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Geotano D

ha

r

map

Lit

r

a

ANU 3751519

Thesis submitted in partial requirement

for the degree of Master

of

Arts

Department,

of

Prehistory and Anthropology

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(3)
(4)

Summary of Thesis

i i i C n 3.

p

P s r 1 i rj p c jj'- •;K a -n • ,-i- !— ... .. I

- - 1 - u -- iT> v - f : d p i i

a r

r

a

1 1

v

a

;

;

t

h

e

structural ist method to approach the subject;

and

the

uac!<ground or this work. The

m a m topic

of this project

is to

analyze Aboriginal

narratives based

on

samples

surveyed from

Waterman’s

(1973)

tale-type

index

of

(

,

U

p

t !

«

1

11 a

n

hp

o

r i g i n

a 1

o

r

a 1

n

a

r

r

a

t i v

e

s .

I n

a 11 ,

?

9

~

narratives were taken as the data base

of

this

work..

IWD thingS ars Qf interest to this

study.,

the

animal

agents used in the narratives as dramatis personae, and

sne ail egorization of the Aboriginal social context 'm

their narratives.

in chapter 2, I describe the narratives in

context.

[he

flrst

part

describes

various

approaches

and

previous works done on animal symbolism and

mythology.

N'Sxt, 1 describe the social ideas of animals, why

they

are important

in

the

narratives

and

how

are

they

related m

traditional

Aboriginal

life.

Since

most

narratives

are

part

of

Aboriginal

religion,

the

following part discuss the conception of

the

Dreaming

and its relationship to the narratives.

Chapter 3 is the analysis of the sampled narratives.

1

ih

~a ma *n Ablest ions posed i n chapter 1

Ci.e.

on

the

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f r a m e w o r k o f t h i s a n a I y s i s . H e r e , e a c h n a r r a t x v e w a s b r o k e n into a n a l y t i c a l u n i t s or c o n s t i t u e n t p a r t s (its c o n s t a n t an d v a r i a b l e ) a n d c l a s s i f i e d to suit the f r a m e w o r k of t h e probl e m s . I have s h o w n that, b ased on th e m a s t r e c u r r e n t o p p o s i t i o n a l r e g isters, the issues o f m a i n t e n a n c e o f s u r v i v a b 11 i t y , g r o u p c o h e r e n c e , a n d s o c i a 1 o r d e r a re the most i m p o r t a n t ideals e m b e d d e d in t h e n a r r a 11 v e s a s a w h c 1 e . I n b r i n g i n g o u t t h o s e

ideals, a n i m a I a p e c l e s w e r e a s s i g n e d v a r i o u s c u 11ur a 1 r□ les in the nar r a t i v e s , a nd t h eir soctal c h a r a c t e r i z a t i o n s c o r r e s p o n d w i t h t h e i r c h a r a c t e r i s t ics

in nature.

(6)

to

n a t u r e b e c a u s e of t h e i r cultu r e - t h i s does not ,r. •/s h o 1 d .. T In e n a r r a t i v e s t h e n - s e r v e t h e A b o r i g i n e s as a m e a n s of r e s o l v i n g the p a r a d o x e s that are p r e s e n t

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-P a g e

A c k I“ ow l e d g m e n t v

1. L o o k i n g i n t o A b o r i g i n a l N a r r a t i v e s I

A. B a c k g r o u n d o f T h i s Wor k 1

T h e D a t a 10

C. Q u a l i f y i n g t h e D a t a 12

D I n s i d e , O u t s i de 14

E„ M e t h o d o l o g y 15

2 . M y t h s a n d A n i m a l s 19

A. A p p r o a c h e s t o t h e S t u d y

o f N a r r a t i v e s 19

8 . T h e S o c i a l I d e a o f A n i m a l s 28

C . A n l ma I s i n t he A bo r l g m a l Wo r I d 33

D. T h e D r e a m i n g 36

3 . A n i m a l s w i t h Human F a c e s : A n a l y s i s o f t h e N a r r a t i v e s

T h e L i s t o f S a m p l e d N a r r a t i v e s ^

B. T h e O p p o s i t i o n a l R e g i s t e r s

C. C h a r a c t e r i z a t i o n s o f A n i m a l S p e c i e s ^ r t o

D . T h e An i ma 1 s i n t he N a r r a t i v e s 00

E. R o l e A s s i g n m e n t o f A n i m a l s i n t h e N a r r a t i v e s

F„ I d e a l s i n t h e N a r r a t i v e s 71

G. T h e N e e d f o r E x p l a n a t i o n s

i n t h e N a r r a t i v e s 78

H. T h e E m b e d d e d I d e a s o f S o c i a l R e l a t i o n s g3 I . I n d i v i d u a l a n d G r o u p R e l a t i o n s 34

J . F a m i l i a l A f f a i r s 92

K „ A f f a i r s o f F i r e 96

4 . T h e S u r v e y o f t h e N a r r a t i v e s : C o n c l u s i o n

R e f e r e n c e s C i t e d i n T e x t u j

A p p e n d i c e s :

A p p e n d i x 1- L i s t o f S a m p l e d N a r r a t i v e s 120 A p p e n d i x 2 . S p e c i e s C h a r a c t e r i z a t i o n

i n S a m p l e d N a r r a t i v e s 181

A p p e n d i x 3» N a r r a t i v e C o n s t i t u e n t s :

C o n s t a n t s a n d E x p l a n a t i o n s 187 Ap:< p e n d i x 4 . C a t e g o r i e s o f Soc i a 1 T h e m es

an*d C o r r e s p o n d i n g N a r r a t i v e s 194

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V

A c k n o w l e d g m e n t

I c a m e to A u s t r a l i a as a part of the* U n i v e r s i t y of I n d □ n e s i a •" s p 1 a n t o e s t a b 1 i s h a n A u s t. r a i i a n 3 1 u d i e s center. W i t h t h e help of m a n y p e o p l e I wa s a b l e to 1 e a r n a n d e x p a n d m y k n o w 1 e d g e o -f t h e A b o r i q i n a 1 c u i t u r e ,, a c u 11 u r e w h ich i n m a n y w a y s i s n o t u n 11 k e m y own S u n d a n e s e c u 11urs. A part of that 1e a r n i n g p r o c e s s ha.s r e s u I t e d i n t h is t hesis.

A n y t h e s i s w o u. i d n at be c a m p l a t e d w i t h o u t t h e a s s l s t a n o e of var ious perso n s . I w o u i d I i ke to t a !•.e t h i s t h i s o p p o rtu n i t y ta t h an k t h o s e people. I wis h to e x t e n d my t h a n k s p a r t i c u l a r l y to Dr. D a v i d R e e v e and Dr .. Nur hadi M a g e t s a r i , 'Uni v e r s i t y of I ndc n e s i a , who naye m a d e it p o s s i b l e for me to s t u d y A b c r i g i n a 1 cu 11 u r e at thie A u s t r a l ian N a t i o n a l Uni v e r s11 y . I t h a n 1:

the t e a c h e r s a nd the s t a f f of the D e p a r t m e n t of A n t h r o p o l o g y an d P r e h i s t o r y , AMU, for the a s s i s t a n c e they have a f f o r d e d me to a c h i e v e that and. T h a n k s also t o P r o f . I . M c B r y d e a nd W. Sh a w cross. Id A , w h o a c t e d a s m y c gu r s e s u p e r y i s o r s .

3 p e c i a 1 t h a n k s to D r . Ian K een, my t h e s is s u p e r y i s o r and t e a c h e r of t h e c u l t u r e w h i c h I ca m e to learn about. D r . K e e n has a l s o p a t i e n t 1y and k i n d l y e d i t e d t h i s w o r k .

