Bryars - After the Underworlds
Full text
(2) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.
(3) itu r. Gavin Bryars. __________________________________________________________________________________________________. ns i nic c h ht ts fü. (2012). hru ng en. for brass band. pa rt. After the Underworlds. sce. an. orm. erf. rp t fo. no. Pe. rus. al. Sc. ore. -A. rA. Full Score. uff ü. __________________________________________________________________________________________________. Mainz • London • Berlin • Madrid • New York • Paris • Prague • Tokyo • Toronto © 2012 SCHOTT MUSIC Ltd., London • Printed in Germany.
(4) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.
(5) itu r hru ng en. pa rt. sce. an. orm. rp. erf. First Performance: 12 August 2012 BBC Proms 2012 National Youth Brass Band of Great Britain Bramwell Tovey, conductor Royal Albert Hall London, UK. t fo. no. Pe. rus. al. Sc. ore. -A. rA. uff ü. ns i nic c h ht ts fü. Commissioned by BBC Radio 3 for the National Youth Brass Band of Great Britain. Duration: 8 minutes.
(6) Instrumentation. itu r. Soprano Cornet Solo Cornet Repiano Cornet 2nd Cornet 3rd Cornet. ns i nic c h ht ts fü. 1st Baritone 2nd Baritone 1st Tenor Trombone 2nd Tenor Trombone. uff ü. Bass Trombone Euphonium E flat Bass B flat Bass. sce. an. orm. erf. rp t fo. no. rus. al. Sc. ore. -A. rA. Percussion (2 players): Bass Drum, Tam-tam. Pe. hru ng en. pa rt. Flugelhorn Solo Tenor Horn 1st Tenor Horn 2nd Tenor Horn.
(7) Gavin Bryars After the Underworlds. . . . . Repiano Bb Cornet. . . . . . ppp. . ppp. 2nd Bb Cornets. . . . . . . 3rd Bb Cornets. . . . . . . . . . . . . . . . . . . Bass Trombone. . . . pp. . . . . . . . . . . . . . pp. Tam-tam p l.v. sempre. Percussion. . p Bass Drum (molto scordata). . © 2012 Schott Music Ltd, London. . . . . . pp. . pp. . . pp. . pp. . pp. mp. . . . . pp. . . . . . 3. 3. 3. 3. . . . pp. . 3. 3. 3. 3. (ppp). . . . . . . . . . . . . . p. . p. . . . . . . . . . . . . . . . . . . . . . . . . . . (pp). (pp). . (pp). . (pp). . (pp). . . . . . . . . . . . . . . . . . . . . . . . . (pp). . . . (pp). -A . pp. . . . . pp. Bb Basses. (non cresc.). . . pp. . . . mp. no. Eb Basses. . . pp. Pe. Bb Euphoniums. . rus. 2nd Bb Trombone. . . . p. pp. (ppp). (ppp). . . . (ppp). . . . orm. pp. 1st Bb Trombone. . mp. . mp. . (ppp). pp. . . . pp. . (ppp). . . . . . . . (ppp). . . . pp. . . mp. pp. . . pp. ore. 2nd Bb Baritone. . . . . . . erf. 1st Bb Baritone. . . . rp. 2nd Eb Horn. . . . Sc. 1st Eb Horn. . . . t fo. Solo Eb Horn. ppp. al. Bb Flugel Horn. ppp. . itu r. . . hru ng en. Solo Bb Cornets. . . uff ü. ppp. . . pa rt. . . rA. . ns i nic c h ht ts fü. . s-. . ce. q = c.52 . an. Eb Soprano Cornet. dedicated to the Quay Brothers. (pp). (pp). . . . . . p. p. . . . . . . . . Unauthorised copying of music is forbidden by law, and may result in criminal or civil action. Das widerrechtliche Kopieren von Noten ist gesetzlich verboten und kann privat- und strafrechtlich verfolgt werden..
