Art and ephemera post-structuralist perspective: visual art, ephemera and environment

Full text

(1)This file is part of the following reference:. Lord, Anne Mary (2008) Art and ephemera post-structuralist perspective: visual art, ephemera and environment. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/15317.

(2) Bibliography.

(3) Adams, D 1992, ‘Joseph Beuys: Pioneer of a Radical Ecology,’ in Art Journal, vol. 51, no. 2, Art and Ecology, (Summer), pp. 26-34.. Adcock, C 1992, ‘Conversational Drift: Helen Mayer Harrison and Newton Harrison,’ in Art Journal, vol. 51 no. 2, Art and Ecology, (Summer), pp. 35-45.. Adlington, B 2001, Urban Troposphere: Deconstructing Visions of the Tropics, exhibition and catalogue, Umbrella Studio Contemporary Arts, Townsville, Australia.. Aequivalenz: Shattered Stones, A Project by Gustav Metzger, viewed October 2007, <http://www. Aequivalenz.com>.. Alexander, G 1988, Transits: Robert Owen Selected Works, published catalogue, Wagga Wagga City Art Gallery.. Allen, B 1999, Power / Knowledge: Critical Essays on Michel Foucault, K Racevkis (ed.), G. K. Hall & Co, New York.. Ammer, M 2007, in Documenta Kassel 16/06/-23/09/ 2007 XII, 2007, catalogue and exhibition, D Fink, S Grimm (German eds), J Quinn, R Storer (English eds), Taschen GmbH, Køln, Germany).. Anderson, EN 1996, Ecologies of the Heart: Emotion Belief and Environment, New York and Oxford, Oxford University Press.. Bibliography. 441. Anne Lord.

(4) Andrews, M (ed.) 2006, Land, Art: A Cultural Ecology Handbook, Published by The RSA (Royal Society for the encouragement of Arts, Manufacture and Commerce) with Arts Council England as part of the Arts and Ecology program Viewed 12 December 2008, <http://www.rsaartsandecology.org.uk/>.. Armes, R 1987, Third World Filmmaking and the West, University of California Press, Berkeley.. Art Gallery of New South Wales, Exhibitions, The Lost Buddhas: Chinese Buddhist Sculpture from Qingzhou, viewed 12 September 2008, <http://www.artgallery.nsw.gov.au/?p=11581>.. Art Gallery of New South Wales, 2005, Zen Brush Zen Mind: Japanese Ink Paintings from the Gitter-Yellen Collection, Art Gallery of New South Wales, Sydney.. Arthives, artists websites, viewed 18 December 2008, <http://www.visualartist.info/visualartist/artist/?artistId=1276>.. Artpost, 2008 Artist Map, Artists WALL, ABC Communities, viewed 21 November 2008, <http://artpost.abc.net.au/tv/artpost/join_thankyou.htm>.. Arts For Change, ‘The Activist Art Bibliography,’ viewed November 2005, <www.artsforchange.org>.. Bibliography. 442. Anne Lord.

(5) Arts Law Centre of Australia, viewed 12 October 2008, <http://www.artslaw.com.au>.. Ashton, L 1999, ‘Drawing Subjects: A Poststructuralist Study Of Generalist Primary Teacher And Pre-Service Teacher Discourse In Art Education,’ u.p. PhD Thesis, James Cook University, Townsville, Australia.. Ashton, L 1998, ‘The PhD confirmation seminar presentation: A computer slideshow approach,’ in an International Symposium on the Doctor of Philosophy for Candidates and Supervisors: A Focus on Rural Issues, D. McSwan (ed.), Rural Education Research and Development Centre, James Cook University, Townsville, pp.73-79.. Atkinson, D 1995, ‘Discourse and practice in the art curriculum and the production of the pupil as a subject,’ Journal of Art and Design Education, vol. 14, no. 3, 259-270.. Atkinson, D 2002, Art in Education: Identity and Practice in Landscapes: The Arts, Aesthetics and Education vol. 1, Kluwer Academic Publishers Dordrecht, Boston, London.. Augé, M 1995, Non-places: Introduction to an Anthropology of Supermodernity, trns. John Howe, Verso, London.. Australian Copyright Council, ‘Copyright Information by admin – last modified 2008-10-23 23:11’, viewed 3 November 2008, <http://www.copyright.org.au/information/introduction/moral-rights>. Bibliography. 443. Anne Lord.

(6) Baas, J & Jacob, MJ 2004, (eds), Buddha Mind in Contemporary Art, University of California Press Berkeley and Los Angeles, California.. Bachelard, G 1994, The Poetics of Space, trns. Maria Jolas, foreword by John R. Stilgoe, Beacon Press, Boston.. Bamford, A 1999, ‘The Art of Research’, Australian Art Education, vol. 22, no. 2, 1999, pp. 25-30.. Bataille, G 1985, Visions of Excess: Selected Writings, 1927-1939, University of Minnesota Press, Minneapolis.. Benjamin, W 1935, ‘Art in the Age of Mechanical Reproduction,’ in Illuminations 1973, H Arendt (ed.), trns. H Zohn, Collins Fontana, London.. Benzaken, D 1997, ‘Folds and Silica’, in Fold, exhibition and catalogue, Umbrella Studio Association Inc.. Berger, J 1972, Ways of Seeing: based on the BBC television series with John Berger/ a book made by John Berger …[et al.] British Broadcasting Corporation, Penguin, Harmondsworth.. Bermingham, A & Brewer, J 1998, (eds), The Consumption of Culture: 16001800: image, object, text, Routledge, London.. Bibliography. 444. Anne Lord.

(7) Beuys, J 1970, Thousand Oaks, Documenta 7, Kassel, Germany, viewed 11 November 2008, <http://www.diacenter.org/ltproj/7000/dokumenta7.html>.. Biennale of Sydney: Revolutions – Forms that turn, Biennale of Sydney, Woolloomooloo, NSW.. Blackburn, S (ed.), 1994, The Oxford Dictionary of Philosophy, 2nd edn, Oxford University Press, Oxford.. Boettger, S (2002) Earthworks: Art and Landscape of the Sixties, University of California Press Ltd., Berkeley.. Bois, YA 1996, in Formless: A User’s Guide, Bois YA and Krauss, RE, Zone Books, New York.. Bollas, C 1987, The Shadow of the Object: Psychoanalysis of the Unthought Known, Columbia University Press, New York.. Boltanski, C 2002, Scratch, Published in cooperation with ZKM, Karlsruhe, Artist’s Book, Walther Konig, Koln.. Bond, A 1985, The Australian Perspecta 1985, exhibition and catalogue, Art Gallery of New South Wales, Sydney.. Bibliography. 445. Anne Lord.

(8) Bond, A 2005a, Wolfgang Laib: the Third Balnaves Sculpture Project, 6th August – 10th October 2005, Art Gallery of New South Wales, Sydney, pp. 9-16.. Bond, A 2005b, ‘Conservation and Interpretation or (re)presentation documenting artist’s intentions in museum collections’ (u.p.), Art Gallery New South Wales, Sydney.. Bostwick, E 2008, ‘Going Green with Public Art Policy’, in Art in the Public Interest, viewed 19 December 2008, <http://www.apionline.org/index.html>.. Bourriaud, N 1992, ‘The work of art in the age of ecological recycling: Benjamin’s aura turns green,’ Flash Art, no. 167, Nov/Dec, pp. 60-63.. Bourriaud, N 2002, Relational Aesthetics, 1998 trns. Simon Pleasance and Fronza Woods with the participation of Mathieu Copeland, Les presses du reel France.. Bourriaud, N http://tate.org.uk/britain/exhibitions/altermodern/manifesto.shtm, (viewed 5th Oct 2009).. Boyle, J 2006, ‘Intellectual Property: The Analogy to Environmentalism,’ in Land, Art: A Cultural Ecology Handbook, Andrews, M (ed.), 2006, The Royal Society for the encouragement of Arts, Manufacture and. Bibliography. 446. Anne Lord.

(9) Commerce, RSA, in partnership with Arts Council England as part of the Arts and Ecology program, London, pp. 126-131. Brook, M 2005, Floating Island to Travel Around Manhattan Island, 1970/2005 produced by Brook M in collaboration with the Whitney Museum of American Art, on view September 17-25, 2005, photograph David Politzer, viewed 20 September, 2005, <http://www.artnet.com/artwork/424585280/117082/floating-island-totravel-around-manhattan-island.html>.. Brooks, R 1995, ‘Nikolaus Lang: Evolution Adelaide Convention Centre and Adelaide Railway Station April 1995’, Artlink, vol. 15, nos. 2 & 3, pp. 91-92.. Burn, I 1992, ‘The Metropolis is only Half the Horizon,’ in The Boundary Rider, Biennale of Sydney, Anthony Bond and contributors, Sydney, pp. 29-33.. Burnham, J 1971, ‘Laderman Ukeles 1969, Manifesto ! Maintenance Art’, excerpted by J Burnham, in ‘Problems of Criticism, VIII’ Artforum, January, vol. 9 no. 5, pp. 40-41.. Burns, M 2003, ‘ABC Online: Becoming the ABC,’ u.p., PhD Thesis, Griffith University.. Bibliography. 447. Anne Lord.

(10) Burow, S 2007, ‘Gustav Metzger: Aequivalenz – Shattered Stones’ p. 149, in Sculpture Projects Muenster 07, B Franzen, K Konig, & C Plath, (eds), Walther Konig, Koln.. Buskirk, M 2005, The Contingent Object of Contemporary Art, Massachusetts Institute of Technology, The MIT Press, Cambridge, Massachusetts.. Cabanne, P 1987, Dialogues with Duchamp, Da Campo Press, London.. Cameron, J (ed.) 2003, Changing places: re-imagining Australia, Longueville Media, Sydney.. Carson, R 1963, Silent Spring, Hamilton, London.. Capurro, C 2007, Another Misspent Portrait of Etienne de Silhouette, (Artist’s book, erased and inscribed ‘Vogue Hommes’ magazine, a masscollaborative erasure work and associated project), Christian Capurro et al. Venice Biennale, viewed 29 April 2008, <http://www.christiancapurro.com/openstudio.php>.. Carter, P 1987, The Road to Botany Bay: an Essay in Spatial History, Faber and Faber, London.. Carter, P 2004, Material Thinking: the Theory and Practice of Creative Research, Melbourne University Press, Melbourne.. Bibliography. 448. Anne Lord.

