Top PDF Report from Sculpture Workshop

As the work progressed the process of filling rubbish bins with water and replicating an artificial emblem (lotus flower) on the surface of the water started a process of evaluation c[r]

the form in clay, taking a mold in plaster from that, then. painting wax into the mold[r]

The elements of the work are analogies of human experience. The physical body is the vessel of life. Perspectives of individual consciousness change with time; through participation i[r]

I was lucky enough to get hold of a large amount of pipe (4' Dia. x ) for nothing, which enabled me to use the material freely. The ideal situation for someone working with steel is to[r]

i-:y first works this year involved making lively sketches in clay then applying the plaster and sand mix (ludo) to form a mould.. The clay was carefully removed (sand and plaster is q[r]

Tvjo Qii Too.[r]

Wendy Teakel and I will have an exhibition of our work at the Arts Council Gallery, Oorman House, Canberra in June 1986. We have also an exhibition of our work at the Gryphon Gallery [r]

The lower part of a small statuette in limestone(?), S 2550, shows a draped figure (probably male, since the mantle reaches only down to the ankles) flanked by a small animal with lon[r]

From my criteria which included: gender ambiguity; images which I felt referenced film and media but did not mimic them; and those that contained a hint of aggression and were also co[r]

Beside this, of course, is that I am working with the basic elements of earth (clay), fire and water. With a simple firing, I could transform the pots into something unique and wonder[r]

ABSTRACTION IN WOODWORK: research into steam bent timber. The work explores techniques, pattern and sculptural installation with wood. A study taking the form of an exhibition of steam [r]

Where 'digital' is a dirty word, Australian Creative, Yaffa Publishing Groups Pty, Ltd, Australia, winter 1999, p32-33. Weh-Vertising, Australian Creative, Yaffa Publishing Groups Pty[r]

First, it was a two plate colour etching, but I wanted to have another focus in my image, so I added the small blue and red plates later.. I used a light spitbite plate for green, [r]

I researched Aboriginal rock art f o r m the Western Arnhem Land Plateau, specifically mimi art and 1 have viewed many ethnographic and commercial films from the National Library fi[r]

The intent for my work is to talk more about the culture's relationship with the land rather than my personal reasons for being at that place at that time.. The referances to a power l[r]

The focus of my research paper will first be on the design work of Charlotte Perriand and Eileen Gray and their contribution to the development of modernist design in furniture. The ov[r]

In many European countries smaller and regional bank lenders provide a higher share of SME lending than their larger peers. However, as many of these institutions now are deleveraging faster than their larger peers, their customers have struggled to find credit. In addition to these changes, rapid restructuring of entire banking sectors has left fewer players in the market, so in some member states the ability of SMEs to acquire financing became weaker. In order to meet the capital requirements and heal their balance sheets, some banks have introduced pricing caps and will not serve customers whose risk pricing falls outside those caps. Taking into account the fact that 85% of loans for businesses still come from banks, there is an urgent need to find a balance between a sustainable financial sector and meeting the financial requirements of businesses.

The colours available from anodizing aluminium is also an important consideration in regard to the esthetics and the wearability of the piece; the colour makes the pieces more accessib[r]

a) I have silk-screened an image of the fox on lengths of tea-dyed silk organza using a de-gumming technique to create a subtle image in variations of white. This I over-printed in n[r]

It has been my past and present approach to be concerned with abstract concepts. Tension, creation of shadows, and form with its relationship to space, both positive and negative, are m[r]