I w o u l d a l s o like to t hank the I n t e r n a t i o n a l D e v e l o p m e n t P r o g r a m for A u s t r a l i a n U n i v e r s i t i e s and C o l l e g e s , and its staff, w h o have s u p p o r t e d my stay in C a n b e r r a f r o m 1938 to 1990.

The i n s p i r a t i o n for t his wor k has b e e n A .C . va n der L e e d e n - s t.sac h i ng at t he 32 p o s t g r a d u a t e p r ogr am i n U I . To my wife, D r s . I nqe Ber nar d , and my prec ious d a u g h t s r A d i n d a , I am p e r m a n e n 1 1y b e h o l d e n for b e a r i n g w 1 1 h me t h r o Li g h o u t th i s t i m e .

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A.

Background of This Work

A myth

is a narrative.

It

is a structured,

predominantly culture-specific and shared

semantic

system which is well

known among the members of a

particular community or society.

Such

narratives

explain the origins of natural and social phenomena and

the interrelationship among people, their deities,

the

universe,

and their surrounding environment,

thus

enabling the members to understand each othen-

and to

cope with the unknown

(Georges

1968:230;

Maranda

1972:12-13).

Myths are important in Aboriginal life because they

constitute the body of

narratives

in. which their

beliefs find a

"relatively

standardized

verbal

expression" (Berndt and Berndt 1965:198).

Levi-Strauss

(1972:208-212) has said that myths may be seen as a

language comprised of constituent units which are

represented as discrete actions embedded

in

the

narratives of the myths.

Narrative consist of a series

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a g e n t , or d r a m a t i s per s o n a e , w i t h a t h e r agent s ar ob j e c t s . T h e s e u n i t s in t h e n a r r a t i v e s are r e l a t e d w i t h o t h e r u n i t s of the s a m e story t h u s forming what, is c a l l e d a "bun d 1e " of ev e n t s (L4v i - St r aus s 1972:211), s o m e t h i n g like a s e r i e s of uni lineal o r c h e s t r a l scores w h i e h f o r m t h e m e l o d i e s (ibid., 1979:211). T h l s s e r i es o f e v e n t s i s c o m m o n l y t e r rne d the sy nt aq mat i c c rv.a i n „ T he i m p l i c i t m e a n i n g s in e a c h n a r r a t i v e may be disc over e d by c o m p a r i n g on e to another, f i r s t by b r e a k i n g the n a r r a t i v e down into c o n s t i t u e n t units, or bundles. T h a t is, by r e d u c i n g t h e m into s i m p l e s t a t e m e n t s , so that t h e y may be a r r a n g e d a c c o r d i n g to t h e i r s i m i l a r i t i e s or o p p o s i t e n e s s . W i t h th i s m e t h o d it is h o p e d th a t the r e l a t i o n s b e t w e e n th e e v ent or a c t i o n ma y be d i s c o v e r e d .

T h r o u g h t h i s p r o c e d u r e , it is h o p e d to d i s c o v e r a s e r i e s of r e l a t i o n s f r o m c o m p a r i s o n s of the bundles. A c c o r d i n g to L e v i - S t r a u s s (1979:190), w h e n one t e l ls a

n a r r a t i v e , t h e n one is a c t u a l l y r e a d i n g a s e r i e s of e v e n t s s y n c h r o n i c a l l y f r o m b e g i n n i n g to end, from top to bottom. But w h e n on e w i s h e s to u n d e r s t a n d the n a r r a t i v e s , t h e n one s h o u l d c o m p a r e the e v e n t s or r e l a t i o n s d i a c h r o n i c a l l y b e t w e e n one n a r r a t i v e and the other. In th e n a r r a t i v e s , the s e r i e s of e v e n t s or a c t i o n s is t e r m e d the p a r o 1e of the l a n g u a g e of myths, and th e r e l a t i o n s b e t w e e n on e myth a n d a n o t h e r f o rms t. he 1 a n q u e of myt hs (L £v i -St r a uss 1972: 209 5 1979:187).

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binary o p p o s i t i o n s are intrinsic to the process of hLiman t h o u g h t . I n evcar y myt h system t her e w i 11 be a

persistent presence of sequences of binary

discriminations, or oppositions. Any description of the w o I- 1 d , acc o r d i n g t a

L

e a c h , mus t s h a w re 1 a t. i o n s a r d iscriminations between categories in the form of "a is x " or "x is not a". A thing is seen to be alive or not alive, and one could not formulate the concept of "alive" except as the converse of "dead". In every

myths-s narrative then one can expect to find a

persistent sequence of binary discriminations, for

e x ample, as between human / nan-hu.ma n ,

n a t u r a l / s u p e r n a t u r a l , male/female, good/bad, life/death, and so on.

This persistent p r esence of oppositional relations in narratives is, according to Levi-Strauss (1972:226),

a form of Hegelian dialectic. According to the

dialectic an opposition in the narratives is often followed by a mediation between the opposing categories which leads to a resolution in the form of a syntheses. The mediation is achieved through an introduction of a third category, which is anomalous in terms of ordinary rational categories. That is why myths are full of

fabulous monsters, incarnate gods, anthropomorphic

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1

the abnormal, the non.natural, or the supernatural which is regarded as sacred and h o i y , and which is typically the focus of all taboo and ritual observance.

The the nature of dialectics is more complex, for there are arguments differentiating between the contrary (i.e. the "p o 1arities af difference" such as between f ire/water ) , and cont rad i ct i on ( i . e .. cont ra dic t ory propositions such as the st atement of '' x is a and not a") which concerns states of oppositions which must be resolved in the narratives, and which the c r i t iques argue as important in understanding the situational context of the story (see Beckett 1975, Burridge 1967, Murphy 1972). However both Levi--Strauss and Hegel did not distinguish between the two. The distinetion between co n tra r y an d co n tr a dictor y oppositions, is important, according to Palmer (1981i102-103), because it leads to distinguishing the type of dialectic and syntheses involved. He adds:

contraries, if they become opposed through s a c i a 1 action, may be resolved by reconciliations. Contradict i o n s , ... must be resolved by the exclusion of both and the emergence through complete t r a n s formations of a new order of being.

This thesis is concerned most with the dialectic of contradictions, because the majority of the sampled narratives concern t ransformations as a form of r e s o 1u t i o n „

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a s s o c i a t e d w i t h J a c o b s o n a n d H a l e (19565, b u. t i t s

a p p 1 i c a t i o n in a n t h r o p o 1o g y is a 1 1 r i b u t e d m a i n 1y to

L e v i - 3 1 r a u s s (1955). L 4 v i - St r a u s s ’ s rnode 1 h a s b e e n

a p p 1 ied by □ t h e r a n t h r o p o l o g i s t s u s i n g d i f f e r e n t b o d i e s

o f m y t h o l o g y , e.g. H e b r e w ( L e a c h 1962, 1966), M a o r i

(J a c k s o n 1968 ) , S i n h a l e s e ( R o b i n s o n 1968) , a n d N d e rn b u.

( T u r n e r 1974), a n d h a s b e e n a p p l i e d t o A u s t r a l i a n

A b o r i g i n a l m y t h s by n u m e r o u s w r i t e r s (see H i a t t 19 7 5

a n d B e r n d t a n d B e r n d t 1 9 3 8 f o r b i b l i o g r a p h i e s ) . U s e f u l

s u m m a r i e s , a p p l i c a t i o n s , a n d c r i t i q u e s of

L 4v i— S t r a u s s ’s t r e a t m e n t o f m y t h m a y be f o u n d in H a y e s a n d H a y e s (1970), L e a c h (1969, 1970), R o s s i (1974), a n d

N a t h h o r s t (1969).