(11) Carter, P & Geczy, A 2006, Reframing Art, UNSW Press, Sydney.. Casagrande, G 2007, ‘Guiseppe Penone Lymph Sculptures,’ in Think with the Senses, Feel with the Mind Art in the Present Tense, exhibition Biennale di Venezia 52nd International Art Exhibition, Rizzoli International Publications, New York, pp. 70-71.. Celant, G 2002, ‘Germano Celant vs Arte Povera,’ in Arte Povera 19672002: Art from Italy 1967-2002, exhibition and catalogue, Museum of Contemporary Art, 23 Aug to 11 Nov 2002, Castello di Rivoli, Museo d’Art Contemporanea, Rivoli, Turin, pp. 21-27.. Cembalest, R 1991, ‘The Ecological Art Explosion’, ARTnews, vol. 90, no. 6, Summer, pp. 96-105.. Centre for Contemporary Design Practice, CCDP, ‘Creative and Civil Societies’, viewed 21 October 2008, <http://www.utsydney.cn/handbook/cal/chap4/creative.html#1>.. Change Agency, The, 2007, ‘Queensland Conservation Council support and energise Brisbane communities around climate change’, viewed 16 November 2007, <http://www.thechangeagency.org/01_cms/details.asp?ID=73>.. Christov-Bakargiev, C 2002, ‘Arte Povera circa 1967 and today’ in Arte Povera 1967-2002 Art from Italy 1967-2002 exhibition and catalogue at. Bibliography. 449. Anne Lord.

(12) Museum of Contemporary Art, 23 Aug to 11 Nov 2002, Castello di Rivoli Museo d’Art Contemporanea, Rivoli, Turin, pp. 11-18.. Clifford, S & King, A 1988, ‘Putting the New Milestone Project in its Place,’ in J Morland (ed.), New Milestones: Sculpture, Community and the Land, Common Ground, London, pp. 15-19.. Cohn, T 1993, ‘Artists and the environment: a survey of some recent projects in the San Francisco Bay Area,’ in Artweek, vol. 21, no. 1, ‘Fixing the Earth Part I’ September 9, pp. 20-21.. Collet, P 1995, ‘Western philosophy and women artists: Inferior, subordinate, private and other,’ in Australian Art Education, vol. 18 no. 2, pp. 28-34.. Collet, P 2006, ‘The Aesthetics Must Rub Off,’ in Australian Art Education vol. 29 no. 2, pp. 49-58.. Collins, T & Goto, R 2005, ‘An Ecological Context’ in New Practices New Pedagogies, Malcolm Miles (ed.), Routledge, London, pp. 39-52.. Contemporary Visual Art and Culture: Broadsheet 2007, vol. 36 no. 3.. Cook, AG and McKenzie, DE 1997, The Great Artesian Basin, M’Choinneach Publishers, Ilfracombe, Queensland.. Cooper, G 1994, ‘Rupture’, Leonardo, vol. 27, no. 22, pp. 102-103.. Bibliography. 450. Anne Lord.

(13) Crabtree, A 1994, ‘Re-spect’ Art and Design, Profile 36, vol. 9, no. 5/6, pp. 16-23. Cranswick, D 1991/2, ‘Red Gum Red Light,’ in Artlink, Special Issue Art Environment Architecture, vol. 11, no. 4, Summer, pp. 88-89.. Crary, J 2008, ‘Spinning Histories: Displacement and reversal in the arts of perception,’ Biennale of Sydney: Revolutions – Forms that turn, Biennale of Sydney, Woolloomooloo, NSW, pp. 41-44.. Crimmin, M 2007, ‘Marjetica Potrc Talk’, viewed 20 November 2007, <http://www.rsa.org.uk/arts/conferences/MarjeticaPotrcTalk26.6.07.mp3 >.. Cundall, P 2008, ABC TV, Gardening Australia, viewed 23 July 2008, <www.abc.net.au/gardening>.. Danto, AC 1981, The Transfiguration of the Commonplace, Harvard University Press, Cambridge, Massachusetts.. Danto, AC 1986, The Philosophical Disenfranchisement of Art, Columbia University, New York.. Danto, AC 1998, The Wake of Art: criticism, philosophy, and the ends of taste: essays/ Arthur C. Danto selected and with critical introduction [by] Gregg Horowitz, Tom Huhn, G+B Arts International, Gordon and Breach Publishing Group, Australia.. Bibliography. 451. Anne Lord.

(14) Danto, AC 2004, ‘Upper West Side Buddhism,’ in J Baas and MJ Jacob 2004, (eds), Buddha Mind in Contemporary Art, University of California Press Berkeley, pp. 49-59.. Davidson, RA 2003, ‘Spaces Of Immigration: “Prevention” Interdiction and the Nonplace,’ Diacritics, Fall Winter 2003, pp. 3-18.. Davies, B 1996, Power, knowledge, desire: Changing school organisation and management practices, Department of Employment, Education, Training and Youth Affairs, Canberra.. Davis, D 2008, First We See: The National Review of Visual Education, Research School of Humanities, Australian National University, Canberra.. Davis, J 1975, ‘Notes for Place’, Sixth Mildura Sculpture Exhibition, N Sheridan, (ed.), exhibition and catalogue, Mildura Arts Centre, Mildura, Australia, p.5. Daw, K 2005, ‘The Between Space: Narrative in Contemporary Visual Practice,’ u.p. PhD dissertation and creative work, Victorian College of the Arts, University of Melbourne.. Deacon, D 2006, ABC TV Message Stick, viewed 8 January 2006, <www.abc.net.au/messagestick/>.. Bibliography. 452. Anne Lord.

(15) Debord, G 1967, La Société du Spectacle, Buchet-Chastel, Paris, trns. D Nicholson-Smith as The Society of the Spectacle, Zone Books, New York.. Debord, G 1956, ‘Theory of the Dérive’, in L Andreotti, and X Costa (eds), Theory of the Dérive and Other Situationist Writings on the City 1996, Museu d’Art Contemporani de Barcelona; ACTAR, first published in Les Lévres Nues, no. 8, 1956, Paris.. Deleuze, G & Guattari, F 1987, A Thousand Plateaus: Capitalism and Schizophrenia, trns. B Massumi, University of Minnesota Press, Minneapolis.. Denes, A 1992, ‘Wheatfield: Tree Mountain’, Art Journal, vol. 51, pp. 22-23.. Denes, A 1993, ‘Notes on Eco-Logic: Environmental Artwork, Visual Philosophy and Global Perspective’, Leonardo, vol. 26, no. 5, pp. 387395.. Denes, A 2008, ‘Agnes Denes: Projects for Public Spaces, October 16, 2003January 4, 2004’ in Haggerty Museum of Art, viewed 12 March 2008, <http://www.mu.edu/haggerty/exhibitions/denes.html>.. Denzin, N & Lincoln, Y 1994, Handbook of Qualitative Research, Sage Publications, London.. Bibliography. 453. Anne Lord.

(16) Derrida, J 1994, ‘Sending: On Representation’ in P Fuery (ed.), Representation, Discourse and Desire: Contemporary Australian Culture and Critical Theory, Longman Cheshire, London.. Diacenter, Beuys at Kassel Documenta, viewed 12 October 2008, <http://www.diacenter.org/ltproj/7000/dokumenta7.html>.. Diamond, I and Orenstein, GF 1990, Reweaving the world, Sierra Club Books, San Francisco.. Dictionary of Australian Artists Online, viewed 20 November 2008, <http://www.daao.org.au/main/read/7091>.. Digital Consciousness, viewed 11 Dec 2007, <http://digitalconsciousness.com/artists/JanineAntoni/>.. Dillard, A 1982, Teaching a Stone to Talk: Expeditions and Encounters, Harper & Row, New York.. Documenta Kassel 16/06/-23/09/ 2007 XII, 2007, catalogue and exhibition, D Fink, S Grimm (German eds), J Quinn, R Storer (English eds), Taschen GmbH, Køln, Germany.. Doogue, G 2007, ABC TV, Compass, viewed 17 August 2007, <http://www.abc.net.au/compass/s2009754.htm>.. Bibliography. 454. Anne Lord.

(17) Drysdale, M 1991, ‘Can Humans Have an Eco-centric Aesthetic?’ in Proceedings from EcoDesign 1 Conference Sustainability Through Design October 18-20, 1991, Centre for Design, RMIT Melbourne, pp. 98-101.. Dubuffet, J 1986, Asphyxiating Culture and other writings, trns. C Volk, from Asphyxiante culture 1973, Four Walls Eight Windows, New York.. Duncum, P 1988, ‘Toward foundations for a socially critical art education,’ Australian Journal of Teacher Education, vol. 12 no. 2, pp. 6-13.. Duncum, P 1992, ‘Agenda setting for research in education,’ Australian Art Education vol. 16 no. 1, pp. 19-21.. Duncum, P & Bracey, T 2001, On knowing: art and visual culture, Duncum, P (ed.), Canterbury University Press, Christchurch, N.Z.. Duxbury, L 2002, ‘Exposed to the Elements: Representations of Atmospheric Phenomena and the Construction of a Cultural Psyche,’ u.p. PhD thesis, RMIT.. Duxbury, L & Grierson, E 2007, ‘Thinking in a Creative Field,’ in L Duxbury, E Grierson & D Waite (eds), Thinking Through Practice: Art as Research in the Academy, RMIT Publishing, first published November 2007 by RMIT Publishing on Informit e-Library.. Bibliography. 455. Anne Lord.