(8) . . . . . . . . . 3 3 . . . (pp). . . (pp). 3. . . 2nd Hn.. . . Bb Bass. Perc.. . . . . . . . . . . . . . . . . . . . . . ppp. . . . . . . . . . . . 3. 3. 3. . . . . . . . . . . . . . . . . . . . . . p. . . p. . . . . . . . . . p. . . . . . . . . . . . . . S&Co.8837. . . p. . . . . . . . . . . . . . 3. . p. . 3. . . . . ppp. . . . . . 3 3 . pa rt . . 3. . . . . . . . al. . . . (p). . . . (p). . . . rp. . . t fo. . . no. Eb Bass. . . rus. Euph.. . . orm. . . . ore. . . Sc. . 2nd Tbn.. Bass Tbn.. . . Pe. 1st Tbn.. . . . p. ppp. uff ü. 1st Hn.. . . . rA. (ppp). . 2nd Bar.. . . . 3. 3 3 3 3 . . 1st Bar.. . . . . . 3 3 3 3 . (pp). . . . . . Solo Hn.. . . . Flugel Hn.. 3. . . . . . 3. . ns i nic c h ht ts fü. 3rd Cnt.. . . s-. . 3. 3. (ppp) 2nd Cnt.. . . . ce. Rep. Cnt.. A. -A. Solo Cnt.. . an. Sop. Cnt.. . itu r. . 9. hru ng en. . erf. 2. . . . . . . .
(9) 3. . . . . . . . . . . . . . . Solo Cnt.. . . . . . . . . . . . . . . . Rep. Cnt.. . . . . . 2nd Cnt.. . . . . . . . 3rd Cnt.. . . . . . 3. . . . . . 1st Hn.. . . . . 2nd Hn.. . . . . . . . . . . . . . Euph.. . . . . Eb Bass. Bb Bass. Perc.. Pe. (p). . . . . . . . . . . . . . . . . . . . . . . . . . S&Co.8837. 3. . . . . . . . . . . . . . . . . . . . . . p. . . 3. . . . . . . . mp. . . . . . . . . . . . . . mp. . . . . . . . . p. . mp. . . 3. . mp. . 3. . . . . . mp. . . . . . . . . . . . . . . mp. . . . erf. Bass Tbn.. . . rp. 2nd Tbn.. (p). 3. an. . . 3. orm. . . ore. . Sc. 1st Tbn.. . 3. . . t fo. 2nd Bar.. 3. . p. al. 1st Bar.. . no. . Solo Hn.. pp. rus. Flugel Hn.. . 3. . hru ng en. . 3. . 3 3 3 3 . uff ü. 3. . 3. rA. . 3. pa rt. 3. 3. ns i nic c h ht ts fü. 3. 3. s-. 3. ce. 3. -A. Sop. Cnt.. itu r. 15. . . . .
(10) 4. . . . . . . . . . . . . . . Solo Cnt.. . . . . . . . . . . . . . . . Rep. Cnt.. . 3 3 3 3 . . . . 2nd Cnt.. . . . 3rd Cnt.. . . 3 3 3 3 . . . . p. . 1st Hn.. . . . . 2nd Hn.. . . . . . . . . . . . . . Bb Bass. Perc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . erf. sfpp. . sfpp. . . (p). . . . . . . . p. p. S&Co.8837. . . p. . . . . . . . . . . p. p. . mp. p. . mp. . . 3. . . p. . 3. . . . p. . . sfpp. . 3. . orm. . . rus. . . . . no. Eb Bass. . . Pe. Euph.. . . p. al. . 2nd Tbn.. Bass Tbn.. mp. rp. p. . Sc. . . t fo. . ore. . . hru ng en. . . . 3. uff ü. . 3. . . rA. . 3. ns i nic c h ht ts fü. . 3. . s-. . 3. 3. pa rt. . . 3 3 3. . . 1st Tbn.. 3. . . 2nd Bar.. 3. . . Solo Hn.. 1st Bar.. 3. ce. Flugel Hn.. . 3. -A. Sop. Cnt.. B. an. 21. itu r. . .
(11) 5. . . Solo Cnt.. . . . . Rep. Cnt.. . 3 3 3 3 . 2nd Cnt.. . . sord. con . . Bb Bass. Perc.. . . p. . . . . . . . pa rt. . uff ü. . . rA. . pp. . pp. . . . . . . . . . rus. . . p legatissimo. . 3. . . p. . . p legatissimo. . . . . . s-. . Pe. Eb Bass. . . . p. . . ce. . . (solo). -A. . con sord.. . . . p. . . . . . . . . con sord.. . p. . . . (p). . . . . . . . . . . . . . . . . . . . (p). p S&Co.8837. . . (p). . . . pp. . . . (p). . . an. . con sord.. Euph.. . orm. . . . ore. . . . mp. p. Bass Tbn.. . . . . . . ns i nic c h ht ts fü. . 2nd Tbn.. . erf. 1st Tbn.. . . rp. 2nd Bar.. . . Sc. 1st Bar.. . 3. t fo. 2nd Hn.. 3. . 1st Hn.. . 3 3 . . Solo Hn.. . . . al. Flugel Hn.. . . no. 3rd Cnt.. . C Più mosso q = 72. itu r. . Sop. Cnt.. poco accel.. hru ng en. 27. .
