AL MANN
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(201 ) 431-2429 POST OFFICE BOX 144 • FREEHOLD, NEW JERSEY 07728(201) 431-24.29
POST OFFICE BOX 144 • FREEHOLO, NEW JERSEY 0772B(II,fIt
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Copyright (1985) by Al Mann Exclusives This treatise is being written due to repeated requests from AME subscribers asking for my favorite method for private readings.
Through the years I have tried many methods and I have noticed the reaction of the sitters. They are all amused by 'readings.' Whether by reading the cards, the palm or dead bones. But what thrills them and awes them is the surprising (to them) ability of the pyschic of reading their thoughts. Furthermore, the Reader does not need to go to the cemetery to read tombstones, or hiring an investigator to check up on the sitter. The Reader can get all the information he needs for an impressive reading from
the sitter! sitting across the table from him! whom he has never seen before! Charles H. Foster capitalized on a similar method 100 years ago. You will learn a great deal about the sitter, a total stranger a moment before he walked inl He or she will reveal all to you unknowingly!
THE GYPSIES: For a small fee, a Gypsy will tell you your fortune. She will read the cards, your palm, tea leaves, or gaze into the crystal!
For the same fee, a side-show circus graphologist will analyse your handwriting. You will pay a bit more for a good cold reading or a 'Psychic Reading.' A 'hot' reading will cost a bit more ($100). This the reader does after you have made an application and she has investigated you fully. She will
tell you where your grandmother is buried and how many children your children have.
BUT ALAS! Only a Mentalist can read the thought! Only a Mentalist can thrill the sitter with an enchanting visit into the Fourth Dimension! An awe-some experience that will never be forgotten. The Mentalist delves into th deeper recesses of the sitter's mind and tells what he or she is thinking at the very moment! Some jump with joy. Other are stunned into silence. Some al-most faint, while others will run away from you. IT is a tartling
revela-tion and at the heat of the moment, the Mentalist can name his own price!
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A MYSTERY: During a four-hour stint, without a break, doing private reading for some fashionable ladies and some men, I noticed an over-reation in the sitters. They were startingly amazed and mystified and after they left my office, they commented to the crowd outside that I had read thir minds while analyzing their handwriting! Even the skeptics were baffled. One said, "1 don't know how you got your information. You did not use a carbon impression or even glanced at the writing pad.!"
I became curious to know what it was that I was doing that so baffled the sitters. So I placed myself in their seat, and this is what they saw:
IGH DOMAIN AN AL MANN EXCLUSIVE
A MYSTERY cont.
. .
I was doing 'Gemel's Messages' from Mental-Ettes. The sitters were asked to write a question and a name (instead of two questions) on a large sheet of paper, 5 X 8. in., while I turned my back. When finished they were told to fold the sheet in half, and then in half again and once more in half. In the end they held a small wad of folded paper. During the reading, this folded wad of pa-per is torn to bits by me and the pieces dropped into a tall-necked wine bottle.
Eventually the question and the name are revealed. In their minds, the sitter unconsciously surmised that in order for anyone to read the question and name, the paper had to be unfolded as many times as it was folded. They never saw me unfold anything (?) and therein rested the mystery! In their minds they concluded that I could not get the written information by reading it, there-for I had to get it by some other unknown means. Could it be Mindreading?!
The effect on the lay mind is profound! and their is no way in which the lay mind can remotely suspect that you can read the writting after tearing a multi-folded paper to bits!
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Here is my favorite 'Reading' in detail from start to finish. Only one person is allowed into the Inner Sanctum (the room or nook where the Reader sits) at one time. The same routine is followed with each sitter and , except for the difference in the handwriting analysis, the patter is the same.REQUIERED: Two pads of writing paper, white and without lines, 5 by 8 inches square; some #2 lead pencils; a tall-necked wine bottle for dropping in the
torn messages (optional, you can use a waste basket.); knowledge of the basic rudiments of graphology; a small magnifying glass (optional); plus the secret of Gemel's Mess~g~s (detailed later). Double-sided scotch tape and a tablet or slate may be used.