(18) Eagle, M 1990, 1990 Adelaide Biennial of Australian Art, published catalogue, Art Gallery Board of South Australia.. Ebeling, K 2007, ‘Site [Sitelessness / Un-Site / Non-Site / Genius Loci],’ in B Franzen, K Konig, C Plath (eds), in Sculpture Projects Muenster 07, 2007, for LWL – Landesmuseum fur Kunst und Kulturgeschichte, Muenster, Germany, Walther Konig, Koln, 448-449.. Ede, S 2007, ‘Report on the RSA’s Art and Ecology forum,’ RSA’s Panel on Art and Ecology held in the Wales Pavilion at the Venice Biennale Venice, June 2007, viewed 7 December 2007, <http://www.rsaartsandecology.org.uk/__data/assets/pdf_file/0020/15264 2/Microsoft-Word---Sian-Ede.pdf>.. Edminston Prior, M 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 31.. Edwards, J 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 11.. Elkins, J 1999, The Domain of Images, Cornell University Press, Ithaca.. Elkins, J 2000, What Painting Is? How to Think About Oil Painting in the Language of Alchemy, Routledge, London.. Elkins, J 2004, On the Strange Place of Religion in Contemporary Art, Routledge, New York. Bibliography. 456. Anne Lord.

(19) Encarta® World English Dictionary, © 1999, Microsoft Corporation, developed for Microsoft by Bloomsbury Publishing PLC.. Epstein, M 2004, ‘Sip My Ocean,’ in J Baas & MJ Jacob (eds), Buddha Mind in Contemporary Art, University of California Press, Berkeley, pp. 28-35.. Ewington, J 1995, ‘Five Elements’, Art and Asia Pacific, vol. 2, no. 1, pp. 113-114.. Ewington, J 1994, ‘In the Wild: Nature, Culture, Gender in Installation Art’, in C Moore (ed.), Dissonance: Feminism and the Arts 1970-90, Artspace, Allen and Unwin, Sydney, pp. 228-248.. Experimenta, <http://www.experimenta.org/mesh/mesh04/4leb.html>.. Fairclough, N 1989, Language and Power, Longman, London.. Fehr, D 1994, ‘Promise and paradox: Art education in the postmodern arena,’ Studies in Art Education, vol. 35, no. 4, pp. 209-217.. Feldman Gallery, Mierle Laderman Ukeles, 1997 Unburning Freedom Hall, Installation at Museum of Contemporary Art, Los Angeles, CA, viewed 14 May 2008, <www.feldmangallery.com>.. Fisher, R 2007, Keynote speaker - Environment Victoria, ‘Ecologically Sustainable Development and the Built Community’, Environmental Bibliography. 457. Anne Lord.

(20) Research Event ERE: 11th Australasian Conference, JCU, Cairns, ERE 2007 Organising Committee, Newport Beach, NSW.. Flannery, T 2005, The Weather Makers: The History and Future of Climate Change, Text Publishing, Melbourne, Australia.. Flood, A 2005, ‘Common Threads: A discursive text narrating ideas of memory and artistic identity,’ Australian Art Education, vol. 28, no. 1-2, pp. 36-52.. Flood, R and Morris, F (eds) 2001, From Zero to Infinity, Arte Povera 19621972, published catalogue, Walker Art Center, Minneapolis, and Tate Modern, London.. Ford, S 2005, The Situationist International: a user’s guide, Black Dog Publishing, London.. Foucault, M 1969, ‘The Historical a priori and the Archive,’ The Archive, C Merewether (ed.), Documents of Contemporary Art Series, Co-published Whitechapel Ventures Limited, London and MIT Press, Cambridge, Massachusetts, pp. 26-30.. Foucault, M 1980, Power: Knowledge, Pantheon, New York.. Foucault, M 1983, This is not a pipe, illustrations and letters by Rene Magritte, J Harkness, (trns. & ed.), University of California Press, Berkeley. Bibliography. 458. Anne Lord.

(21) Friedman, R 2005, ‘John Cage interviewed by Richard Friedman, (John Cage, 1912-1992)’. First recorded in Davis, California, December 1969. Broadcast on KPFA-FM on December 7, 1970. Pacifica Radio Archives number BB4151 Pacifica Radio Archives Preservation and Access Project Transcript of ‘A Conversation with John Cage,’ Davis, California, Pacifica Archive PDF file by Richard Friedman. Converted to HTML November 20, 2005 from the original, viewed 31 January 2006, <www.pacificaradioarchives.org>.. Fujii, T 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 9.. Fullerton, T 2001, Watershed: Deciding our Water Future, ABC Books for the Australian Broadcasting Commission, Ultimo, Sydney.. Fung, YL 1962, The Spirit of Chinese Philosophy, trns. ER Hughes, Routledge & Kegan Paul, London.. Gablik, S 1991, The Re-enchantment of Art, Thames & Hudson, London.. Gablik, S 1992, ‘The Ecological Imperative,’ Art Journal, vol. 51, no. 2, Summer, pp. 49-51.. Gairspace, ‘Bourriaud: Relational Aesthetics: Glossary, viewed 15 August 2007, <http://www.gairspace.org.uk/htm/bourr.htm>.. Bibliography. 459. Anne Lord.

(22) Gallagher, J 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 24.. Gandy, M 1997, ‘Contradictory Modernities: Conceptions of Nature in the Art of Joseph Beuys and Gerhard Richter,’ Annals of the Association of American Geographers, December 1997, vol. 87, no. 4, p. 636.. Gao X 1990, Soul Mountain, Harper Collins Publishers, Sydney.. Garoian, C & Mathews, JD 1994, ‘Earthview Looking Down at Ourselves’, Leonardo vol. 27, no. 22, pp. 101-102.. Gasteen, J, Henry, D and Page, S 1985, Agriculture and Conservation in Inland Queensland, Wildlife Preservation Society of Queensland, Brisbane. GEO Project, The, launched 28 August 2008, <www.geoproject.org.au> and viewed 19 September 2008, <http://www.geoproject.org.au/geo/01_cms/details.asp?ID=400>, <http://www.geoproject.org.au/geo/01_cms/details.asp?ID=389>.. Gianelli, I 2002, ‘Introduction’ in Arte Povera 1967-2002 Art from Italy 1967-2002, exhibition and catalogue, MCA 23 Aug to 11 Nov 2002, Castello di Rivoli Museo d’Art Contemporanea, Rivoli, Turin.. Gibson, R 1985, Towards New Holland, Special dossier, papers from the Power Institute Forum, September 14, 1985, R Gibson (ed.), Power Institute of Fine Arts, University of Sydney.. Bibliography. 460. Anne Lord.

(23) Gibson, R 1992, South of the West: Postcolonialism and the Narrative Construction of Australia, Indiana University Press, Bloomington and Indianapolis.. Gibson, R 2002, Seven Versions of an Australian Badland, University of Queensland Press, St Lucia.. Gibson, R 2006, ‘Aesthetic Politics,’ in L Seear and S Raffel (eds), The Fifth Asia-Pacific Triennial of Contemporary Art, exhibition and catalogue, Queensland Art Gallery, Brisbane, pp. 16-23. Gibson, R 2007 conversationii, viewed 8th September 2009, <http://conversationsii.bos2008.com/>. Grant, K 1993, Fluxus and after, exhibition and catalogue, Queensland Art Gallery, Brisbane.. Green, R 2006, ‘Survival: Ruminations of Archival Lacunae,’ in Merewether, C (ed.), The Archive Documents of Contemporary Art Series, Copublished Whitechapel Ventures Limited, London and MIT Press, Cambridge, Massachusetts, pp. 49-55.. Greenfort, T 2007, ‘Tue Greenfort Diffuse Entries,’ in B Franzen, K Konig & C Plath (eds), Sculpture Projects Muenster 07, Muenster, Germany, Walther Konig, Koln, pp. 117-119.. Bibliography. 461. Anne Lord.

(24) Greenhood, D 1964, Mapping, The University of Chicago Press, Chicago and London.. Green Museum, ‘Urban Infrastructure: Environmental Practice,’ viewed 12 March 2008, <http://www.greenmuseum.org/c/ecovention/sect5.html>.. Greenstein, MA 1993, ‘A Conversation with Helen Mayer Harrison and Newton Harrison,’ Fixing the Earth Part One, Artweek vol. 21, no. 1, September 9, pp. 17-19.. Grierson, EM 2003, ‘Framing the Arts in Education: What is Really at Stake?’ in Grierson, M E and Mansfield, J E (eds), The Arts in Education: Critical Perspectives from Aotearoa New Zealand, Dunmore Press, Palmerston North, pp. 93-117.. Grounds, J & DeLys, S 1994, Transpoes, viewed 13 October 2008, <http://www.experimenta.org/mesh/mesh04/4leb.html>.. Grounds, J 1980, ‘Stinky’ in Women at Work, exhibition and catalogue, George Paton Gallery, University of Melbourne, Melbourne, image p. 23.. Gross, RM 1997, ‘Buddhist Resources for Issues of Population, Consumption, and the Environment’ in (eds), ME Tucker and DR Williams, Buddhism and Ecology: the Interconnection of Dharma and Deeds, Harvard University Press for the Harvard Center for the Study of World Religions, Massachusetts, pp. 291-311.. Bibliography. 462. Anne Lord.

(25) Grumet, M 1990, ‘On daffodils that come before the swallow dares’ in E Eisner & A Peshkin (eds.), Qualitative inquiry in education: The continuing debate, Teachers College Press, New York, pp.101-120.. Guattari, F 1989, The Three Ecologies, The Athlone Press, London and New Brunswick.. Guggenheim Museum, 2008, Fifth Biennial Hugo Boss Award 2004, ‘Rirkrit Tiravanija in recognition of his profound contribution to contemporary art’, exhibition, March 8-May 11, 2005, viewed 21 October 2007 and 2 November 2008, <http://www.guggenheim.org/>.. Haacke, H 1984, ‘Museums, Managers of Consciousness,’ in Hans Haacke Volume II/Works 1978-1983, Stedelijk Van Abbe Museum, Eindhoven and Tate Gallery Publications Dept, London, pp. 105-109.. Haacke, H 1993, La Biennale di Venezia XLV Esposizione Internationale d’Arte, Marsilio, Italy.. Haacke, H 1994a, Art and Design, Earthworks Special Issue, vol. 9, May/June, pp. 6-15.. Haacke, H 1994b, ‘Dying for Benetton’, Flash Art, no. 178, October, p. 90.. Haacke, H 2008, Germania, Venice Biennale German Pavilion, viewed 7 July 2008, <http://media.newtimes.com/1929884.64.jpg>.. Bibliography. 463. Anne Lord.

