Cinemagic #15 (1981)

A-PDF MERGER DEMO

The Basics of

Drea'lling

ofa

Filan Career?

Depth

in

Miniature Sets

Ughtlngfor

Models

CONTENTS

Number 15

EcIltor

'

s

MIniature

Clnemaglc

4

Lighting

_

~

16

Market

-Bench _ _

_

Script

Writing

6

DavId Houston tells )W • eooeryIhlng ~ Is 10 know about $Cfipt'wIiting for shott fdms"' in the first installment of his three p a t t _ Part one deals with inventing Ihe bMic story idN.

Grip

Klt

_

~

l

0

Filmmakers

'

Forum

12

A "'Sula< deportment devoced to reodeD" commentS end <:()rT~ ./Iboul /¥IIMy fdmm/lking.

Electronic

SFX

A ~ letters se<:\ior1 of re&der"s" rom. ~ on tW:<:\(onk: spe<:iI>I

effe<:lS.

!heir

~ &rod iOIuIions.

Producers'

BuUetin

Board

24

i'I new DepG~ DavId Hvt<:N$on ta!ko to lOme r .. mou. ~lrnmIJ~ about now !lwey broke 11"«1 the ~Im busi..-s.

place

_ _ _

1:.27

ClMsif~ odwrtioi"9 ond an""" n<:e<nents.

Super Deptb

in

Dioramas

..28

Judith and Ron Mi~ reveal a m.ndy tedlnique for getting ~ng in your

miniloturt ~""p$ in focus.

_ _

~30

Ralph Mil~ tIIlks "bout hi. personal In~ment wiIh f/ll"o!lI$Y filmmaking. ~ _a.,.~

ClNt:fo.V,G/c • {5 .3

-vzt;

Editor's

@!.7~;._;-1lf

_{Issue .o15c}

BENCH

_{=='--"---=:.::..-=-________ _}

...

.,.

O'QOlNN STUDIOS. INC.

475 PwI<"~ South

New

Vorl<. HY 10016

... " t . . NormiIro

JIOCObs/Ke:y

O'QWv,

A·cod . . . • . . . RiUI Ebmstdn

.-DIMd Hutchison

---Stcval J. Plunketl A .. Dd ....

,--

Art. DIrectoo"

--

_{_a.,..,.}

....

~

...

_--.

""'''--

Goo<,. '"'"

Judith (. Ron Miller

Ralph

Mia..-...

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...

~-~-­

_{Launo O'Bt!en} Pr •

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_

~~

...

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""""'"

Nancy Rddwdt

-_

\:1,,,610> . . .

.

"",-About tlMo _ , Damon Sant05tetano, Msistan! pnx!ueet at SF FOIm Productions, In<:. s~s at .. Super.a

ed~Of and d,eiIII1S 01 ill~m ~r_.

B<ian .iohnwon is seen supervisi"l ttle effects lorAliEn H Damon lantHizes IIbout his iuture In filmtM~"'"

The Worst Fault

...

Q

~

scole 01 1·10-5 (which Is how "'"

judg~

the ..nuie$ in this yelIrs ONE·

...GICiSV ... Shon Film S_chi rnO$l. 01 my judging lorms ~ ! for the "s"'ipt" c .... egory.

Looking III In.. filnu.1 saw .en~1 propS. tjles,~. special efl~...,n some truly original iM.'Js---4>uI I'm willing to bet money lhaI no ....,..e than two or thre-e filmmokef'$ """"~ from a rul shootng seript .. nd storyboards. Scripting. I contend is

the WOI'SI lauk in non.HoIlywood movies.

Let me nasten to add thai poor scripts ar" &Iso <'\ the root of <1'106I professional

C<I\I>strophies. K the stof)' is nite and the cha,a<te<' a'" dull. no ,,""'"-"', of ~I

efle<oIS and opIashy c05Iumes will sa." a """"",,,

On

the other

l\!loo.

a ~ pial: and

rnaract ... s who ar~ ~ali$lic and inleresting Can lum a movie v.til

9'""""=

B p<oductioo IIlIlues inlo a hjl~ a dassld

Slbrting laS! ~~. with!h~ art;ru, on Storybo,udll"lg. ONEMAGIC beg¥I a series 01 leawres on what""" think ~ !he w..,,~eS!. ~""'~, in mOSt IImat:eur fil~: pre. p<oductioo. This issue contains an ="'Ienl artide on "","Ipting (~ pg. 6) which

shoukl 0.. ··'<"qUi'~ reading·· I", all as.p;rin!,) filmmakers.

Those 01)100 "'no S!udi~ my th,ee-pa" inleMew with George luC&$ln STARLOO

48.49 and 50. wil fecall II pie<:e of a<M<e he de~ receiving from director Francis

Ford Coppola. ·11 )IOOre going 10 make ~ in this indu.uy:· Coppola loId)lOOng L"" ....

·"you·"" goIlO learn

no..-

10 ... ~e."· And he did.

If lhat: isnl mough 10 convin<e you thai writng is a 'kill eve<}' good flInvnal<er ought \0 acquire. then I donI

n.-

...

room ~~ 10 argue further. Con!ln~ WIth your uSUl>l

I\!lbiU. and ke<'p tumlng out 1Ia-.-;l films. and eve<)' one<! in D while """"d ... why nobody

will ··9~ )100 a bluk" in !he movie busoness.

Ut ~ tell you "'h) I thtnk moS! amale ... roms put everybody 001 your p"rents and

dose

fr;"nds to oJe<'p:

I. NO PLOT (, NOCONFUCT-£ven in IS· minutes (Ihe """"mum length I", ro'ms in our competition) K's possible \0 dcYix a Slory problem thaI needs soMng--.o con· ruCl_nd also 10 show the proeess cI solving ~_ plo!.

2. TRITE DlALQGUE-Ama'euf diologue aN.oays sounds like 1M ... has been

absorbing 100 many old TV shows, 01 the d~ector sompl)" I .. n~ the caS! """'" and encOIJrllged!l>etn 10 Improvise. Sha'1' diologu .. is ...,,,,,omlcai. with every word ''''ling the a...:lience something about the pial: al the .... me time ~ t"'ls !hem oomdhing at>ou\

the character who is >peaking. K you aren\ wilting to wr~e a dozen drafts of the setipt, till

your dialogue is ""rpose"'l. witty and Otiginel. dim""e the problem by making a silent

f~m. Seriously

3. TOO MUCH OR TOO urrLE-Ho~ Ihe l~·minute moo.ies I saw should ha"" bf,en 5·minutes, and the ~her flaK nee<l~ "' "'as! ftn hour to ~n !he comple>c background that ""'. oqu...,.~ into II lew mltlUles, In "'hOI" words, thoy _r~ eilh ... loo

slow (most woukl have been imprOYt!d by radical CL':!ing) '" thoy _re ... ch mar.. inVQ/ved than desirable. The problem with ~ I S,rninUle """"'" i, to come up with a

IS·minute .tory

The,e·, more 10 Kfipring than avoidi.-.g these live<' laun... but if you CIIn ste ... dea, 0/

Ihese pitfalls. you·'e...-ll OIl)lOU' ""'y to a good se,jpt_nd a gcod m~.

Don·tlel YOU' impatience 10 .tort ··cranking·' gel hold of you bef"", you ha-,'C spMI enough ti~ OIl pre-production pllJn_s"""ially the '<:ripI. Aft ... all. thal'sth< blurp-tint from whlch)lOU will build yOU< mOYie. Kthe design Is not soIld-walrn _ below!

Kerry O'Qulnn

f'llbIIsIler

C.NEo . . Q.C~ _ _ _ . . OQUINNS'UOK>S.>HC " ' ... , , _ .. .. .. ' I",," , _ " " " , ' .... , _ N"", ... 1 0 1 ' _ ' NO ..

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Everything There Is To Know About

Scriptwriting For Short Films

In Three Virtually Impossible Lessons

Lesson One: Inventing the Basic Story Idea

By

DAVID

HOUSTON

D

on'! movie's only WOff'j.-you'..., 15 minutes ouured, "The long: you won't get bored~' But some-how you 00.

~ <>pmI with S/\/IPP)' JT>.Joic that ... kes

you f~ good and exped 5OIT"IeIhing fun .