THE READING: When the sitter enters the room he or she is received with great courtesy and a big smile. He is asked to be seated and then is plied heavily with flatter. To the ladies, you may say, "What a bea-u-ti-full dress you have. It looks so well on you." or "My!, MY!, your hair looks so beau-ti-fulU" To the men it is well to say, lIyou look so distinguised!" The sitter is thanked for his or her interest and then is told that he or she is a very special person. (Keep in mind that the sitter is an interesting person, progressive and curious and dynamic. Otherwise they would not be interested in your reading. The do-nothings, down-and-outers, dullards, and pessimistic boors will probably never sit with you. These couldn't care less for your readings.) It is well to tell the sitter, "The very fact that you are interested in a reading, shows that you are a dynamic individual."
III consider you a very special person so I propose a very special test. Please think of a question concerning your life. Do not tell me the question or anyone else. Please write it down secretly on this pad as I turn my back."
(You hand the person the paper pad that is prepared for doing Gemel's Messa-ges.) "And also think of the name of some person that is inportant to you and'write it on the lower lines."
I~ave you finished? Fine! Then tear the sheet away from the pad and fold it exactly in half. Please fold it once more in half. And again in half."
You have turned to face the sitter as the last two folds of the paper are made. Instruct the sitter to hold the folded wad of paper between his two hands as you put your two hands around his. "I am going to endeaver to answer the question and I am going to assume it is an honest question as I am sure it is."
HIGH DOMAIN AN AL MANN EXCLUSIVE IN DETAIL cont.
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While still holding the sitters hands tell him to memorize a simple
sentence - I am walking down the street to get a horse and buggy out of the old carriage house. -- "Now I want you to write that sentence on this other
pad." The sitter is given a pencil and the second pad and also instructed to turn the first pad face down. "I have been accused of reading the impression of the question from the second sheet. So Please put it away so that I can not see it."
As the sitter reaches for the pencil you take back the folded wad of paper saying, "We do not need this anymore." And tear it up (retaining the vital
center fold) and throw the pieces away making sure that tbe sitter sees the
ac-tion.
While the sitter writes, you have ample time to pick up the large tablet or slate and attach the stolen pieces to ~he piece of double scotch tape on the tablet or slate. Read the question and name and secretly discard the pieces of paper. The sitter can be instructed to repeat the same sentence again a second and even a third time so that it covers half of the paper. Then tell the sitter when finished, to draw a tree,. "Please draw a tree. Any kind of tree."
Everything is set for the final coup! Give the sitter as good a reading as possible by using the signs from his handwriting analysis. and then say, "For
some reason I get the impression that you are doubtful about __ " and answer the
sitter's question and tell him the name of the person in their minds.
You can reveal the name of the person with the same seriousness as you
would do a Living and Dead Test, bit by bit with the dramatic revelation, (see "A link With Eternity," in Mental-Ettes.)
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:
Why graphology? Graphology is the best methodther
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is for {earning hard facts about a total stranger instantly, simply by studyinghis handwriting. His or her handwriting will reveal to you the way the sitter
thinks, therefor the way he lives and acts. The sitter will be amazed at
what you tell him from his handwriting.
"In every man's writings, the character of the writer must be recorded." Goethe (1828)
If you already have a college degree in graphology, fine and well, BUT all you really need to give the sitter an impressive reading is to learn the
rudiments of the art. And this you can get from an inexpensive pulp magazine
on the subject which you can pick up at the newstand or a second hand book
store.
By the rudiments I mean that all you do is notice whether the writer writes his letters leaning to the right or to the left. TO THE RIGHT: means
that the writer leads with his heart. He is affectionate, sentimental, friendlyl TO THE LEFT: means that he or she leads with the mind. The person is a
good leader and businessman. Everything he does must be approved by the mind. IF SITTER WRITES HIS SENTENCES GOING UPHILL: He is an optimist!
IF DOWNHILL: He is a pessimist. IN A STRAIGHT LINE: denotes a phlegmatic indi
-vidual.
IF WRITING IS CRAMPED COVERING MOST OF THE PAPER WITHOUT WASTE: The
writer is thrifty. IF TOO MUCH SPACE AND PAPER IS WASTED; The writer is extra~ vagant!
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HIGH DOMAIN AN AL MANN EXCLUSIVE
GRAPHOLOGY CONT.
...
ROUND WELL FORMED WRITING: means a cooperative person
ANGULAR LETTERS : DENOTE AN independent and compatitive person.
LIGHT ORES SURE IN THE WRITING: means an introvert sensitive person.