(26) Haberer, L 2007, ‘Rosemarie Trockel’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln, p. 245.. Halert, T 2007, ‘Culture as Event,’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln.. Hamilton Finlay, I 1987, Poursuites revolutionnaires Revolutionary Pursuits, artists’ book, Fondation Cartier Pour l’Art Contemporain, France.. Hamilton Finlay, I 2003, Little Sparta: The Garden of Ian Hamilton Finlay, Sheeler, J (ed.), photography A Lawson, Frances Lincoln Editions, London.. Hawkins, G & Muecke, S (eds) 2003, Culture and Waste: The Creation and Destruction of Value, Rowman & Littlefield, Oxford.. Hawkins, G 2006, The Ethics of Waste: How We Relate to Rubbish, UNSW Press, Sydney.. Haslehurst, S 2008, Regional Arts Australia, ‘Artpost launch’, viewed 20 November 2008, <http://www.abc.net.au/tv/artpost/.. Hefele, N 2005, ‘Green Visions / Grey Infrastructure: interventions in postindustrial society,’ in M Miles (ed.), New practices, new pedagogies: a reader, Routledge, London, pp. 223-230.. Bibliography. 464. Anne Lord.

(27) Hegyes, G 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 33.. Helmrich, M 2002a, Eugene Carchesio, catalogue and exhibition heliocentricities, Milani, J (ed.), University Art Museum, Mayne Centre, University of Queensland, Brisbane.. Helmrich, M 2002b, ‘Soiled/Weathered,’ in Andrew Arnaoutopoulos: A Painting of Ruin and Tragedy, catalogue and exhibition, Institute of Modern Art, IMA Publishing, Brisbane.. Henri, A 1974, Environments and Happenings, Thames and Hudson, London.. Herbert, LM 1998, Curator’s essay in Ann Hamilton: kaph, catalogue and exhibition, Contemporary Arts Museum, Houston, pp. 21-28.. Hiller, S 1994, ‘Working through objects,’ in Merewether, C (ed.), The Archive, 2006, Co-published Whitechapel Ventures Limited, London and MIT Press, Cambridge, Massachusetts, pp. 41-48.. Hirsch, M 2007, Jürgen Habermas,’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln, 373-374.. Holubizky, I 2003, ‘Madonna Staunton: sorting through … organizing things, in time: through time,’ in Madonna Staunton, exhibition and catalogue, Institute of Modern Art, IMA Publishing, Brisbane, pp. 13-24. Bibliography. 465. Anne Lord.

(28) Horowitz, G & Huhn, T 1988, ‘The Wake of Art: Criticism, Philosophy and the ends of Taste,’ in AC Danto, The Wake of Art: criticism, philosophy, and the ends of taste: essays/ Arthur C. Danto selected and with critical introduction [by] Gregg Horowitz, Tom Huhn, G+B Arts International, Gordon and Breach Publishing Group, Australia, pp. 1-56.. Hudson, W 1997, Respacing Utopia, IMA Publishing, Brisbane.. Hughes, J 2008, Someone Else, Giromondo, Radio National 25 Feb 2008, viewed 31 October 2008, <http://www.abc.net.au/rn/artworks/stories/2008/2168593.htm>.. Humm, M 1995, Practising feminist criticism: an introduction, Prentice Hall / Harvester Wheatsheaf, Great Britain.. Ingram, PO 1997, ‘The Jeweled Net of Nature,’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: the Interconnection of Dharma and Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts, pp. 71-88.. Institute for Social Ecology, 2008, viewed 1 August 2006, <www.socialecology.org>.. Institute of Modern Art 2002, Bruce Reynolds: Underfoot, exhibition and catalogue, IMA Publishing, Brisbane.. Bibliography. 466. Anne Lord.

(29) Jackson, JB 1984, Discovering the Vernacular Landscape, Yale University Press, New Haven.. Jacob, MJ 2004a, ‘Kimsooja,’ in Buddha Mind in Contemporary Art, (eds), J Baas & MJ Jacob, University of California Press, Berkeley, pp. 213-219.. Jacob, MJ 2004b, ‘In the Space of Art,’ in J Baas & MJ Jacob (eds), Buddha Mind in Contemporary Art, University of California Press, Berkeley, pp. 164-169.. Jacob, MJ 2004c, ‘Ann Hamilton interviewed by Mary Jane Jacob,’ in J Baas & MJ Jacob (eds), Buddha Mind in Contemporary Art, University of California Press, Berkeley, pp. 179-185.. Jenkyns, H interviewed on Crude, ABC TV broadcast, 24 May 2007 8:30 pm, viewed 5 August 2008, <http://www.abc.net.au/science/crude/>.. Jones, G 2004, People and Environment: a Global Approach, Pearson Prentice Hall, New York.. Kaprow, A 1993, The Blurring of Art and Life, J Kelley (ed.), University of California Press, Berkeley.. Karoly, D 2007, ‘Assessment of observed changes and responses in natural and managed systems’ in the IPCC Fourth Assessment Report Climate Change 2007: Impacts, Adaptation and Vulnerability, Intergovernmental. Bibliography. 467. Anne Lord.

(30) Panel on Climate Change IPCC AR4 Synthesis Report, University of Melbourne.. Kastner, J 2006, ‘There, Now: From Robert Smithson to Guantanamo,’ in M Andrews (ed.), Land, Art: A Cultural Ecology Handbook as part of the Arts and Ecology program, The RSA (Royal Society for the encouragement of Arts, Manufacture and Commerce) in partnership with Arts Council England, London, pp. 22-33.. Kaye, N 2000, Site-Specific Art: Performance, Place and Documentation, Routledge, London.. Kaza, S 1997, ‘American Buddhist Response to the Land: Ecological Practice at Two West Coast Retreat Centers,’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: the Interconnection of Dharma and Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts, pp. 219-248.. Khan, J 2005, You’re so Vain: Tim Silver, exhibition and catalogue, Karen Woodbury Gallery, Richmond, Victoria, Australia.. King, V 2003, ‘Embodied perceptions: Aboriginal expressions of place’, in J Cameron (ed.), Changing places: re-imagining Australia, Longueville Media, Sydney, pp. 286-295.. Bibliography. 468. Anne Lord.

(31) Kirby, S 1992, Sight Lines: Women’s Art and Feminist Perspectives in Australia, Craftsman House Gordon and Breach, East Roseville, Australia.. Kirker, A 1993, Fluxus and after, exhibition and catalogue, Queensland Art Gallery, Brisbane, Australia.. Koren, L 1994, Wabi-Sabi for Artists, Designers, Poets and Philosophers, Stone Bridge Press, Berkeley, California.. Kornfield, J 1996, Living Dharma: Teachings of Twelve Buddhist Masters, Shambhala, Boston.. Kraft, K 1997, ‘Nuclear Ecology and Engaged Buddhism’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: the Interconnection of Dharma and Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts, pp. 269-272.. Krauss, RE 1996, Formless: A User’s Guide, YA Bois & RE Krauss, Zone Books, New York.. Krishnamurti, J 1968, The First and Last Freedom, Quest Books, Wheaton, Illinois.. Krysa, J (ed.) 2006, Curating Immateriality: The work of the curator in the age of network systems, in G Cox, J Krysa, A Lewin, M Miles, M Puny & H de. Bibliography. 469. Anne Lord.

(32) Rijke, Data Browser 03 editorial group, <http://www.artscouncil.org.uk/> Autonomedia, New York.. Küchler, S 2002, Malanggan Art: Memory and Sacrifice, Oxford University Press, Oxford.. Küchler, S & Melion, W (eds), 1991, Images of Memory: On Remembering and Representation, Smithsonian Institute Press, Washington.. Kwon, M 2007, ‘Public Sphere,’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln, pp. 432-433.. Lacy, S (ed.) 1995, Mapping the Terrain: New Genre Public Art, Bay Press, Seattle, Washington.. Lacy, S 2004, ‘Having It Good Reflections on Engaged Art and Engaged Buddhism’ in J Baas & MJ Jacob, (eds), Buddha Mind In Contemporary Art, University of California Press, Berkeley, pp. 97-111.. Laderman Ukeles, M 1969, ‘Manifesto ! Maintenance Art’, excerpted by Jack Burnham, ‘Problems of Criticism, VIII’ Artforum, January, 1971, pp. 40-41.. Laderman Ukeles, M 1978, Manifesto For Maintenance Art As Installation In A Reconstruction Site: In Up Out Up, Out Of The House, catalogue, Manifesto for Maintenance Art, 1969, Whitney Museum Downtown at 55 Water Street, New York. Bibliography. 470. Anne Lord.

(33) Laderman Ukeles, M 1997, ‘Unburning Freedom Hall’, in R Ferguson & S Emerson (eds), Uncommon Sense, The Museum of Contemporary Art, Los Angeles, California, pp. 154-165.. Lambert, B 1995, ‘The mud patch: A poststructuralist analysis of learning in early childhood settings,’ in M Fleer (ed.), DAPcentrism: Challenging Developmentally Appropriate Practice, Australian Early Childhood Association, ACT, (pp. 35-54).. Lancaster, L 1997, ‘Buddhism and Ecology: Collective Cultural Perceptions,’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: The Interconnection of Dharma and Deeds, Distributed by Harvard University Press for the Harvard Center for the Study of World Religions, Massachusetts, pp. 3-18.. Lather, P 1991, Getting smart: Feminist research and pedagogy with/in the postmodern, Routledge, New York.. Lee, T 2004, ‘Fire Down Below and Watering, That’s Life: A Buddhist Reader’s Response to Marcel Duchamp’ in J Baas and MJ Jacob (eds), Buddha Mind In Contemporary Art, University of California Press, Berkeley, pp. 122-139.. Lagiero, J 2006, Collections New Media Installations, trns. S Pleasance, Editions de Centre Pompidou, Paris Ministry of Culture, Paris.. Bibliography. 471. Anne Lord.