A l t h o u g h m a n y a n t h r o p o l o g i s t s h a v e b e e n s y m p a t h e t i c

w i t h L & v i - S t r a u s s ’s o b j e c t i v e s in t h e s t u d y of myth,

B r i t i s h s o c i a 1 a nt h r o p o l o g i s ts ha ve c r i t i c i z e d h i s

m e t h o d s a n d c o n c l u s i o n s , w h i c h o f t e n s e e m to be

i n t u i t i v e l y d e r i v e d a n d d i f f i c u l t to v e r i f y (cf. C o h e n

1969, H a y e s a n d H a y e s 1970, L e a c h 1967). In t h e B r i t i s h

e m p i r i c a l t r a d i t i o n , W i l l i s ’ s w o r k s (1967, 1974)

r e p r e s e n t a n e x p l i c i t c h a l l e n g e t o L e v i - S t r a u s s ’s

m e t h o d s . W i l l i s s u g g e s t e d t h a t t h e a n a l y s i s of

m y t h o 1o g i c a 1 t ho u g h t n e e d not ; e s c h e w c o n c r e t e

et. h n o g r ap h i c d a t a a n d c a n be a c c o m m o d a t e d w i t h i n t he

n o r m a 1 p a r a m e t. e r s o f s o c i a 1 a n t h r o p o I o g i c a 1

i n v e s t igat i an (s e e Mi d d i e t o n 1 9 6 7 f o r ot. her e x a m p 1 e s of

a n a 1 y s i s i n t h i s t r a d i t i o n ) . N e v e r1 h e 1 e s s ,

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e v e n a m o n g p e o p l e w h o do n ot w h o l l y a g r e e w i t h h is

a s s u m p t i ons, M a d d o c k ( 1 915:: 1 0 7 - 1 0 3 ) h as e m p h a s i ze d

t h a t t h e r e c a n n e v e r be a s i n g l e c o r r e c t or f i n a l

s t r u c t u r a l a n a l y s i s o f a n y m y t h s b e c a u s e t h e r e a r e

a 1 w a y s o t h e r p o ssi bi 1 i t i e s T h e po s i t. i v e a d v a n t a g e s i n stru.ctural a n a l y s i s is t h a t it n e e d not imp 1 y t a t a 1

c o m m i t m e n t t o a s i n g 1 e c a n c e p t u a 1 f r a m e o r a s i n g 1 e set o f p r o c e d u r e s . It c a n s t i m u l a t e a v a r i e t y of a p p r o a c h e s

t o n a r r a t i v e m a t e r i a. 1 s „

I n a. n a 1 y z i n g in y t h s , w o r k e r s u s u a 11 y s t a r t f r o m a

p r e s e l e c t e d s e r i e s u s e d as t h e b a s i s f a r t h e i r d e e p

s t r u c t u r a l a n a l y s i s of t h e m y t h s . H o w e v e r , R i c h a r d s

( 1 9 6 7 1 2 2 , g u o t e d in M a d d oc k 1 9 7 5 s 107) s a i d t hat t he

a p p l i c a t i o n o f t h e ’p r i n c i p l e s w h i c h s e r v e a s a b a s i s

o f s t r u c t u r a l a n a l y s i s ’ d o e s not s e e m a b s o l u t e l y to

g u a r a n t e e t h a t t h e m y t h h a s not b e e n s o l i c i t e d t o

r e s p o n d to t h e a p r i o r i i d e a s o f t h e analyst.".

F u r t h e r , w h e n r e a d i n g t h e r e s u l t s o f a n y d e e p a n a l y s i s

of m y t h s , " t h e c h a n c e s o f o p e n i n g up at a p l a c e w h e n

t h e a n a l y s i s s e e m f r u i t f u l , i n c o n s e q u e n t i a l or h o p e l e s s

m i g h t be a b o u t e q u a l " ( H i a t t 1 9 7 5 : 1 7 ) , b e c a u s e t h e

s u c c e s s o f o n e a n a l y s i s a s c o m p a r e d w i t h a n o t h e r

d e p e n d s in s o m e m e a s u r e on t h e set o f m y t h s w h i c h is

c h o s e n f o r a n a l y s i s .

T h i s t h e s i s a t t e m p t s to m e e t s o m e o f t h e c r i t e r i a of

s t r u c t u r a l m e t h o d o l o g y by l o o k i n g i n t o t h e p a t t e r n i n g

of a b o d y o f m y t h s w h e n t h e y a r e a r r a n g e d r a n d o m l y e n

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a b t a l n d if-fere n t r e s u 11 s f r o m a no t h e r p e r s o n a n a 1 y s i n g

t h e s a m e i'T'iyt.hs. M a d d o c k (1975: 107) r© rnar ks t h a t " it

d o e s n a t s © e m p o s s i b l e t o rn a k e t he s t r u c: t u r a 1 a n a 1 y s i s ,

a n d i n d e e d , it. m a y be d o u b t e d t h a t t h i s e v e r w i l l be

d o n e " . T h i s is m a i n l y du.e to t h e fact t hat, as

L 6v i -

S

t r a u s s hi m s e if ( i 9 6 4 s 11) p osi t e d , m y t h s in a y h a v e a n i n d e f i n 1 1 e n u m b e r of s t r u c t u r e s a n d n o n e w h ich m a y

be s a i d as t h e c o r r e c t s t r u c t u r e . Th u s , t h e a n a 1y s i s

a n d t h e i r t h e o r i e s c a n n o t c l a i m t o be d e f i n i t. i v e .

□ r i g i n a l l y , t h e d a t a a v a i 1 a b 1 e f or t h i s wo r k w a s

d e r i v e d f r o m W a t e r m a n ’ s (1978) T a 1e - t y p e I n d e x o f

A u s t r a 1 i a n A b o r i q i n a 1 G r a 1 Na r ra 11v es. In i t s he

c a t a l ä g e d 7 3 7 n a r r a tiv e s c o l l e c t e d at r a n d o m f r o m a 1 j. P a r t s o f A u s t r a i l a . F r o m t h e s e i t m a y b e s e e n t In at 9 0 p e r c e n t of t h e n a r r a t i v e s w e r e l i s t e d in t h e i n d e x

u n d e r a n i m a l a c t o r s . I h a v e u s e d t h i s li s t as t h e b a s i s

of t h i s p r o j e c t . T h i s p r o j e c t , then, is b a s i c a l l y a

s u r v e y of n a r r a t i v e s w i t h a n i m a l a c t o r s , r a t h e r t h a n

b e i n g c o n c e r n e d w i t h m o t i f - i n d e x e s w h i c h a r e v a r i a b l e

a n d i m m e n s e i n n u m b e r (W a t e r m a n ar b i t rar i 1 y d e f i ne d

her m o t i f - i n d e x n u m b e r i n g f o r t h e t a l e - t y p e s f r o m 1 t o

3 5 0 0 ) . F r o m t In is s e 1 e c t e d s a m p l e a l o n e t h e r e a r e 7 4

n a m e d s p e c i e s o f b i r d s , p r e s e n t in 3 2 8 n a r r a t i v e s , 2.2

n a m e d s p ec i e s o f rn a m m a l s in 188 n a r r a t i v e s , a n d a b o u t

22 s p e c i e s o f r e p t i l e s in 139 n a r r a 11v e s , all e i t h e r

(16)

n a r r a t i v e s .. T h e r e s t i n c 1 u de s o me p 1 a n t species, f i s h and m o l l u s c s , insects, or h u m a n actors. The real w o r l d uf the A b o r i g i n e s c e r t a i n 1y c o n t a l n s m o r e t h a n t h e s e , a n d t h e A b o r :i. g i n e s t h e rn s e 1 v es wo u 1 d c e r t a i n 1 y In .a v e k no w n mo re of t h e m . I n Ar nhem L a n d a 1 o n e ,

f

or e

xamp

1

e

,

t h e r e a re t h o u s a n d s of n a r r a t i v e s w h i c h c o n t a i n animal c h a r a c t e r i z a t i o ns, a l l e g o r i e s a n d rn e t a p h o r s i n c o n j u n c t i o n w i t h the s o c i a l c o n t e x t e m b e d d e d in them.