People pointing.,.

'*'

~', ft UFO lendng.

CUle miniature. but not wry orIglfll>l, f"air alien ... keup. A 101 of time and thought

went inlo the costu ... and the sell are,,\

MIf bad, ~ng \he obYIouaIy

low

budgd. That', the third time the "'"me pel'

oon pll$0f:d that vee. Iiow much tlme tills

eIopsed? Two minul",,? I. that all? Who do

1M)' think ~re kidding wiIh thai. dime.

"ore ''''I gun? Ho-hum. he ... ~ Ihe

&IIoot..aut. Scratched the emulsion 10 """'"'

loser lines. I _ ... pretI)I sloppy. Oh ouchl

Don',

~ know they ca,,\ use a two-bit Kodak like a Steodkam? How much U ... ? NI~ ~ minutes? You'Ye get 10 he

....

_{The ohoot.out}

"'.

_(there's thai; ... me ~ again) tak6 - . . minute$: \he aliens' lift· off and esca!", IllKes ten S«:Onds; aO<l then !ha-e'. a minute and ffty seoond5 of mel ~~ib IhIInklng tv'ef)'OfIt: from !he lTlIIil· man 10 \he family dog fo< ~r 1"""I .... bI<e

con(ribWons.

WI-..!

-..t wrong?" 15-minUleamateu<

flIm about .. UFO land;ng ~n'l hlrv<e to he boring. ~ doeon',1'>Iwe to be pM'ect or

professional, either. 10 be ~rUng.

In ~ case I can think

01,

~ 1"''-t low

t>udgets Of dime-_ ray guns thai ~a film olthI5sort-~· •• lad< of meonlng. And

that mean.: inadequate ~

Genlng mol/ue out of

u..,

way nrSl: why

ohould a kid (or an adull. for that mailer)

want 10 moko: an amll1cur movie? Fa, too

o/Ien, if. to show off tlIients IhIII are ItChing

to be a~ted-period. "HeIl;' he says

a, ~ wat<;hf:$\he trert$formo\k>r4 in The Howling. ··1 ~ Icoukl do 1hM!. So ~!)OeS 10 """" on ...wu,up and dlects and a1>sel\· mlnMdly stk:ks t>aW a story onto ~ JOrtlI:-....n~~ along I~ Une: boy picks up girl <ot dance. parl<s with Mr un&.< full moon. and

!

!

~nd, up hllvlng her lor midnight sna.:lt

"s..~. than do:' he mu~

... maklng Rtly Harryhausen lans (thousands d them) think you CiOn enter·

lIIin an a""l~ with ten minutes

d

trudg-Ing dinosau ... and onoe ~ming ';rgln

mDtle-insMM just to pn:we you ClIO do it.

Miniature-milk....,. de<:lde to outdo Star

Wa ... with an out .. spIIC~ bailie. The whOt~

shipsa,~!he good g~ and the ~ ones

a..., YIIlains. lhIot·, all a"Y""" ~ I<nowo

aboul!he pilots; bul!he bIIttIe (good """"

lor "ma\eurs. bul ~lIy no mIItch lot

.&.or

Wars) goes

on.

....-.:I

on

.

....-.:I on. Arw:f on.

The only suc~$$ful moti"" lor film· making is the d"i'~ to enler\ain-be it fan·

illS)", hOlT"'" or d,ama. A mak .. of doc· umentari" has anoth~r motive: to inform. There', nothing awful about wanting 10

ohowofl. E.-..ybody·s taught 10 "show and

lell:' Th~ !rouble is: if thafs your only reason for putting ~ in front

d

your

screen.

you',e going 10 bco"~ them once they'"" graspet:l (in the forS[ few ~.)

~t you"e ca""ble 0/ doOng. You .... 80t to

give them more.

Deciding how ro do rh,,~ h"'" to ~ntf'l"

taln an .. udl~nce.

is

....

dimcult

a,

It

sounds. What ~ it SO hard i. !hat !he subconscious mind ("""",,e all your memo> lies. knowledge. skills. belief. and ""lues

a~ stored) II unpredictable. One My you may strain and grunt and Ie<Ir your

""ir-and your sut><:onsdou.

woo

',

evoen

g ... you

II I .... rd egg. Th~ ~

d"Y

you might l1li""

ten ~ wlrged idetls.

To make marten ""DIs.e.!here are no rules about how to invent IMas. The~ a~

trI<!<l and true ouggestlons. but no abso-lutes. Now tha, thaf, cI .... r . ...nat 101"'-a re lois 0/ rules you'~ invited 10 bruk

when-~ you flnd a good ,eMOn to. When

s.e,,,·ching for II basic SIOry ideG:

RULE ONE: Nevtr lose sight of what

you WllnI 1000. 000', maku IT'<l"Ie jusllo

pie .... other ~e. Who\ you ... I. "

COmbinatlon-1I WfJ'jIO ~ ... an audience

while doing your thing.

Look at ~ this way. you might be an

animotor. or a COSlume designer. or...nat·

ever: bul your came", is a story-tefle •. The two 01 you have to gd togcthet.

RULE TWO: Use your sp«lallrueresl

(&lop-motion. rninial;u'es. action

photo-graphy,or_~) as your5t<lrlirlgpoinl.

and'k«p Itlhe cenIer of your idea. rhe

"gillen. "

RULE THREE: When you're /nllenIing

Id~1U. :sIea/lik~ cruy. OrIglfllllity comes

with knowledge. not

i9""'" na.

01 what ha,

been done bef"",. Some people rduse to

read or ..-... - . .. mlilor 10 what

~'fl!

wori<iog

on

.

for fear

d

btfng

Inftu.

enced. &Ioney. lhars ju&l an eJ<cvse lor

IozIness. and ~'s almost bound 10 end in

acddemal pla{teriom. Ninetimesoul dim. ~ you come up";!h a greol ideo. something like it tills ~n done bef"",. See fTlO\III:s obsessiYely: ~ !he way other people eDt

poUKO mlps. How els.e can you know

~ you'", be;ng DligiJ\ll1 or not;> RUl..E FOUR: Don~ piace on'ginalily

8 ClNEM/IGIC ·15

What

if her poodle

in

the

backseat is

the were·

wolf: and it devours both

the

boy

and

the girl?

..

Maybe

a

huge wolfs head

on a

poodle's

body .. . "

above logic. Better to be pr...:lictable than

..

RU

-

lf: AVE: Don'1 be 100 logical Of

5f!nsj/J/ e or .... ne when you're Initially l'!l' Ing

on

Ideasforsiu. Be wikl. Noideo is too

oilly to be COf1sidtnd. and the nU~1 notions might lead 10 something perlecl.

and IrrcslS«lble.

RULE SIX; KftplIskingyourself. ·What

if

-"..

as you test po$$ible additions 10 your

growlng:slory ~".,.

RUlf: SEVEN: If you find a worlrabie

but 5l.ale ansu.w to "Whal If-.'" try lIS ofJP05lle. Turn the tables. R~ !he sitUMion.

RULE EIGHT: K« p :sluffing your

sub-COnsciOU5 wilh all the dala

!JO<'

can find

Ihlll wen remOje!y relates to your suqect

mau.,...

Tamp il down !he WfJ'j they poke

gunpowdoef Into cannons. Add powtIer until

the bar~ i. lull. Then tryonoe idetI lu ... ~

a.-.othoet (most d IMm will be 100 _ to light) unblthe whole thing ~ Into a txillian! story.

NOIII lei's apply some

d

that

Take !he wouId·be mllkeup person who

wants todo transformlltion,and has~·

cd to do !he attack in" perked "" u~ a full moon. Tharsasgoodaplacetostartas any: i\ ~ the special i"'erest.

transfor-mation makeup. in the spodighI whe~ it

belongs. We h..ve II guy".,no transform,

and attacks !he girt. &t what iii! ...,..e the other way .round? SM attad<5 him. A little

tJe\I; ... not quite so predklal>le •

What l her poodlo. In the back seat"!he

wer~: and it <IeYou ... both 1M bo)I and

th'" girt? Do "'" want. comecIy? f so. 1M makeup hils to be hilariou •. maybe II huge

woJ;. head on alittle poodle·,body. Who\ if

the girl i, not a ...,..ewoIf but II ... ~Ie.

and that'. het r .... 1 ~riend barking In the back seat. How .boul the c ... ? Doa it cna"G'" into sometI\ing? Are there other

couples ITIIIkJng out at Lover·.~? What

about !hem?

