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QUARTER-NOTE TRIPLETS ON THE HI-HAT

In document Ari Hoenig - Systems (Page 62-65)

The next dozen systems include half-note triplets, both on and off the beat.

QUARTER-NOTE TRIPLETS ON THE HI-HAT

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:51 PM Page 61

SYSTEMS 61

System 3

Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)

System 4

Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)

System 5

Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)

QUARTER-NOTE TRIPLETS ON THE HI-HAT

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:51 PM Page 61

SYSTEMS 61

System 3

Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)

System 4

Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)

System 5

Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)

QUARTER-NOTE TRIPLETS ON THE HI-HAT

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:51 PM Page 61

SYSTEMS 61

System 3

Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)

System 4

Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)

System 5

Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)

QUARTER-NOTE TRIPLETS ON THE HI-HAT

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:51 PM Page 61

System 3

Play the melody on the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)

System 4

Alternate the notes of the melody between the snare and the hi-hat, beginning with the snare (melody pages 1–8).

System 5

62 SYSTEMS

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

SYSTEMS

62

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

SYSTEMS

62

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

SYSTEMS

62

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

SYSTEMS

62

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

SYSTEMS

62

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62

System 6

Alternate the notes of the melody between the snare and bass drum, beginning with the snare (melody pages 1–8).

For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.

System 7

Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.

System 8

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 9

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 10

SYSTEMS 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

SYSTEMS 63

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

SYSTEMS 63

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

SYSTEMS 63

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

SYSTEMS 63

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

SYSTEMS 63

14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 63

System 11

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 12

Combine this ostinato with the same melodic orchestration from Systems 5 and 6.

System 13

Combine this ostinato with the same melodic orchestration from Systems 1 and 2.

System 14

Combine this ostinato with the same melodic orchestration from Systems 3 and 4.

System 15

64SYSTEMS SYSTEMS

64

In document Ari Hoenig - Systems (Page 62-65)