T h e r e are t wo t h i n g s w h i c h are of intersst to t h i s s t u d y : th e a n i m a 1s t h e m s e l v es, and t he a 11e go rixat ion of the A b o r i g i n a l social c o n t e x t in the n a r r a t i v e s . A r i s i n g f r o m these, t h r e e m a i n q u e s t i o n s have f o r m e d th e f r a m e w o r k of t h i s survey. T h e first q u e s t i o n c: a n c e r n s w i t h t he n a r rati v es t h e m s elves: if " t h e p u r p o s e of the n a r r a t i v e s is to p r o v i de a 1o g i c a 1 mode 1 11 (LAv i - St r auss 1953 v. 443) wh i c h i s p r e s u m a b 1 y c a p a b l e of o v e r c o m i n g c o n t r a d i c t i o n s p r e s e n t e d in it, what t h e n a r e the c o n t r a d i c t i o n s w h i c h are most of

(17)

in the narrat i v e s : wh a t ar e t h e m a i n t h e m e s p r e s e n t e d i

r

t h i s s u. I

"

v eye d s a m p i e s ,, a n d i n t h e

s

a rn pies □ f n a r r a t i v e s w i t h s o c i a 1 a c t i o n s what are the i d e a 1s of s qc i a 1 b e h a v i o r a n d r e 1 a t i □ n s p rese n t e d ? T h i s f r a rn e w o r k of q u e s t i o n s is i n t e n d e d to be c o n s i s t e n t wi t h Bern d t a n d B e r n d t s (1988s 4) . q u. a 1 i f i c a t i o n o f A b a r i g i. n a 1 nar r a t i v e s , and as a m e a n to e x a m i n e their

i n t e r p r e t a t i o n t h a t s

A bor i g i na 1 my t ho .1 og y , f o r a ny p a r t i c a 1 a r g r oup of A bar igina 1 p e o p 1e, wa s a nd is 1 ike a huge mirror t h a t r e f 1 e c t e d - s o me t i m e s d i rn 1 y , s o m e 11 m e s i n an e x a g g e r a t e d way, s o m e t i m es p h a n t a s m a g o r i c a l 1 y

(18)

10

B. The D a t a

Th e n a r r a t i v e s on w h i c h t h i s p r o j e c t is based c e n t r e o n a n i m a I s a s d r a rn a t i s p e r s o n a e » T h e s e a r e i n d e p e n d e n t n a r r a t i v e s w i t h o u t any r e f e r e n c e to length, d e g r e e of cqitsp 1 ex i ty ,, or sac redness. I n M a u s s 7 s t e r m s , t he a g e n t s a c t e d as s y m b o l s of the social r e l a t i o n s h i p w h i c h they re p r e s e n t in the nar r a tiv es, b e e a u s e th e y con den se w i t h i n t h e m s e l v e s the s t r u c t u r e of t h e s e r e l a t i o n s h i p s . M u n n (1970: 141) r e g a r d s t h e m as iconic or e x p r e s s i v e s y m b o l s of t h e s e r e l a t i o n s h i p s .

Ma ny st u d i e s of A b o r i g i n a 1 n a rr a 1 1v e s ha ve f o e u s e d on t h e d e s c r i p t i v e asp e c t an the f u n c t i o n of m y t h s and

the r o 1e of myths

within

the

context

of

Aborigina1

r e l i g i o n a n d ritual. O t her works, s u c h as t h o s e by W i l p e e r t (1970) a n d W a t e r m a n (1978) h a v e a t t e m p t e d to e x a m i n e in g e n e r a l the d i s t r i b u t i o n a nd o r d e r i n g of a w i de s e 1e c t i o n of Ab o r i g i n a 1 t a 1 e s . W a t e r m a n 7 s c o l l e c t i o n in p a r t i c u l a r has p r o v i d e d a wi d e s a m p l e of

r e p r e s e n t a t i v e data on A b o r i g i n a l n a r r a t i v e s in w h ich 737 oral n a r r a t i v e s , p r e v i o u s l y c o l l e c t e d by v a r i o u s w o r k e r s over a s p a n of o n e h u n d r e d years, are listed.

In W a t e r m a n ’s v i e w , the n arratives c o u 1d not be c l a s s i f i e d a c c o r d i n g t a Aar ne a n d T h a rn p s a n s (19 61) c l a s s i f i c a t i o n of a n i m a l tales, o r d i n a r y t a l e s and

(19)

the U n iverse and these that pertain to Ordinary Tales, N a r r a t i v e s o f t h e f i r s t s u p e r c 1 a s s w a s d i v i d e d i n t o

classes with motifs of the nature of the earth,

celest i a 1 phenornena, t he first h u m a n s , t he creatar s , a n d t h. e e s t a b 1 i s h m e n t o f e n v i r a n m e n t a n d c u 11 u. r e T h e sec gn d supe r cI ass was dividea into cl asses of narratives with motifs of c a n n i ba

1

s , heroes t r

i

c: kster s , d i s agreeme n ts a

n

d

c o n t e s t s ,

1

e cher

y

encaunt.er s w i

t

h sp i r i ts a n d st r anger s , and ot her t a .1 e s , But o t h e r w o r k e r s s u c h as Mill e r and Wundt have p r o p o s e d that A a r n e - T h o m □ s o n ’s• s c h e m e is a p p 1 i c a b 1e h o w e v e r s e e m i n g l y s u p e r f i c i a l , b e c a u s e in A b o r i g i n a l nar r at i ve s sLic h a cor r e s p o n d e n c e b e t w e e n t he dr amat i s p e r s o n a e in th e s t o r i a s and the c 1a s s i f i c a t ion sche m e daes ey, ist (c f . Pr app 1975: 5-6, 16)

The classification of anima1 t a 1es into

any

syste

m of narratives will remain problematic. This is so first, because in Aboriginal tales there is a constant unity of, and Iransformaticns between, h um an /non-human

or culture/nature, so that these phenomena cannot

easily be demarcated. Second, in Aboriginal narratives t here are many f a n t a s 11c beings and event.s i n wh i ch

(20)

C. Q u a l i f y i n g t h e D a t a

H e0 ü i n g t h e o m n i - p r s s e n t d i f f i c u 11 y o f d e t e r m i n i n g

w h e t h e r t h e d r a m a t i s p e r s o n a e a r e p e o p 1e o r a n i m a 1s , i t

w as p r o p o s e d t o u s e t h e f o l l o w i n g q u a l i f i c a t i o n s f o r

s s 1 a c 11 ng w h i c h na.r r a t i v e was t o be i nc: I u d e d f o r

a n a 1y s i s ,

T h e f i r s t s t e p was t o a r r a n g e t h e n a r r a t i v e s

a c c . or d i n g t

a

t he named c 1 a s s e s a n d s p e c i e s o f t he

d r a m a t i s p e r s o n a e . I t was d e t e r m i n e d t h a t o n l y w h e r e a

n a m e d s p e c i a s p I a y e d a m a j o r r o I e i n a n a r r a t i v e w a s

i t t o be i n c l u d e d f o r a n a l y s i s . O t h e r s p e c i e s a p p e a r

i n WSiter marT s i n d e x s u c h a s mol l u s c s , i n s e c t s , a n d

p l a n t s . H o w e v e r , a f t e r c r o s s r e f e r e n c i n g t hem t o t h e

n a r r a t i v e s , i t was d i s c o v e r e d t h a t t h e s e a n i m a l s d i d

n o t t a k e p a r t a s d r a m a t i s p e r s o n a e s o t h a t t h e y w e r e

e x c l u d e d . " A n i m a l s " i n t h i s a n a l y s i s i n c l u d e a l l named

b i r d s , m a mm al s , a n d r e p t i l e s p e c i e s i n t h e i n d e x . T h i s

t e r m i s u s e d t o a v o i d c o n f u s i o n w i t h t h e t e r m u s e d by

o t h e r w o r k e r s , w h e r e " a n i m a l s " o n l y r e f e r r e d t o

rnamma l s a n d i s s e p a r a t e d f rorn b i r d s , r e p t i 1 e s a n d o t hier

c l a s s e s ( e . g . S m i t h 1 9 7 0 ; 1 9 ; W a t e r m a n 19 7 3 s 3 3 0 f f . > .

