MIN 0 MAX 100 CTL PED ON (P2)
CTL PED TARGET FB:ON/OFF MIN OFF MAX 0N CTL PED SOURCE MODE NORMAL MASTER LEVEL 100 NOISE SUP ON THRESH 43 REL 50
FOOT VOL LEV 100
FX CHAIN CS > AW > OD > PRE > EQ > NS > FV > HR > DD > CE > PN > REV
FU<<IN' HUGE
BY PINKJIMIPHOTON PATCH FOR BOSS GT5 LIKE, USE IT, IT'S COOL. PLAY SLOW, SINGLE NOTES..anyone, i mean
ANYONE can sound musical with this f'd up patch.
F***in' Hugelooks f'ing awesome - can't wait to load it. Here's one for all you twisted souls out t here. It was inspired by the now-extinct Digitech Space Station.
PEDAL PAD
FX chain; SG-CS-HR-FV-PRE-NS-DD-REV-CE. The FV is inactive in this patch, w/a fixed Level of 100 - the EXP Pedal is not assigned to Volume in this patch.
SG - On, Sens 100, Rise Time 70
CS- ON, FX = CS, Sustain 40, Attack 25, Tone 0, Lvl 40
HR- On, Voice 2-Stereo, HR1 Mode Mono, HR1 Pitch 0, HR1 Fine -7, HR1 Pre-delay 7ms, HR1 Feedback 92, HR1 Level 100, HR2 Mode Mono, HR2 Pitch 0, HR2 Fine +5, HR2 Pre-Delay 12ms, HR2 Level 100, Direct Level 70
Pre-amp- On, Clean Twin, Volume 55, Bass 55, Middle 55, Treble 55, Presence 35, Master 55, Bright Off, Gain Middle, Mic Set Center, Mic Level 55, Direct Level 5
Delay- On, Tap, Time 535 ms, Fine 535 ms, Tap Time 100%, Feedback 35, Hi Cut 6k, Effect Level 37
Reverb- On, Room 2, Rev Time 1.7 s, Pre-delay 21 ms, Low Cut 110Hz, High Cut 6k, Density 10, Effect Level 33
Chorus- On, Stereo, Rate 31, Depth 77, PreDly 27.5 ms, Hi Cut 6k, Effect Level 53 Now comes the fun part . . .
Enter Pedal Assignand do this
-Exp Pedal-On, Target Assign CE: FX Level, Min 0, Max 53
CTL Pedal - On, Target CS On/Off, Min Off, Max On, Mode Toggle
Assign 1 - On, Target HR1 Level, Min 30, Max 100, Source Exp Pedal, Mode Normal, Act. Range Lo 0, Act. Range Hi 127
Assign 2 - On, Target HR2 Level, Min 21, Max 100, Source Exp Pedal,, Mode Normal
Assign 3 - On, Target HR1 Feedback, Min 21, Max 92, Source Exp Pedal, Mode Normal
Assign 4 - On, Target HR Direct Level, Min 100, Max 70, Source Exp Pedal, Mode Normal
Assign 5 - On, Target DD FX Level, Min 0, Max 37, Source Exp Pedal, Mode Normal
Assign 6 - On, Target RV FX Level, Min 100, Max 33, Source Exp Pedal, Mode Normal.
Be sure to set the Foot Volume Level at 100, under Master - adjust the Noise Suppressorto best suit your rig, if you use it at all, add OD/Dist if you feel like it. Lots of fun sweeping the Exp Pedal while holding a chord, or try running synth pads from your GR into this patch. Headphone approved.
adjust the numbers for your device - you may not be able to re-create this patch exactly, but you'll probably get something pretty cool. BTW, SG means Slow Gear, which may be Auto-Swell or some
such on your processor.
Happy Thanksgiving, everybody!
This could be a starting point for a "Holdsworth" lead sound. Its best used with a bridge humbucker ( I used a MATON JB6 with DiMarzio Paf dual sounds)
with the Vol & Tone backed off a bit.
FX CHAIN CS, FX1, FV, OD, PRE, NS, DD, FX2, RV, PREAMP A. WARM CLEAN Mode D-L/R 15ms.
GAIN...45 BASS...50 MID...60 TREB...50 PRES...0 LEVEL...75 GAIN SW...HIGH SP TYPE...ORG MIC...DYN421 DIST...ON POS...5cm MIC LEV...100 DI...0
PREAMP B. MATCH DRIVE (MODE D-L/R 15ms)
58 50 50 50 0 85 MID ORG FLAT ON CENT 100 0 OVERDRIVE T SCREAM.
94 ( Back off on the drive as much as you dare to match your guitar less sounds better!!) 0
51 REVERB PLATE. 2.8 secs 10ms 165Hz 6.00KHz 10 16 100 DELAY PAN. 29ms 50%
10 (Try the FB at zero, higher the value the more ambient it sounds. I like 10) flat 22 100 FX1 COMP. BOSS COMP 80 0 -50 34 FX2 SUB DELAY. 400ms 23 22
NS INPUT. (Try with the NS off and ride the Vol with the FV. I use a BOSS EV5)
Threshold 30 Release 41
MASTER LEVEL. 112
My INPUT setting is at -6db, PRES 0dB
OUTPUT setting is LINE/PHONES, LOW 0dB, MID 0dB, MID FREQ 500Hz, HIGH -3dB I have used similar settings to this patch for direct recording only.
