Network  summaries

Step  5.  Network  summaries  

The  user  can  also  request  overall  summaries  of  a  given  network.  This  information  would  be   presented  graphically,  such  as  the  examples  of  Figures  5.19  Visual  representation  of  the   graphical  presentation  of  the  IDAP  Network  Events,  5.20  Visual  representation  of  the   graphical  presentation  of  the  IDAP  Primary  Network  2010–2013,  5.21  Visual  representation   of  the  graphical  presentation  –  IDAP  Network  Primary  Value  Proposition  data  2010–2013,   5.22  Visual  representation  of  the  graphical  presentation  of  the  IDAP  Network  2010–2013   Target  Discipline  areas  data,  and  5.23  Visual  representation  of  the  graphical  presentation  of   the  overall  summary  data  for  IDAP  Primary  Network  2010–2013.  

Above  left:  Figure  5.17.  The  Joy  of  Loss  performance  shot,  courtesy  the  artist  and  QUT  Precincts  (photograph  by  Keith  Novack)   retrieved  from  http://www.ciprecinct.qut.edu.au/archive/2011/loss.jsp.  Above  right:  Figure  5.18.  The  Joy  of  Loss  performance   shot,  courtesy  the  artist  and  QUT  Precincts  (photograph  by  KeithNovack)  retrieved  from  

http://www.ciprecinct.qut.edu.au/archive/2011/loss.jsp.  

Figure  5.20  Visual  representation  of  the  graphical  presentation  of  the  IDAP  Primary  Network   2010–2013  program,  offers  a  summary  overview  of  the  audience  types  (as  defined  by  the   KPIs)  who  were  engaged  through  the  IDAP  Primary  Network  2010–2013.  This  data  indicates   a  balanced  approach  to  the  use  of  partnership  opportunity,  as  it  demonstrates  that  all   audience  types  were  considered  and  catered  for.  Equally,  Figures  5.21  Visual  representation   of  the  graphical  presentation  –  IDAProjects  network  primary  value  proposition  data  2010–

2013,  and  5.22  Visual  representation  of  the  graphical  presentation  of  the  IDAP  Network   2010–2013  Target  Discipline  areas  data,  demonstrate  the  key  value  of  the  partnership  and   engagement  with  the  creative  industries  discipline  areas.  In  consideration  of  the  balance   indicated  in  Figure  5.21  Visual  representation  of  the  graphical  presentation  –  IDAProjects   Network  Primary  Value  Proposition  Data  2010–2013,  a  strong  future  partnership  proposal  

Above  left:  Figure  5.19.  Visual   representation  of  the  graphical   presentation  of  the  IDAP  Network   Events  linked  to  relevant  data  sheets   and  overall  summary  sheets.  Above   right:  Figure  5.20.  Visual  

representation  of  the  graphical   presentation  of  the  IDAP  Primary   Network  2010–2013  program.  

Network  Summary  

might  be  one  that  focused  on  engagement  with  higher  degree  research,  and  the  showcasing   of  QUT’s  student,  research  and  alumni.  

Figure  5.22.  Visual  representation  of  the  graphical  presentation  of  the  IDAP  Network  2010–2013   Target  Discipline  areas  data.  

Figure  5.21.  Visual  representation  of  the  graphical  presentation  -­‐  IDAProjects  network  primary   value  proposition  data  2010–2013.  

Figure  5.23  Visual  representation  of  the  graphical  presentation  of  the  overall  summary  data   for  IDAP  Primary  Network  2010–2013,  condenses  the  diversity  and  richness  of  the  program   into  statistical  KPI  servicing.  This  type  of  data  presentation  quickly  indicates  the  wealth  and   value  of  the  program.  The  summary  overview  can  also  be  cross-­‐referenced  to  partnership   agreements,  and  exhibition  and  engagement  proposal  check-­‐sheets,  to  ensure  intentions   were  achieved.  Such  additional  information  could  be  included  in  the  platforms  database.  