When t h e d e f i n e d a n i m a l s p e c i e s h a d b e e n s e l e c t e d ,

i t was c r o s s r e f e r e n c e d a n d c o m p a r e d w i t h t h e r o l e o f

t h e n a m e d s p e c i e s i n W a t e r rn a n s t a l e - 1 y p e 1 i s 11 n g ..

W h e r e s t o r i e s a r e m a . i n l y c o n c e r n e d w i t h human a c t o r s

(21)

a n d it r e f l e c t s t h e i r b e h a v i o r a n d / o r t h e a n i m a l ’s

r 01 a 11 □ n s w i t h o t h 0r a g e n t s t h 0n i t i s i n c 1 u d 0cl i n t h 0

list.. H o w e v e r , in m a n y c a s e s t h e n a m e d a n i m a l s l i s t e d

in W a t e r m a n ’s n a r r a t i v e s c o u l d not all be t r a c e d a n d

i n c 1 u d e d i n t h i s s u r v e y , p a r t i c u 1 a r 1 y w h e n t h 0

-F o 1 1 o w 1 n g a p p i l e d s t h 0 a n 1 m a 1 1 i s t e d in t h e i n d 0 c o u 1 d

not. b e f o u n d in a n y of t h e n a r r a t i v e s ; t h e n a r r a t i v e s

d i d n o t ment. i o n e d a n y a n i m a 1 c r a s s r e f erencecl f r a m t he

inde x ; t h e n a m e d s p e c i e s is m i s i d e n t i f i e d in t h e

nar r at i v e s ; t hie ani ma 1 i n t h e nar rat i v e s is ciep i c t e d

gn 1y as a b y s t a n d e r or a v i c t i m o f a n a c t i v11 y , s u c h as h u n t i n g ; or t h e a n i m a l is not a n a g e n t in t h e s t o r y .

F r a m t he t o t a l of 7 3 7 n a r r a 11 v e s , 6 5 5 of t h e m

merit i o n o n e or m o r e n a m e d a n i m a 1 s p e c i e s i n e a c h

n a r r a t i v e , 0 r i g 1 n.a 1 1 y , t. h e r e w e r e 7 4 s p e c i e s o f b i r ds

m e n 11 o n e d in 3 2 8 n a r r a t i v es, 2 2 s p e c i e s o f m a m rn a l s i n

133 n a r r a t i v e s , a n d a b o u t 20 s p e c i e s of r e p t i l e s in 13?

n a r r a t i v e s , all of w h i c h w e r e m e n t i o n e d e i t h e r in

p a s s i n g or p 1 a y e d a n 1m p o r t a nt p a r t as d r a m a t i s

p e r s o n a e . F r o m t h is s u. r v e y , a ft e r 0 x a rn i n i n g t h e

n a r r a t i v e s a c c o r d i n g to a b o v e q u a l i f i c a t i o n s , 2 9 5

s a 1T1p 1 e d n a r r a t i v e s w e r e t a k e n f o r f u r t. h e r a n a 1 y s i s ,

t h i s i n c l u d e d 67 n a m e d s p e c i e s of b i r d s in 158

n a r r a t i v e s , 2 2 s p e c i e s o f m a m m a l s in 3 6 n a r r a t i v e s , a n d

15 s p e c i e s of r e p t i l e s 1n 4 5 n a r r a 11v e s

(22)

14

neither

as

sacred/inside

nor

as

non-sacred/outside

er s i o n , a11hough these distinc1

1

□ ns were recognized by

t h

e A

b

g

I- l g i n

e

s -

This

i s

b

e

c

a

u

s

e

W

a

t

s

r

m

a

n

c

a

u 1 d

r

a

t

d

e

t.

e

r

fTi.

!

.

n

e s

u

c h d i s

t i n

c

t i a

n

s f

r

a

m h

e

r o

r i q i n

a I m

a

t

e

r i a 1.

F u r t h e r , t he

n

a

r

r a t i v e s w e r' e n a t g r

oup

e d i n t o c a t e g o r i e s of

my

t h s , 1e g e

n

ds

,

or ta

1

e

s ,

a .1. t

hough

such t e r m

s

a r e recog n i zed by long u s a g e in the field O i~

fa 1k 1

g

re s

t

udies»

D.

Inside, Outside

In

Aboriginal

society,

there

are

multi-level

"inside" and "outside" forms of narratives

^

The

inside

v

e

r

s i o

n

s ,

,

e

s

peci a 11 y ,

are intrinsi c a 11 y c

n

n

sets

d

w i t h

r

e 1 ig io

u.

s b

e 1 i e f

s a

n

d w i t h A

b

o

r

i

g i n

a 1 w

i

ssensc:

haft

a

n

d

we 1.1 ansc hauunq » Their’

beliefs, r i tu

a

Is,

an

d

m

y

t h

s

operate at different levels of secrecy

beginning

From

"out

side"

or

camp

versions,

t

o

"inside"

o

r

secret-sacred

form-

Children,

especialy

males,

gra

dually 1e

a

rn public v

ersions of nar ra

tives, a

nd wit h

the growth of age and the passing of various initiation

rites, they are

given

more

access

to

secret-sacred

versions of

narratives

which

are

more

esoteric

in

nature.

A 11

t h i s

f

o

r

m

s

p

art

of

t h

a

b

as ic

o

u.

1 1 o

o

k

o

f

Aborigina1 i

-

e 1 igion.

Myths form

the

body

of

verba1

expression,

and

the

ceremonies and

rites

are

the

(23)

5-e x t 5-e n d 5-e d o r g a n i z e d b e h a v i o r w h i c h e x p r e s s e d m y t h s ,

a 1 b e i t i n c o m p 1 s x a n d in d i r e c t w a y s . In t h i s a c t i v i t y ,

m a t e r i a l o b j e c t s or o t h e r f o r m s o f p h y s i c a l

r e p r e s e n t a t i o n a r e u s e d to s y m b o l i s e c e r t a i n t o t e m i c

sp ec ies, sp i r i t. s or a n c e s t r a 1 be i ng s ; a 1 1 w h i c h m a y be

p e r f o r m e d at s i t e s w h i c h are? t h e c o u n t r y a s s o c i a t e d

wi t h v a r i o u s t o t e m i c bei n g s , u s u a l l y 1 o c a 1 1 a n d m a r k s ,

b e c a u s e m o s t of A b o r i g i n a l m y t h s a n d r i t u a l s a r e to

soiiie ex t e n t a 1 w a y s l o c a l i z e d (B e r ndt a n d B e r ndt

1 ? 65:: 198:; 1 9 8 8 s 5 -■ 6, 1 1 -14) . All t h e s e a c t i v i t i e s m u s t

o p e r a t e on a g r a d e d l e v e l f r o m t h e " o u t s i d e " p u b l i c

f o r m t o t h e " i n s i d e " s e c r e t v e r s i o n s .