At, you Can see. thi, Ii "" 0/ ",aSOlllng can

90 on forever. But at some point 1M ideo

should soUdify Into ~ng hopefully ... e ...,Iert/lining thao bo)I"","glrl. Who\ if

the poodle I. a _r<:wOW. !he girt is a ""'"'

poodle, !he boy Is a wer«ar. ttI~ car I, a

werehotse. and !he other people at Low:r'.

Le.p are wef""amera. whose '"I""" a~

ph0-tographing all 1M inlnsf<><mDtion.? Wanlto do stoprnolion dif1OSlJu ... ?W~I.

you can JU:sl do :slop-motion dirlOSllU .... Clop. clop. clop. here comes a Triceratops.

~ )'OIl do ~ """II. a will be entertaining for

aboo..( 45 seconds. For a longer n-.:Me. you .-d

a

&tory that

uses

youI dinosaurs.

Do you like 10 travel? 51 .... 1 • v.rIation 01

Ray 6Jadbury', wond~rful Idea about

ob~ stalking the thur'lder liulrd who

in<><l....nantty step on a buttetfly while back

in the Mesozoic. ~ 1M pMpIe """"' 10 the present. they fincf that !he death 0/ the butterfly_the IaS\ 0/ Its .pe"'eo-h.s

c..,oed .. IaU d ~ due to IhIt eo> IogiaI c:hein rNdIon.

Or

~

.•

F~rIc

&own

.•

SID<)' along 51 milo< bnes: v.1lenllunters go bac:k. .U they

find

owe

baby ~ because ~

Unw-u.-..elng _ ' " ... begged ..

u..,

big

QneJ-_

1hM". how d i - . . .

boo-c.me

eIIInct.

Or

do$O~"'lI wiIh c.n.oe met"! (whe!lw:r

they CIH!Odsted ...tlh dil"l()SllOtS Of not) like

OtIc

Nillion

s.c.

Set

up I r~ ~

-..tIt! • cMmseI in

distr-.

Or

~ i t _

Mve. e-girl_1Ier bo)friend from 1M rampaging dlJlOMUr (But be careful: • might prove mo<e NtIofying to use tile old t>o-r<~ plot thin Ihe _ 1m.

atedgirl-~Make~rmtho: diII"~: and ~ IhIt ide>o tl'lll1eem5

...

,

How .bout tile rnIni1K ... e ~ In

O«d

d ,

stOt)'? T~"'lI them as tho: QMon.

...t.ere

can • stOt)' <:OmI! from? N In all ~wrU>g:

RULE ffil'lE:

e..p.nd

I~ Ide", "'" «ffM.

''''g

ne

....

Ino1'ert.II/ from I/. IlOl "'" cr.m· mlng e<1",neou$ ""'lIer In/O il. If there I •• single _ to ""'etwI"'lIIIction. tNt Is ~

k

·.

more

CCIrT1pIiated

m..11

sound ... buton«

)'OO.I.~ _~_the<e caught on. • -..ill open ----)'CIU The .. given- II -m"'ll space ,"",pt. We

dQn·t!uplnto somcQ(l\e, !lUCie ... to~.

love 1IOfy. Of • IIIIe

01

ESP. Of • robot. Of • ftn!-bfNthong dragon. We .... ourJdva

quntIons porIIIinI"'lI onty to

-nng

"fI"C"

-

Art they pilo4ed 0< robot-«OWoHed?

PI-io(ed. beca ... we _ nlto Wm an t:>cO!I"<:lze in anrmMlon InIo hUIM" dnomll. II one

tum tho: ~ wid tho: othof tho:

dd"ende".Of _ ?

IIo"'-Il

bolhol tIIe-m.~

wrong due to " history

01

misu~SUtnd· l"'lll .• nd If6 an unr>e«ssary .... at? ""this point • WIe !>ell

f"ni!t!t

go

oil In your lle

ad

bec.tUSl! allho! possIbIity IhM you.w: run

""'.

RULE TEn: COI1l<nuall!/

wdgh

wh41

!IOtJ "...~ SO

f

'"

"fIIIl"st

wha'

you

Imou!

al>o,,'

,,,,,nlng

,Ime.

budge/. ."d dead· line. 'tilly 15II·t prlol"tic .. to teU War a"d

Puce

In 15 r1WIO,IIa.

_The

p/"IysIc.

I\Irlta-IionI

01

yo... ptOjec:t M'it tile (oo.~aI tllecont ... 1n 0Ihn ....,..ds..FOf a oI\on ftlm.

keoep tile story simple - Ideally ningong upon " slngIe~

Remmlbfto...nat _ ,

said about

~k·

Ing ruIa? One I"NSOn fOf ~ IhIII opIIonopen islhlllin tIIe....-pn)Cns., it

Is sornttirnes not cileer ~ )'OU.~ Dreaki"'ll" rule 0< not:.w In the pn)Ctll

01

invent/ng bask Idellt. etJerything tI\iI\

0CCUf1 10 )'OU doesen'H to be consIde<ed.

"*'

Of no rules.

EerIitt".

_ssaid t1wa ~ SIOfy

should

not be tacked om> !lie "f"'C" biottIe from

outsldl: It. But note tMl tho: ..,..., notion

can come from ItuIdt It. Wtlh two -mng

factions. !lie sittaltllon In Romeo "lid Ai/,d

·Want

t

o do Slop motion dinosaurs.) Clop clop clop

,

here co

m

es

a

trice/

t

ops . .. If you do i

t

well.

i

t

will

be

e

nletta

ini

n

g {or

a

bo

u

t

4

5

secon

d

s . ..

Y

o

u n

ee

d

a

Slory th

a

t

use

s

your dino

sa

urs . ....

springs 10 mind (bull might not " - ' if_ had not ~ ~"P'opeoly MIding a

to.oe

1IOt"y).

Two In~ I4ds caughl In the

middle

" - flthas

..no

ate com ... nders aI oppotIng fIe.ets., How far do _ WW"Il to go with tho: .Rotneo "lid .Juliet i6et1? Do tile ItIch com .... o.uidde? BoetIer not- that mill«< thIngs 100 serious "nd 100 comPex

(in termll aI character lind ,eIaUonlolllps)fOf

Ihf: ~ film. lkuer to ~ .. ~or·

... d jeoperdy IIiwIdon.

TIlt boy knows tho: girl" on the enemy

commllnd ship. The two kids ... " plan: lie ..-I1I1a'" a !hu~IO lief !hipand pre:5ent

hI~

as

•

1IoIIage: Ihe·U 10 .. 111m at !lie .r\odt;

and toke

IhIt

w...,

!hunJe t.ct. to oII"e<

herwI

M " hostage. 100. ThIs -..ill force tile two old codgers to oil down .nd ~ thing. with talk. not deIIrur:lion.

Oops. but ... ·ve decided to potI.-dub!lle

5OUnd. 00 ~ must not be a big dialog

KffOI:(RuIe Ten). The action

01

tile

~

then. ... to be

n.,..eooNed

bdOO"elhey sit "","n to 1II1k. (WhIch Is be!Ier dra",., ~

"'1)1.) The "'Of)' can end..tleld

d

the ftnal

solution

as long II M·, cleltr lI\tot tile two

comtMfIders are ~ ,~ to

worItitOUl in the nr.-~NwJW much 01. tlledlalog isvia *radio. -m.-.ylip-~prot>.

\ems 11ft rimi~.

Now. befOfe tho! scriptwritlng ~ beg.

Inl, 'I~ budgd and shooting sc~

d~

can

be wori<t<I 0Ul We m ... account

fOl" tho: bUIding aI spoce >hip ~ and !lie ...,am aI .... mItIittg them. four

principle actors and

their

costurnet and ... kwp. tile technical crew ~ /Of fIi""ng and

tile

equlplT\ffl. they will opeo-ate. film !lock (aIowI"'lI for ~

tl\arl

one

*tak~, on _ shoes and at \eest one mojo< dI"'ster causing a whole ocene to be ,edone). and at ileest thlC'e stU: tontrd

roo""

fOf """h com ... nder and • shutI.Ie docklng bay with .~

lock.