Correspondingly,  with  the  introduction  of  robust  feedback  and  survey  systems,  to  

complement  the  current  counting  of  feet-­‐through-­‐the-­‐door  reporting  mechanism,  a  stronger   evaluation  of  the  network  outcomes  could  also  be  accommodated  in  the  platform.  

The  platform  user  can  also  engage  the  program  information  via  the  criteria  hubs.  The   following  example  illustrates  Animation  through  the  Creative  Industries  Discipline  Areas   criteria  hub.  This  network  was  also  initiated  and  supported  by  the  IDAP  partnership.

Figure  5.23.  Visual  representation  of  the  graphical  presentation  of  the  overall  summary  data  for  IDAP  Primary  Network   2010–2013.  

TARGETED  CIF  DISCIPLINE  AREA  -­‐  ANIMATION    

Step  1.  Identify  the  network  

Platform  user  activates  the  Target  Discipline  –  Animation,  and  the  network  is  highlighted.  

The  Animation  network  is  represented  via  blue  Containers  and  lines  of  connection  (Figure   5.24  Visual  representation  of  the  graphical  presentation  of  the  highlighted  Animation   Network  situated  in  the  2010–2013  CIP  Program).  

Step  2.  Single  out  the  network  

The  Animation  network  is  singled  out  through  isolating  it  from  all  other  networks  (Figure   5.25  Visual  representation  of  the  graphical  presentation  of  the  Animation  network  isolated   from  the  overall  2010–2013  CIP  program),  offering  an  at-­‐a-­‐glance  overview  of  the  program   network  separated  from  the  broader  programming  ecology.  Whilst  Figure  5.25  Visual   representation  of  the  graphical  presentation  of  the  Animation  network  isolated  from  the  

Figure  5.24.  Visual  representation  of  the  graphical  presentation  of  the  highlighted  Animation  network  situated  in  the   2010–2013  CIP  Program.  

overall  2010–2013  CIP  program,  isolates  the  network  from  the  broader  program,  it  remains   attached  to  the  activity  streams  foundation.  

This  visual  presentation  of  the  network  communicates  the  strategy  of  a  program  that  builds   communities  and  audiences  on  triggers  of  experience  across  a  range  of  streamed  activities.  

This  network  started  with  an  activity  native  to  Animation  –  the  screenings  of  works.  The  CIP   team  curated  a  number  of  screening  events  at  QUT  and  internationally.  These  activities  were   then  leveraged  in  2012  to  instigate  the  pilot  of  Mondo  Motion  (2012  –  ongoing)  –  a  public   programs  series.  Since  its  inception,  this  network  approach  has  been  building  an  audience   of:  sector  professionals  (as  participants,  presenters  and  mentors),  animation  students  (as   participants  and  workshop  facilitators)  and  a  wider  interested  public  (including  school   programs  and  general  public).  The  network  of  events  was  designed  to  eventually  corral  a   now  burgeoning,  interest-­‐based  community  into  engaging  with  a  major  professional  show   ANtIMATION  (2014).  The  ANtIMATION  exhibition  brings  the  investigational  and  

interdisciplinary  nature  of  experimental  Animation  practice  to  the  fore,  acknowledging  the  

Figure  5.25.  Visual  representation  of  the  graphical  presentation  of  the  Animation  network  isolated  from  the  overall   2010-­‐2013  CIP  program.  

rich  history  and  current  practitioners  who  are  pushing  the  boundaries  between  art,  film  and   media  technology.  As  well  as  the  role  of  artist  animators  in  a  space  that  expands  well  

beyond  the  commercial  main  stream  of  Disney  and  Pixar.  ANtIMATION  broadens  the   discourse  of  animation  and  engages  the  community  with  local  and  international  luminaries   in  the  field  of  experimental  animation,  and  invigorates  the  ongoing  Mondo  Motion  

engagement  series.