(34) Lee, U 2004, The Art of Encounters, Lisson Gallery, Turner Publication, Spain, <www.lisson.co.uk>.. Leigh, D 2006, Byte Sized with a Big Mac, WA Screen Academy, ECU, viewed 21 September 2008, <http://www.auc.edu.au/Wheels+for+the+Mind>.. Lendon, N 2001, ‘mute “research” and two false premises,’ Latest editions: 2001 Postgraduate Printmedia Seminar, National Institute for the Arts, ANU, Canberra.. Leopold, A 1966, A Sand County Almanac: with Essays on Conservation from Round River, Ballantine Books, New York.. Lillemose, J 2006, ‘Conceptual Transformation of art,’ in G Cox, J Krysa, A Lewin, M Miles, M Puny & H de Rijke, Data Browser 03 editorial group, Curating Immateriality The work of the curator in the age of network systems, Autonomedia, New York, pp. 113-136.. Lippard, LR 1973, Six Years: The Dematerialization of the Art Object from 1966 to 1972, [1973 Praeger Publishers, New York,] renewed 2001, University California Press, Berkeley.. Lippard, LR 1983, Overlay: Contemporary Art and the Art of Prehistory, Pantheon Books, New York.. Bibliography. 472. Anne Lord.

(35) Lippard, LR 1984, Get the Message? A Decade of Art For Social Change, E.P. Dutton Inc., New York.. Lippard, LR 1997, The Lure of the Local: Senses of Place in a Multicentered Society, The New Press, New York.. Lippard, LR 2006, ‘Beyond the Beauty Strip,’ in M Andrews (ed.), Land, Art: A Cultural Ecology Handbook, The Royal Society for the encouragement of Arts, Manufacture and Commerce (RSA), in partnership with Arts Council England, London.. London, B 1999, ‘Cai Guo Qiang: Chinese tradition in a jogging suit’ in Beyond the Future: The Third Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane.. Lord, A 1996, ‘Art Ephemera and Ecology: Towards a Definition of Ecologically Oriented Art’, u.p., Master of Visual Arts Thesis, Griffith University, Brisbane.. Lord, A 1997, Fold exhibition and catalogue, Shaun Kirby and Anne Lord, Umbrella Studio Association Inc. Townsville, Australia.. Lord, A 2000, ongoing, Flotsam and Jetsam, The Strand Re-development Project, Townsville City Council, Australia.. Lord, A 2001, ‘urban flags’ images and text in Urban Troposphere: Deconstructing Visions of the Tropics, B Adlington (ed.), Umbrella Bibliography. 473. Anne Lord.

(36) Studio Contemporary Arts, Umbrella Studio Association Inc. Townsville, Australia.. Lord, A 2004 Absence, exhibition and catalogue, Umbrella Studio Contemporary Arts, Townsville, Australia.. Lord, A 2005, From the other great basin, text and image for Mildura Wentworth Arts Festival, MWAF, viewed December 2005, <http://www.mwaf.com.au/old_sites/palimpsest/html/annelord.html>.. Lord, A 2006, Watersheds and Basins, catalogue for exhibition at Flinders gallery, Anne Lord and James Cook University Townsville, Queensland.. Lord, A 2007a, ‘Ephemera Art and Detritus,’ Environmental Research Event ERE: 11th Australasian Conference, JCU, Cairns, ERE 2007 Organising Committee, Newport Beach NSW 2106.. Lord, A 2007b, statement in Strand Ephemera p. 14, Perc Tucker Regional Gallery, Townsville City Council.. Lord, A 2008 ‘NAVA member’s blog’, viewed 10 September 2006, <http://www.visualarts.net.au/discussionsblogs/navamemberblogs/annelo rd/impossiblebucket>.. Luke, TW 1992, ‘Art and the Environmental Crisis: From Commodity Aesthetics to Ecology Aesthetics’, Art Journal, Summer, vol. 51, no. 2, pp. 72-76. Bibliography. 474. Anne Lord.

(37) Lumley, R 2004, Movements in Modern Art: Arte Povera, Tate Publishing, London.. Lynn, V 1993, Perspecta 1993, exhibition and catalogue, Art Gallery of New South Wales, Sydney.. McArthur, M 2002, Reading Buddhist Art: an illustrated guide to Buddhist signs and symbols, Thames and Hudson, London.. McEvilley, T 1994, ‘Medicine Man: Proposing a Context for Wolfgang Laib’s Work,’ Parkett 39, pp. 104-108.. Machan, K 2006, ‘Out Of The Internet,’ in Multi Media Arts Pacific (MAAP), exhibition and catalogue, 30 November 2006 – 25 January 2007, State Library of Queensland, Brisbane.. McLuhan, M 1967, War and Peace in the Global Village: An inventory of some of the current spastic situations that could be eliminated by more feedforward, by Marshall McLuhan and Quentin Fiore, coordinated by Jerome Agel, Allen Lane The Penguin Press, Harmondsworth.. Macquarie Dictionary, 2005, 4th ed., Colin Yallop (ed. in chief), Macquarie Library, Macquarie University.. Bibliography. 475. Anne Lord.

(38) Madsen, V 1999, ‘The call of the wild,’ in Uncertain Ground: Essays between art and nature, Art Gallery of New South Wales, Sydney, pp. 29-43.. Mailman, D & Enoch, W 1995, The Seven Stages of Grieving, Contemporary Indigenous Performance, Metro Arts Theatre, Brisbane.. Marsh, A 1993, Body and Self: Performance Art in Australia 1969-92, Oxford University Press, Melbourne.. Marter, J 1989, ‘The New Urban Landscape’ Artweek, vol. 63, p. 78.. Martin, CJ 2007, ‘Kassel: Documenta 12,’ Contemporary, No. 94, 2007, pp. 65-67.. Mason, J 1996, Qualitative Researching, Sage Publications, London.. Matilsky, BC 1992, Fragile Ecologies: Contemporary Artists’ Interpretations and Solutions, Rizzoli International Publications, New York.. Matilsky, BC 1992, ‘Art and Ecology The Museum as Activist: sponsoring ecological art …,’ Museum News, vol. 71, March/April, pp. 46-49.. Matsui, C 2007, Museum of Contemporary Art, Tokyo, in K Murata (ed.), Survival Action: Focusing on New Acquisitions, exhibition and catalogue, Museum of Contemporary Art Tokyo. Bibliography. 476. Anne Lord.

(39) Mayo, R 1993, ‘Replanting Culture: The Indigenous Art Movement’, Art and Asia Pacific, vol. 1, no. 1, pp. 34-49.. Merchant, C 1992, Radical Ecology The Search for a Livable World, Routledge, New York.. Merchant, C 1993, The Death of Nature, Routledge, New York.. Merewether, C (ed.) 2006, The Archive, Documents of Contemporary Art Series, Co-published Whitechapel Ventures Limited, London and MIT Press, Cambridge, Massachusetts.. Metzger, G 2007, Aequivalenz – Shattered Stones, viewed 21 May 2008, <www.aequivalenz.de>.. Milani, J (ed.) 2002, Eugene Carchesio, catalogue to coincide with exhibition heliocentricities at the University Art Museum, University Art Museum, Mayne Centre, University of Queensland Press, Brisbane.. Miles, M 1997, Art Space and the City: Public Art and Urban Futures, Routledge, London and New York.. Miles, M (ed.) 2005, New Practices: New Pedagogies, Routledge, London.. Bibliography. 477. Anne Lord.

(40) Millner, J 1999, ‘Afterword: Perspective on Perspecta,’ in Uncertain Ground: Essays between art and nature, Art Gallery of New South Wales, Sydney, pp. 161-174.. Mirzoeff, N (ed.) 1998, The Visual Culture Reader, Routledge, London.. Mitchell, WJT 1994, Landscape and Power, University of Chicago Press.. Mitchell, WJT 2002, ‘The work of art in the age of biocybernetic reproduction’ in The 'Improved' Body: Animals and Humans, S Britton, (ed.), online Artlink, vol. 22, no. 1, pp. 10-17, viewed 16 Oct 07, <http://search.informit.com.au/fullText;dn=200203377;res=APAFT>.. Mobizones, viewed 22 September 2008, <http://www.mobizone.com/>.. Montmann, N 2007, ‘Relational Aesthetics,’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln, 433-434.. Morgan, RC 1996, ‘Mierle Laderman Ukeles: Shaking Off the Material Act,’ in Art Into Ideas: Essays on Conceptual Art, Cambridge University Press, New York.. Morinaka S 1988, ‘My Struggle to Become a Zen Monk,’ in K Kraft (ed.), Zen: Tradition and Transition, Grove Press, New York.. Bibliography. 478. Anne Lord.

(41) Muecke, S 1999, ‘A landscape of variability’ in ME Thomas (ed.), Uncertain Ground: Essays between art and nature, Art Gallery of New South Wales, Sydney, pp.45 - 59.. Multiple Box Sydney, Conny Dietzschold Gallery, viewed 14 August 2007, <http://www.2danksstreet.com.au/multiple.box.sydney/gallery.html>.. Murray Darling Palimpsest, MDP, viewed December 2005, <http://www.mwaf.com.au/palimpsest/index.html>, <http://www.mwaf.com.au/old_sites/palimpsest/index.html>.. Museum of Contemporary Art, Los Angeles 1997, in R Ferguson, and S Emerson (eds), Uncommon Sense, The Museum of Contemporary Art, Los Angeles, California.. Museum of Modern Art, New York MoMA, ‘Barbara Kruger, 1990 I shop therefore I am’, Image, photolithograph on paper shopping bag, composition: 31.5 x 25 cm); sheet (bag): 43.9 x 27.3 x 10.7 cm, viewed 15 October 2008, <http://www.MoMA.org/collection>.. Museum of Modern Art, New York MoMA, 1997, Objects of desire, exhibition and catalogue, MoMA, New York.. Morland, J (ed.) 1988, New Milestones: Sculpture, Community and the Land, Common Ground, London.. Bibliography. 479. Anne Lord.