(12) . . . . . . . . . 2nd Hn.. 1st Bar.. 2nd Bar.. 1st Tbn.. . . . . . . pp. . . . p legatissimo. Bb Bass. Perc.. . . . . . . . . . . . . . . . . . . . . . . . . . pp. . . . . orm. . . . . . erf. rp. (p). t fo. . p. . no. Eb Bass. . . . . rus. Euph.. . . al. . . . Pe. Bass Tbn.. . . . . (p). 2nd Tbn.. mp. . p legatissimo. . . . . . 3. . . . . . . . . uff ü. p. . . . rA. . . . . . . . . . p. . . . . . ns i nic c h ht ts fü. . . con sord.. . . 1st Hn.. . s-. . Solo Hn.. . ce. Flugel Hn.. . . ppp. -A. 3rd Cnt.. . ppp. . 2nd Cnt.. . an. Rep. Cnt.. . . ore. Solo Cnt.. . ppp. itu r. . hru ng en. . pa rt. 32. Sop. Cnt.. Sc. 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S&Co.8837. . . .
(13) 7. 37. Sop. Cnt.. . . . . . . Solo Cnt.. Rep. Cnt.. . . . . . . . . . . . . . . p. . . . pp. . . . . . . pp. . . Bb Bass. Perc.. . . . . . mp. . (pp). . . hru ng en. pa rt . . . . . . . (mp). mp. . . . . . p. . . pp. . . . p. . . p. sfp. . . . . . . . . . erf. rp . . t fo. . . . . . . no. . . . . . . pp. S&Co.8837. . mp. . . . . . . pp. . . . (p). rus. . Pe. Eb Bass. . al. (p). Euph.. . . p. . 2nd Tbn.. Bass Tbn.. . . Sc. 1st Tbn.. . . p. 2nd Bar.. . . . uff ü. mp. . ore. 1st Bar.. . . . . an. 1st Hn.. . rA. . . . s-. . . . mp. -A. . . . ns i nic c h ht ts fü. . ce. . orm. . Solo Hn.. 2nd Hn.. . . 2nd Cnt.. Flugel Hn.. . ppp. ppp. 3rd Cnt.. . . itu r. ppp. . (p). . . pp. . . . . . . . . . . . . . . . .
(14) . solo. . . 2nd Cnt.. . . . . . . Bb Bass. Perc.. . con sord.. pp. . . . . pp. . . . . s-. ore . . . . . . . . . an. . . . . . pp. pp. . . . . pp. . . . . . . . . . . pp. . (p). . . . . (p). . . . S&Co.8837. . . . . . . p. . . . . . . . pp. . . . . . p. p. . . . mp. . orm. erf. al. rus . . . . . . . . . . . ce. . Sc. . . . . . . . p. . . solo senza sord.. . . . . . p. . . no. Eb Bass. . -A. . Pe. Euph.. . . . uff ü. . . 2nd Tbn.. Bass Tbn.. . . rA. . pp. 1st Tbn.. . p. ns i nic c h ht ts fü. . . pp. 2nd Bar.. . mp. . . 1st Hn.. 1st Bar.. . . . Solo Hn.. 2nd Hn.. . . . . Rep. Cnt.. Flugel Hn.. . . itu r. . Solo Cnt.. 3rd Cnt.. . rp. Sop. Cnt.. D. hru ng en. 42. pa rt. . t fo. 8. . . p. . mp. . .
(15) 9. . Solo Cnt.. . Rep. Cnt.. . 2nd Cnt.. . . . . . . p. . . . . Eb Bass. Bb Bass. Perc.. . ns i nic c h ht ts fü. . . . . . . . p. . . . . . . . . . . . . . . . . . . (p). . . . . . . . . p. . an. . . (p). orm. . . erf. . . rp. . Sc. . . . t fo. Euph.. . . . p. . 2nd Tbn.. Bass Tbn.. . . . . ore. . . . . s-. . . . . (p). -A. . al. 1st Tbn.. . . no. 2nd Bar.. . . 1st Hn.. 1st Bar.. . . Solo Hn.. 2nd Hn.. . . . . . . rus. Flugel Hn.. . . . Pe. 3rd Cnt.. . . itu r. . . hru ng en. . . uff ü. . pa rt. . ce. Sop. Cnt.. rA. 47. . . (p). . . (p). . . . . . . . . . . . mp. . . . . . . . pp. pp. . . . . . . . . pp. p. S&Co.8837.