Boss / GT-5 Effects Pedal-Processor
Mysterious Ways (U2) Devices Used:
Boss GT-5, Ibanez Iceman IC-300, Mesa Boogie Mark III Simul-Class, Mesa 4x12 Cab Sound Description:
A lot of the patches i've seen for this tune have involved using wah or auto-wah, but i beleive it has more to do with phase than anything. After you enter all the settings set your expression pedal halfway or a little further (whatever sounds right to you) and there you have it. Just for a little emphasis at the end of the tune as i strike the last chord i rock the pedal all the way forward and hold the chord as long as possible.
Settings:
Mod:On, phaser: on, 8 stage, 15, 60, 85, 95 off
Limiter:On 40, 30, 0, 40
OD:On, Blues, 40, 0, +50, 40
Reverb: On, Plate, 3.0s, 50ms, 300Hz, 8.00kHz, 10, 20
Preamp: On, JC-120, 20, 0, 100, 331, 0, 70, On, Middle
EQ: On, -6dB, 500Hz, 1, +4dB, 2.00kHz, 1, -6dB, +4dB, 0dB
Exp Pedal: On, PH: Rate, min: 20, Max: 15
Ctl Pedal:Off
Assign 1:On, PH: Resonance, Min:20, Max: 95, Exp Pedal, Normal, Act.Range Lo: 0, Act.Range Hi: 127
Assign 2:On, OD: Level, Min: 45, Max: 40, Exp Pedal, Normal, Act.Range Lo: 0, Act.Range Hi: 127
Assign 3:On, PH: Rate, Min: 70, Max: 15, Exp Pedal, Normal, Act.Range Lo: 0, Act.Range Hi: 127 SRV 2 Jimi
Devices Used:
Various Strats, Parker P-38, GT-5, 50W MKII Marshall Half Sound Description:
I have been working a very long time to write a patch dedicated for strats that can go from a hot SRV drive just over the top to a full up Voodoo Chile, using the exp pedal. This patch is very reactive to your volume pot, like it should be, no compression settings needed. However it does require writing a custom overdrive. I use this custom overdrive in many different configurations, very natural, warm, tube sounding. Typically I prefer tube drives but this certainly gets it and reacts like a tube preamp. Can also be tweaked for humbuckers, but mainly for a fat single coil vibe. Well worth a try... Try the Neck pickup, unbelievable... With the EXP Pedal full off and your guitar volume backed just a bit is
great for rhythm, open volume control, great clean solo drive just over the top. EXP full on.. Real, real close to Hendrix Voodoo Chile. This patch has a great feel to it, I really enjoy using this setting.
Patch Settings:
OD/DS: On, Type: Custom OD 2, Drive: 15, Bass: 5, Treble: -10, Level 40
SP Simulator:On, MS Stack On, Mic Setting: 5CM, Mic Level 100, Direct Level: 0
EQ: On, Low Eq: -5, Low-Mid Freq: 315Hz, Lo Mid Q: 8, Lo Mid EQ: 0, High Mid Freq: 1.25KHZ, High Mid Q: 8, High Mid EQ: 0, High EQ: -3, Level: 5
Mod:On, Harmonist, Voice: 2 Mono, H1 Pitch: 0, H1 Fine: -11, H1 Pre Delay: 12, H1 Feedback: 0, Level: 50, H2 Pitch: 0, H2 Fine: 12, H2 Pre Delay: 13, H2 Feedback: 0, Level: 50, Dir Level: 100
Delay:Mode: Normal Delay, Type: Single, Delay: 350, Interval 1.0, Feedback: 20, High Cut Filter 8.00KHz, Effect Level: 8, Direct Level 100, Hold: Off, S mooth: Off
Chorus:On, Mode: Mono, Rate: 40, Depth: 55, Pre Delay: 4.0, High Cut Filter: 11.0KHz, Effect Level 25
Reverb: On, Type: Hall 1, Reverb Time 2.3, Pre Delay: 10, Low Cut Filter: 165HZ, High Cut Filter: 4.00KHz, Density: 8, Effect Level: 7
Pedal Assign:On, Exp Pedal, Target: OD: Drive, Target Min: 15, Target Max: 74, On CRTL Pedal, Target: HR: On/Off, Target Min: Off, Target Max: On Source Mode: Toggle
James
GT-5 patches, software, and info:
Various Floyd Devices Used:
US standard strat through a Marshall JTM60. Sound Description:
I got an e-mail which finally prompted me to write out some of the floyd patches from my GT5. I picked mostly the delay ones. They have been timed with the live recordings so perhaps need a tweak
