The next dozen systems include half-note triplets, both on and off the beat.
QUARTER-NOTE TRIPLETS ON THE HI-HAT
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SYSTEMS 61
System 3
Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)
System 4
Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)
System 5
Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)
QUARTER-NOTE TRIPLETS ON THE HI-HAT
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SYSTEMS 61
System 3
Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)
System 4
Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)
System 5
Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)
QUARTER-NOTE TRIPLETS ON THE HI-HAT
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SYSTEMS 61
System 3
Play the melody with the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)
System 4
Alternate the notes of the melody between the snare and hi-hat, beginning with the snare. (melody pages 1–8)
System 5
Play the melody with the snare (eighths) and bass drum (long notes). (melody pages 1–4)
QUARTER-NOTE TRIPLETS ON THE HI-HAT
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System 3
Play the melody on the snare (eighth notes) and the hi-hat (long notes). (melody pages 1–4)
System 4
Alternate the notes of the melody between the snare and the hi-hat, beginning with the snare (melody pages 1–8).
System 5
62 SYSTEMS
System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
SYSTEMS
62
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System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
SYSTEMS
62
14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62
System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
SYSTEMS
62
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System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
SYSTEMS
62
14_Quarter_Note/Melody_Limbs.qxd 2/3/11 2:52 PM Page 62
System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare. (melody pages 1–8)
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
SYSTEMS
62
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System 6
Alternate the notes of the melody between the snare and bass drum, beginning with the snare (melody pages 1–8).
For the remaining systems in this chapter, the melodic line will be played between the two limbs that aren’t part of the ostinato.
System 7
Since this ostinato contains the snare, practice it with the same melodic orchestration from Systems 1 and 2 of this chapter.
System 8
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 9
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 10
SYSTEMS 63
System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
SYSTEMS 63
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System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
SYSTEMS 63
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System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
SYSTEMS 63
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System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
SYSTEMS 63
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System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
SYSTEMS 63
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System 11
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 12
Combine this ostinato with the same melodic orchestration from Systems 5 and 6.
System 13
Combine this ostinato with the same melodic orchestration from Systems 1 and 2.
System 14
Combine this ostinato with the same melodic orchestration from Systems 3 and 4.
System 15
64SYSTEMS SYSTEMS
64