(The two control

,ooms could be tho: _ soet ~reued

/llldjo< 'opIIinted)

RULE

El..EVEI'I

:

Do prdlmlnary ~

dllCllol1 calcul,,"'"'" OI1lhe ,...,sls 0{ the

e"rlle.l ",,·"leh o(th.,

51Dfl1.

not tile finished

sc'eo:npII)/."TlIoen rMkc Iinthe ~

conformt to prodUC1lon ... o;ea;ood ... 1 is

betng

writtm

RULE lWEl.'IE: Don~ rotIm 011 Rule £Ia."n 10 work<~ry wcll. but do~ anyway:

k·,

tile

only way to SUoy 10 control.

tiexI mu.,: lHson Two: T""*'I;J. SIOoy

kIN Into a Fdm T.-mtnL (Jf

0.. .... ,-..,..."

srN?1.DG

"""""m.

/!rsI

uJ'fDf·n.d"uti

.

"lid I4rer " (rcqucnl

tXItW"" ....

He Is

_of""""""_

indtdtW .-..

~ Oodo ... V<:w\<I<

_rw ....

T .... .,.To ...

MobIlnn

~ PubliGOIJ<nJ. f~ """1I.omed ...

ItUoJCfm1p/aysand~ hIo~

_ u ... >IOfJ,/ """",Ilo>nl fCI _ _ rtCf'IU (IIms. Hc ...,.. _ lh,<"CI<d ... IV.".,.,r..I

lhoy w .... to tt>e SWo. tJbouI. /It", ..,...,..,

/I<tico1 G"1 ~

"*'-..

Hi:< ~ _ItICowndZeroIlIn~1o<

~""Irlg In 1982. flU /!rsIahib/U ..

r

"'0."", WoU "" 8mm _ _ .... "'9""' ..

"....s.,-...

"I/O In h1gh _

KODAK'S

ANIMATION

GUIDE

,

,

,

,

,

,

''The WOrld Of Animation" INCtUDES

-n P.Jge"; of comPlete blueDri nt'S for

Dullal"g voor own anomat.pn stano

• A guide to all the KOOJk film'S

available for animati(m ano Wilen to u\.l! tnem'!'

• A nOW·IO guloe for ilCllIe\'tng all

tne major ammat'OIl te<:Mn'QUeS!"

MOw to f,na wor~ wltn a pro01liCer'"

• HOW to creak Imo tMe cus,n~S"1

• 152 ~es-full cOlor lnrougn~t'"

---

Tile

w

or'"

Of

,"",ma,,,,,,

t/OOQU'MSlu<IoO<OEPT CIS

.,~

oa,_

~""~ s00ln

N~ ... O<1< NY 10016

P 9~"" C""Y. """ S 1 251", DO\!i_ oM

r.ord,ng ~acn 'Sl ~ lor fOre<Qn PM"

I

encll:»e<lS " _ _

or"""""

y

oroe

'

l

I

" ...

n!oOQuonnSlll<lio ... nc'

I

,

,

,

,

I

N~"'E

,

,

I

AOOIIESS

,

'

=

,

,

,

,

_,

,

,

,

,

,

I

ST~lE lOP

I

.. _ - - - ___

-

__

01

GRIP'S

KIT

New High Speed

Color

Films For

16mm

Users

Ea$ln\IIn KodIIk h.n announced that ..

nN' 1119h $Pffi;l colo< ~ film \OoiI t...

8'o'allabie bymid-l962. Though the film c.-.;.,. an official ASA ,lJIjng of 2!iO. Kodak

says tMt the new film "has been ~

fully 1~IKI a\ 1r>d6<'$ up to 1 000." The new emulsion will "" 51<><:k-numbf:red .. 7293-CUfrefl\)'.1he 16mm ~ati>'e stock in u>e i. Ea5tman 7247, typo! y, Kodak suggeots that the two ,"",,,!$ions (7247 f., 7293)

could be InleroA.ln ~ $itu..tlons. with no noticoble differ....u In qua~ty.

The newemul ... announced 11\ the

,,,,,em

SMPTE ...-ing

In los

Angeles by

Ken Ma",,", Kodak >'ice pr~ end gen-e'''' ~er 01 the motion picture and audio-visual "",rke\s division. " demo red V'a. e><hi bile<! ohct u~ ... .011 .. bole light that me<lsured in the 4 to 32 fOOl candlf!s range! Forthe 16mm rcverwl~lm U~ is

Ekt·

""'h'o~ 1251 (currently , ... lable) whid'I

has an ASA

"

'

''ng

01 400. Kodak

''"«1m-m~d. the film for sponlng ~nts. but ~

may I\aw, .~ pu~ !>ppIications for

fantasy filmrnakHs in unique siluOlions.

New

Super

8

Stock

The only dilfe-ffiCe on the ouUIde 01 the

box is ~ banner line thai r~ds "N~ Improved," ~·S the d1~rog ... on the inside

1M! KodS< dllirns will Ol:ally ~ noticed by filmmakers. This 1>'1$1 summer Ko&k Mr"IO<Jnced lhe ""ailabilityolth,ee newltnd

im~.ersion oIits .... p..-·8Ektad1rome

16O~r,lm. ~newemul$.On$featuOl:

imprO'>'ed :s.harpness ~nd f'ne< grein.

The f1Irm include Kodak Ekurchromo 160 '"""""" f,lm

('YP<'

AI In 5O-foot s.i1ef1!

carVidge5. KOOai< Ekt ..

ct"""",

160 sound ~ film (Type A) in 5O-foot sound car·

!rIdge5. Kodak

'YP<'

G Eklachrome 160

movie f1Im In 5(Hoot si~ ~,

In addition 10 the !~ «nuloion

chIIracteriSlics. the r.lm ~uiOl:s .. new

pro-~ss (Pro«ss EM·26) ....t1ich uvs f _ chemiclrol Sleps.

The new E.kIach,,,,,,,, filrm will be

supp-Ued automatically as stocks 01 the current

prodU<;l are depitted. Ust prices fO! the

imprO'>'ed films remain the same as ~ Ihey.~.

Edmund's Catalog

~ new Edmund Sdentific 1981 fan /W1nlef calalog listing 01 ~ 4.000

~'ela!ed products Is now ""allable. The 1161>'19" catalog ~ins a wide v ...

ic!y 01 Intriguing products useiullo conau·

rner...

hobbyists. stl>dent.s and filmmai<eB.

Included In the product clllegories ~,e ~em. 01 spKlal we-est to CNEI>VIGIC 'e<Iders-f,ber op!i<:s kits. rdYurdhane fo.rm. special ..ti"e";I$ photogrephy kits,

black lighl ...-.d special ..ti"e";I$ lighting equipment. spe-:IaI ~ lenses. lasers.

lab equipmefll. opticalilluoions. <:Ie

The FaUjWinter <:ataIog can be obtained

fO! f.ee by writing to Edmund Sdentilk. 702 Edscorp Building, Barrington. i'U

""""7

.

,

I

•

Leveling

Balls

The Rapid sliding O! Crem.ajllere geariift c""'"" <::oIumns for 1"" Giuo R"fl'OIler.

~u""". Sup..- Stude:K. Pro ~ude:K...-.d T ... &ude:K tripods un now be supplied with altadled ~Iing balls,

for

boIh

rapid

hegllt

ar>d side ~It adju$!n1er1ts 01 video/cine Irr'Id Auid heads. without any change 01 leg extensions.

All ~irog twlils ... e equ,pped wth 3/8" SCf ... soli cushioned

cori< ....

rface. buik in opim le\io-l and Iod<irog grip. For ~ 01 G!ilO phoIographic 1Iipo<is. ;! lakes

Jull

a f~

second. 10 Imerd1ange the 5tanda,d

cenle- c"umn agalnst a cen!e' column

with attached IeYeling boll. 10 COf'I\Iflt th<"fTI

for the Supef

Pto

and Tele Stude:.1fJp.

oda. \he Ievdng bill it .!IIO _lIbit W(h.

out ~ roiunYl. Uke .. Gitzo phoIo and

~!dnt.

tf'4>ods

and

ao:c:"

"1f:s. \he

~

beIt.e

~ ~\he

ful5yea

GIuo

w..ranty.