(16) . . . pp. pp. 1st Bar.. p. . . . . . . . . . . Sc. (p). . . Eb Bass. . . . Bb Bass. . . . Perc.. . . . . . . . . . . . . . . . . . . . . . . . (=). . (=). . . . . . (p). . . . . . . . . . . t fo. . . al. . . . . . . . . (p). . . . . . . . . . . . . . . . S&Co.8837. . . . . . . . . . . . . . . . p. . . . . . (p). . . . no. Euph.. . . . . (p). rus. Bass Tbn.. . . . . 2nd Tbn.. mp. . . . ore. . Pe. 1st Tbn.. . . hru ng en. . . . pa rt. . (p). 2nd Bar.. . . . . . (p). . . uff ü. . . ns i nic c h ht ts fü. 2nd Hn.. (pp). s-. . 1st Hn.. . ce. . . . mp. . . . Solo Hn.. . . rA. . . . -A. Flugel Hn.. . p. pp. 3rd Cnt.. . . . . 2nd Cnt.. . . con sord.. . . Rep. Cnt.. . an. Solo Cnt.. . orm. Sop. Cnt.. E. erf. 52. itu r. . rp. 10.
(17) 11. . . . . . . . . . . . . . Solo Cnt.. . Rep. Cnt.. . . 2nd Cnt.. . . . . . . . . . . . . . . . mp. (=) (=). . Euph.. Eb Bass. Bb Bass. Perc.. senza sord. p. . . . . . . . . . . . . p. . mp. . . -A. . . . ce. an . . . . . . . . . . . . . . (p). . . . . . senza sord.. . p. . . . . . . . . . . . . . . . . . . . . . . . . . . . . p. . . . . . . . p. . . senza sord.. . . . (p). p. . . . p. . . . (p). . . . . . . . . s-. . . . . . . . . solo. orm. . . . . erf. Bass Tbn.. . . . 2nd Tbn.. . . rp. 1st Tbn.. . . . al. 2nd Bar.. . . rus. 1st Bar.. . . . . Pe. 2nd Hn.. . . . ore. . 1st Hn.. . . . Sc. Solo Hn.. . . t fo. Flugel Hn.. no. 3rd Cnt.. . . . pa rt. mp. . ns i nic c h ht ts fü. . . itu r. . hru ng en. . F a tempo (q = 72). uff ü. Sop. Cnt.. poco rit.. rA. 57. . . . . . . (p). mp. . . (p). S&Co.8837. . . .
(18) 1st Tbn.. 2nd Tbn.. Bass Tbn.. Euph.. Eb Bass. Bb Bass. Perc.. . . . ppp. . . . . (ppp). (ppp). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . S&Co.8837. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . uff ü. . . . . . . . . . . . . . . . rA. . mp. . s-. . . ce. . . . mp. . . . . itu r. . Harmon mute (tube out). . . . . hru ng en. . . . pa rt. . ppp. . . . Harmon mute (tube out). -A. . . . an. 2nd Bar.. . . . (ppp). orm. 1st Bar.. . . ppp. ore. 2nd Hn.. . . . Harmon mute (tube out). erf. 1st Hn.. . . . mp. mp. rp. Solo Hn.. . . . Sc. Flugel Hn.. . . . . . t fo. 3rd Cnt.. . . (solo). al. 2nd Cnt.. . . no. Rep. Cnt.. . . Pe. Solo Cnt.. . ns i nic c h ht ts fü. 63. Sop. Cnt.. rus. 12. . . . p. . . . . . . . . . .
