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[PDF] Top 20 Future practitioners of project management: are we disciples of Stanley Kubrick or Ridley Scott?

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Future practitioners of project management: are we disciples of Stanley Kubrick or Ridley Scott?

Future practitioners of project management: are we disciples of Stanley Kubrick or Ridley Scott?

... a project to cross the Atlantic and to forge a new route to the East Indies (Carroll, ...key project objectives. The outcome of that one project changed the pattern of trade routes across the world ... See full document

14

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

... Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott? Abstract To peer into the future, we ... See full document

8

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

... the future, we need to explore the tracks we have left behind as well as the prism through which we envisage what is yet to ...of project management, the forces that have defined ... See full document

41

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

... the future, we need to explore the tracks we have left behind as well as the prism through which we envisage what is yet to ...of project management, the forces that have defined ... See full document

5

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

Future practitioners of project management – are we disciples of Stanley Kubrick or Ridley Scott?

... 6. Project management as a future profession The rights of project managers to regard themselves as part of a profession have been explored by numerous authors (Barber, 2001, ...2000). ... See full document

8

Stanley Kubrick: A Retrospective

Stanley Kubrick: A Retrospective

... even Kubrick faced in getting projects off the ground, Ulivieri develops a dialogue between the unmade and realised films, noting Kubrick’s tendency in the unmade ones to address the topics that preoccupied him ... See full document

8

STANLEY KUBRICK PHOTOGRAPHS

STANLEY KUBRICK PHOTOGRAPHS

... know Stanley Kubrick as a filmmaking legend, his early career as a photojournalist for Look magazine is a ...the future director of 2001: A Space Odyssey, The Shining, and A Clockwork Orange was just ... See full document

22

The Encyclopedia of Stanley Kubrick

The Encyclopedia of Stanley Kubrick

... he won the Academy Award for cinematography, as well as the award for outstanding cinematography from the National Society of Film Critics. Alcott strove to create the feeling of natural light through- out, although he ... See full document

449

Stanley Kubrick -- Auteur

Stanley Kubrick -- Auteur

... and we see again and again his predilection towards symmetry which suggests impending ...apparition. Kubrick also plays with angles, framing and points of view to increase the dramatic tension when Wendy ... See full document

6

Stanley Kubrick and the American Myth

Stanley Kubrick and the American Myth

... situation. Kubrick has often been charged with approaching his characters too ...argue Kubrick is a great humanist; someone for who war was never ...for Kubrick, an emotional hierarchy would ... See full document

55

Stanley Kubrick: Producers and Production Companies

Stanley Kubrick: Producers and Production Companies

... that Kubrick was overseeing the film’s distribution strategy, there is a correlation between the upswing in the film’s box office takings (of over 1300 per cent) and the book’s ...of Kubrick at the centre ... See full document

319

The Stanley Kubrick Archive: A Dossier of New Research

The Stanley Kubrick Archive: A Dossier of New Research

... of Stanley Kubrick (1928-1999) were gifted a unique opportunity for fresh insights into his films and production ...the Kubrick Estate – supervised by his executive producer and brother-in-law, Jan ... See full document

10

2006 09 01 Stanley Kubrick and the Aesthetics of the Grotesque

2006 09 01 Stanley Kubrick and the Aesthetics of the Grotesque

... ex-wrestler Kubrick had known in New York; and Nikki, the sniper who shoots a horse, is Timothy Carey, a Method-trained actor who had previously worked with Elia ...hipster we might encounter in a Jim ... See full document

12

1980 Michel Ciment interviews Stanley Kubrick on 'the Shining'

1980 Michel Ciment interviews Stanley Kubrick on 'the Shining'

... Yes, it did. It was only with the greatest difficulty that Shelley was able to create and sustain for the length of the scene an authentic sense of hysteria. It took her a long time to achieve this and when she did ... See full document

13

The cinematographic tráiler in Cecil B. DeMille and Ridley Scott.

The cinematographic tráiler in Cecil B. DeMille and Ridley Scott.

... aparece Ridley Scott actuando a modo de an- fitrión aleccionando al público, sencillamente dicha forma breve audiovisual muestra una combinación de imágenes procedentes de la película, voces «over» de los ... See full document

15

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

... Mizruchi also observes Lolita’s “attention to American anti-Semitism.”  Humbert is often mistaken for being Jewish. Before marrying him, Charlotte first wants to find out precisely how “foreign” Humbert is: “Looking down ... See full document

17

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

... Mizruchi also observes Lolita’s “attention to American anti-Semitism.”  Humbert is often mistaken for being Jewish. Before marrying him, Charlotte first wants to find out precisely how “foreign” Humbert is: “Looking down ... See full document

16

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

A Jewish American Monster: Stanley Kubrick, Anti-Semitism and Lolita (1962)

... Mizruchi also observes Lolita’s “attention to American anti-Semitism.”  Humbert is often mistaken for being Jewish. Before marrying him, Charlotte first wants to find out precisely how “foreign” Humbert is: “Looking down ... See full document

16

'The post Kubrickian' : Stanley Kubrick, Steven Spielberg and A.I. Artificial Intelligence

'The post Kubrickian' : Stanley Kubrick, Steven Spielberg and A.I. Artificial Intelligence

... the Kubrick Archive which include (among others) the 19 th century realist painter Adolph Menzel, the French landscape artist Camille Corot and the Russian realist painter Nikolai ... See full document

23

VIEWING NOVELS, READING FILMS: STANLEY KUBRICK AND THE ART OF ADAPTATION AS INTERPRETATION

VIEWING NOVELS, READING FILMS: STANLEY KUBRICK AND THE ART OF ADAPTATION AS INTERPRETATION

... that the reader often forgets that he is listening to the thoughts of a pedophile and a murderer, but as Humbert states, “You can always count on a murderer for a fancy prose style” (9). Throughout the novel there is a ... See full document

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