M y t h s a n d r i t u a l s ar e m u t u all y c o m p 1 i m e n t a r y . R i t u a 1

a c t s o u t t h e e v e n t s or i n s t r u c t i o n s e m b e d d e d in t h e

n a r r a t i v e s „ a n d i n t u. r n t h e m y t h j u s t i f i e s ar

e x p l i c a t e t h e w h o l e r a n g e o f r i t u a l s . T h e s e myth s ,

then, t i e p e o p l e to t h e n a t u r a l a n d t h e s u p e r n a t u r a l

w o r l d in o n e c o h e r e n t u n i t .

E.

Methodology

As s t a t e d e a r l i e r , m y t h s c o n s i s t of s y n t a g m a t i c c h a i n s

of r e l a t e d u n i t s or e l e m e n t s . T h e s e a r e o f t e n

r e p e t i t i v e a n d r e d u n d a n t . L 6v i - S t r a u s s (1955, 1979)

s t r e s s e d t h a t t h e a n a l y s i s of m y t h s is not o n l y

c har ac t.ar i z e d by r e a d i ng i t i n sy nt a g m a t ic t e r m s , but

(24)

e 1 a t i gn s b e t w e e n t h e rn 0a n i n g f u 1 u. n i t. s i n t h 0

n a r r a t i v e s . T h e s u p p o r t i n g p o p u l a t i o n w h i c h is

a c t u. a 11 y 1 n v o 1 v e d i n n a r r a t i n g , 11 s 10n i n g , a n d

p s r f or i'tj i ng t h e n a r r a t i v e s , m a y be u n c o n s c i o u s o f t h e r e 1 a t i. o n s h i. p s b e t w e e n t h o s e u n 11 s i n t h e

m

y t h s ,, e v e

r.

t h o u g h t !"ie y a r e s 0m a n 11 c a 11 y r 1 c h ..

T h e b a s i c r e l a t i o n s h i p p r e s e n t in t h e n a r r a t i v e s a r e

u s Li a 11 y p r e s e n t e d i n a f o r m a t o f p r o p a r t i o n s as:

a / n o t a b o b / n o t

Ta r e a c h s u c h a f o r m u 1a 11on, c e r t a i n c o n d i t i o n s m u s t be

m e t ( G r e i m a s 1 9 7 2 : 1 6 2 - 1 7 0 ) :

a ) T h e a n a 1 y s i s m u s t r e d u c e t h e :i. n f o r m a t ion i n t o

s m a l l e r u n i t s o-f s i g n i f i c a n c e a n d d e f i n e t h e

c o n s t i t u e n t u n i t s f or e a c h n a r r a t i v e t h a t a r e to be

c o m p a r e d . B e c a u s e t h e n a r r a t i v e s u s e d in t h i s w o r k a r e

t a k e n at r a n d o m , for t h e p r a c t i c a l p u r p o s e o f a n a l y s i s ,

t h e c o n s t i t u e n t s h a v e b e e n d i v i d e d i n t o t w o t y p e s : t h a t

is, s p e c i f i c c o n s t i t u e n t s f o r t h e a n a 1 y s i s o f s e p a r a t. e

na r r a t i v e s , a n d m a i n n ar r a

t

iv e c o n s 1 1 1u e n 15 T h e

s p e c if ic c o n s t i t u e n t s c o n s i st of t he clramat is p e r5c n a e

(t h e rn a i n a c t o r ) , o t h e r a g e n t s (c o - a c t o r s > , e v e n t s a n d

i s s u e s , a n d t h e r e s o 1 u. t i o n o r m o r a 1 a c t i o n p r e sent, e d i n

e a c h n a r r a t i v e .. T h e m a 1 n c o n s t i t u e n t s a r e t h e b a s i c a n d

c o n s t a n t t h e m e o f t h e n a r r a t i v e a n d its s i t u a t i o n a l

e v e n t s , a n d

t

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y,

p 1 a n a t o r y a 1 e m e n t s i - e »

(25)

to) T h e u n i t s o f s i g n i F i c a n c e s h o u. I d to a r r a n g e d n a. 1 1near r e 1 a t i o n a 1 5y s 10m . In the ana 1y s i s in this work., e a c h pair of s i m i l a r or d i s s i m i l a r u n its p r e s e n t e d in e a c h n a r r a t i v e is compared., Most often t h e u n i t s a re present, i m p l i c i t l y an d explicitly., in b i n a r y o p p o s i t i o n a l forms» B e c a u s e one of th e s t a t e d p r o b 1 e m s i s t o 1 o ok f o r t h e m a s t r e c u r r e n t a p p o s i t i o r. 5 , c a n t r a d i c 1.1 o n s , or contrast.s p r e s e n t i n a 11 t h e samp led

n a r r a t i v e s, t h e s e bin a r y u n :i. t s h a v e to to e p r e s ante d i n su c h a w a y so that t h e y m a y be c o m p a r e d b e t w e e n all the r 1ar r at :i. ves. Qne way □ f doing this is to s p e d f y t he t y p e s of b i n a r y u n i t s an d put them in a c o d e d re g i s t e r form so that t h e y may be p r e s e n t e d and c o m p a r e d as c o n s t a n t u n i t s for all th e s u r v e y e d samples.

(26)

a n a l y t i c a l c o n s t i t u e n t s to the m a i n n a r r a t i v e :::: o

n

t t u e n t , a 3. 1 t h s b n a r y o r m s a

n

d t h e i r i n t e r p r e t a t i v e r e l a t i o n s m a y be c o r r e l a t e d t o g e t h e r in

a g

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r a 1 i z e d f a r m u. 1 a t i o n a. s :

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on s e l e c t e d u n i t s of a n a l y s i s or " u n i t s of m e a s u r e m e n t ’'

(27)

A. Approaches to the Study of Narratives

T h e n o t i o n t h a t A b □ r i g i n a 1 m y t h s a r e i n m a n y w a y s u n t r u e a nd a b s u r d is n a i v e an d s h o w s m i s u n d e r s t a n d i n g o-F i ts natu.re. Suc h a v i e w , w h i c h d a t e s as far bac k to the 19th c e n tury, still finds s o m e e x p r e s s i o n t o d a y in th e p o p u l a r m i n d of A u s t r a l i a , and might well be p r e s e n t e d b y S c h u r m a n ? s v i e w (q u o t e d i n W o c d s 1879 s 2 4 1 ) s

The n a t i v e s have m a n y m o r e s i m i l a r t a l e s among t h e m ; t h e a b o v e h o w e v e r , w h i c h s e e s t a poss e s more of an i n t e r e s t t h a n an y of t h e rest, will be su-f f i c i ent to sh o w t he i r m o n s t r ou s an d i n e v ery r e s p e c t r i d i c u l o u s c h a r a c t e r .

In m y t h s , a c c o r d i n g to M i d d l e t o n (196 7) , it is that s e e m i n g 1y r i d i e u 1ous u n t r u t h w h i c h b e c o m e s tha de f i n i n g c in a r a c t e r istic. Here, t r u t h i s i r r e 1 e v a n t , b e c a u s e myth, as the e m b o d i m e n t o-f r e l i g i o u s e x p r e s s i o n , is i t s e I f t h e t r u t h . T h e u n r e a 1 w o r 1 d

a

f t h e A b

a

r i g i n a 1 D r e a m i n g m y t h s is the w o r l d w h i c h c o n t a i n e d all their ■fundamental t r u t h s (of. M o r t o n 1985 s 80-95) . As such, a my t n i s a s t at eme n t a bout soc i a t y a n d p eop 1 e s p 1 ac e i n

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20

s t a t eme n t i s a x p r e s s a d i n s y m b o 1 i c t a r ms a n d a n i Vi p c!'_ t a n t a n t h r o p □ 1 o g i c a 1 p r □ b 1 a m b e c □ m& a o n a c f a n d a r s t a n d i n g t h e r a a 1 i t y t h a t t h a s t a t a m a n t s 3 y iTi b O 1 1 — © «

I n g a n a r a 1, a n t h r o p a l o g i s t s h a v e a p p rqa c h e d m y t h s a n d s y m b o l s a s c u l t u r a l p h e n o m e n a , o r i n D u r k e h e i m ’ s t e r m s “ c o l l e c t i v e r e p r e s e n t a t i o n s 11 o r " s o c i a l f a c t s " . T h e u n d e i- 1 y i n g i rn p 1 i c a t i c n o f t h i s v i e w i s t h a t m y t h s a n d c o s m o l o g i c a 1 n o t i a n s s m b a d d e d i n t h e m a r e n o t m e r e

•f a i r y t a 1 e s , e x a t i c a n d q u a i n t e x p r e s s : o n o f a p r i m i t i v e m e n t a l i t y , r a t h e r , t h e y a r e s t a t e m e n t s w h i c h w e r e rn a d e d e 1 i b e r a t e 1 y b y t h e p e o p l e who t e l l t h e m.