(19) 13. . . . Eb Bass. Bb Bass. Perc.. . . ore. . . . . . . . . . . . . . . . . . . . mf. . . . . . . . p. S&Co.8837. . (mf ). . . mf. . . . mf. mf. . . . . . . . . . . mf. mf. . . . . mf. . . . mp. . p. . mf. mf. . . . . . . mf. . . . mf. . . . . . . . . . . . . 3. . . mf. . . . uff ü. . . . . erf. . . . . . . . . 3. . mf. -A. . rp. Euph.. . . . . . . Sc. . . t fo. . 2nd Tbn.. Bass Tbn.. . mp. . . al. 1st Tbn.. . . . . . . . . no. 2nd Bar.. . rus. 1st Bar.. . Pe. 2nd Hn.. . . 3 . . (ppp). . (ppp). (ppp). . itu r. . . pa rt. . . . . . . . . . . . . . . . . 1st Hn.. mf. . 3 (ppp). Solo Hn.. mp. mf. 3. Flugel Hn.. . rA. (ppp). 3rd Cnt.. . . . ns i nic c h ht ts fü. . 2nd Cnt.. . s-. (ppp). . 3. cresc. poco a poco. . Rep. Cnt.. . . . . . . . . ce. . Solo Cnt.. . hru ng en. . an. Sop. Cnt.. orm. 69. . mp. . p. . .
(20) . . . . . . . . . . . . . . . . . . (ppp). . . . . . . . . . . . . . . . Bb Bass. Perc.. . . . . Sc . . . p. . . . . p. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p. S&Co.8837. . . . . . . . . . . . . . . . . rp. . . . . t fo. . . al. . . . p. p. . . . . . . . . no. Eb Bass. . . . . rus. Euph.. . . 2nd Tbn.. Bass Tbn.. . Pe. 1st Tbn.. . . . p. 2nd Bar.. ns i nic c h ht ts fü. p. . s-. . . ce. . . . . . . . . . mf. . . . -A. . . an. . p. . . (ppp). . 1st Hn.. 3 . . orm. . (ppp). pa rt. 3 . itu r. . . Solo Hn.. 1st Bar.. . . 2nd Cnt.. 2nd Hn.. . . . Rep. Cnt.. Flugel Hn.. p. . hru ng en. . Solo Cnt.. 3rd Cnt.. p. ore. Sop. Cnt.. G. uff ü. 74. rA. . erf. 14. . . . .
(21) 15. . . . . Solo Cnt.. . . . . . Rep. Cnt.. (ppp). . Eb Bass. Bb Bass. Perc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (mf ). . . . . . . . . . al. . Sc. . . s-. . . . ce. . . . . . . -A. . . . . . an. . Pe. Euph.. (solo). orm. . . . . ore. . 2nd Tbn.. . rp. 2nd Hn.. Bass Tbn.. . t fo. . 1st Tbn.. . . (mf ). 1st Hn.. 2nd Bar.. . no. . Solo Hn.. 1st Bar.. 3. rus. Flugel Hn.. . 3. 3. hru ng en. (ppp). . 3. ns i nic c h ht ts fü. . 3 3 . pa rt. 3. (ppp). 3rd Cnt.. . . . . uff ü. 3. . rA. 3. . 2nd Cnt.. 3 3 . . 3. erf. Sop. Cnt.. itu r. 80. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . mp. . S&Co.8837. . . . . . . . p. mp mp. . . . . p. . . .
(22) . Rep. Cnt.. . . mp. . 3. . . . . . . . . . . (p). Euph.. Eb Bass. Bb Bass. Perc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p. . . . . . . . . . . . . . . . (ppp). mp. . . . . . . . . mp. . (mp). . . . . . . mf. . . . . . . . . . . . . . . . . . mp. . . mf. . . . . . . . . . . . . S&Co.8837. . . . . (ppp). . . . . . . . (ppp). . . . . orm. . . . . ore. . rp. Bass Tbn.. . p. . 2nd Tbn.. . al. 1st Tbn.. . . no. 2nd Bar.. . . rus. 1st Bar.. . Pe. 2nd Hn.. . . -A. . 3 . an. . . . (mf ). . 1st Hn.. . erf. . Solo Hn.. . Sc. Flugel Hn.. . 3 . ce. 3. . . . ns i nic c h ht ts fü. 3. t fo. 3rd Cnt.. . . 3. 3. . 2nd Cnt.. . . 3. . . itu r. . . hru ng en. . Solo Cnt.. . pa rt. Sop. Cnt.. H. uff ü. . 84. rA. . s-. 16. . . . . mf. . p. . . . . . . . . . (p). . .
