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Examples of the drawing programme All images A4 XS-2 20/1/11 Graphite on Paper

XS-4 24/1/11 Graphite on Paper XS-7 7/5-8/5/11 Graphite on Paper XS-8 20/5-7/6/11 Colour pencil on Paper XS-12 17/8/11

Ideation  

 

During  the  daily  sagasuation  period,  questions,  concepts  and  ideas  that  emerged   were  recorded  briefly  as  textual  notes  and  logged  as  part  of  the  journaling  process.     Emerging  thoughts,  occurring  over  the  period  of  721  days,  were  inevitably  filtered   and  assessed  for  value,  thoughts  deemed  interesting  or  relevant  to  the  learning   process  were  subsequently  recorded.    The  criteria  were  based  upon  initial  cognitive   and  visceral  responses,  filtering  out  routine  domestic  thoughts,  etc.    Preliminary   responses  to  the  thoughts  classified  them  as  themed,  or  not.    

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Psychological  and  neurological  research  (see  dot  L103)  proposed  a  wide  gamut  of   temporal  periods  best  suited  to  sagasuated  insights/understandings.    Correlating   the  recorded  concepts  -­‐  the  data  generated  in  this  period  -­‐  with  the  conceptual   outcomes,  was  intended  to  allow  for  identification  of  catalysts  for  such  thoughts,   and  perhaps  provide  some  evidence  of  temporal  periods  between  input  and  ‘insight’.     Emergent  themes  would  potentially  illustrate  variations  between  

internal/emotional  triggers  and  external  intellectual/theoretical  triggers.    

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These  concepts  are  defined  as  such;    

Emotional  -­‐  Intrinsic  interpretation  and  response  to  psycho-­‐social  events;  embodied,   relational,  psychological  processes  (Lazarus  2006);  “internal  feeling  states,  emotion-­‐ related  physiological,  attentional  processes,  motivational  states”  (Eisenberg  &   Spinrad  2004:338).    Key  factors;  involuntary,  unintended.      

Intellectual/theoretical  -­  Combinations  of  intrinsic  and  extrinsic  knowledge.    Ideas   that  are  classifiable  within  the  epistemological  knowledge  base,  expressed  as   semiotically  communicable  knowledge.  

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Post  drawing  time  

 

Following  the  sagasuation  period,  two  hours  were  allocated  to  researching  and  writing   the  concepts  into  an  academic  format.    Themed  concepts  emerging  from  the  sagasuation   period  were  used  as  catalysts  for  further  and  deepened  enquiries  in  preparation  for  the   writing  of  essays.    For  example,  an  initial  and  ongoing  theme  within  this  thesis  is  that  of   how  the  atomisation  of  knowledge  results  in  mis-­‐knowledge.      

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Being  based  entirely  in  the  interdisciplinary  concept  required  a  broad  and  evolving   review  of  literature.    There  were  no  enclosing  parameters,  resulting  in  research  ‘surfing’   epistemological  fields,  in  ways  similar  to  current  social  internet  habits.    The  journeys   were  tracked  and  recorded  through  the  chronological  filing  of  academic  papers,  and   through  the  recording  of  details  and  summations  of  those  papers  in  an  Endnote  database.     This  research  period  (2009-­‐2012)  was  intended  to  produce  learning  outcomes  

proposed  through  the  method.    

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Emerging  from  the  sagasuated  concepts  and  subsequent  literature  search,  the  writing   allowed  the  expansion  of  the  notions  into  the  more  traditional  academic  realm.    The   process  of  elemental  enunciation  was  intended  to  further  clarify  the  emergent  concepts.     The  practice  of  academic  writing  was  also  an  intended  learning  outcome  for  the  

researcher.  

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Afternoon  art  time:  Variation  from  morning  

 

Afternoon  periods  of  four  hours  were  allocated  to  the  production  of  artworks  for   publication/exhibition.    This  period  was  intended  to  allow  for  extrinsic  motivational   influences  to  be  reviewed  in  comparison  with  the  morning  session.    The  greater  external   influences  were  by  necessity  aural,  chiefly  through  listening  to  music  or  podcasts  of  ABC   Radio  National  programs,  such  as  All  in  the  Mind,  Artworks,  Philosopher’s  Zone,  and  Big   Ideas.    These  programmes  were  regularly  listened  to  prior  to  the  research.  

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The  afternoon  period  applied  various  media,  and  occurred  in  various  locations,  For   example  the  imaging  of  the  Google  Earth  series  of  works  occurred  at  the  desk  used  for   morning  sagasuation  periods,  while  experimentation  with  drips  and  wave  viscosity   occurred  in  the  studio/workshop.    Concepts  emerging  from  these  sessions  were,  where   possible,  recorded  in  the  same  manner  as  the  morning  sessions.  

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The  works  emanating  from  the  afternoon  sessions,  having  emerged  from  the  same   cognitive  space  and  process  as  other  recorded  data,  can  thus  also  be  seen  as  data.    

