Adams, Timothy D. “‘Heightened by Life’ Vs. ‘Paralyzed by Fact’: Photography and Autobiography in Norma Cantú’s Canícula.” Biography: an Interdisciplinary Quarterly 24.1 (2001): 57-71. Print.
Allatson, Paul. Key Terms in Latino/a Cultural and Literary Studies. Malden, MA: Oxford, 2007. Print.
Allatson, Paul. Latino Dreams: Transcultural Traffic and the US National Imaginary. New York: Rodopi, 2002. Print.
Alvarez, Julia. How the García Girls Lost Their Accents. Chapel Hill, N.C.: Algonquin Books of Chapel Hill, 2010.
---. In the Time of the Butterflies. Chapel Hill, N.C.: Algonquin Books of Chapel Hill, 1994.
Anzaldúa, Gloria. Borderlands/La Frontera : The New Mestiza. San Francisco: Aunt Lute Books, 2007.
Aparicio, Frances R., and Susana Chávez-Silverman. Tropicalizations: Transcultural Representations of Latinidad. Hanover, NH: University Press of New England, 1997.
Arredondo, Gabriela F. Ed. Chicana Feminisms: A Critical Reader. Durham: Duke University Press, 2003.
Augenbraum, Harold, and Ilan Stavans. Eds. Growing Up Latino: Memoirs and Stories. Boston: Houghton Mifflin, 1993.
Barthes, Roland. Camera Lucida : Reflections on Photography. New York: Hill and Wang, 1982. Print.
Barthes, Roland, and Stephen Heath. Image, Music, Text. New York: Hill and Wang, c1977. Print.
Beauvoir, Simone de. The Second Sex. New York: Knopf, 1989.
Bhabha, Homi K. The Location of Culture. London: Routledge, 2004. Print.
Birkhofer, Melissa D. “Voicing a Lost History through Photography in Hispaniola’s Diasporic Literature: Junot Díaz’s ‘Aguantando’ and Edwidge Danticat’s ‘The Book of the Dead.’” The Latin Americanist 52.1 (2008): 43-53. Print.
Blazing Saddles. Dir. Mel Brooks. Perf. Cleavon Little, Gene Wilder, and Slim Pickens. Warner Bros., 1974. Film.
Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, 1985.
Boyce, Davies Carole. Black Women, Writing and Identity : Migrations of the Subject. London: Routledge, 1994.
Brown, Rita Mae. Six of One. New York: Bantam,1978. Print.
Calderón, Héctor, and José David. Saldívar. Eds. Criticism in the Borderlands : Studies in Chicano Literature, Culture, and Ideology. Durham: Duke UP, 1991. Print.
García Canclini, Néstor. Hybrid Cultures: Strategies for Entering and Leaving
Modernity. Minneapolis: U of Minnesota P, 2005. Print.
Cantú, Norma Elia. Canícula: Snapshots of a Girlhood en la Frontera. Albuquerque: University of New Mexico Press, 1995.
---. “The Writing of Canícula: Breaking Boundaries, Finding Forms.” Chicana
Feminisms: A Critical Reader. Eds. Gabriela F. Arredondo, Aída Hurtado, Norma Klahn, Olga Nájera-Ramírez, and Patricia Zavella. Durham: Duke UP, 2003. 97- 108. Print.
---. Interview by Jorge Mariscal. USCD Guestbook. UCSDTV, San Diego. 24 Apr. 2008. Web. 3 Dec. 2011. <http://www.youtube.com/watch?v=4DGQks2Uwvc>.
Carpentier, Alejo, and Carlos Santander. Viaje a La Semilla y Otros Relatos. Santiago de Chile: Editorial Nascimento, 1971.
Castells, Ricardo. “The Silence of Exile in How the García Girls Lost Their Accents.” Bilingual Review/ La Revista Bilingue 26.1 (2001): 34-42.
Castillo, Debra A., and Socorro Tabuenca Córdoba, María. Border Women: Writing from La Frontera. Minneapolis: University of Minnesota Press, 2002.
Castillo, Debra A. “Chicana Feminist Criticism.” Latina Writers. Ed. Ilan Stavans. Westport, Conn: Greenwood P, 2008. 16-37. Print.
---. Talking Back: Toward a Latin American Feminist Literary Criticism. Ithaca: Cornell University Press, 1992. Print.
Chávez, Denise. The Last of the Menu Girls. New York: Vintage Contemporaries, 2004. Print.
Chávez-Silverman, Susana. Killer Crónicas: Bilingual Memories. Madison: U of Wisconsin P, 2004. Print.
Cless, Downing. “Eco-Theatre, USA: The Grassroots Is Greener.” The Drama Review 40.2 (1996): 79-102.