(23) . . . p. . . . . . . . . . . . . . . . . . . senza sord.. p. . . . . . . . . senza sord.. . . . . . . . . . senza sord.. . . Euph.. . Perc.. . . ppp. . . . . p. p. . . . . . . . (p). . . . . . itu r hru ng en. pa rt . . . . . . . p. pp. . mp. . . . solo . . mp. pp. . . (p). . p. 3. . . . . . . . . . . p. . . . . . . . mp. . . . . . . (p). . . . . p. . . . (p). S&Co.8837. . . pp. . . . . mp. . . . mp. . . pp. . . . . . . . p. . . . p. . an. . . . pp. . . orm. . . . p. . . p. . uff ü. . . . . . . p. pp. . . . Pe. Bb Bass. . . rA. . p. Eb Bass. . . -A. . . . . . ppp. . . ore. . 2nd Tbn.. Bass Tbn.. . ppp. . erf. 1st Tbn.. . . . rp. 2nd Bar.. . . Sc. 1st Bar.. . . . t fo. 1st Hn.. . . ns i nic c h ht ts fü. . Solo Hn.. 2nd Hn.. (ppp). al. Flugel Hn.. p. (ppp). . I. p. s-. . 2nd Cnt.. 3rd Cnt.. (ppp). Molto meno mosso q = c.50. ce. . Rep. Cnt.. no. Solo Cnt.. rus. Sop. Cnt.. 17. 89. . . (p). . . . . . p. . . p. . . . . .
(24) . . 3rd Cnt.. . . Flugel Hn.. . . . . . . . . . . . p. p. . p. . . . . . . . . . . . pp. . . . al. . . . Euph.. Eb Bass. Bb Bass. Perc.. . . . ore. . . pp. . pp. . pp. . . . . pp. pp. . . . . . . . . . . . solo. p. . mp. . . . . (p). . (p). . . . . . . . (p). . . p. . . . . . . . . . . . . . . . p. . . . . p. . . . . . . . . . . . . . . . . . . pp. pp. pp. pp. pp. . . . . . . p. S&Co.8837. ppp. pp. p. p. . . . . mp. . . . p. . . . ppp. . . . p. . . . . . . . . . . . p. mp. . . pp. pp. . . erf. . . p. rp. Bass Tbn.. . Sc. 2nd Tbn.. . . ppp. . pp. (p). p. . . . . . . t fo. 1st Tbn.. mp. p. . . no. 2nd Bar.. . rus. 1st Bar.. . . . . Pe. 2nd Hn.. solo. . . p. . . . . . pp. mp. 1st Hn.. . mp. . pp. . Solo Hn.. . p. . pp. itu r. . 2nd Cnt.. . . hru ng en. . solo . . . uff ü. . . p. . . pa rt. . Rep. Cnt.. . rA. . . ns i nic c h ht ts fü. . . s-. . Solo Cnt.. . ce. . -A. . an. 96. Sop. Cnt.. orm. 18. . l.v. al fine. pp. Billesdon June 7th 2012.
(25) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.
(26) al an s-. ce. ore. Sc. orm. erf. rp. t fo. no. rus. Pe. rA. hru ng en. uff ü. pa rt. ns i nic c h ht ts fü. -A. itu r.
(27)
Related documents
1994 British Abstract Art: Painting, Flowers East, London 1993 The Sixties: The London Scene, Barbican Gallery, London 1992 Ready Steady Go, Royal Festival Hall, London. 1991
James’s Palace Wellington Arch Royal Academy National Gallery Victoria & Albert Museum Science Museum Natural History Museum Barbican Centre Marble Arch Covent Garden London
Verdi: Requiem 27 October 1958 Royal Festival Hall, London Philharmonia Orchestra Beethoven: Overture, Egmont Beethoven: Symphony No..
[With satellite venues: Camden Arts Centre, Chelsea and Westminster Hospital, Royal College of Art, Victoria and Albert Museum, and Royal Geographical Society, London, England,
Ian Bostridge, London Symphony Orchestra and Daniel Harding live at the BBC Proms in a concert honouring the memory of Sir Colin Davis through music by Britten, Tippett and
Conductor) commissioned this version of Harrison’s Dream from the original score for brass band.. The work received the prestigious ABA/Ostwald Award
Congregational Church joined the list of illustrious buildings with a ‘Father’ Willis organ including – the Royal Albert Hall, St Paul’s, Salisbury and Truro Cathedrals,
In addition to occupying the Julian and Eunice Cohen Boston Pops Conductor chair, Keith Lockhart currently serves as principal conductor of the BBC Concert Orchestra in London, which