HEAVY PRESSURE: means an extrovert and vital forthfull person.
SMALL LETTERS AND WRITING: Ability to concentrate! LARGE LETTERS AND
WRITING: means an aggressive and expansive attitude.
4
TINY HOOKS AT THE END OF WORDS: means a tenacious person. You may ne~d a
magnifying glass to spot these hooks.
OPEN
"0"
and "A" and "B" etc. : means the person is talkative. CLOSEDA AND 0: means he is secretive •
Notice also the signature which will reveal to you if the person thinks
highly of himself (Big florishy first letters in the signature) or if he ia
conservative and retiring (unimpressive small letters in signature).
With the above information you should be able to give the sitter a very good reading.
" - - graphiC movements are diagrams of the unconscious."
Werner Wolff
For completeness, here is an up-to-date version of
Gemel's Messages from Mental-Ettes.
The sitter is given a paper pad and pencil to write
his question. The pad measures 5 by 8 in. As in Fig. 1,
the pad has on it some pencil lines. The top line is 1~
inches from the top edge of the pad and the other three lines
below it are 1/2 inch apart. The bottom line is
one inch from the bottom edge and the three lines above it
are 1/2 inch apart. Mark the sections 1 and 2 as this will
help you later. Originally the itter was told to write Fig. 1
out 2 questions, but experience has shown that one question is sufficient as
it carries a tremendous wallop in effect. The sitter is told to write his
question on the top lines and to think of a name and write it (or print it)
on the bottom lines. When finished he is told to tear off the sheet
from the pad and to turn the pad face down. He is then told to fold the
sheet exactly in half, and then in half again and again in half. (PLEASE NOTE:
Do not tell the sitter to fold the sheet once, a second time and a third time.
If you do He will remember that the paper was folded .three times, whereas if he
is told to fold the paper in half, and again in half and again in half, he will
remember that the paper was folded several times! perhaps three four or five
times! which deepens the my tery).
After the sitter folds the paper three times, it will
resemble Fig. 2. Tell the sitter that the folded paper is
no longer needed, take it and tear it up in the usual
classic center-tear method, secretly retaining the
quarter section marked X. You will now have in your
HIGH DOMAIN AN AL MANN EXCLUSIVE
Q
1. A long, thiTl-lf"
nTRtE-
tree. ConfidenceI?f"ADI NGJ
, pride, enthusiasm, ambition. 2. Short round tree that droops down at the top of the trunk:Non-aggressive, moody, does not like making decisions.
3. A wide base tree with indications of bunches of branches and leaves:
Has imagination and adjusts easily. Good company. A triffle conceited
4. Definite outlining of branches ending in little clumps of leaves.
Self-sufficient with good ,manners. Secretive, conceals thoughts.
A good diplomat.
A tree composed of circles that get smaller and smaller:
Strong-willed and sometimes stubborn. Seldom changes an opinion
or a decision. Too wrapped up in own self. Does not listen.
A tree impatiently drawn and composed of heavy straight lines
and squiggles: Lively and unconventional. Likes to make changes
and act on the spur of the moment.
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7.
A bleak winter time tree with strong straight long trunk andrigid bare branches: Defensive and impatient, but also
clever with many interests - particularly gambling.
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8. Impressionistic tree: Playful, impulsive nature, but not veryr~ considerate of others.
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9• A squat down tree that looks pushed down from teh top:
You feel that life is all pressure and no play, and are resigned
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to your lack of freedom.10. A perfectly round tree with a short trunk:
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Calm, reliable, mature. Makes a good marriage partner.
Realistically drawn. Trunk flares out at the base and shows
leaves: Active. gifted. sociable. Good sense of humor.
Talkative. might chatter too much •
Type tree. Oak, fir, etc. Shows a person's need.
A palm tree may show a desire to escape to a tropical isle.
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12.POINTS: Telegraph type tree trunk: Shows a very correct person.
but too striaght lace and dogmatic.
HIGH DOMAIN AN AL M NN EXCLUSIVE THE TREE READINGS ont o
TREE BEARING FRUIT: Person is mature and thinks clearly.
FRUIT FALLING TO THE GROUND: Person fe s self acrifycing, or that someth ng has been lost.
TREE HAS OWER: Y are a bad organizer but enjoy li ing and
app ciate beautif 11 things.
