Museums, Digital Heritage
Strokes of serendipity: community co curation and engagement with digital heritage
... community–led digital engagement with heritage holds for stimulating active citizenship through taking responsibility for shared cultural heritage and for fostering long-lasting relationships between ...
28
China museum’s digital heritage profile: an evaluation of digital technology adoption in cultural heritage institutions
... the museums we visited, some of which, while not having quality computer graphics, were adequate to induce a sense of presence and believability within the ...Chinese museums, such experiences are perhaps ...
22
Digital pathways in community museums
... their museums, stimulate participation in the creation of digital heritage and enhance a visit to the museum (Cassidy et ...the Museums and Community: Concepts, Experiences, and Sustainability ...
14
From loss of objects to recovery of meanings: online museums and indigenous cultural heritage
... some museums is now reconciliation with Indigenous peoples which, ultimately, should result in the return of the cultural objects to the originators of these objects (Kelly and ...
14
Industry 4 0: Is It the Time for Interaction Design Craftsmanship?
... Abstract: The technological innovation of Industry4.0 opens up new possibilities for bespoke and unique designs all rooted in the same technology and supported by the same services. Taken together, Cyber-Physical ...
12
Exploring the link between managing cultural heritage and tourism industry competitiveness: a two country comparison
... Clusters or individual museums need to become involved in tourism mar- keting activities. For example, managers might collaborate with local go- vernment, providing recommendations to enhance place offers; ...
18
Digital Cultural Heritage – Challenging Museums, Archives and Users
... the museums and archives provide a multitude of ...of digital cultural heritage is to aid the storage of artifacts and to save them for the ...Thus digital collections may remain as unused and ...
19
Procedural Modeling for Digital Cultural Heritage
... cultural heritage: "Noticeable gaps are represented by the fact that the models are not "transparent" in respect to the initial information (what were the initial data?) and by the use of peremptory ...
8
Pubs, police stations and post offices: bowling a local community over with a cricket heritage project
... As regards this specific project, on the heritage of cricket in West Yorkshire, we should first of all introduce the work of the Heritage Lottery Fund (HLF). Since 1994 the HLF has awarded over £4 billion ...
5
The Identity of Objects: Form & Nature in Digital Museums
... Abstract: Reconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to ...
11
Albanian Cultural Heritage in Digital Area
... Currently, at the time when “There is nothing permanent except change” [1], the Albanian librarian community is living in an era where the explosion of technological revolution has broken the “physical boundaries’ ...
10
Adoption and use of emerging cultural technologies in China's museums
... We identified four factors which can negatively affect the use of digital exhibits, one of which relates to the popularity of the museum. Despite the quality of an interactive 3D system, the Lacquer Ware gallery ...
20
Developing digital media for museum exhibitions : environment, collaboration and delivery : a thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies at Massey University, Manawatu, New Zealand
... For example, a curator could update the label with the latest research, or as in the case of one exhibit at New Walk Museum and Art Gallery, younger visitors were invited to ‘Be a Dinosaur Curator for a day, where the ...
139
The material role of digital media in connecting with, within, and beyond museums
... In terms of practical implications, the content and physical presence of the comment kiosks clearly acted as engagers in the museum. However, due to visitor interpretations of the role of the kiosks, the resulting ...
30
Indigenous and Transnational Values in Oceania: Heritage Reappropriation, From Museums to the World Wide Web
... protecting heritage and recognising its cultural ...the digital disappropriation of any peoples’ knowledge and images for the commercial benefit of a happy ...
12
Supporting Cultural Heritage Professionals Adopting and Shaping Interactive Technologies in Museums
... There are four full-time CHPs employed at the museum. The rest of the staff are volunteers. Some volunteers take the roles of docents, while others are interns. The docents are long-term volunteers of the museum who ...
13
Creating Exhibits for Small History Museums on a Limited Budget
... why museums should be more accessible and use technology as an accessibility ...Many museums have reached out to and embraced audiences with disabilities but most of the programs I researched are offered ...
59
Through the Loupe : Visitor engagement with a primarily text-based handheld AR application
... Cultural Heritage sites, [5], [6], [7] and were cumbersome and bulky, the recent, mass adoption of mobile, personal, multimedia-capable devices led to a whole new generation of mobile AR applications for ...
8
The cultural construction of history in museums and heritage attractions
... representation of all the trawlers that had been lost at sea. I don't think it was a controversial decision, some people are unquestionably moved when they go into the space where we look at that story but 1 think that ...
233
Diaspora, authenticity and the imagined past
... The intimate relationships between ancestral tourists and the ‘home’ destination can muddy conventional distinctions between ‘objective’ and ‘existential’ modes of authentication. Wang, (1999: 351) conceives of ...
37