T h e r e h a v e b e e n s e v e r a 1 ■ w a y s i n w h i e h a n t h r o p o 1o g i s t s h a v e t r i e d t o e x p l i c a t e t h e p r a b 1em o f t h e s a s y m b o 1 i c s t a t e m e n t s . T y l o r ( 1 8 7 3 ) a n d F r a z e r ( 1 9 3 3 ) , r e p r e s e n t i n g e a r l y i n t e l l e c t u a l i s t s , s a w m y t h s a s e x p r e s s i n g t h e h a l f - f o r g o t t e n o r i g i n s o f m a n k i n d , t h e o r i g i n o f n a t u r e a n d e v e n t s t h a t o c c u r r e d i n h i s t o r y . A l t h o u g h t h i s a p p r o a c h h a s b e e n o u t m o d e d , i t p r o v i d e d a n o b v i o u s t r u t h o f a n t h r o p o l o g i c a l s i g n i f i c a n c e s t h a t m y t h s a r e c o n c e r n e d w i t h t h e

: - el a t i o n s h i p s o f m a n w i t h m a n , rn a n w 11 h n a t u r e , a n d rn a n

w i t h t h e s u p e r n a t u r a 1.

I h e e v o 1u t i o n i s t a n d f u n c t x o n a l i s t s c h o o l s o f D u r k h e i m, R a d c 1 i f f e ~ B r o w n a n d E v a n s - P r i c h a r d a r e i rnp a r t a n t i n t h a t t h e y f o r me d a k i n d o f h i s t o r i c a 1

b !•■' i d g e w 11 h t h e p r e v i o u s c o n c e p t i o n s o n t h e n a t u r e o f

(29)

t h e o r e t i c a l c o n c e r n s w e r e being w o r k e d o u t „ For e x a m p l e W e ber s •’ s (1947) exp 1 or a t i on o f t he re 1 a t ionsh i p b e t w e e n s c o n o m i c and r s 1 i g i □ us i n s t i t u t i o n s and his r e c o g n 1 1 1 o n of th e i m p o r t a n c e of t h e p r o b l e m of meaning, or F r e u d ' s p s y c h o a n a l y t i c i n s i g h t s on the r e l a t i o n s h i p of re 1 ig ious t h o u g h t a n d ernot ions to u n c o n s c ious mgtiv a t i a n s a nd the t rea tm e n t of r e 1 igio n as a p r o j e c t i v e syst e m . H o w e v er, E v a n s -Prio ha rd < 1965) p o a i t e d t h a t t h e e x p 1 a n a t i o n o f r e 1 i g i o n b a s e d p u r e 1 y on the s o c i o l o g i c a 1 (as r e p r e s e n t e d by w o r k s of Weber and P a r s o n s ) or p s y c h o l o g i c a 1 <as r e p r e s e n t e d by w o r k s of F r e u d an d Roheirn) is ina d e q u a t e . He stressed, r a t it e r , t h e i m p o r t a n c e o f belief, m e a n i n g , a n d i n t s r p r e t a t i o n in the s t u d y of m y t h s an d r e 1 i g i c n , A g r o w i n g a w a r e n e s s of t h i s c o n c e p t i o n of the ''‘s o c i o l o g y of ideas" a n d fu r the r un d e r st a n d i n g of the m a n n e r in w h i c h t h e s e soc i a l ideas are t r a n s m i t t e d have p r o d u c e d many w o r k s on myths, r i t u a l , religion, and s y m b o 1 i s m , T u !•"ner (1975) has pravi ded an i n dept h o v e r v iew of t he recent d i r e c t i o n in the fieId, and his a t her w o r k s ' 1967,, 1969, 1974) hi a v e p r o v i d e d v a 1 u a b 1 e c a n t r i b u t i o n to t h i s field,

(30)

(1973), an d Mu.nn (1973)» Whi le w o r k s by D o u g l a s (1970, 1 9''r5) an d N e e d h a m (1973) r ep r e s e n t i n~d s p t h i n v e s t i g a t i o n s into the role of s y m b o l s in social life, a n d L e a c h (1979) has p r o v i d e d a s u m m a r y of the general s t r u c t u r a 1 ist m e t h o d s to t h e f i e i d of m y t h o I o g y . W o r k s by M a u s s (1954),, L e v i - S t r a u s s (1963, 1966,, 1969,, and o t h e r s ), a n d L s a c h (1954, 1976, 1979) havs further s t i m u 1 a t e d t h e f i e 1 d o f a n t h r o p o 1 o g y o f r e 1 i g i o n , p a r t i c u l a r l y on a s p e c t s of m y t h s an d ritual by o f f e r i n g

n o V e 1 an d p r

a

v o c a t i v e p e r s p e c t i v es. T h i s s t r u c t u r a l l s t a p p r o a c h r e g a r d s m y t h s as a m e a n s of e x p l a i n i n g the p a r a d o x e s o f soc i a 1

a

r d e r w i t h i n e x t r a - so c i a 1 c ha

a

s , t h e p a r a d □ x e s o f t h e r e 1 a t i o n s h i p s o f a u t h o r i t y , p o w e r ,, kinship, e t c .

Th :i. s g r aw i ng f i e l d of sy rn bo 1 i c ana 1 y s i s i n a n t h r o p o l o g y c o v e r s a w i d e r a n g e of a p p r o a c h e s v a r y i n g f r orn t he i nt er p r et at i on . of the r o 1 e of c u 11 u r a 1 sy m bo 1 s in s o c i a 1 life as p r e s e n t s d by T u r n e r and Geertz (1960;, 1964, 1963), t o t h e a n a 1 y sis

a

f t h e s e l f - c o n t a i n e d logic of s y m b o 1 ic s y s t e m s as e x e m p 1 ified by L e v i - S t r a u s s and others. O t h e r a n t h r o p o l o g i s t s have t u r n e d t o d i f f e r e n t f i e l d s s u c h a s p h i 1 o s o p h y ,, p s y c h o i o g y , 1 i t e r a r y cr i t ic isrn, aest hetics, i nf ormat ion t h e o r y , s e m i o t i c s , a n d 1 i n g u i s 11 c s t o g a i n d i f f e r e n t p e r s p e c t i v e s into the a n a l y s i s of s y m b o l s and m y t h s and t h e i r u s e s .