LEFT SIDE F TREE I EMP ASIZED: Shows thoughtfulness, caution, and
quietness.
EMPHA IS ON RIGHT SIDE OF TREE: Self-confidence, restlessness,
arro ace.
DRAWIN LE VE ON CROWN OF TREE: You are observing. Unusually enthusiastic, lively.
CONVENTIONALI Y: DRAWING BIRDHOUSES, NESTS, BIRD , LAWN FURNITURE:
re playful, i tty, facetious, a tease.
TR KES: SHORT BROKEN TROCKS: Per on is impatient , nervous and gets
e cited easily.
LON AND AV TROKES: An imaginative person, skillful and lots of fun.
PRE SURE: HEAVY BL CK INES: Tense, nervous or mad at the world and
would like to ju t go away.
FAINT LI ES: Indici io , with r wa from pres u es of life or 0 erworked and tire . ear of fai reo
AMPLES: The followi g three examples are actual writings made during
act al eading
Fig. 3 hows he andwriting of a girl of 11 ears. lease n te t at the
tr e 1 ans the rig t as her writing. She i a friendly well adjus -ted child from a hig income family.
Her writing climbs uphil to
s ow optimism and expectations.
OTE: that the tre trunk is strong t he a e and also tall. Thi
indi-cates a s rong family background nd aspiratio s that r ac he s y. The to of the tree i a combinati of 3 and 1 on the tree chart, which indicate almost the same thing, ima i-nation an ociability. Her ignature shows modesty BUT e ell nt d velopem nt which
hould lead to great hing ah a •
Fi • 4 is t 3 ye rs of gee He lean t the lef • Sh writing of a ady tre nd h r letters will be the boss
i her family nd good at usiness.
Her writing is moderni tic and on-.
onforming as the bottom 100 s of the
'G's' turn back. The-tree trunk is
thick an solid and s o t which m n
she is 1 adjusted, kn ws w at e ants and is s re of herself.
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HIGH DaM IN AN L ANN EXCLUSIVE
THE TREE READINGS cont •
NOTE: Her tr cks are thick and heavy, a combination of 6 on the tree chart and HEAVY BLACK LINES. It shows again that she is unconvention 1 but lively. She was divorced with plans to marry again so he bit t n
The bird in the circle I drew the circle) nd on h gro nd again shows her to be strong willed, down to arth, uncon en iona an playf 11.
She also drew a line under the tree in icatin ich shows that he is a practical perso and good at bu ine S.
Fig. 5 is a copy f the ri ing r
of a middle-age well adjusted and financi lly secured lady. This is a remarkable example.
She is very optimistic as her wr"ting climbs uphill at an acute angle. The top loops of her letters climb very high ' into the sky! I And so does the letters On
her signature which are even higher in an xaggerated way!
All this shows that she ha very high goals, spiritually and
artis-tically. She loves the spiritual and fine things in life. She is
Fig. 5
emot·onal and a good mother a d dev ted wife. h dwells ly on spirit al p inciples an the finer thing and res little about he pra tical earthly problems ( he lets her husband take care of that).
The formati n of the tree is rno t amazi • The trunk is nly a thin pen i l line. The tree can be liken to a gas balloon on a string hovering in the sky. It ag in shows her concern with the spiritua things, relegion and the arts. The tree trunk is a traigh line el ling you h t she is a very carr ct per on. The tree top has the mph sis n the right ide showing elf-confidence. He impre si e sign ture i t the bea tif 1 florishes and tall letter show t at s e thinks hig ly of herself to the poi t of arr gance.
I am sure that an academic psycho-ana yst- ra hologist auld tell the ladies a great deal more, however we as 1entalist must eep one thing in mind - - - It is your uncanny arcane gift of r a ing the tho ghl that will
thrill, wand baffle yo r sitters and the t ri I wi I be Ion emembe e while th rest of the go b e- e-gook i the rea i g i l l be forgot e •
My sitters were 0 st rtled by the ex erieuce of avin their minds read that they i mediately forgot he r st of th re di g d we t out to broadcast the appy tidings. Such i the ower f the thought reader!
