Introduction
SI
IARON
RUSTT)N
VHIN
lNTERVlEwtLt bythc
Timcsin
ALrgtrst 2007V.
S. Nep:rLrl sai.lrhrt
English literature
Jefiutmcnts
in
uni\,crsitics sh,rul.l
be
close.l ,-loun-Naifaul
cllrirnctl thrrt universities shorrldonly
tcach scrctrcc anrlthrrt rhev shoultl
only'rlcal
in
rncrrsrrrablc'truth' (Appleyard 2007).This
isl
str iking clse ofl
man bestknot
n as u novclist clctryilg thevali.liry o[
thr
fnrfcssional litcrrrry
critic.
One might
drau
:rparallcl
witlr
(1.
P.SrrouJs Rede Lcctrrlc
in
1959, in u,hich hetllr
oblecterl to'litcrary
inrcl-lecLrraLs'(Snow
2005,4). Why
isir
thar lirerary critics
cngcntlcr sr.rchfcelings
in
the
authorsthcy
stLrLly rurrl JisctrsslAn.I,
why
isit
that
rhcstu(ly of
lirerltrrre
(:rs opposed to thc str.rrlv of othcr lrrrnrurities sLrhjects)has so
oticn
bccn positiorrcdantrgonistically lgainst
scicnccJ(lertlirly
Naifaul's
u,ork,
urlikc, sly,
lar
McErvan's,is
not
espe-ciallv
intcrested
in
expkrring
scicnti{ic
mattcrs
or
methods,or
any possible common groun.l between scicncc irrrrl litcratrrre. I lis oblectionrvith
Englisb iitcrrtr.rrelcltlemics
isthat
by publishingthcir
iJcas thcy'tlistorr' our
viewof
things.Thc
iJels thcy
present arenot
poptLLar orrvidcly Jrcl.l: 'They're
jusr
icleasin
gnrbby
litlc
textbooks
that:rre
stulTerl
in
sturlcnts'lrirgs.'OLrsingt|rwn
English,.lepartnrcnts rcross thcworl.l
rvor.rlclhavc
tn
imrrcJilrtc iml)lct:
'lt
uoultl
rt'lcirsel
krt
of
rnlnpo\\'cr. Thev
coulcl go un,.1 rr,rrkon thc
buscs ancl thingslike
rhrt'
(Appleyar.l
200?). These fervlincs
rcvcal sotrre often-hearcl criricismsof thc
English acadcmic:thev
havean
unrealistic scnscol their
ourr
imlortance;
thcir
profcssionis
enclosed,self-sustliuing antl
scparatc{rtxn the outsi,.le
world;
rhey coukl bc rloittg somcthingnore
useful.To
a
litcrary
critic,
though, the
wrrtling
o{
that
plrrasc,the
'gnrbhy lirule rexthooks'that
wc
writc
frl
stuclents, is fascinirting :rnd suggcstivc.It
smacks
of
a kinr.l o{I-cavisite-elitism
rhirr uasclearly
rcvcaledin
thatcl
itic's
vitriolic
resfonseto Snou,
accrrsinghim
of a 'r'ulgirrtty of stvle',his novels of
cvilcing
'nonentity'
onelery
page (,.potc,.lin
Snow 2005,xxxir').
I loiu much has changell sincc (1. P. Snow's lecture, which gave r.rs the phrasc 'trvo cultures'
to
tiescribcthe 'gulf o{
n-rr.rtr.ralilcomptehension'
I
sHAltON f.LrsIirN
.-Sccon.lLasofThcrmoJvttirllr.i,:luJscicrtisr\,qlrlr,\\'illr'rlrr.
lrrrrrre iri rhcir bc'nes',fi
rnd l)icktns
'rht-r)lc'sfecirncn
oi
Irtc|ar'1]Ilr('lr]lrreltcn-iil.ilit\''
(-ino\\,2rrL15,4, 15,lC,
l-l)l
Thc
L)bs.'r't,rr rc'cenrlylrslrll
rlrrccrvrircts.
tuo
scicrrristsand
two
l-rorldc.lsters()lr
tlrrir
krro\\L,l1].