Craft, Linda J. “Truth or Consequences: Mambos, Memories, and Multiculturalism from Achy Obejas’s Chicago.” Revista de Estudios Hispánicos, 35:2 (2001): 369-87.
Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus : Capitalism and Schizophrenia. London: Athlone Press, 1987.
Díaz, Junot. Drown. New York: Riverhead Books, 1996. Print.
Duany, Jorge. The Puerto Rican Nation on the Move : Identities on the Island & in the United States. Chapel Hill: U of North Carolina P, c2002. Print.
---. Blurred Borders : Transnational Migration Between the Hispanic Caribbean and the United States. Chapel Hill: U of North Carolina P, c2011. Print.
Elizondo Griest, Stephanie. Around the Bloc : My Life in Moscow, Beijing, and Havana.
New York: Villard, 2004.
---. Mexican Enough : My Life Between the Borderlines. New York: Atria Books, 2008.
Flores, Juan. Divided Borders : Essays on Puerto Rican Identity. Houston, Tex.: Arte Público P, 1993. Print.
---. “The Latino Imaginary: Meanings of Community and Identity.” The Latin American Cultural Studies Reader. Eds. Ana Del Sarto, Alicia Ríos, and Abril Trigo. Durham: Duke University Press, 2004. 606-19.
García, Cristina, ed. Bordering Fires: The Vintage Book of Contemporary Mexican and Chicano/a Literature. New York: Vintage Books, 2006.
García, Cristina. Dreaming in Cuban : A Novel. New York: Ballantine Books, 1993. Print.
Gómez-Peña, Guillermo. The New World Border: Prophecies, Poems, & Loqueras for
the End of the Century. San Francisco: City Lights, 1996.
González Echevarría, Roberto. The Oxford Book of Latin American Short Stories. New York: Oxford University Press, 1997.
Halperin, Laura. “Clamped Tongues: Linguistic Terrorism in Anzaldúa’s Borderlands/La Frontera and Alvarez’s How the García Girls Lost Their Accents.” Lecture, University of North Carolina, Chapel Hill, December 3, 2007.
---. Narratives of Transgression: Deviance and Defiance in Late Twentieth Century Latina Literature. Dissertation, University of Michigan. Ann Arbor:
Proquest/UMI, 2006 (AAT 3208296).
Harper, Jorjet. “Dancing to a Different Beat: An Interview with Achy Obejas.” Lambda Book Report: A Review of Contemporary Gay and Lesbian Literature 5:3 (1996): 6-7.
Hicks, D. Emily. Border Writing: The Multidimensional Text. Minneapolis: University of Minnesota Press, 1991.
Hoffman, Joan M. “‘She Wants to Be Called Yolanda Now’: Identity, Language, and the Third Sister in How the García Girls Lost Their Accents.” Bilingual Review/La Revista Bilingue 23.1 (1998): 21-7.
Hong Kingston, Maxine. The Woman Warrior: Memoirs of a Girlhood Among Ghosts.
New York: Vintage Books, 1989. Print.
Huerta, Jorge. Chicano Drama: Performance, Society and Myth. Cambridge: Cambridge University Press, 2000.
---. “An Overview of Chicana/o Theatre in the 1990s.” Latin American Theatre Review 34.1 (2000): 217-28.
Lovelady, Stephanie. “Walking Backwards: Coming of Age in My Antonia and How the García Girls Lost Their Accents.” Modern Language Studies 35.1 (2005): 28-37.
Loya, Catherine. “We Don’t Need No Stinking Maps.” New World : Young Latino
Writers. Ed. Ilan Stavans. New York: Delta, 1997. 206-26. Print.
Luis, William. “A Search for Identity in Julia Alvarez's How the García Girls Lost Their Accents.” Callaloo 23.3 (2000): 839-49.
McCracken, Ellen. New Latina Narrative: The Feminine Space of Postmodern Ethnicity. Tucson: University of Arizona Press, 1999.
McCullough, Kate. “‘Marked by Genetics and Exile’: Narrativizing Transcultural
Sexualities in Memory Mambo.” GLQ: a Journal of Lesbian and Gay Studies 6.4
(2000): 577-607. Project MUSE. Web. 1 Apr. 2012.
Maycock, Ellen C. “The Bicultural Construction of Self in Cisneros, Alvarez, and Santiago.” Bilingual Review/La Revista Bilingue 23.3 (1998): 223-29. Menéndez, Ana. Loving Che. New York: Atlantic Monthly P, c2003. Print.
Michaelsen, Scott, and David E. Johnson eds. Border Theory: The Limits of Cultural Politics. Minneapolis: University of Minnesota Press, 1997.
Mignolo, Walter. Local Histories Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton: Princeton University Press, 2000.
