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Women and Contemporary Indian Cinema

Contemporary Indian Cinema Common Man’s Cultural Heritage

Contemporary Indian Cinema Common Man’s Cultural Heritage

... Indian cinema is becoming increasingly popular in various countries around the ...man. Indian theatre ranges from multi-religion and open society to a common ...society Cinema plays an ...

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STEREOTYPING WOMEN IN INDIAN CINEMA

STEREOTYPING WOMEN IN INDIAN CINEMA

... Realistic cinema is different from popular cinema in the way that it takes inspiration for its subjects from real life situations and existing circumstances in the ...popular cinema, its approach and ...

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Representations of Indian folk dance forms in the song and dance sequences of contemporary Bollywood cinema

Representations of Indian folk dance forms in the song and dance sequences of contemporary Bollywood cinema

... The mise en scène of the “Lodi” song and dance sequence focuses on four main elements—the bonfire and the two leading couples (Sumer-Saraswati and Veer- Zaara) in the foreground, the folk dancers in the middle, and the ...

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Contemporary Chinese independent cinema: urban spaces, mobility, memory

Contemporary Chinese independent cinema: urban spaces, mobility, memory

... In contemporary China, there is a growing tendency for young villagers to indulge in a destructive type of individualism that is linked to a consumptive drive (Yan, 2003: ...

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Urban Encounters: Stasis, Movement, Editing and Memory in Contemporary Cinema

Urban Encounters: Stasis, Movement, Editing and Memory in Contemporary Cinema

... suggests, cinema brings together the real city–that is, the physical space in which the films were shot, the indexical city and the internal city, and promotes its own spatiality for the communication of ...the ...

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Contemporary French Queer Cinema: Explicit Sex and the Politics of Normalization

Contemporary French Queer Cinema: Explicit Sex and the Politics of Normalization

... hybrid cinema of François Ozon exemplifies “the paradox of contemporary auteurism and reveals that the boundary between auteur cinema and its so-called mainstream counterpart is more porous than one ...

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'Slow Cinema':  Temporality and Style in Contemporary Art and Experimental Film

'Slow Cinema': Temporality and Style in Contemporary Art and Experimental Film

... modern cinema, Warhol and Akerman, adopt an overtly literal approach to temporal realism that deliberately exhausts the 'iterative' representation of the everyday in ...

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Locating contemporary South Korean cinema: between the universal and the particular

Locating contemporary South Korean cinema: between the universal and the particular

... of contemporary Korean cinema for the functioning of ...how contemporary Korean films serve a primarily ideological function might, thus, inspire all other films in which the Real is made much ...

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Screening the church: A study of clergy representation in contemporary Afrikaans cinema

Screening the church: A study of clergy representation in contemporary Afrikaans cinema

... American cinema, South African cinema has a long film history in which religion and the image serve narratives of spiritual salvation as well as ...more contemporary religious dramas in Afrikaans ...

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A didactic unit about women and cinema

A didactic unit about women and cinema

... Homework After thinking about the debate’s questions, students have to analyse a chosen sequence of the film according to the teacher’s explanation, and showing how women ar[r] ...

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Female stardom in contemporary Romanian New Wave cinema: unglamour?

Female stardom in contemporary Romanian New Wave cinema: unglamour?

... mainstream/dominant cinema and the tradition described by Jackie Stacey as “[t]he ‘visual pleasure’ offered by the glamour and sexual appeal of Hollywood stars” ...Wave cinema–similarly to 1970s-1980s New ...

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Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema

Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema

... and proximate to the actors. However, with film productions the emphasis on coverage is even higher, 452 thereby avoiding some of the editing dilemmas of documentaries such as breaks in spatial continuity and screen ...

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Making Sense of Everyday Spaces: A Tendency in Contemporary British Cinema

Making Sense of Everyday Spaces: A Tendency in Contemporary British Cinema

... thing that separates Red Road from Donkeys is authorship – manifested in both writing and direction – since both had identical rules governing character, cast, budget and location. Although Donkeys did not rigidly stick ...

281

Postcolonial Popcorn: Contemporary Maghrebi-French Cinema and its Audiences

Postcolonial Popcorn: Contemporary Maghrebi-French Cinema and its Audiences

... The underlying current of The New York Sun’s review of Days of Glory (2006) is one of suspicion: a suspicion rooted in orientalist assumptions that “Muslims... are incapable of telling the truth...” (Said, 1978: 318). ...

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Love Sex Aur Dhoka : a new morphology of contemporary Bombay cinema

Love Sex Aur Dhoka : a new morphology of contemporary Bombay cinema

... new cinema that emerged in congruence with the processes of economic liberalization is characterised by a stunning multiplicity of genres and styles, departing from the homogeneity enforced by the idioms of the ...

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Vedanta School of Indian Philosophy in Contemporary Indian Education: An overview

Vedanta School of Indian Philosophy in Contemporary Indian Education: An overview

... on Indian society in a big ...challenge Indian society ever faced came from Western culture in the eighteenth and nineteenth ...to Indian society: ...

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INDIAN MYTHOLOGICAL LEADERSHIP  A CONTEMPORARY VIEW

INDIAN MYTHOLOGICAL LEADERSHIP A CONTEMPORARY VIEW

... If we turn around thousands of years back we will find that some true leadership qualities were being followed by our Indian Kings which have its healthy existence in today’s business world. Here the relevance of ...

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Agnee (The Fire): Portrayal of Women in Bangladeshi Cinema

Agnee (The Fire): Portrayal of Women in Bangladeshi Cinema

... A Bangladeshi woman is shy, cultured and secretive. All of these features were properly displayed in the cinema. The secret was tried by Shishir. Some loop holes were found in that move. In Bangla cinema, ...

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Choosing Death: Working Class Coming of Age in Contemporary British Cinema

Choosing Death: Working Class Coming of Age in Contemporary British Cinema

... A Maturing Process of Engagement Raising Data Capabilities in UK Higher Education doi 10 2218/ijdc v8i2 282 A Maturing Process of Engagement 181 The International Journal of Digital Curation Volume 8,[.] ...

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(Dis)locations, relocations: representations of Northern France in contemporary French cinema

(Dis)locations, relocations: representations of Northern France in contemporary French cinema

... real, in the form of locations and local populations, disrupts the generic use of the Northern setting as shorthand for an economic and social decline. Masson’s To Have it (or not) (En avoir (ou pas) (1995) begins with a ...

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