()ficicncc
(includLng thc fatal .luestt,ui asktJ bv SrLnr', ol corrrsr') rrnilthcir
;lnswers \rere
ilitelfrctcil l.\'
thc
neNsl.-irlrcr'toconfirrn tltc
lrrts/scienccJiri.lt'.lltals,,.ccnrsthurthcclirisr.strobl-ytttitrr.leofliretlrrrresclrol-ars
Snou'srrflercrl un(lcr
is stilLpt'rctived.
l]nLlthat
litcrirtLrrc is heingwritten
orrt rrf sonc possihlc firfrrre reconcilirrtionbct$ecn
litclitur(
l
t(l science.John
Brocknrrrn.crert(t
()f EJge, arr.lproloncnr o[
thc'tltirtl
crrLture', uscs SnLrw'"r'crv
sanrc lrhrascto
rl('scribethe
(]1il()rrclrl\
()f scicrrtists:']-iterart
intcLlccrrr:rlslre
not corrrnrrn iclltillg
$'ith
scierrrists.Scicnrists
ure
cotriulLrl)i.ating
,lircctly
rvith
thc
gcnerll
frrblic'
(Brocktnrur,
l99l).
Scierrrists rrrctritirrg
thcmselves,ilid
therc
is n(rnee.1,
it
sccrns, ofriic
literirlr'.Thc telmr 'litcratrrlc'
1ln(l 'scicncc'lle
of
coLlrsc hrrgely contestcLl, rru.l rarhcrthan
rtllerlrse s()rnc o[ the"c tcll-krrLrwrr urgrrrncnts,it
nriglit
l.e usefrrl to considcr tlicsc rrrrrds irr rhcir e.1lcctiyuLftrrm, esleci.llLf sincc thcse rrrc tlrc tcrms t)ftcn uscll bv lr()tiig()nisls in t hese Jchlltcs. Thc u or.]
'scicntisr' itsclf
isrt
riltrcs Lrscrl rnrchr (nr ist icirllv
irr rlrisvolunc,
givenlh[t
itslirst.oinage
$:1rin rhc
lE]i-lsrnrl
thirr
nirturirl l..hilosolh],$rLsthe
t[rmiurrnt
trln]
Lurtil rhe
prLriissiorralisnrof
scienct'in
the
ninr'
tccnth
ccnturl.
Whar a|ervc.lcscIil,ing
$'h(]D u-.irg rhe u,or,1'scicntiiic'
or'litcrarl"lThinking
al.outthis
frrrrriof
rhc wrrr,ltakcr
Llsto thc
lcr-vhelrt
oi their ltLr|crties,
tolhcir
clriuactclistics.To
tlcscribe st,rrethingrrs
scirntific
rrrighl
nrelrr
lo
con:i!ler
il
(lem()llstrNl\le,crnpirierrlll
lrorcn.
mcrho(licirl. objccrive.
or
sv\trnllrri.. (irrlling soncthrng
orsomcone Litcllrrv.
on thc othcr
hlrnd.
crrrricsrvitlr
it
a
*,holc
host
ol
llssLlrnfLior)s,
ttrat thcv
lrrcnor
sirnplylirclrtc
hur$cll-rcatl
in
cllssictrLlitcrrrnrre. I-c.rvis. n,ith his clcur scnsc
of'grcar' Iiteraturt,
r','rrLrl'.1prcsrrrl-lubll'not
cousL.lcr evcrvthingprr,.lcil
to hclrterrrrl.
Pcrlrups tlrccontin-uiDq ienst'
thnt
LngLi.lh rcrrrlcmrcs srLrily (Jr)lvthc
carronof rrl.Iiri,'ulL
rvririrrg istlrc
rcrson
rhrt
sc
urctlcnic.l
rhc possrbiLitvoi sl'clliru
rhcrtrrrbers
Lrfthc
ret
'prrblic ii(il(lernics
lher
Brockmlrr
cclelrrlrte.(1991).
In frct,
Ilrockman's.lefLnirion
irI scicnce :rs 'prrblictLrlrur...
is()nc'
thnt
m()stbnglisir
rrcrdeuricsuoul,l
lecogni:c.
Hr'
.ltscnhcs thcsr:r)e\\' s.icr'rrisrs ,rs
't,rking
thc
fl11-crrf
thc
rrl.litionrrl
intclLectLurlil
lcrJcring
lisiblc
thc tlccprr mcnring; ol
ourlivrs,
re.lr:iiningwho
,rrr.l.