(31)

n e d i a t i n g a g e n t o f c u i t u r a 1 t r a n s rn i s 3 1 □ n , M o s t □ f t h e s e , however, c o n c e r n the s i g n i f i c a n c e of b e s t i a r i e s an d t h e1r s y m b a i i c m e a n i n g s w i t h1n W e s t e r n s o c ist 1e s . Nevertheless., t h e s e w o r k s i n d i c a t e a p e r e n n i a l interest

1 n a n i m a 1 s a n d t h e 1 r s y m b a 1 ism. M □ s t n o t a b 1 e a m an g t hi e m a r e s t u d i a s b y M c C u 11 o c h (1 ? 6 0) , W h 11 e < 19 5 4) „ a n d r e c e n 1 1 y b y R o w 1 a n d (1974) w h i c hi 1 a a k i n t a v a r i o u s rn y t h s a n d 1 e q e n d s a b o u t a n 1 m a I s a n d t h e i r r o 1 e s a s t h e y w e r e p e r c e i v e d in the M i d d l e Ages, a n d c o n t i n u i t i e s in

t h e 1 r s i g n i f i c a n c e t c t h e p r e s e n t 11 m e

S t u d i e s con the i n d i v i d u a l role of a n i m a l s have been done by J a n s e n (1952) wh o i n v e s t i g a t e d the role o f apes (2ur i ng t he Mi d d l e A g e s an d t he R e n a i s s a n c e . Leac h (19 6 i ) 1n v e s tig at e d t he 1o re a nd c o s m o 1o g i c a 1 sig n i f i e a n c e af the dag, w h i l e a s i m i 1 a r s t u d y on the r o 1e of p c n i e s was fa rw a r d e d by Dent (1962).

The social r e l a t i o n s an d s i g n i f i c a n c e of a n i m a l s hi a v e a iso be e n 1 o o k e d into. !._ea c h (1964) h a s m a d e a s t u d y of 1 i n g u i s t ic t a b o o s b a s e d o n s y m b o l i c a n i m a 1 c at eg or ies a n d var i ous ve r ba 1 o b s c e n i t i es r e 1 -at e d t o them, and t he social va 1 uat ions of var ious an i m a .1 s as p s r c e i v e d by W e s t e r n people. L o n d s d a l e ’s (1981) study f o c u s e s m o r e on a n1m a 1s as p r a g e n i t o r s of d a n c e in v a r i o u s a n c i e n t and e t h n o g r a p h i c s o c i e t i e s as r e f l e c t e d t h !'"a u g h t h e 1 r a r t „ 1 o r e s , a n d m y t h s . W i l l i s (197 4)

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24

(1964, 1967). O t h e r s t u d i e s of a n i m a l s y m b o l i s m in Afi- ican s o c i e t i e s h a v e be e n done by T u r n e r (1962), who

i n v a s 11 g a t e d a n i m a 1 s i n t h e c □ n t e x t o f h u n 11 n g r 11 u a 1 s a m o n g t h e N d e m b u h u n t e r s of R o d h e s i a , and by Bei del man (1967) w h o looke d in t o t he soci a 1 s i g n i f i c a n ce of hyena a n d t h e r a b b i t a m o n g t h e B a n t u af E a s t A f r i c a . N e e d h a m (19 67) h a s s t u d i e d m o c k e r y a f a n i m a 1 s a m o n g t h e P e n a n a n d Gernang B u s h m e n or K a l i m a n t a n in Indonesia. Other exp o s11 i o n s o n t he us e of a n i m als in s y m b o l i c c 1 a s s i f i c a t i o n m a y b e e e m p 1 i f i e d b y B u 1 m e r s (1967) s t u d y of the c a s s o w a r y in Irian, T a m b i a i V s (1969) s t u d y on c u l t u r a l p e r c e p t ions t o w a r d s a n i m a l s in Thailand, and L 4v i - Gtr aus s ’s (1962) ana 1y si s of abo r i g i n a 1

'•'sc ience of t he c o n c r e t e " and t he 1 agio of t o t e m ic c l a s s i f i c a t i o n in v a r i o u s N o r t h A m e r i c a n Indian c u l t u r e s .

S y m b o l i c r e p r e s e n t a t i o n s of a n i m a l s in A u s t r a l i a n A bo r i g m a l soc i et y have been s t u d i e d by va r i ou s p eop 1 e . Radc 1 if f e - B r o w n (1951) saw th e use of an i rna 1 spec i es as t hi e y a r e p r e s e n t i n A b o r i g i n a 1 t □ t e m l s m a n d n a r r a t i v e s y s t e m s as of so me t hln g that is of s y m b o 11c

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af nar r a 11 v e s wi t h ernus as th e d r a m a t is per s o n a e . He p o s i t e d t h a t t h e p r e s e n c e in m a n y m y t h s of e m u s in r e l a t i o n s h i p w i t h o t h e r b i rds i n d i c a t e s a d e s i r e for a r e s o 1 u t i o n o f t h e d i f F i c u 11 y a f D a 1 a b o n t h o u g h t a b o u. t th e c l a s s i f i c a t i o n of emu. (a f l i g h t l e s s bird) and birds t h a t fly» E l s e w h e r e , Ma d dock (.1970) has p o s i t e d that

A

b o r i q i n e s f r e q u e n 1 1 y a 11. r i b u t e c u. i t u r a 11 y c r e a t i v e r o l e s (such as th e i n v e n t i o n of fire) to animals, while th e p e o p 1e the m s e i v es a re r eg a r de d as pa s s i v e inn ov at o r s c o n c e r n e d m a i n 1y w i t h t h e m a i n te n anc e of t he 3.r t r ad it i a n s . B l o w s (1975) r s e v a 1 u.ated the r o 1 e cf e a g l e h a w k and c r o w in m y t h s and p o s i t e d that the c o n f l i c t b e t w e e n the t w o s p e c i e s s y m b o l i z e d a

(34)

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g t h e t h e m e jf how p e o p l e have r e p r e s e n t e d a n i m a l s n their art. T h i s book c o n v e y s s t a g e s in th e p r o c e s s of i n t e r p r e t i n g art a n d i n c l u d e a r t i c l e s on i d e n t i f y i n g images of the

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r t , h □ w a r t e n c o d e s rn e a n i n g ,, r e 1 a t i o n s h i p s b e t w e e n i m a g e s a n d c o m p o s i t i o n s , th e m e a n i n g

of

the animal im a ge s , a n d t h e c o m pas i t i o n of a w i d e r c u 11 u r a 1 sys t e m . U c k o a n d R a s e n f e l d (19673 have p r e v i o u s l y d e s c r i b e d the

::::amp 1 ex n a t u r e of h u m a n /a n i m a 1 re 1 a 11o n s h i p s in P a 3. e o 1 i t h i c c a v e art a n d t. h e y h a v e e x a m i n e d t h a t

s p e c i a l c h a r a c t e r i s t i c of e x p r e s s i o n t h r o u g h art,,

M o s t recen1.1 y , t h r e e ed i ted wor ks have c o m e out " as the r e s u 11 af W o r 1d A r

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(35)

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t h n a n ~ h u. m a n / a n i m a 1 f o r m s a n d c h a r a c t e r i s t i c s . 3 u c h c o m p i e x11 i e a a re □ f t e n m a de e x p 1 icit in m y t h a nd

r i t u a 1, a n d t hi e r e f o r e d e m a n d t h a t a r c h a e o 1 o g i s t a r e c o g n i z e the d i s t i n c t i o n b e t w e e n r i g o u r in their m e t h o d o l o g y w h i c h o n l y f o c u s e s on th e m a t e r i a l e v i d e n c e and t h e i n t r i c a c i e s and c o m p l e x i t i e s of the i n d i g e n o u s c 1 ass i f i cat or y syst em of t hs cu 11 ur e t hey ar e st udy i ng „ T h

i

s i n c 1 u d e s t

h

e

r

e a 1

i

z a t i o n t h a t t h e a s c

r

i p 11 o n

o

f

significance to a particular category of animal species

is not merely due to economic reasons but also

to

the

p

a

r

tic

u 1 a

r bei

i

e

f s

y

s

t

e

m

o

f t h

e c

u 11.

u

r

e c

once

r n

e

d

Figure

Table 2A s a i g n m e n t o f R o 1 e s i n N a r r a t i v e s w i t h A n i m a 1 s

References

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