Catalogue of all Fabric Designs with Processes Exhibited for PhD
6.6 Digitally Simulated Hand Craft Techniques using Ink Jet Technology
2005 Silk
Crepe de Chine
Simulated Craft
• Develop a hand crafted textile patchwork design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Silk Crepe de Chine with reactive dyes. • Post-treat to standard guidelines for reactive
dyes on Silk.
2005 Cotton
Jersey
Simulated Craft
• Develop a hand crafted textile patchwork design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Cotton Jersey with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Plain
Cotton
Simulated Craft– Colour-way
• Develop a hand crafted textile patchwork design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Re-colour to produce a new colour-way.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Plain Cotton with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Plain Cotton
Simulated Craft
• Develop a hand crafted textile patchwork design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Plain Cotton with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Silk
Crepe de Chine
Simulated Craft– Colour-way
• Develop a hand crafted textile patchwork design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Re-colour to produce a new colour-way.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Silk Crepe de Chine with reactive dyes. • Post-treat to standard guidelines for reactive
dyes on Silk.
2005 Cotton
Satin
Simulated Craft
• Develop a hand crafted textile embroidered design.
• Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Extract an area of the embroidered design and
paste this onto and plain coloured background. • Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Cotton Satin with reactive dyes.
Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Cotton Satin
Simulated Craft
• Develop a hand crafted textile embroidered design.
• Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Extract an area of the embroidered design and
paste this onto and plain coloured background. • Place the design in repeat to develop a new true
colour design.
• Re-colour to produce a new colour-way.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Cotton Satin with reactive dyes.
Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Plain
Cotton
Simulated Craft
• Develop a hand crafted textile pleated design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Plain Cotton with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Cotton
Jersey
Simulated Craft– Colour-way
• Develop a hand crafted textile pleated design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Re-colour to produce a new colour-way.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Cotton Jersey with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Cotton.
2005 Silk Crepe de
Chine
Simulated Craft
• Develop a crafted textile embroidered design. • Scan this into Photoshop at minimum 200dpi. • Bring this scan into the textile specialist software. • Place the design in repeat to develop a new true
colour design.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Silk Crepe de Chine with reactive dyes. • Post-treat to standard guidelines for reactive
dyes on Silk.
2010 Silk Twill Simulated Craft
• Develop a range of crafted designs as shown in previous elements in the catalogue.
• Scan these into Photoshop at minimum 200dpi. • Bring these scans into the textile specialist
software.
• Select areas using the mask tools and save these into a clipboard.
• Develop a new true colour design from a range of scanned crafted elements.
• Place the design in repeat.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Silk Twill with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Silk.
2010 Silk
Chiffon
Simulated Craft
• From the clipboard of selected crafted design elements develop a new design.
• Place the design in repeat.
• Colour reduce the repeated design using tones. • Colour match to a colour library the first and last
tones.
• Ink jet print this colour matched file onto pre- treated Silk Chiffon with reactive dyes.
• Post-treat to standard guidelines for reactive dyes on Silk.
References
Bailey, M., Sunley, C. (1994) ‘Index to Textile Auxiliaries’, International Dyer, 14. Bradford: World Textile Publications Ltd, p.120
Cahill, V. (2006) ‘The Evolution and Progression of Digital Printing of Textiles’, in Ujiie, H. (ed.)Digital
Printing of Textiles, Cambridge: Woodhead Publishers, pp.1-15
Dawson, TL. (2003) ‘Ink Jet Printing of Textiles – An Overview of its Development and the Principles Behind Ink Drop Formation and Deposition’ in Dawson, TL., Glover, B. (ed.) Ink jet Printing on
Textiles, SDC Textile Ink Jet Printing - Technical Monograph, Bradford: Society of Dyers and
Colourists, pp. 1-12
Eriken, TM. (2000) Memory on Cloth: Shibori Now. London: Kodansha International. p.54
Fenton, H., Romano, F. (1998a) ‘Binary Continuous’, On Demand Printing -The Revolution in Digital
and Customized Printing, pp.149-150
Fernades, LC. (2009) Digital Textile Design. London: Laurence King Publishing Ltd p.147 Gregory, P. (2003) ‘Ink jet Printing on Textiles’ in Dawson, TL, Glover, B. (ed.) Ink jet Printing on
Textiles, SDC Textile Ink Jet Printing - Technical Monograph, pp.69-97
Grimshaw, J. (2010) ‘Market Developments in Low and High-Volume Digital Printing’, Digital Textile, 1, p.24
Gunner, J. (2006) Shibori for Textile Artists. London: Batsford.