'Tlrt
|.rrrcl', ,rec,.nrprrnvinr A.1rrm; l0C7tNTR(ll)t l(
tTl.N
l
lhat
uc
are'(1991).
lt
coul.l
1..t regrrr.le.ithlt
literlfurc
Jocscxlctlv
rhis, an.l rhar
ir
is the job of Lhc litcrrrr'1' critic
tu)dis.ovcr,
cxplain, cvcn'renrlcr
vi"iblc'
rhcJrcler
meaninqs wcfirLl
rtrlitetatrrrel
English can l c sccn a\
irl:rinorphous
disciplinc, oncrhrr it
istlifficult
ro Jciine. Lr mo.lern English (lclrrrtlncrrts, ol)e
cln
find
tlrc stuJy,rfiilrn,
theorl,,
pclfornrlncc.
en.l mlrclr
ln()rc,rilthrr
rhlrtt solely
thc
*'r'ittcrr wor.l-What.lcfines
English mighLl.r'thc
atrcnti(nrfirirl
ro the langr-utgerrscJ;
literlry
criticisrn coulJ
l.t
r.'gerJc.l itsir mcthoJ
rrther thiur rn
Lrbject of stLrJy. Manv Errglislr rrcl.leurics liavt'
enl,ruccJ
tlrc crcrrtion rrfrr ncw,.lisciplinc, crrltr.rral
histolv,
rr'hiclr is rrrrt necessatilvIimitcJ
to rhc|rirrtctl
tcxt,
antl w h iclrhls
txtenrl:.1 tts l-rurvicrl t() science isfart
oitl]c
crrltrrre of the past.
,Ar 1,rt
l,lck
:rs the.lchlte
bcnvecr
MrrrtheuArnol.l
an.lT.
H. Hr.rxlc\in thc
lS,Stlsrhe
i,lerrof whet
rright
hc c1a."eLlls
Litr:rrtutc rvrts unrlcr' .1c'l.ltc.Alrrol,l,
r e:l)()lrrling toHLllilel,
rvillrrcrl t() bc alcl11 cvcllthtn
tltlt
l,r' lircmrur'.' hc
JiJ
rrot rueiur slnrpi-vhrllr
L'rrrcs.In tlre rirlc
r,this litlt2
Rc.lc
Lccturc,'Litcrerrrc
untlScitnce',
hc.li.l
nr,r
cvcrr nrcarr EIrgli.hIrtclatLrrc. 1.rrt
the
clls-.ics.Il
-v,,,.r lrgrcc,luith
Arrrol.l
thlt
thc
aim
trtculturcrrls'&rlor,lr
1)rlr.srhasiindlhal{()r[1',,ttr.] lrgrce,.lthat the Inelttts trr rlrisclJ
\\r1,\'t.) Lnou rh. I'c5t r{hi.h hrs been rh,.,rghtonl
sli/
in thc rlr.,rh1',thrn
,rnc slrrrLrldrruil
Lucli.l's Elcrn,:nts rrnJ Neu trrn's l)rtncilric atrrl lcrrlrral-.,lrt
'srrclrrnen
xs(l()lcnicus,
(lalileLr.
Ntttou,
[)anvitr'
(.Alno]tl1992,45,9,4(r|-r). Hc c,rntinLre.l u
ith
'To
knorvEn{li'h
bcll.'lerucs isnot
tLr
knor
l-nsLlrrrl',anJ
uccept.'.1thlt
'ln
rllar
bcstI
ccltlritrlv
irrclrrdeuhut
rrr rrro.lern tLrnr:s has bcerr rh,rrrglrtltr,l
slri.l hy the qreat ol.scrvcrsrn.l
knoscrs
(){nrturr'(Arnol.l
19')1,461).
Ir
is pcrhr4rs imp6111111 1en()tr,
lh{)Lrgh,that
rn his lirtet tliscrrssiou olclassi,.:al JitcrlrrLrrcht
prrittts()Lrt
thrt
solnc oi the 'hcst' ,ri tire prsr hes bccnwritlcn
by rrrcrt \\'ht, 'hrr.1thc rrost
limitt.l
nut,.uulkn,rrvlcJge'(468).