to match with studio versions. Settings:
Run like hell
Comp/limiter on, LM, 40, 30, 0, 48
EQ on, +10, 500Hz, 1, +5, 4kHz, 1, +8, +2, -2 Phaser on, PH, 4 stage, 10, 10, 50, 0, Off
Delay on, Normal dly, tap, 750ms, 50%, 50, off, off, flat, 70, 100 Exp on (=p1), FV level, o, 100
Take it back
Com/limiter on, CS, 50, 100, 0, 50 O/D on, Natural, 11, 0, 0, 50
EQ on, +10, 500Hz, 1, +5, 4kHz, 1, +8, +2, -2
Harmonist on, HR, 2 mono, harmony, preset, tonic, 30ms, 20, 75, medium, 0, - 12, 0, 75,
c(Am), 100
Delay on, normal, tap, 780ms, 50%, 20, off, off, flat, 60, 100 Chorus on, mono, 40, 20, 2ms, 2khz, 100
Exp on (=p1), FV level, 0, 100
CTL pedal on, on/off, on, off, toggle Keep talking
Comp/limiter on, CS, 50, 100, 0, 50 O/D on, natural, 11, 0, 0, 48
EQ on, +12, 500Hz, 1, +6, 4kHz, 1, +6, +3, -2 Exp pedal on (=p1)
Harmonist on, HR, 2 mono, medium, 0 0 0ms, 0 100, medium, 0, -12, oms, 100, 100 Chorus on, mono, 14, 62, 2ms, 2khz, 100
Delay on, normal, single, 450ms, 48, off, off, flat, 73, 100 Reverb on, hall1, 3s, 30ms, 110hz, 4khz, 5, 29
Sorrow intro
Compressor on, CS, 70, 80, 0, 50 O/D on (=p3), turbo O/D, 40, 0, 0, 40
Preamp on, voxy drive, 75, 50, 50, 50, 0, 42, middle EQ on, +19, 630Hz, 1, +3, 8kHz, 1, +2, 0, -5
Harmonist on, HR, 2 mono, medium, 0, 0, oms, 0, 100, medium, o, o, 100, 100 Delay on, normal, single, 500ms, 10, off, off, flat, 50, 100
Chorus on, mono, 40, 50, 4ms, flat, 50
Reverb on (=p1), plate, 2.85, 0, 165hz, 6khz, 8, 15 exp ped on (=p1), FV level, 0, 100
ctl pedal, FB on/off, off, on, normal
Eric Johnson Solo
Devices Used:
Gt-5 Thru a Marshall 50Watt 800 MkII (w/el-34's) and a HM Strat w/Humbucker on Bridge. Sound Description:
The dark solo tone Eric uses in just about all of his work (i.e. Cliffs of Dover). T his sound is the closest I have found to reproduce this off-axis / room mic tone with what I have access to. This actually is pretty close and should get you in the ball park for your final tweaking. You have to set up a Custom Preamp setting to make it work.
Settings:
Comp on(=p1),sus=50, attack=40, tone=0, level=40,Overdrive/Distortion on, t ype vintage od, drive=10, bass=+5, treble=0,level=45, Preamp Custom PRE1, vol=73, bass=44, middle=50, treble=33, pres=0, master=58, gain=middle, SP Simulator on, type BG St ack on, mic set.=9cm, mic level 83, direct level=0, Equalizer on, low eq=0, lo-mid f=800hz, lo-mid q=1, lo-mid eq=0, hi-mid f=1.25khz, hi-hi-mid q=1, hi-hi-mid eq=+2, high eq=+12, level=+1, Delay on, mode normal delay, type single, dlytime=320ms, feedback=15, hold=off, smooth=off, high cut 8.00khz, effect
Metallica Patch
Lets try to organize all our Metallica patches into one place, i made a Kill 'em all patch if anyone wants to try it
Kill 'em All
FX Chain-> cs-wah-lp-OD-PRE-FX1-fx2-EQ-NS-FV-dd-ce-rv-DGT Preamp-ON-Single-ChA-BrightClean-26-82-42-100-24-40-High-off-50-4x10-DYN57-On Mic-2-100-0 OD-ON-Sharp-108-0-0-74-0 EQ-On-Flat/+10/500Hz/1/0/4kHz/16/0/0/Flat/0 Fx-1-flat/0/4kHz/8/+2/8kHz/4/-11/+13/4kHz/+1 Wah-off-Cry Wah Master- NS-On-60-0 Input-100-120-100-slow1 Ctl Pedal- solo on/off Exp Sw- Wah on/off Exp pedal-0-100
I've seen some alot of good metallica patches on the web i figure if we put all of them here it'd be easier for every one to find them, idk only a suggestion. Let me know what you guys think of my patch. I wish i could put it in .syx form but i don't have a midi to usb plug to transport them into the
computer. My Patchs:
http://www.mediafire.com/?sharekey=8...9af1844a07d948 setup:
PRS copy (evo/jazz) or Dean VXT (JB/Burstbucker 2)>GT-8 (Stack Amp/Low (-8)/Mid (-2)/M id Freq 5.00kHz/High (-5)/NS threshold (+5)/Input level (-8)/Input Pres(-8)>Boss Ge-7>Harmonic