Hees, U., Freche, M., Provost, J., Kluge, M., Weiser, J. (2003) ‘Ink-textile Interactions in Ink Jet Printing – The Role of Pre-treatments’, in Dawson, TL. and Glover, B. (ed.) Ink jet Printing on Textiles,
SDC Textile Ink Jet Printing - Technical Monograph, pp 44-56
http://www.askoxford.com/concise_oed/craft?view=uk (no date) (Accessed: November 2009) http://www.just-style.com/article.aspx?id=97071 (2007) ‘Digital textile Printing on Growth Trajectory’ (Accessed: 17 July 2009)
http://www.ukinvest.gov.uk/Business-&-Consumer-Services/100404/en-GB.html (2010) ‘UK Creative Industries Opportunities’ (Accessed 6 May 2010)
Hue, PL. and Le Technologies Inc. (1998) ‘Progress and Trends in Ink-jet Printing Technology’,
Journal of Imaging Science and Technology - Society for Imaging and Science and Technology.42 (2)
[Online]. Available at: http://www.imaging.org/ist/resources/tutorials/inkjet.cfm (Accessed: 2002) Jones, S. (2010) Conversation with Simon Jones from Dawsons®, 5 August.
Kobayashi, H. (2006a) ‘Mimaki TX2-1600 Textile Path’, in Ujiie, H. (ed.)Digital Printing of Textiles, Cambridge: Woodhead Publishers, pp.107-115
Lawrence, G. (2002) Digital Printing and Traditional Surface Design Techniques. MSc Thesis. North Carolina State University [Online]. Available at:
http://www.worldcat.org/title/digital-printing-and-traditional-surface-design-
techniques/oclc/51088843?title=&detail=&page=frame&linktype=digitalObject&url=http%3A%2F%2Fw ww.lib.ncsu.edu%2Ftheses%2Favailable%2Fetd-11042002-
171805%2Funrestricted%2Fetd.pdf%26checksum%3D5dd1c0edf4bf97ad533ed431e21487f2 (Accessed 15 June 2009)
Loser, E., Tobler, HP. (2006) ‘ICC Color Management for Digital Ink Jet Textile Printing’, in Ujiie, H. (ed.) Digital Printing of Textiles, Cambridge: Woodhead Publishers, pp. 180-198
Mighall, M. (2009) Conversation with Magnus Mighall from RA Smarts®, 8 July. Mighall, M. (2010) Email Magnus Mighall from RA Smarts®, 9 March.
Miles, L. (1994) Textile Printing – 2nd Edition. Bradford: Society of Dyers and Colorists.
Mimaki. (2009) ‘Work Flow Comparisons for Conventional and Digital Printing’ (no date) Available at: http://www.mimaki.co.jp/english/tx/system/ (Accessed 10 August 2009)
Mulla, R. (2009) Conversation with Raf Mulla, Applications Manager from X-rite® 3 July.
Raymond, M. (2006a) ‘Industrial Production Printers – DuPont Artistri™ 2020 Textile Printing System’, in Ujiie, H. (ed.)Digital Printing of Textiles, Cambridge: Woodhead Publishers, pp. 69-83
Ripley, S. (2004)An investigation into chemical resist style printing and its use in the development of
print designs. Unpublished PhD Thesis. University of Huddersfield, p.4.
Storey, J. (1978) The Thames and Hudson Manual of Dyes and Fabrics. London: Thames and Hudson Ltd.
Tait, N. (2008) ‘Digital Printing in Action in Asia’, International Dyer, Great Britain; World Textile Publications Ltd, 193 (5), pp. 22–24
Textile Asia (2009) ‘Dyes for Ink Jet Printing of Textiles’, Textile Asia; Vol.40, p. 29
Thornton, A. (1994) International Dyer’s Index to Textile Auxiliaries. 14th edn. West Yorkshire: World Textile Publications Ltd, p.120.
Wells, K. (1997) Fabric Dying and Printing. London: Conran Octopus Limited, p.125 Willoughby, A. (2008) Textiles Now. London: Laurence King Publishing Ltd. p.206 X-rite ® (2004) The Color Guide and Glossary, pp.15-34
Quotations
http://www.just-style.com/article.aspx?id=97071 (2007) ‘Digital textile Printing on Growth Trajectory’ (Accessed: 17 July 2009)
Bibliography
Brito, K. (2002) Shibori, Creating Color and Texture on Silk. Great Britain: Watson-Guptill Publications.