8R 221 ~a.l/Rapi<lfor~~

8R)21 L.eodInog8aljRapd For 51 ....

SA:

42

1

~&II~for~!·

ProfT.

Stude:.

BC 411 LewIing 8aII/0~ (oe<"'.

Iif\)

for

Su~/Pro/T

eIo Stude><

6

21

~iog Ball only for Su~/ProI­

Tele5ludex

Optical

Prints

~ 8-16 51utb. In<:. oftc<, Super·8

ar.d l6mm prinl$ n"Ia<it ~ ~ <:r.4Iorn

buLM: 1<60 0pcicaI PrWur. ~ ,au can get pftrU

on

pre-stripe<I otocIr. ...-.thou! cfIang

log \he ~ <WnUtlon. ~

WIped ptrU no Itrnge-...d to ....

"

fuuJ

doole 10 \he base 10 ... ioion ccnuct pint

lAg

crct>er<oi ...

nquired. Othet ... ,.. PfO"

'<'I<kd

Jtwugh IMtr <>pile.! prInIa Me: S«ne to

sc_

color COITectior"s. 5upe<-8

o.t~ IIp-rync sound uaoofers and KO<f. aduome and PIus·X release pnrts for

0p-timum sharpness. Thq' also clfer one 01

\he rarHi sreMc,..-Su~·8 10 J~m

bIow-upst

for Information and pricing con\IId

Su~ 8-.6Studlo$.lnc .. 74 WHl47th St..

I"Ww Vane.. NY 10036.

(2.2)

~1956 or "01 COUfie ,..e·,e U$,ni Ihot ~,",chup lor I _ eltec\! why do you .... ,

(2.2) 793-066<1

(Jt

"If

you are seriously interested in science

fiction

.

this

is a

'must

have' book."

-

Gene

Roddenberry

__

~""''''''''''''''''''

__ ''_-.y

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.... ".,,

,

F, ... AlI1 to ...

A

_

'

C.._G ... I1 ... .. , .. ~' , . nt ... t ... "'" -~ . . . . .

.... 1I11III . . _ ... ' ... I ... _or<O ,ft Sf ...

,y

... ~." ... ; . . ,,, ... nd . . . , ..

''''' $0 ... "" _" . " . . . , . . . FU" ,tI ... " $, .. ~ .. O ... ,.,. j,It •• ·...,"0' ~O

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. till 1,1,", _

'"I)"

lIi'yorl.

"eOts

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O,oI .. ,! .. _""" ' .... """1 ,un,""" I' .... "'~ ... " ... ' ,. II . .. ,.1 .. , ZW I~ .h .... . .

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.

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·TV ... , .. ,0 .... n ~"" Iho, .... or ''''., I .... " - II .... "" .. I,I .... II«IOt. 0010 ,,,,IIIII'I""'''!I01

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ott"''' .,,,,,

,'''111. bl .... "II .. ~100 SF

.,1

... ..

",III'Otlih all . . . '" "' .. <s. , ... '"1 ... /11 ••• I ... " " " "

~"I,lOO onl1 _ " Sf ... HulI.M 1ie..,10 1M •• ", SP<rr _

"'lOt.,

l . . , • •• _ . 0010 .. "'" _ ' ' ' " , ..

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or

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...

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SAVE S15

Yours for

only $1.95

Wllln you I!II' Ihe

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4 !II more books Ovtl !he

n

Ul

2

yn"

"gel .., fU' !r.~ , ... , .. $0:", 0..111 _ . 0/ _ ... 1IIt 1 _

..., ''''~.'''1IIt1 ... 1", .. ~ ... ""." .. - _ ' .... , _ .. tvI.

._,_

...

-....

n'

~

...

<GjII_ .... 10 ... " 11'1' "" lot .... <t 1ft. ""'IS

-

---MO'II/ENlUUI"MUn lOOK CLUI

15 OItl."

h'.III"

M.nl'OR. 1.'.101521

Na'"

t h,ltaH

~"nn

_ _ _ _ _ _ _ _ _ _ _

_

Add'eSi _ _ _ _

C,ly

,

..

-

FiJnunakers'

EORUM

Thlllimport&nce of Sculpting

DiCk Sm,th "" the oeI ot Gno", SIOI,..

.. , I I...! !hoC for peopIo _ _ In doing spedoId'I'e<to

mokaJfl

Iller. iI on< okiIIlhoI mu51 be

J>l'a<:ticf:d altho 1ime-0<:UIpIlng

WiIII<>I.C • doubt. ~ I. the

. . -~ skill to bo: ...

_ by OIlY makeup anlst. One

rr<IOI

_10

mlnr and pnfttI

"""'II part 01"," """"' ... 01

C<>o.IOW, ~ OIlY on iI not ""

~ protaS-y"" ~­

for " " " _ hc>u<> "'" rnA"»'

~to~'o~

)'W' _ . V""."..,Id....,_to

be ... 00gInaI ..

1"'-'

I !>aYe been ocuIpIIng for

01..--"'~ _ _ and 1m not)'<1 rom

ploidy HIls/Ied IoIlh my _ . 1

fcej, """"",-, th<ot r..,~.-ty ~ in ~"'" m<>nIhs

t>eco ... I ~ come to reol;..o

"'" how ~ ... ocu"'"

ing i. to \he makeup Ollis\.

rm

stiI

I ..

r""" my

p 01 ~ ..

9""'1

as Did< Smith ... Rid< &kor.

wi» "'" in my opjnion the ~

Stock E..,I_loD FX

Wanu,d

of

.a

IMng "'""- _ They

.. ~ both ~

""""'ors

on<!

striving '" b«ome Iheit ~ is •

hlgl\I)' 1KTi>obou. gooi!

Theto ....,. Of ~. """')'

<>!her _ which the n'IIIi<oup

0Ili .. moOl _ """" .. c ....

mg

...

"8 lOOom, ~ .. "",

fi~"" an<! applying ~

These con .. be ...

..n

in my

opi'*'" in • m<><!J

.non

..

~

of _ 11> .... K\OIpIing_ I _ ...

iI<r to

rongr""""" -.

ONE·

f'\oO,.OC &'>(! FANGORlA for !heW"

~ ~oru in J>ejpifIg Ihe

lui ... _OlJonol ... p otti ...

.nd ~ .. ~_ t«IInio\orIo .• I un ... 01 0I'f ... ,..,., '0 ONE f'\oO,.OC ...-.... . . -<Ion' _ ..., to <011 or

...mr

me .. "'"

-~-(l~",,_ 2605 WtsigOtc Dr. """"on. TX 76015 (817)460-1680 mold. II ... _ oou~ 0( kMm I .... '" "",1#18« I.< R (, D .... u..<; SSIOJ rft~ R=d. Cammtrl ... 01 900-10.

eo

....

putv

Re.H·ovt.

.. In .,....""""

Nm.

TIIf MotI.II _ _ "" decided _.~ ... WDUId ... on

"I'I'f"I"IoL

one! MlisfotlOfy"4"/ 01 ~ IrIo<miItioo to "'" ~

bee...e ","camer. doesn·( ...

_ capebiltl<o. We C<Ifl&II<:t<rl .,..-k>coI AIM! homo ~

~ one! ask<rllit ""'"

poooiI>Io to ~. ~ lor

JiIn"inG.

Tho

""""''''')'<50

one! the pOOc (f~ per hoo,. ~ the

~ _ closed so .. no! to

dist..-t> "'" <ustorn<n)

_n'

,

_ly~ 7o.,..-dNgto.

"'" ..." -..+.0 he'p<rl "" is •

o:omp..oo< g,raphi<:s tectri<ian .. .

k>c .. _ _ ond ... ...

more tlIon " - " 10 ...,.. u'

pou<_ "" _ ',

""on

!I>oo.oght

"

W ... )"01 to..,. ... Nm "'"

~ i'woIW>g!he ~

~ but this io ... pri"",

~01 _ _ , _

... ' fUm Il'Ol4> con do W tI-..y

...,..,..,. 9" "'" and ... '" We

~

_lJ"OUPS

10 go! OUI

tn.u ond ... people _ _

)'OU.~ <IoonQ_ y"' .... dIoc<wo!, _

moot people .... find ~ inIr>g.Ong.