(42) Murphy, B 1983, Australian Perspecta 1983, exhibition and catalogue, Art Gallery of New South Wales, Sydney.. Murphy, B 1990, ‘Nicholaus Lang’, in M Eagle (ed.), 1990 Adelaide Biennial of Australian Art, exhibition and catalogue, Art Gallery Board of South Australia, Adelaide, pp. 56-57.. Nagy Hesse-Biber, S & Leavy, P 2006, ‘Methodology: A Bridge Between Theory and Method’ and ‘Your Research Project’ in The Practice of Qualitative Research, Sage Publications, London.. National Association for the Visual Arts, NAVA, viewed 12 October 2008, <www.visualarts.net.au>, and Moral Rights, viewed 6 July 2008, <http://www.visualarts.net.au/campaigns/previous/moralrights>.. National Gallery of Art Washington, D. C. Anselm Kiefer, 1990, Zim Zum’, image, viewed 23 January 2008, <http://en.wikipedia.org/wiki/Image:%27Zim_Zum%27_by_Anselm_Kie fer%2C_1990%2C_acrylic%2C_emulsion%2C_crayon%2C_shellac%2C _ashes_and_canvas_on_lead%2C_National_Gallery_of_Art_%28Washin gton%2C_D._C.%29.jpg>.. Ogden, M 2008, ‘Gardening Australia,’ ABC Television, viewed 14 June 2008, <www.abc.net.au/gardeningaustralia>.. Orange City Council 2007 In Site Out, exhibition on site and catalogue, Orange, New South Wales. Bibliography. 480. Anne Lord.

(43) Papastergiadus, N 2006, ‘Glimpses of Cosmopolitanism In the Hospitality of Art,’ Broadsheet: Contemporary Visual Arts and Culture, vol. 35 no 2. June -August 2006, pp. 110-115.. Patterson, A 1997, ‘Critical discourse analysis: A condition of doubt,’ Discourse: studies in the cultural politics of education, vol. 18, no. 3, pp. 425-435.. People Identity Place, (PIP) James Cook University research strength, viewed 7 August 2007, <http://www.jcu.edu.au/research/ars/pip/JCUDEV_001879.html>.. Perc Tucker Regional Gallery 2007, Strand Ephemera, event, catalogue and website, Townsville City Council, Townsville, viewed 10 August 2008, <www.strandephemera.com>.. Peters Nampitjin, S 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 4.. Phipps, J 1991, Off the Wall In the Air: A Seventies Selection, Monash University, Clayton, Victoria and Australian Centre for Contemporary Art, Melbourne.. Platform, ‘Promoting Creative Processes of Democratic Engagement to Advance Social and Ecological Justice,’ viewed October 2007, and 15 July 2008, <www.platformlondon.org>. Bibliography. 481. Anne Lord.

(44) Plath, C 2007, ‘Excerpts from a Discussion between Carina Plath and Gustav Metzger London 27 April 2007’ in B Franzen, K Konig, C Plath (eds), Sculpture Projects Muenster 07, Walther Konig, Koln, pp. 149-150.. Pollard, C 2005, ‘Zen Mind: the Development of Zen Buddhism’ in Zen Brush Zen Mind: Japanese Ink Paintings from the Gitter-Yellen Collection Art Gallery of New South Wales, Sydney, pp. 13-17.. Pollock, G 2003, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories, Routledge, New York.. Public Art Fund, Koons, J 1992, Puppy, viewed 16 May 2008, <http://www.publicartfund.org/pafweb/projects/00/koons_j_00.html>.. Queensland Art Gallery QAG, 1999, Beyond the Future: the Third Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, South Bank, Brisbane.. Queensland Art Gallery QAG and Gallery of Modern Art GoMA, viewed 13 August 2008, <http://www.qag.qld.gov.au/apt/apt5>.. Queensland University of Technology, 2004, Transformers: More than meets the eye, Queensland University Technology Art Museum, Brisbane Queensland.. Bibliography. 482. Anne Lord.

(45) Queensland University of Technology, 1991, Helen Lillicrapp-Fuller: A Visual Diary 1979-91, exhibition and catalogue, Queensland University Technology Art Museum, Brisbane Queensland.. Queensland Studies Authority 2007, Visual Art syllabus 2008 – 2014, Brisbane, Queensland, viewed 20 November 20008, <www.qsa.qld.edu.au>.. Rainbird, S 1991, Helen Lillicrapp-Fuller: A Visual Diary 1979-91, exhibition and catalogue, Queensland University Technology Art Museum, Brisbane Queensland.. Rainbird, S 2005, Transformers: More than meets the eye, exhibition and catalogue, Queensland University Technology Art Museum, Brisbane.. Raqs Media Collective, Delhi, ‘Unusually Adrift from the Shoreline’ viewed 26 Nov 2007, viewed 15 July 2008, viewed 19 December 2008, <http://www.raqsmediacollective.net/>, <http://www.nettime.org/ListsArchives/nettime-l-0303/msg00165.html>.. Raven, A 1995, ‘Word of Honour,’ in Suzanne Lacy (ed.), Mapping the Terrain: New Genre Public Art, Bay Press, Seattle, Washington, pp. 159170.. Raven, A 1987, ‘Two lines of sight and an unexpected connection,’ in High Performance, Issue 40, pp. 22-29.. Bibliography. 483. Anne Lord.

(46) Read, H 1968, A Concise History of Modern Painting, Jarrold and Sons, Norwich.. Rigby, K 2003, ‘Tuning into Spirit of Place’, in J Cameron (ed.), Changing places: re-imagining Australia, Longueville Media, Sydney, p. 107.. Riviere, GH 1985, ‘The Eco-Museum: an Evolutive Definition,’ Museum, vol. 37, no. 4, pp. 182-3.. ‘Robert Smithson, Amarillo Ramp 1973,’ James Cohan Gallery, viewed 12 October 2007, <www.robertsmithson.com/>.. Roemer, M 1995, Telling stories: Postmodernism and the invalidation of traditional narrative, Rowan and Littlefield, Oxford.. Rogoff, I 1998, ‘Studying Visual Culture,’ in N Mirzoeff (ed.), The Visual Culture Reader, Routledge, London.. Rosenthal, M 1987, Anselm Kiefer, Philadelphia Museum of Art and Art Institute of Chicago, Neues Publishing Company, New York.. Royal Society for the encouragement of Arts, Manufacture and Commerce, The, RSA, in partnership with Arts Council England as part of the Arts and Ecology program, London, viewed 12 December 2008, <http://www.rsaartsandecology.org.uk/>.. Sadr Haghighian, N 2006, ‘Not About Oil’, in M Andrews (ed.), Land Art: a Cultural Ecology Handbook, The RSA (Royal Society for the. Bibliography. 484. Anne Lord.

(47) encouragement of Arts, Manufacture and Commerce) in partnership with Arts Council England, London, pp. 40-49.. Saltzman, L 1999, Anselm Kiefer and Art after Auschwitz, Cambridge University Press, Cambridge.. Schama, S 1995, Landscape and Memory, Harper Collins, London.. Schmelzer, P 2006, ‘How The Land Lies Design Like You Give A Dam,’ in M Andrews (ed.), Land, Art: A Cultural Ecology Handbook The RSA (Royal Society for the encouragement of Arts, Manufacture and Commerce) in partnership with Arts Council England as part of the Arts and Ecology program, London, pp. 68-75.. Schmidt, K 2005, ‘Wolfgang Laib Ways and Works: Ancient Symbols, Recollected in New Forms,’ in Wolfgang Laib, exhibition and catalogue, Fondation Beyeler, Hatje Cantz, Germany, pp. 40-51.. Schreier, C 2001, ‘The form of the tree is its memory: interview with Guiseppe Penone’, in D Zacharopoulos, G Anselmo, N Batzner, & B Cora (eds), Arte Povera: Works and Documents from the Goetz Collection 1958 until today, Ingvild Goetz, Munich.. Schroder, M 1997, ‘Introduction Mierle Laderman Ukeles, Unburning Freedom Hall,’ in R Ferguson & S Emerson (eds), Uncommon Sense, Museum for Contemporary Art, exhibition and catalogue, March 16-July 6 1997, Los Angeles, p153. Bibliography. 485. Anne Lord.

(48) Schwartz, J 1995, ‘Hans Haacke, Fundacio Antoni Tapies,’ Artnews, December, vol. 94, no. 10, p.157.. Schwarz, JN 1999, ‘Beyond Familiar Territory: Dissertation: De-centering the Centre (An analysis of visual strategies in the art of Robert Smithson, Alfredo Jaar and the Bark Petitions of Yirrkala)’; and Studio Report: ‘A Sculptural Response to Mapping, Mining, and Consumption’, u.p. PhD Thesis, Australian National University, Canberra.. Sculpture Projects Muenster 07, 2007, B Franzen, K Konig, C Plath (eds), Walther Konig, Koln.. Seaman, D 1992, Dwelling, Seeing and Designing: Toward a Phenomenological Ecology, State University of New York Press, New York.. Seefranz, C 2007, ‘Sanja Ivekovic,’in D Fink, S Grimm (German eds), J Quinn, R Storer (English eds), Documenta Kassel 16/06/-23/09/ 2007 XII, exhibition and catalogue, Taschen GmbH, Køln, Germany, p. 260.. Sengupta, S, Dietz, S, Nadarajan, G, Bagchi, J, & Narula, M 2003, ‘Translocations,’ in P Vergne, V Kortun, & H Hou (eds), How latitudes become forms: Art in a global age, Minneapolis MN Walker Art Centre, USA, pp. 40-57.. Bibliography. 486. Anne Lord.