T e Mentalist also ha the x ertise of answering t e sitter's ques-tions concerning the mystic arts and demonstratin them. Mesmerism, hypnotism, the pendulum, and --- psychic hea ing - voodoo - exorcism
--AL MANN
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(201
)
431-2429
POST OFFICE BOX 144 • FREEHOLD, NEW JERSEY 07728
CISM
HOW TO REMOVE THO E
NEGATIVE IBS FROM THE SITTER!
by PRINCE THEBB
The ritual that follows is an elaboration on a ro tine given to the author by Prince
hebb. It can e carried to dramatic
heights simply by dressing up the atmosphere.
So get some incense burning, a black and whi te candle, place the Holy Bible on the table
and a prayer shoal around the shoulders of the sitter and draw a Magic circle
on the floor and you are ready to perform the ritual of EXORCISM!
PATTER: " I have th ability of seeing things that average mortals cannot. As I look at you I see a be tiful aura a oun yo • I see a beautifull
blueish lights radiating from you all around. This tells me that you are in normal go d health. I also see another ring f light, pinkish in color and bright red in some spots. That tells me that you are an exciting person who
loves life and activi ty. BUT over your right shoulder I see a break i the ring of light. This has a yellowish tint to it. This tells me that you have the roots of a very negative force. This does not effect you at the mo-ment, but it may be damagicng to you years from now. So I am going to re-mo e this negative force for your benefit."
Take the si tter right arm in your left hand and ex tow rds you, parallel to the floor. Place your left thumb and the fingers below. Now make some passes with your rig shoulder down to the sitters finger tips.
end it out straight ver his wrist t hand from th
"I am going to remove lhese bad vibs from you through your finger tip • You w'll feel a sen ation when I do, but I must make some magnetic passes."
Aft r e eral pas s h ve een made from the houlder down to the finger tip, both abo e th arm and below, Tell the sitter to open ut his wrist as
you make a drawing moti with th right hand. T. i er will get a ensation through his finger tips as y u do.
THE SECRET: What you have done is to ap ly r sur t in on th itter's right wrist with your thumb as you held the hand. This stopped the
blood from going to the hand. After the pressure is released, the bl od rushe into the sitter's hand causing a definite sensa ionl
Try i t! Even if th sitter knows what is appening, he or she will
get a thrill out f it and will talk abou it 1 ler.
A similar test an be ade by applying pr sur to h sides of the neck as you re t your two hands on the itt r's wi 1 cause a sleeping sensation. BUT d not prolong the tes may faint.
veins on both houlder. This as the sitter
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201
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431-2429
POST OFFICE BOX 1.... • FREEHOLD, NEW JERSEY 07728An elaboration on an idea given to the author by
New Jersey Mentalist Shu e DIVoil.
TH EFFECT: INCREDIBLE! The sitter is given a large index card siz
6 by 9 inches. While the Psychic i far away from him/her, the sitter wri e
a full length question, a design, (any design, a house, boatJ tree, triangle,
etc.), Ius a word and a number. the whole card is covered with writing!
The sitter then folds the ard twice into quarters and secur~ it wi h
a large bulldog eli . The Psychic then approaches and divines everything
written on the fa ded card, T E DOC CLIP IS NEVER REMOVED AND THE CARD IS
N VER 0 ENED!
ME HOD: You mu t prepare and PRE-FOLD the
6 by 9 inc index ard ahead of time. The
card need not ha e lines on it as shown
in Fig. 6. The four quarters of the card
are designated: 1. Design. 2. Question.
3. number and 4. word.
Next turn the card so that the
wri ting i upside down as shown in Fig. 7
an fold th card from left to right BUT
be s re to f ld it as shown OUT OF LINE
so that the upper right corners of the
card are off set by at least 1/2 inch as
in Fig. 8. This is vi tal!
ext, fold the card from bottom to top A D
AG I FOLD THE CARD SHORT AT THE UPPER LEFT CORNER
by 1/4 inch as shown in Fig. 9
Next, take a large 3 inch long bull-dog clip
and place it on the folded card and make sure th~
clip is all the way down as shown in Fig. 10. THEN TURN THE CARD AND CLIP OVER AND ON THE OTHER
SIDE DRAW A LINE U DER THE BOTTO E GE OF THE CLIP
as s own in Fig. 11 and write the word signal re
under it. t ig. 6
-Fi • 7 til inet ig. 10 ig. 11 L..a. - -1/4 tnch short fold~
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Fig. 910
HIGH DOMAIN AN AL MANN EXCLU IVE
THE SHUTTERED TRELLIS cant.