Good Iud< end

SP>d

--.gl

-~

526l~"""" Sonll R ... CA 9540 ( Rig'" ""I Helpful Hints I "..,.. """'" ~ on<! _ rd

ike to """ OIl to )O.'t "...,~ .

-OB. for those woo:king \OiIh couotte ~, 1>0< .... tip. W)'W

"'" the \ope ~ the ~ in

r""

ro.-...

..

d • few!lrneo bcf_ )'CI'.O

,..:o<d ~. III< to!><' win

~ch to ils imiL By doing I!vs

~tSl

the...,.

<"""I .. _ Ih<

""""""Ki< .... ~'. r«orde<l 'fNo,

in tum pr<:I'o'idos bell ... ut>l!y lor sync: _ ...ark.

For mo<Id _ '""'" ""...,..

10m. I~ fWnmakot

1<:<>n<:e<Ct0ilng ~ on

otop-_ otop-_ I.WotIOng

---1 ""

_<fUI the _{)'OUr ...} - ond _Many

~tM

_{of them}

"-1)' in Super-8.

r", ....,

..,...,..

..,.,... _ in

"""""s rceIi!ltl<

~ fX. NK>. I need """'"

W9 OIl ~c 1<1 find loom NMc:II &'>(! how to mold • (10 "I'f'IY it to

... ...,;"..."., """"""").I\nyonc 1nI ... In ~ out """" tNs """'" _ Wo "., corIIact "'" ot1746)429-2'lC:n Of",,",. to ... the_bdow. /IIM< '-'ge<: 109 WNh. St. HooI...",. 1'11\ 01746

Foam /,o(e< has to cd In •

J2 c/NEMAG/C "/5

SounelFX

FOf my.-fi ... Th~ """""" r/"t"1I:'1III'.1 ~lIfdy r....-d \he loIowWIg _

""oc'O:

...

..-ruptlOn. • IfU'1 >hot. • Work! W • I...,...&'>(!. ~ ~!he

"""""" 01

JunIrI<

birds. Con)'OU

...

~,

~W .. d

P.O. _511

7"""rncaoI. NJO\ 8840 ( . Qnj., JOOnd tf(<<u reconJ.

from !I"'" local reconJ d~aJ.",.

... COIMIn shapo<d

"l=I'""m

f'I<'

us

tNi_.

used I I """king

rr>lIletIoI-One

p;ece

I four>d on< <10)' 110 (1o$tI)' r~ I B.mf.

~ d.sign!hoC • lent _ por fect/y lot ocrotC~. To hido

"'" look of st)o«lI'oom.

par.o.

I ~ _ l a y e r s of fICJ'yIc p.Iro <rod ..., .... 11)' point ""'" • Il0l1,,,,,,,,

~rush. l'hio wII StnOOIh tI>e ,.."rf.

cos Ie )<lU con odd ... pnrI>.

To get. _ _ .,... r><-'"

spa<..!Up mod</. ..., .•• l«fI.

niqoo • , _ 01 mIroe come ..,

..-it!>. .... yw need is w~

.... _ . end

...-.e_.__

two ~ ink Ie one ~ _ in.

... dioh. 1No 'OIl! i0oi< ..

"""-?>

• is t>lKi<

buI_

)'OU ... II. I ' ' ' " ' ' " ' " DO 8 ~ g'",. lloe a

\Isoue 10 _ )OUI" modo!. 6y ~ _ _ ~ .. Ii-.. and

then oooI4ng ..,!he...,.,. • ..nIl 8

It..to tio.ue. 8 9'0)" ~ ,...

remain ~ gl>oeo a ""Y",.,...

..

~-A gooO ,.,." "" learn stop motion

\OChnicr.Ie Is to otudy the prod'

_ _ To do thirr )'OU <Ion, ... Ie

9" "'" and buy a prIn!. n...., .• 0

"""'" ct>oaper "4"/"" _ orif

"'" ~ ""-_ ocmes so_

tl-..ycan"''''-~. The

l_it.~_~IOf

ouct. fiImo (01 ~ "'" ne'W<t

fiImo """"'( ... seen fa- • /col

)'<'IB.I

eo,.

....ng ..,. Super./!

camero oboul ... /coI1rom the '"

oc,..." and • <:able ,CI<Me wth "'"

f .... key ~ yW can literolly mako a print from )<U" " " " tv_ UOIl"Og the coble rdeooc. yW " . ,

~

<>nil'

the Sf")( ~ '"

~ yW

,.;sn

)'OU'

f _

pan 01 "'"

"""'"'- This 'edu>iq.>e ""'"'" 0

I ... COVI'IO )'DU CII/l wmpfy ... "" )'<lUI"

1 _

. . -

Of

01'-"'1'

th<-m

in • _1<>< ..".. motion

PfOie<"

'Of) to _ the octiotI It""'" by

f, ... ~ !hit "4"/ you con _ how

1lor"rytvIu_

-.gno

III<: It> the

ymlt Of />ow O'Brien oct I\ing

Kong Ihmugh 1Ia ... - .

1 _ """" like """')' oI)'OIl'

~ -..+.0,._ '" _ •

stor>-_

model bUt ddcardod

the ...

-..usc

01 "'" c",.opIt:4-ties ...,... In

cr-.g

a IIlrong.

workabIr: ...

""""'on.

So.ore.

tI>ore .... people -..+.0 ... 1 _

~ from poo>l folms ond d>lrgc

eroor ... ...."... 0I1I'OOf>e)'

fa-them. \tihot I _ fa-my

pro-poocd _ """ no!-...a,. on

t/Ooo rnoorkd. 10 I <kcidod It> rom-miuion oomeonc to build • """,

tom"'- ... ,.,

ondl ~

do tho ~ chorco_ Iloo.rnd

the right per_ lor the jut> in the

""'Y _ _ d Ihe otIgIrooI ONE-MAGIC(Tom Baker. 0\ °9).1

....-"'" fa-an

_ffiIItC.

whodo

turned

our: '"

boo ""y ~ I

.... hom the".~...rIIl the prtdx ioyouI 0( thr ...

u'"

ond he_to Ilo'OII< "" iL !'law 11m in

"'" fl ... ...,.,. 01 r>r<!>Oring "'"

mOOrf lor "'''''"_ sI>oco(Ing. I ...c.dod the p.-oceos ..toid"o rould ... oa me bode end IItiI came

our:

""'"

I model Mth my pe<

sonar toud\. Thanks Tom!

KurtR.H~

(!II F Ocon Rd •. Apt. ·26

_ hunk 01 meIIj on your

__

r

..

-,...,...-.ur

... ..-.1 _ _

II...,...,.

.... . . - . . . p u I -'"

t.eono

. , _ I " - " I h q r _

foilod", _ _ _ _ • ~ jor.! ... do.'" ~ «>pi<d ... .,.. - - . ,

flIJO'I"

on ... ' , ... ---.1CUIIy - . . . . to ""'" _ ... . - . One ... _ the c!eohd ...

.rod

.-weol "

...

,oeo • . - . NdI jDirI boIore)QI

c:

.... __

begin to _ an ... t)f» 01 jDirI to.- _ how ... It be

pooiIIone<I. 2) E_. fo.Ir><tIonoO

... u'" "- • ~.n.ed "'"

•• ion',

... __ ThIr. oIrrc>I)' ... - " ' "

~ .. conslruCIion one!

SlI<Ing

mot_

51«1 '" wecW

""""'m...,.._...-d

101

... " ... orrnotutn. SolI Of

_n.<hi .. _

"

...

juot do<on, ... ile ..

strMgIhneoodedb_ ))

Pr-,.1Meo1n 10 mud'\. Tho

...

_

...

_""

_mo<IoI

I. 10 lndI . . jcwII ... ·,

_lO<;1ltO:J<I! • 1 ... pWe 01 r.:.m~ ~

ooewo_

be pIoad in 1Ir0Clk>ni0-..

phoIogrop>ed. You _ 10

,;;;;;;;;;;;;;;;:;;;;;;;;;--1';;;;;;;;;;0;-;;;;;;;;;:;;,,-1 """"""' • .,... "'"

~ ~ 11M! I'OCMt orIIcIt.... bock.e I10T ",ot>Ie<,. 01 _ model '" II>e IIage Of I>oItO>g 11<"""", ••• !he

"

Pooo

C _

.-....e.