(49) Sengupta, S 2003, ‘Translocations: A Conversation,’ viewed 26 November 2007, <http://www.nettime.org/Lists-Archives/nettime-l0303/msg00165.html>.. Shellenberger, M & Nordhaus, T 2004, ‘Death of Environmentalism: Global Warming Politics in a Post-environmental World,’ viewed 14 November 2007, <http://blogs.onenw.org/jon/archives/2004/11/02/death_of_environmental ism/>.. Sherratt, T, Griffiths, T & Robin, L (eds) 2005, Change in the Weather: Climate and Culture in Australia, National Museum of Australia Press, Canberra.. Shohat, E & Stam, R 1998, ‘Narrativizing Visual Culture: Towards a polycentric aesthetics’ in N Mirzoeff, (ed.), The Visual Culture Reader, Routledge, London.. Simons, M 2004, Resurrection in a Bucket: The Rich and Fertile Story of Compost, Allen and Unwin, Crows Nest, Sydney.. Sky, A 1979, ‘Entropy Made Visible, Interview with Alison Sky #4’ in R Smithson and N Holt (ed.), The Writings of Robert Smithson: Essays with Illustrations, published by Nancy Holt, Philip Leider and New York University Press, New York, pp. 189-196.. Bibliography. 487. Anne Lord.

(50) Slater, H 2000, ‘The Art Of Governance - on The Artist Placement Group 1966-1989,’ in Break / Flow, Feb/March 2000, London, viewed 12 April 2002, <http://www.infopool.org.uk/APG.htm >.. Smee, S 2007, ‘An Elegant Self-sufficiency,’ Weekend Australian, 18-19 August 2007, pp. 18-19.. Smith, R 2005, ‘Seven Words for Hard Times, (A Glossary for John Barbour),’ in Interesting Times: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney.. Smithson, R, Uecker, G, Oppenheim, D, Dibbets, J, Haacke, H, Long, R, Medalla, D, Morris, R 1969, in N Jenney (ed.), Earth Art, Andrew Dickson White Museum of Art, February 11-March 16, 1969, Cornell University, (n.p.).. Smithson, R 1972, ‘The Spiral Jetty,’ in G Kepes (ed.), Arts of the Environment, George Braziller, New York, pp. 222-232.. Smithsonian Institute, exhibition The Secrets of Soil, viewed 22 July 2008, <http://forces.si.edu/soils/>.. Spiegelberg, H 1982, The Phenomenological Movement: A Historical Introduction, Martinus Nijhoff Publishers, The Hague, Netherlands.. Bibliography. 488. Anne Lord.

(51) Sponsel LE & Natadecha-Sponsel, P 1997, ‘A Theoretical Analysis of the Potential Contribution of the Monastic Community in Promoting a Green Society in Thailand’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: the Interconnection of Dharma and Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts, USA, pp.45-68.. Stachelhaus, H 1991, Beuys, trns. David Britt, Abbeville Press, New York.. Stern, N 2007, The Economics of Climate Change: The Stern Review Cambridge University Press, Cambridge, UK.. Stewart, RA 1995, Neonarratives of visuality: contemporary aesthetic constructs about artistic learning, PhD Thesis, University of Queensland, Brisbane.. Stewart, RA 1996, ‘Constructing Neonarratives: a Qualitative Research Process for the Visual Arts, Australian Art Education, vol. 19, no. 3, pp. 37-47.. Stoeber, M 2006, ‘Not Vital: Being and Building’, Sculpture vol. 25, no. 1, January, pp, 38-43.. Storer, R 2005, Interesting Times: Focus on Contemporary Australian Art Museum of Contemporary Art, Sydney.. Bibliography. 489. Anne Lord.

(52) Strand, D 1998, ‘Research in the Creative Arts’ p. xvi, Department of Employment, Education, Training and Youth Affairs, Canberra.. Strand Ephemera, Townsville City Council, viewed 20 September 2007, <www.strandephemera.com>.. Stutzer, B 2005, ‘Prints and Multiples by Not Vital’, Print Quarterly: Publications, Sept 05, vol. 22 no. 3, pp. 280-302.. Subhadradis Diskul, MC 1991, Art in Thailand: A Brief History, Amarin Printing Group, Bangkok.. Sullivan, G 1992, ‘Human development, education (and economics): How life imitates art,’ Australian Art Education, vol. 16, no. 1, pp. 4-16.. Sullivan, G 2005, Art Practice as Research: Inquiry in the Visual Arts, Sage Publications, Thousand Oaks, California.. Sullivan, LE 1997, ‘Preface,’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: The Interconnection of Dharma and Deeds, distributed by Harvard University Press for the Harvard Center for the Study of World Religions, Massachusetts, USA, p. xi-xiii.. Swearer, DK 1997, ‘The Hermeneutics of Buddhist Ecology,’ in ME Tucker and DR Williams (eds), Buddhism and Ecology: The Interconnection of Dharma and Deeds, distributed by Harvard University Press for the. Bibliography. 490. Anne Lord.

(53) Harvard Center for the Study of World Religions, Massachusetts, USA, pp. 21-40.. Synapse, Art Science Collaborations, Australian Network for Art and Technlogy, 2005, viewed 9/05/2005, <http://www.synapse.net.au/projects/bonsai_landscape>.. Suzuki, S 1973, Zen mind, beginners mind, Weatherhill, Tokyo.. Tacey, DJ 1995, Edge of the Sacred: Transformation in Australia, Harper Collins, Sydney.. Tacey, DJ 2003, ‘Spirit place,’ in J Cameron (ed.), Changing places: reimagining Australia, Longueville Media, Sydney, pp. 243-248.. Tacoma, Interdisciplinary Arts and Science, viewed 12 October 2007, <www.tacoma.washington.edu/ias/>.. Teague, P 2007, Environment Program Director, foreword Death of Environmentalism, viewed 14 November 2007, <http://blogs.onenw.org/jon/archives/2004/11/02/death_of_environmentalism />.. The land foundation, viewed 27 November 2007, <http://www.thelandfoundation.org/?About_the_land>, viewed 28 August 2008, <http://www.thelandfoundation.org/calendar/calendar.php>.. Bibliography. 491. Anne Lord.

(54) Thomas, ME (ed.), 1999, Uncertain Ground: Essays between art and nature, Art Gallery of New South Wales, Sydney.. Thompson, C 2006, July 31, ‘Art Practice as Research: A Review Essay’, International Journal of Education and the Arts, vol. 7 review 3, retrieved 2/08/2006 <http://ijea.asu.edu/v7r3/ >.. Tiberghien, G 1995, Land Art, Princeton Architectural Press, New York, trns. C Green 1995 Princeton Architectural Press, French edn, 1993.. Tiravanija, R 1998 ongoing, the land, viewed 3 April 2008, <http://atc.berkeley.edu/upload/Rirkrit_Tiravanija1154977193.jpg>.. Tiravanija, R 2006 A-Z Homestead Office and Untitled (Tropical House) wood, metal. Lent by Jay Smith and Laura Rapp, viewed 3 April 2008, <http://americanart.si.edu/eyelevel/images/zittel_tiravanija.jpg>.. Tuck, D 2007, artist’s statement in Strand Ephemera, Perc Tucker Regional Gallery, Townsville City Council, Townsville, p. 12.. Tucker, A 2002, Visual Literacy Writing about Art, McGraw Hill, New York.. Tucker, M 2004, ‘No Title’ in J Baas & MJ Jacob, (eds), Buddha Mind in Contemporary Art, University of California Press, Berkeley, pp. 75-85.. Tucker, ME & Grim, J 1997, Series Foreword in ME Tucker & DE Williams (eds), Buddhism and Ecology: The Interconnection of Dharma and Bibliography. 492. Anne Lord.

(55) Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts.. Tucker, ME & Williams, DE (eds) 1997, Buddhism and Ecology: The Interconnection of Dharma and Deeds, Harvard University Press, Harvard Center for the Study of World Religions, Massachusetts.. Turner, C (ed.) 2004, Art and Social Change: Contemporary Art in Asia and the Pacific, Turner Research School of Pacific and Asian Studies, Pandanus Books.. Turner, S 2006, Black Abstract, exhibition and catalogue, Woolloongabba Art Gallery & Redland Art Gallery, Brisbane.. Tuttle, R & Grynsztejn, M 2005, The Art of Richard Tuttle, Grynsztejn, M (ed.), San Francisco Museum of Modern Art, San Francisco.. Umbrella Studio Contemporary Arts, 1997, Fold, exhibition and catalogue, Umbrella Studio Association Inc.. Umbrella Studio Contemporary Arts, 2004, Absence, exhibition and catalogue, Umbrella Studio Contemporary Arts.. University Art Museum, Mayne Centre, University of Queensland, 2002, Milani, J (ed.), Eugene Carchesio, catalogue to coincide with exhibition heliocentricities at the University Art Museum, University Art Museum, St Lucia, Brisbane. Bibliography. 493. Anne Lord.

(56) University Art Museum, Mayne Centre, University of Queensland 1993, Robert MacPherson: A Proposition to Draw 1973-78, touring exhibition and catalogue, University Art Museum, St Lucia, Brisbane.. University Art Museum, Mayne Centre, University of Queensland 1979, MacPherson, Shepherdson, Staunton, exhibition and catalogue, University Art Museum, St Lucia, Brisbane.. Vatsayan, KM 1987, in R Armes (ed.), Third World Filmmaking and the West, University of California Press, Berkeley.. Venice Biennale 1993, 173 La Biennale di Venezia XLV Esposizione Internationale d’Arte 1993, Marsilio, Italy.. Vitali, C 2006, ‘Preface’ in Wolfgang Laib, exhibition and catalogue, Fondation Beyeler, Hatje Cantz, Germany, pp. 16-17.. Walker Art Centre, 2007, Latitudes, an exhibition with URL linked from RSA site, viewed November 2007, <http://latitudes.walkerart.org/artists/index.wac?id=80>.. Wallace, MG Cortner, H J Moote, M A and Burke, S 1996, ‘Moving Toward Ecosystem Management: Examining a Change in Philosophy for Resource Management,’ Journal of Political Ecology, vol. 3, pp.1-36.. Bibliography. 494. Anne Lord.