NOTE: The line for he signature must be on the other side of #3 quart r of
th card. THIS IS VITAL FOR THE SUCCES OF THE EFFECT AND THE SIGNA URE will
be upside down in comparison with the number on the other ide of the card.
NOTE: T e ash line in Fig. 6 show the off-center and out-of-line
creases after he card is folded.
THE PRESENTATION: (An entire act can be done with this ne effect).
emove the b Il-dog clip f am the folded card and have the sitter sign
his/her name ver the signature line. Then open out the card and show the sitter where to jot down the information. FORCE A WORD with your favorite book-test method and tell the sitter not to tell you the word but to remember it as
you say, tI lease write the word here (pointing t e the section arked 'word.') but wait till I am far away from you because I do not want to see w at you write. After the sitter writes the word, instruct him/her to think of a
number from one to twenty and to secretly wri te it in the number section.
Ne t the sitter is to think of a desig , house, tree, bird, etc. and
draw it in its proper place and lastly he/she is to think of an important
question and write it on the 'question' lines.
Then the sitter is to refold the card and secure it with the dog c ip.
Fig. 12 shows the way the card look after
After the sitter places the dog- lip
on the folded card, th card ill look like in Figs. 10 and 11. Th dog-clip ill be
co-v ring most of the signature! In the eyes
and mind of the sitter the card will remain
folded and sec red with the clip. The sitter will be given the card to keep and it will still be in the folded conditio after the
revelations 1
App oach the itter and say, "1 have
as d you to write down your th ug ts be ause
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Fig. 12 I
you are a v ry special per on and I wish t try a very s 'ecial test with you.
It is utterly impossible for anyone to read what you have written because the
card is folded 4-ways and secured with the clip. I am going to try to tell
you what you have written by reading your thoughts! Of course I am not at all sure that I will succeed, So we will start by trying first the number, then the word and la ter the ques tion and the des:V",n."
Do not touch th folded card yet. First reveal the uumber with hate er me ns you use to do t at. A swami gimmick is good here. Ask the sitter to c
on-centrate on the number. Pretend to write something down and then ask the sitter what the number was as you say, "I am not sure I got it. i-lhat was i t?"
Next re eal the word, dramatically. "It is good to proceed in steps."
You say. "1 couldn' t help notici.lg tha t you h v a very interesting handwri ting. I saw this w en you signed yo r name." Now take
the clipped folded card from the sitter as you say that you are going to
analyse er handwri t "ng! using her signature only! BUT her signature is cov red by the dog-clip, so you must move it aside a bit. DO NOT REMOVE IT FRON THE FOLDED CARD JUST MOVE IT ASIDE, so that the signature is exposed and proceed to study her signature.
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HIGH DOMAIN AN AL MANN EXCLU lVE
THE SHUTTERED TRLLIS cont •••
ome amazing things have happened when you
mov d the clip aside. First the sitter's signature
is xposed BUT the card appears to be still well
secured by the dog-clip, Fig. 13.
BUT unknown to the sitter, the back fold of
the card was automatically released as is show in
Fig. 14! This side is of course kept from the sitter's view.
Keep the card flat on the table with the sig -nature showing and make a short study of it. Give the
Fig. 13 sitter a g od short reading and at the same time look for special
like flourishes, hooks or high flying dots, etc. Make a big to-do
of this. Say that the last letter shows a tiny hook.
"You are an amazing per on. You hold on to thi gs. When
you start omething you stick with it. Take a look
at this tiny hook."
Here y u pick up the card so that the signatur
is facing the sitter, give her/him a magnifying
glass and point to the hook or knot.
While the sitter is looking at her signature
you have ample time to stick your thumb into the
loose last fold of the card and now you can asily
read her question and see th design!
When finished mov the clip back into place
Fig. 14
and reveal the question and then the design by drawing it on a slate, etc.
Then you can remove the clip and hand the folded card to the sitter to
keep. "Your thoughts are secured, except with me!" you say.
The success of the technique depends totally on the irregular fold of
the card. Figs. 15 and 16 show a better view of the folds.
Fig. 15
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--=-- - -f. r/t/fl J Fig. 16-
-The 'Peek' tech
-nique is shown
exagger-ated in Fig. 17