.

IIIIhIIo ...,... _ _ _ ... -.. lI>ey .'" .. to fly. ETC.. ETC.

~ t..vIng - . • f .... 0I1he p.obI<rno d foo.m rubbof Of _ M.rtklng.

flOOd ."""'"".

III ~n

"0.( _ _ " I ... oem"""", ~ mot ... )<lU " " - "'.... • ... bul "'" >OOl<1n111g r'>M I,

- . n g tNngo done will the mund II>e ~ No _ ' " ~ any ~ !nditOdu.oL.

rnedbn. I Old...., "'" aNlMr)r proptr/IJ"- ... ~11- does taI<.e. lot d - " _ ...

II1II ... "' _ _ nolhe _ .. pc<I«W_IO... _ _ byllOorog.

n-. ...

be

.. ' ... _ em 0I'UII0us '" _ come 1ho """"""Y '" loom ... pIenIy of . - .--... ...,. !he

Non.

!!o.I I ... ~ llwd. ~ .. ro;I.

'*

cIftio.IllO II"

_11'"'1''''

PIlI '" INCh IOU ... "'I·\ ....

,.

.""'",oeo__

....

OIK "., ... """'"' • . - ~1hoI>~._

boII_ _ _ _ ~ ""~"' .. """'...

_an

Ihc~A_

... _ "The~.... ..

_is

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_boII.jooro;__ _ ... -..,.__

"'~~_oced

oi<oeIy It .... ~ 01 ~ .."...,. .• one .... - . _10 by .... P f _ 01 uo, t ' ! . . ,

.", ... , . . " ... , ... ~ oIeoIgn .... _ . . . ~ "",."

jointI""""_

moo:to:Io-... precIM moo:to:Io-... , ... ..." ~ Kf'OWt _ _ • tIopeIuIIy Ita ... dow up """'"

_

_IO

.... ~~

.... ___

_poobl.".. _{1irI ...}

_ - . . _ o n

....

mo:xj. orlho .... ~ ... ' " '

_~ _ ... ~

- • Iho IOriSIon

on. ....

•

the<e _ ..." i>«iPIe Itido c.<I.I ...

joIni; _ o:t>onge. .... <MIcu!toes willi t-I-joont ... "'" ' - " ...

a lI""inII'n _

YI'>de< .... 1oIeo. grounds -,

on

11>0 ptO<Iu(1Ion.. 247 Fott I'tt 1IOId.

doing -v«)'. rn-.g ... "","",- Mllre

_eo.

I ..., , u _ iNs _tgII.. P'" 15222

lion _ ~ d .. oo.Iff~ 'CUI p u t _

a ...

eo.

An An,d~ .. /lo,<I ~k~·.

~ ... P<O<fll "'" ...

a - .

ot...,. 1\0(1 ... ...."., ... 'iI~ ,~pI.oc""

... ,..

~..

octuoIti -

'"

~

...

pre- .ni ... "'" appa1ft! IrI

8ef<q1l>il_Ivt"~ _ ... Il10_... nNf:M.o'.GIC ' /1

~~ .... Iand, ... ~_morc..,; ..

I01"."'"

_ _ I o,op. poInO !If po>IrC. _ thtt "~- ~

FIrtt.."""",_,,-_

..- .. _

__ .on!_

~_ ~

"-_

.

PIIECJSE

....

E1' ... UI - " i n O o . . . _ _ - ... ~-... puMt--~ . . .

-. -. --.-.-.-.-.-. -.,-.-.-.-.-.-. n-.-.-.

_{_ _}

_{... .. .t:.>tA.,.,..}

..._ ...

rnct;,:1Il "'"9"-[)on',

mOsIo., _ _

rm

u ...

t ... _"""""... _

rmt.>ttOl'JlntIOn.«.

_11>0 _ dqjrft

a

~ PIdo up ...

ors _ _

,.,..

•

.,.

"""'" .... '" _

..,... --

_ _

.,.... ""'90

to..I: . . -an you goot \he i1ICII"Py 5I.Ibtle :It« (hoy ~

turoctklnIII

ond ongIeoa "'""." ... Wft .. fIne poo<ll<ol.

for_~_... Tho ... ~ihing_

mote """'IKI'

a

<)'0 to """"

on

...

1/>01 ~ ... be

_ . . . poonolOspo'.ogb«I< COIIIIECT1.V <Itoigned. Thtt

LIInt UoIoo ' -~ oomo phen- " - ' 4 "'"' no:to """ _

be

- _ _ Spoed)'... _ _ hod ... on < ) ' 0

-StI\I.eo-(. Wed """"""""~ but 1 h - . - , . . ond ~ - . . , Nm 10

be

Iho _."cion I,.)O>W _ - . pod)r to..I:

. . -i;hon .... nR. _ , """""","",Oldy'" in .... ~ memooy _ opMg' _dIoectlOl")'OU ... I

Alieni Wanted

I .... ~~on. ,." - '" ~_ o.ua,"", _ 1 ... doesqoos 100-on . . . ~oft.two _ _ _ _ .... - . . ... ,roTho ... "'" teItpt\tthi<..-.I _

four

1t!1o.

two

"-IttP

ond four

-.g

-

Thry., ... 1!)'C ~

I_~ ... ~

tNt ONEMo\QC

re-..

_

be

kind ~ to ...-.:I mo..

(la.Ig,-wlllbe~_a""_ orlho-'~ _ _

~­

-~-l _ _ 5!1tt1 St.. Ct. N.W.

ag

_

.

WA 91335

1'1 ....

Eld.achrome Emul.~n ThIo is in _ "')O>W . - , _ _ OIIin ....

" " " . EdiIo(. gench""' ... ,oioog

.... ... Eioa<hn>m< _ ! I f

I\odok _ in Supor-&

1 ... 1'1!!C<dIy.-\lie ...

n,t.I. . . . ASo\

or

1 001 t 60.

KIn-().l.>,D. 101> ... New Vork 01y...,.. \lie S/'\ ~ ' - • _ _ ", ....

IW:IIR .' Ihc mo,obnI . . . . is

oIghiIy ~ i;hon _ ~

...-I

pooducto."'n.q. lito MY _ fLO, 160 is on -... Pi'O"

duel NOT

'tcOi,,,,,,,,<iod

lor use"""'"

doif"l"-im

is being con

okIn..r_"'

-

_",.n.

, ..

011 or_in .... _ _

rftUl .. _ _ --....g to

RED -"" , .... I _ . KiftO.lo.o,. .... Iongt< <Yen _ ' " -"<0 ...

tho 0loi ElA 160.

S---lI

Fhnwkeo-...,.._

- . fJu<tIrcme 1242 _ n,t.I.

-

...

"""'"'"

-...,-... ttodo _ ptWiI ~-.

Thom.goiS_~.EI60. to..I: ... Iou " ' _ I pr<oO..o«iS 1101. . . -<don lot ... I»'i<!I

,-

I>J _ . . -poor'''''''' "'" It> ~EI60ondlshot."., ... Nm _..,.. in 7244 Tho rcouI?

7244 don poO<t.lc< _<I <OIors. Tho <don .... II<;h ond ... nt, _ . . bJ'glt ... my EI60

I\lms. I'eo:Iwo!>s E 160 might be bel

...10< _ _ _ ,.", U.

... bright. fuo.riobc <don1

When 1 uood EI60 - . . .., 155 /;II .. in ... \lie colors

--.:I~_to..I:_

72"ot...,._ ... ~1

' - . . . , . _ 10 prioI: _ Nm. ... 1 did puoh ..,.",.

now """

_n.. _ _ _

-.

"""'90

....-....

foJuy.

Min ..

now

is rOce. ... rm -)EO"Ndy

'" p.e

o.op E 1 60 ..-...ely

--

J 1 Fltt< So.

F_H1b.1'I'I'11J7~

S

...

irllng Cloud Effects

WhIle _ n g

on

m y _

r.n.

1 """",",«I • m<d'iOd or Cf-.ng

f _

<:OIOIfuI doud oII_ ... "' _ _ _ .. \IIe _ FlMhCordon ... F ....