Borman, K., Dehghani, A., Dennis, K., Jahanshah, F., Wang, J. (2004) International Journal of
Clothing Science and Technology, 16 (1/2),Bingley: Emerald Group Publishing Limited.
Bowles, M., Isaac, C. (2009) Digital Textile Design. London: Laurence King Publishing Ltd.
Burton, R. (2005) ‘Creativity, Method and Process in Digital Fabric Printing: a 21st Century Paintbrush’, Digital Creativity,16 ( 4),Oxon: Routledge, and Taylor and Francis Group.
Carter, R. (2002) Digital Color and Type. Switzerland: RotoVision SA.
Chrisment, A. (2006) Color and Colormetry - Fourth Edition. Datacolor. Paris: Edition 3C.
Colchester, C. (2007) Textiles Today, a Global Survey of Trends and Traditions. London: Thames and Hudson Ltd.
Cole, D. (2008) Textiles Now. London: Laurence King Publishing Ltd.
Dawson, TL.,Glover, B. (2003) Ink jet Printing on Textiles, SDC Textile Ink Jet Printing - Technical
Monograph, Bradford: Society of Dyers and Colourists.
Earley, R. (2007) Ever and Again: Experimental Recycled Textiles. TED (Textiles Environment Design) Exhibition held at The Triangle Gallery, Chelsea College of Art & Design, London October 2007 [Exhibition Catalogue].
Eriken, TM. (2000) ‘Itajime Shibori on Wool’, Memory on Cloth: Shibori Now. London: Kodansha International.
Fenton, HM., Romano, FJ. (1998) On-Demand Printing - Second Edition. Upper Saddle River: Graphic Arts Technical Foundation.
Goddard, N. (1992) The creation and development of printed designs on cotton fabrics incorporating
Grimshaw, J. (2010) ‘Market Developments in Low and High-Volume Digital Printing’, Digital Textile, 1.
Gunner, J. (2006) Shibori for Textile Artists. London: Batsford.
Hodge, Brooke (2006) Skin and Bones: Parallel Practices in Fashion and Architecture . London: Thames and Hudson Ltd.
Kendal, T. (2001) The Fabric and Yarn Dyer’s Handbook. London: Collins and Brown Limited.
McCarty, C.,McQuai, M. (1998) Structure and Surface, Contemporary Japanese Textiles. New York: The Museum of Modern Art.
McNamara, A.,Snelling, P. (1995) Design and Practice for Printed Textiles. Oxford: Oxford University Press.
Mestha, LK. (2009) Control of Color Imaging Systems. London: CRC Press, and Taylor and Francis Group.
Miles, L. (1994) Textile Printing – 2nd Edition. Bradford: Society of Dyers and Colorists.
Quinn, B. (2009) Textile Designers at the Cutting Edge. London: Laurence King Publishing Ltd.
Ripley, S. (2004)An investigation into chemical resist style printing and its use in the development of
print designs. Unpublished PhDThesis. University of Huddersfield.
Storey, J. (1978) The Thames and Hudson Manual of Dyes and Fabrics. London: Thames and Hudson Ltd.
Thornton, A. (1994) International Dyer’s Index to Textile Auxiliaries. 14th edn. West Yorkshire: World Textile Publications Ltd.
Treadaway, C. (2004) Journal of Textile and Apparel, Technology and Management.4 (1), North Carolina State University.
Ujiie, H. (2006) Digital Printing of Textiles.Cambridge: Woodhead Publishing Limited.
Wells, K. (1997) Fabric Dying and Printing. London: Conran Octopus Limited.
Xin, JH. (2006) Total Colour Management in Textiles. Cambridge: Woodhead Publishing.
X-rite(2007) A Guide to Understanding Color Communication. X-rite.
X-rite (no date) Cook Book, Soft-Proofing Settings, Adobe Software. X-rite.
X-rite(2004) The Color Guide and Glossary. X-rite.
Websites www.just-style.com www.inkdropprinting.com www.internationaldyer.com www.melaniebowles.co.uk www.mimaki.co.jp/english www.sdc.org.uk www.techexchange.com www.tedresearch.net