Moraga, Cherríe. Heroes and Saints and Other Plays. Albuquerque, N.M.: West End Press, 1994. Print.
---. The Hungry Woman. Albuquerque, N.M.: West End Press, 2001. Print.
---. “La Güera.” This Bridge Called My Back: Writings by Radical Women of Color. Eds. Cherríe Moraga and Gloria Anzaldúa. New York: Kitchen Table: Women of Color Press, 1983. 27-34.
---. Loving in the War Years : Lo Que Nunca Pasó Por Sus Labios. Cambridge, Mass.: South End P, c2000. Print.
---. Interview by Maria-Antónia Oliver-Rotger. Voices from the Gaps. U of Minnesota P, Jan. 2000. Web. 22 Aug 2011.
<http://voices.cla.umn.edu/readings/moraga_cherrie.html>
Moraga, Cherríe and Celia Herrera Rodriguez. “Interview with Cherrie Moraga and Celia Herrera Rodriguez.” Interviewed by Osa Hidalgo De La Riva. Chicana Spectators and Mediamakers 26.1 (2006): 101-106. Web. 22 Aug. 2011.
<http://cinema.usc.edu/archivedassets/097/15707.pdf>.
Nazario, Sonia. Enrique’s Journey. New York: Random House, 2006. Obejas, Achy. Memory Mambo. Pittsburgh, Penn.: Cleis Press, 1996. ---. “Women who Batter Women.” Ms. Sept/Oct 1994: 53.
Ortiz Cofer, Judith. Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood. Houston, Tex.: Arte Público Press, 1990.
Paredes, Américo. “The Hammon and the Beans.” The Hammon and the Beans and
Pérez, Emma. “Sexuality and Discourse: Notes from a Chicana Survivor.” Chicana Lesbians: The Girls Our Mothers Warned Us About. Ed. Carla Trujillo. Berkeley: Third Woman P, 1991. 159-84. Print.
Pérez, Loida Maritza. Geographies of Home: A Novel. New York: Viking, 1999. Print. Pérez Firmat, Gustavo. Ed. Do the Americas Have a Common Literature? Durham: Duke
UP, 1990. Print.
Pérez Firmat, Gustavo. Life on the Hyphen : The Cuban-American Way. Austin: University of Texas Press, 1994.
Ramírez, Elizabeth C. Chicanas/Latinas in American Theatre: A History of Performance. Bloomington: Indiana U P, 2000. Print.
Richard, Nelly. “Cultural Peripheries: Latin America and Postmodernist De-centering.” The Postmodernism Debate in Latin America. Eds. John Beverley, José Oviedo, and Michael Aronna. Durham: Duke UP, 1995. 217-22. Print.
Romagnolo, Catherine. “Recessive Origins in Julia Alvarez’s Garcia Girls.” Narrative Beginnings: Theories and Practices. Ed. Brian Richardson. Lincoln, NE: University of Nebraska Press, 2008. 149-165.
Saldívar, José David. Border Matters: Remapping American Cultural Studies. Berkeley: U of California P, c1997. Print.
Saldívar-Hull, Sonia. Feminism on the Border: Chicana Gender Politics and Literature. Berkeley: University of California Press, 2000.
Sandoval, Chela. Methodology of the Oppressed. Minneapolis: University of Minnesota Press, 2000.
Sebald, Winfried Georg. Austerlitz. New York: Random House, c2001. Print.
Sirias, Silvio. Julia Alvarez : A Critical Companion. Westport, Conn.: Greenwood Press, 2001.
Sontag, Susan. On Photography. New York: Picador, 1977. Print.
---. Regarding the Pain of Others. New York: Picador, 2003. Print.
Spitta, Silvia. Between Two Waters: Narratives of Transculturation in Latin America. Houston, TX: Rice University Press, 1995.
Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Colonial Discourse and Post- Colonial Theory. Eds. Patrick Williams and Laura Chrisman. New York:
Columbia University Press, 1994. 66-111.
Stavans, Ilan. “Daughters of Invention.” Commonweal 119.7 (1992): 23-5.
Stavans, Ilan. Ed. New World: Young Latino Writers. New York: Delta, 1997. Print.
Taylor, Diana, and Juan Villegas, Eds. Negotiating Performance: Gender, Sexuality, and
Theatricality in Latin/o America. Durham: Duke UP, 1994. Print.
Torres-Saillant, Silvio. “The Tribulations of Blackness.” Callaloo 23.3 (2000): 1086. Academic Search Premier. EBSCO. Web. 23 June 2011.
Traven, B. The Treasure of the Sierra Madre. New York: Modern Library, 1969. Print.
Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston, Mass.: Beacon P, c1995. Print.