Within  their  image  remains  traces  of  both  data  collection  process  and  sagasuated  

thoughts  that  may  never  have  translated  effectively  to  textual  semiotics.    As  is  the  nature   of  art  in  an  A/r/tographic  methodology,  these  works  also  contain  within  them  the   analysis  and  publication  of  the  gathered  data,  issues  that  will  be  considered  shortly.  

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Development  of  method  to  include  environmental  data.              

These  research  periods  occurred  throughout  the  candidature  period,  but  were  in  three   distinct  periods.    Initially,  (12/3/09-­‐14/7/10)  the  journal  notes  were  recorded  

anticipating  alignment  with  subsequent  literature  research.    As  the  study  progressed   (30/7/10-­‐23/02/12),  it  became  apparent  that  recording  the  intrinsic  and  extrinsic   environment  in  which  the  data  was  generated  would  assist  in  identifying  patterns.    As   such,  a  simple  questionnaire  (as  a  FileMaker  Pro  database)  was  designed  to  record   potential  influences  occurring  at  the  time  of  concept  awareness.    This  questionnaire  of   Likert  scales  (Likert  1932),  included  queries  of  whether  the  study  environment  was  one   of  production  (for  assessment,  including  publication)  or  playfulness,  and  so  included   data  from  outside  of  this  specifically  constructed  cognitive  space.    While  consideration   was  given  to  the  possibility  of  recording  environmental  influences  at  regular  periods,  it   was  deemed  that  the  environments’  relationship  with  the  ideation  was  the  relevant   factor,  and  further  recording  would  likely  confuse  analysis.  

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Factors  that  potentially  influenced  the  confluence  of  concepts  and  ideas  were  identified   and  recorded  based  upon  these  criteria;  

 

Health:  (1=  poor,  5=  good)  

  Nutrition;  consideration  of  dietary  inputs  over  the  past  three  days.  

  Rest;  consideration  of  effective  sleep  period  and  potential  impact  on  cognition.     Hydration;  consideration  of  influence  upon  cognitions.  

 

Local  environment:  (1=  poor,  5=  good)  

Comfort;  consideration  of  thermal/  humidity  comfort,  or  distracting  physical   irritants,  such  as  insects.    

  The  following  responses  were  recorded  through  ‘radio’  buttons  from  a  pre-­‐ existing  list,  allowing  multiple  selection.  

  External  inputs;  choice  of-­‐  None,  Radio,  Music,  Podcast,  Academic  paper.     Light;  Consideration  of  potential  influences  of  wavelength  and  luminosity.         Choices  –  Sunny,  Cloudy,  Roomlight,  Desklamp.  

  Weather;  choices  –  Bright,  Dull,  Wet,  Windy,  Stormy.    

Inspired?;  instant  value  assessment  of  the  thought  –  yes/no.    

Mental  Production  Stage:  

  Production;  consideration  of  mode  of  production  at  ideation.      

Choices  -­‐  reading,  writing,  art  conceptual,  art  making,  daydreaming,   unrelated  activity.  

  Production  workmode;  consideration  of  concentration  intensity  and  deadline   pressure.    

Choices  –  deadline,  resolved  (process  directed),  content  (goal  directed),   ‘Flow’  (Csikszentmihalyi’s  notion  see  dot  L47),  unrelated  activity.  

  Experimental  workmode;  consideration  of  variety  of  experimentation  methods.         Choices  –  fun  ‘play’  (undirected),  exploring  (directed),  lost  (disoriented).     Concentration  period;    period  of  time  within  uninterrupted  sagasuation  space.         Range;  less  than  15minutes  –  greater  than120  minutes.  

 

Psychological  wellbeing  –  Likert  scale  radio  buttons  –(1,poor  and  5=  good).  

  Psych  general;  subjective  consideration  of  psychological  state  in  preceding  days.   Prior  to  session;  Subjective  consideration  of  psychological  state  immediately  prior   to  session.  

  Psych  @  concept  moment;  Psychological  state  at  moment  of  ideation.     Level  of  conscious  thought  prior  to  session.    

  Level  of  conscious  thought  at  ideation.  

  Progress  satisfaction;  consideration  of  anxiety  level  at  project  advancement.     Initial  Valuation;  Consideration  of  motivation  interest  in  the  idea.  

  Motivation;  Subjective  consideration  of  enthusiasm  for  project.     Conceptual  Stage;  consideration  of  alignment  with  project  schedule.  

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The  data  was  recorded  by  ‘self-­‐report’  observations,  tied  to  the  journal  

note/artwork  link.    This  data  was  intended  to  be  presented  visually  as  a  graph.    The   triangulation  of  these  datasets  enables  interpretation  of  the  events  that  may  have   contributed  to  the  cognitive  responses.    Each  of  the  datasets  remains  available  for   review.  

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