Glenn Gould Theodor Adorno Edward W. Said Music and Society
Music Cultural Pedagogy in the ‘Network Society’
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Edward Blyth and the Asiatic Society
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Bourdieu and Adorno on the Transformation of Culture in Modern Society: Towards a Critical Theory of Cultural Production
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Ethics in the Music Business and its Impact on Popular Music, Society and Culture
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Transport and society
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Self mastery and universal history : Horkheimer and Adorno on the conditions of a society 'in control of itself'
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Technology, society, and visioning the future of music festivals
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said-edward--orientalism (2) best scan rev ed. (1)
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Conceptions of the west in international relations thought : from Oswald Spengler to Edward Said
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‘I, me, mine?’: an initial consideration of (popular music record) collecting aesthetics, identities & practices
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The Past, Present and Future of Music in Education: a transdisciplinary framework designed to promote re-engagement and reform in music education for teachers, students and the community
418
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Edward Said and Michel Foucault: Representation of the Notion of Discourse in Colonial Discourse Theory
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Adorno is a punk rocker - negation and 80s alternative rock music
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Music in e. m. forster's a room with a view and howards end: The conflicting presentation of nineteenth-century aesthetics
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Community music: history and current practice, its constructions of ‘community’, digital turns and future soundings
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Beginnings: Edward W Said and questions of nationalism
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Book Reviews: Towards a Theory of Musical Reproduction by Theodor W. Adorno, Henri Lonitz, WielandHoban; Philosophy of New Music by Theodor W. Adorno, Robert Hullot-Hentor; Letters to his Parents by Theodor W. Adorno, Christoph Gödde, Wieland Hoban, Henri Lonitz
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Analysis, Philosophy and the Challenge of Critical Theory: Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style
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Edward Said on Intellectuals’ Identity and Ideology of Difference
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