. . _ _

atJMs~

t

_.,..

.. """""

_{_. _Incto}

~

Joo

_{or_}

will doo~ ... _._It>lholopwkl> _ _ .... PIon "'"

Joo

on "'"

""'" _ """*"" •

camE01I

on.

tripod """' II. Zoom In

on .... Joo

_ .. u. )'OU """ _ in \tie

.tcwftncIa

II tho

_er

_1:t'ot!1

loan.. ~ pIoce ...., 7!'> ... IIghIs 10 .... Idi. _ righI: or t .... jot .... 'hen ihis is done. stI! ... _ ""'Y ~ .".;0" •

pen6I., ....

Ii!.-. C .. ~ dIop In difI ... <don

or

food coloring _ begin Nming. Tho ... ...-..ill CM.IiIe \tie coloring '" _ to .... _ ...

_~~_"'c.>M

I", Jorm • ~ 011""," Thit

FUmm.akers

·

EORUM

method 0.., be uoed wth • ...".... Imposed mo6d 10 creole. opKe "'- . Of con be .-d Wo!h • ~

>hot to erote otrBng< cb.>d lor·

...,.,. ...

~

The fnished oII~ looks lantMtic

on !he ocr«<>. and will _ ) W I

Mends ~ in ... omrnL

M_

lS811 _

1.Noo'Iia."'" 4

81~

Ripped Off

UFO'. ... Jell l'oIizIouo". ortk~ on

~(JfO'.(nCl'1~

.. 13) ... ~gOod,For_ who """"'-I Ilk< to build. UFO

rn<><Iel""-"<.1 ~ ~

_ _

"""'"doy",_

""""" form """ pWCing

~

"""" _ _ «*SO! . . . . orvlllris/>. s..-oIloy<n...., _ l o t IIII'8>gth. """"" dIy. _ .

paaems con he IT'oIIOi<ed oK and

tkr body paIrOed fIot bled< Thr

masI<Ir>g c .... Ihon be p<do<l _ . ,

00<1

\IfIs

...d to <:<>lot Iht

. . - . - CtUO<d by Iht piIin: jet>

1.-naIliglmng

oIona

Iht g,.. d

Jade Imes' spocesIlip igI>Iing

1ONE.'V.GIC ' 13) """ be

...

~"1J'IOI'd'Is og<>. ONE

.-v.oc

ran my

_In

fU ... ·

..,.' Forum i n _ I .. _1hol I

had • ocrIpIoudine. R.wM _

_ 10_

Jtorn_IiIrn-maIoen. N.. ,.,... I _ ...

... leU..-., ~ one ffOrn

England. v.t.. roaly ~ ...

... p!>one <:all from I ""'" In

OI<W-oomo Oy ""'" iiIid he ...

~ Mel dite<IoI ""'"

- . wakioIg for • pro<kIction

1---1

~

on I pieced pi.,.;gobo

_ pIKed i _ beNnd ".... d

~­

~_ ... phone cd.

I""

... ).

this mot! " " " ' " to """'"

10 .... me. I ~ him my oa\pI ... he said !hot he ... ~ In ~ ~ !roo. tv oet\eo. I mall«! him "'" _ _ ~. compIt!ed ""'" ocrtpI """ ",.. wm<d<5igo~

He . . . !hoi . . had ... tile

oa\pI to.

"",_In

EngIoond

and !hot I ~ ~ a «lI'Y 0/

"'" ~ Kf1pI. I _ dOl.

He MId """ he ... 1tO rlllsing tho

~ for. pilat _ IhoI. ..

_col ...

Hedidn'L

for • mot'IIh I "'" ~ tIC

.... ~. ",.., """"""" told "'" t/>at he

w.,

1>0 Ionget e~ thoore, ... I ... ~ his """'"

p!>one nt.Irrb«. I

c_

him ""'"

...:I "" Mid IhoI. he _ col ...

boo&. He didn't I coll<d him at

1

====

homo again _ found IhoI. he had

d'>ar>g«I hio pilon< .... rTt>or. The

mot.

to \/'IiI o.d. ... true

.... Is 10 11'" )'>Ur oa'ipI> ~

led. _ ~ ..,.,...".,. p<o<rases,.,... 1M

moon.

9"' ~ in ""fiIin9!

--

PIne o...t Pork "24

2912E.s.>tofe FIagstAIf. A3. 86001

Wire Armature.

... 11<oep~ _ o n wire _ modeIs,'" because I

IUbocrIb<d to ONEWlGK.: toO ....

I _ O < I ( o n _ " , , ' "

!hom.

r

..

...m.n

)<l" Ii "'" hcipH

tho! r>u might repIrC tI'II • . .

-or ... mo ""'~ on

_ , . , malt< 1M Nbbory.<II for

14 C1NEMIIGIC "'5

~­

~­

....,,~ MS/IIb..-, 0.'2145

Anlm.tJon Blue

.

Be,,'Il a IiImrnak<t ..00

iII;..s.

SIMt>ng out. with 1 ""y Mm bed t>udgeI. 1 ~ • >mall ,!"""Iion to aol< "'~ """"'Y be>'Ig lighll c....-.ol otkwd to _ flm """." ~(modd)_I_ 1 '" 2 rrames po.r ~ f<>< bo.ooe ~ ""'" OS '''.0lI0''111 How """'II' ... shwld 1 _ ~ .... "'"""11. penon "-""""II? l-*lgrNIly~ ~ ...

-

~-

1531_~ III...-nIntICf,PAI8'14 rh~ di/l~

1><1"-,,,.,,

>hoo(. IfIg I or 1 f • .rna will nOl '~all!J

sac ... 11"" much film. wilen you

c-omId", l/uol Inl""",nl/ Is ''"''II II"", cOIU«mlng and a nlm.ored

mms

~'" gtYl", .. lI~ $I"oM. 'hu<: 1.0

"" Oft "" .... to wh<IIIer you

sIIocJld </1(1<)1 I or 1 (noma IX'

mooen""'1. MIn ...

~ .... 11/

hf:lp you <k<:id~ ,,>Ilich lI""

"-"<lId , .. ,"'" do. Ao I<x ani""",·

IfIg" P'!""'" running. n 1.0 ""'" 10

anl"""~ fit>l

mov

.

","""

IJI. I

fr ..

me IX' moe ... """""

0IIt""'-"' ....

1hu<:""'!I/)oo, .. ' - f i g " dfm

.. nd. 'M ""Imar_ will 100«

jerl<y. Good 1.uotk.

~.NY 12974

Yo<u q"""iotl Iw .oI_y /)00,,,,, allSU!M'd In U,., p<tgQ 01

CINEMAG/C ~.John

CcosenIJ",,'. MIeI ... bout <J.SIng a

_ buill ~ic .. 1 prinI'" In

ClNfNAGIC • '5

Jl'Unl,ture Side

.

wn...

c.o III"" t.ddropo d

Iht sI<y leo< ... sc ... ?

tI"q' ... \...oIobIe. ""'"

,,,.n

1

--,

_-,-

₁₄₀ IioI)tofooI< Rd.

II<ookport. NY 14420

You can US< slq,o/>''''' r%fod ;>0$1'" bo<ud as • .<ky to.do

ground lot mIn ... """ sc ... II

./oo"ld be _illlble at ~"'" loc.ol

."1>1.0'

>upply ... """ !fOIJ ""'II

... 11110 p.oinl_ o n h >Ih.

D«~dI<>p~y ~I'"

"""*"

~ y""

"""y"oo

It,,,,,

10 I'lol

Cockpit Query

... lhaYooOlOOIed ~on

trrj """" f\lIIlmgtk AIm _ I "'os ~ W )O<i' be do"", "")'

_ on _111f~..,..)

... - " >

>pDCc<'J .... cockpII:o .... II>< pIu

_ I could .... help. AIoo,

r

d ..., '" <:<>rreoponcI ""'" ....,."...

itUltIIO:Iln Idefn fIcUon

,,--

.

LS. SmIth

5181nluW-'

----~

~OK'

, Jt!/f PoIIIlZOllO 1.0 ~W"MII!J

worljng orI .n llllide about

scr .. !C~ bulldlfIIJ II/~ 00<;kpU.

Jlt<. h will /)00, fe.ot~ In

an