(57) Warhol, A 1975, ‘The Philosophy of Andy Warhol (From A to B and Back Again),’in C Merewether (ed.), The Archive Documents of Contemporary Art Series, Co-published Whitechapel Ventures Limited, London and MIT Press, Cambridge, Massachusetts, p. 31.. Watson, G 2007, ‘Sheela Gowda’ in Documenta Kassel 16/06/-23/09/ 2007 XII catalogue, D Fink, S Grimm (German eds), J Quinn, R Storer (English eds), Taschen GmbH, Køln, Germany, p. 254-255.. Weedon, C 1987, Feminist practice and poststructuralist theory, Blackwell, Cambridge.. Wheels for the Mind, Summer 2006, vol. 16, [Mobile phone usage for art], Create World Conference, Apple University Consortium.. Wikipedia, ‘white cube’, viewed 8th November 2007, <http://en.wikipedia.org/wiki/White_Cube>.. Willette, JSM 1994, ‘Worldlings: Fragile Ecologies at the Laguna Art Museum,’ Artweek, vol. 25, no. 18, September 22, p. 15.. Williams, DR 1997, ‘Introduction’ Buddhism and Ecology: The Interconnection of Dharma and Deeds (eds), Mary Evelyn Tucker and Duncan Ryuken Williams, Harvard University Press for the Harvard Center for the Study of World Religions, Massachusetts, pp. xxxv-xlii.. Youngblood, G 1970, Expanded Cinema, E.P. Dutton, New York. Bibliography. 495. Anne Lord.

(58) Zeller, U 2005, Wolfgang Laib: AGNSW and Third Balnaves Foundation Sculpture Project, published in association with the exhibition Wolfgang Laib at Art Gallery of New South Wales, Sydney.. Zhang, H 1994, 12 sq meters, image, viewed 14 November 2008, <http://www.guggenheim.org/new-york/collections/collectiononline/showfull/piece/?search=1&page=2&f=Recent%20Acquisition&cr=16>.. Zurbrugg, N 1994, ‘Text and texture: the art of Madonna Staunton,’ in Madonna Staunton, IMA Publishing, reprinted 2003 from Madonna Staunton: A Survey 1966 – 1993, Queensland University of Technology, 1994 with kind permission Anthony Zurbrugg and QUT Art Museum, Brisbane, pp. 9-11.. Bibliography. 496. Anne Lord.

(59) Appendices.

(60) Appendix I. Background Landscape to Ephemera. Appendices. 498. Anne Lord.

(61) Appendix II Researcher Anne Lord’s Practice-based Research: Emergence of Projects. My creative development towards art and ephemera started with early archival drawings, digital prints, diaries and fine art prints. This section brings together works instrumental in my conceptual development and adoption of ephemeral or performative objects, not presented in the thesis as a cohesive body of work. A discussion of my visual artwork has been threaded through the themed analysis where conceptual similarities were aligned with models and mentors. Artwork produced from Absence (Lord 2004) to Habitus Habitat (Lord 2005), Watersheds and Basins (Lord 2006) and Tools of Change (Lord 2007) included developmental considerations and questions regarding how I could develop a new approach in my work. Strand Ephemera (2007) and In Site Out (2007) consolidated my work on site. This write-up of my visual artwork creates an overview and encapsulates the autobiographical aspect identified in my methodology.. My artwork during this research project 2001 to 2008 went through some major changes, in line with the development of this thesis. The questioning of the issues led to new ways of presenting ideas about these issues. Art and Ephemera as an idea became significant through the performative object, in installation projects and events. These were specifically for addressing the implications of what ephemera as art means and how it contributes to new knowledge and a consideration of contemporary challenges beyond the visual arts.. Pre-requisites: Drawing, Brush and Ink, Lithography, Livres d’artiste My first home Kilterry 1953 to 1979, provided evidence of how nature through survival of the fittest creates lessons for our contemporary culture and attitudes to change. Many return visits and specifically those in 2002 to 2003 instigated. Appendices. 499. Anne Lord.

(62) new artworks. In 2003 my PhD artwork was to create images of Survivor Trees, Drought and Survival Issues from a tough natural environment. The work was recorded in studio and field notes, as well as diary entries. My studios were at Kilterry and in the regional city Townsville, both well outside art-industry centres.. Study leave in early 2003 to collect visual data assisted development of work prior to visiting China. A tribute to the survivor trees was the beginning of my exchange project with Chinese audiences. In the second half of 2003 travelling in China provided a cross-cultural and spiritual experience that contributed significantly to the development of new work. Travel in China was to investigate a culture I had some prior knowledge of, through shared cultural icons between China and Australia. The unexpected loss of my father and the revealing nature of the Chinese portrayal of spiritual beliefs led to new ways for me to address the concept of loss. ‘Throw sad things to the wind’, is the title of one of my artist’s books. A compassionate young Chinese man, who observed my sadness over the loss of my father, said this to me. The mix of experiences contributed through my continual questioning of my topic and how this would be reciprocal with my practice.. Additionally the Chinese culture exposed many broader aspects of multicultural life and more populous recognition of issues that Australia is coming to terms with. In Shanghai, a girl with deformities mostly on one side of her body was mistreated by surrounding people. The girl had been put on the sidewalk to beg. People used children in this way to profit from malformed appearance. The girl’s deformed hand had been stepped on and she was crying but instead of being offered sympathy the girl was treated like a naughty animal. I decided it was important to show care and I handed her a clean tissue. The contrast between her beautiful, graceful hand and the deformed hand was extreme. One well-dressed woman scolded me in Cantonese, and even though I could not understand all she said I was aware of her anger at my slight kindness to the girl. In China problems such as these were more visible than in Australia even though the wisdom of the Buddha and compassionate Bodhisattvas are venerated and popular. Appendices. 500. Anne Lord.

(63) A broken left arm and wrist, my writing hand, followed my experiences in China, and led to my ideas about the left path and the right path referred to by the names sinistra and dextra in Latin. In Spain 1993, I was told the left-handed person is La Sinistra and has taken the sinister path. The work based on my broken writing hand led to the complications of writing with the other hand and ideas about shifting the left to right and back again. The work also had to be accomplished with my right or less preferred working hand and so a series of ‘Artist’s Books’ or Livres d’artistes were produced with photography and ironon digital prints.. A stage of my work and a significant contribution to the study is the Leave No Trace workshop (2005) at Wallaman Falls. Subsequent work in my studio garden, discussed in Section 11.3, led to critical findings.. Photography as a Tool In China 2003 many people were using film-based photography and processing was easily accessible. I used both digital and the older film technology to compare my experiences through photography. This enabled me to extend the time for taking photographs when I could not access either processing or digital laboratories. In Beijing, Pingyao, Xi’an, DaTong, Shanghai and Hangzhou, digital and film were used.. My contribution to the curated exhibition Urban Troposphere (2001 - 2) was developed from film photography for photo-screen prints. The series of ‘urban flags’ was my term for interpretation of suburban topography. These artworks produced for Urban Topographies were sent to China as part of my proposal for a Red Gate Studio residency. I was accepted into the program for a two-month residency that contributed to many changes in my appreciation of both another culture and how contemporary artists in China defied their government’s status quo. Subversion was also agentic in usurping an art canon.. Appendices. 501. Anne Lord.

(64) Additionally, recognition of the precious nature of aged photography capturing the land and family archives from a century ago contributed to my concepts developed in the progression of work from archive to ephemera. Both application to artwork and concepts about current ecological conditions in China and Australia were impacted upon. Aspects of new media have presented options for my new work. In many cases such as Documenta XII in Kassel 2007 the presentation of internationally recognised practice in major exhibitions led to new ways of seeing the opportunities for digital as an archival tool and a recorder of the ephemeral.. Appendix III includes the body of work that provides a visual trail of evidence in the development of my work towards art and ephemera.. Appendices. 502. Anne Lord.

(65) Appendix III Exhibitions ~ Installations, Projects, Ephemera and Process 2001 to 2008 Urban Troposphere (2001 - 2) curated group exhibition and catalogue (W)ink (2002) curated group and catalogue Survivor Trees (2003) a series Exchange, (2003) solo exhibition and catalogue, ISBN Redgate Residency Beijing and ACC residency Shanghai–new work in China Absence, (2004) solo exhibition and catalogue Corresponding Latitude Kickarts Cairns 2004-5 group exhibition and catalogue Walk This Way, (2004) group exhibition and catalogue Erosion – Finding Metal Artists Books Sinstre Dextra, Broken arm, dyslexia - Artist’s Books Show, (2005) Port Jackson Press, Melbourne Throw Sad Things to the Wind Mackay Art Space Black and White Books, (2005) Artisan Books, 159 Gertrude St Fitzroy, Melbourne [Finding Metal, Mending & the Mattock] BOOKS.05 Noosa Regional Gallery, (2005) An 1890s portrait – artist’s book and conceptual developments. Appendices. 503. Anne Lord.

(66) Wallaman Falls artists’ workshop, Leave no trace – (2005) Chalk, getting to ochre: Survey pegs and un-mapping Developing new pieces, Impossible Bucket as performative object Habitus Habitat, 2005 – 6 exhibition New Material, eroded metal and rust Change, testing time, studio and reflection Watersheds and Basins, exhibition of archival and ephemeral 2006 Flinders Gallery, Impossible Bucket, Peg for non-site, Ephemeral Milestone Catalogue Watersheds and Basins, ISBN Digital and immateriality Tools of Change (2007) Umbrella, exhibition and catalogue Strand Ephemera (2007) - ice sculptures and ephemera, catalogue In SITE Out (2007) - ice sculptures and ephemera, catalogue Habitus Habitat, touring exhibition (2008 - 2011). Chapters Eight and Eleven includes the development of my work for the Habitus Habitat exhibition and images are also included in the DVD in Appendix XXIII.. Appendix IV Urban Troposphere 2001 Catalogue Invitation. Appendices. 504. Anne Lord.

(67) Appendix V (W)ink (2002) curated group exhibition and catalogue The relationship of people to place was developed for (W)ink where I made references to people and their known place. This idea related to people I knew well and their relationship to a place. Old friends, as well as family and their known places provided the images and stories for these photographic screen prints. They are about respect for people and their region.. Catalogue Invitations. Appendices. 505. Anne Lord.

No results found