Ft,rArnol.l,
it
isrotnctlrirg
elsr: cLrrircly'tllrt
rrlkes
clltssicltl litct.rtLrrc \vortlrv ()i ()Llr st utlv enil, usttrg rr phr,rsetliat hc
rcpcats throLr''ghorrr 'LilcratrLrcirnJ
-qciclrcc',it
i-\'11sllggc\ti\e
f1111,c1, c11l1blc ofworJetfirllr
heL|irtu uslo
rclrtc
thc
rcstritsof
ruoJcrrr sciencc ro ourncr\l
forcoulluct,
(nrr ncetl fLrr beeury' (468).Tht'slrggcstir,cnc"s of litctatrrre, its
ubility to
intlucncelruntlu
courluct,seems
lrilnllrl
frrrAlrrol.l.
Ilis
trotton
of
'crtltLtle',of
cotlrse, n:ts ns ltrnonl
cuLe lirrtht"aLrtrchy'hc
l,rrrtrtlin
sLrciery.SHARO\ RTJST()N
examinatiolr,
we lnust have sLlbjects irrwhich
it
isf()ssihlf
t()e\ln
ne'(quoted
in
NlLrran 2006.2l).
IrrpljeJ
hcrc
isthc
Lirck ,,1 'nrcrrsulul,Lctruth'that
N:ripaul findsin litcrary
stu.l_v, the icleethat
tlrerc is nolight
answer,
or that all intcrprctations
are sul-.jective.Alth,,rrglr
AnrolLl LliLlnot support the establishment
olEnglish
as a u|rivcr-sitv subjcct ltis iricas rvere rnfluential, particul:rrly thatof'knorving'
England through irslitcr-ature. Joc Mrrran sccs
thc turn
awayfrom
so-called'Clcrman'rcscarchirnd
thc
promotion
of
literirtLlre 'as
rhe frinrc
pu|vcyor
,rf
lEDglishlnatioral
cultLrre' L.y such figuresrs
Arthur Quillcr-Oouch
rrndL
A.
Richartls as part
of
theanti-Gennan
scntirncntoi
the post-First Worlcl W:rr perro.l irrthe
1920s (2006, 18,l7).
Sincc its
bcginuingsthen, the
acaclemicdisciplinc
of
English
has.lebatetl, interrogare{l, questioneLl
rnd
challclgecl
itscli
its notion
olrvhat
it
is,what
ir
isfor, whirt
isits
virluc and$orth,
have consr:lnrlybeen qrestions
it
hrs askecl of itsclf. Thcsc arc questions rhar science hasbcen less cluick
to
askitsclf
anll
it
issigrificant
rh:lr rhe
new scicncc GCSEsbcing
taughtto
studentswho
art'unlikely
to continuc
with
aneducation in science, u'hich consiclet
thc'srlcial, political,
econotrric andethical
dimensions
of
thc
subject'
and
erlu\r
studenrsto
'eviluatc
scicncc-tclatcd cluestions that they
will encourter
in tcallifc',
havc bcen r.:riticizerl firr rloing so- Asking such (lLrcsti(tns, according to a srutlythat
was publishecl
in March
2007,only
encouragcscynicism
(Ranclersonlnrli
I()nc
possible,.lcfinition
of
rhetliscipline of
Englishon which
manynow
working
in it
mav u'e11 agree, isthat
stuilving literature reveals thepart
that
it
plays iDthe fonrration
of
idcntities,
such:s,
firr
example,rational idcntitv
(it
is, aftcrall,
called'Erglish').
()ne
corrltl argue rharNaipaul has cbnc wcll our oi this :rspect of the ,:lisciplinc,
with
thccmcr-gence ()f postcok)nial criticisrn. Sciencc' hirs also bccn seen as playrng a
piirt il)
the lornr:rtion of srrch i,.lcntiries. Huxley cleclaredin
the openirrggamhit
of
his
dcbatcwith Arnolil, on
rhe
occasionof
a
ncry scicncc collcge ofreningin
Birminghamin
1lltl0, th:rt 'motlern lirerarurcs' shouldnot speik for his age, the 'clistinctivc
charactcr'ofu'hich
'lies ur the v:rstald
constlrntly
increa.lingpart
uhich
is playe.lby natural kno$lcdgc'
( quoted
in
Arr to1d I 992, 460 ). C. P. Snow also regar.letllilcrruv
in tclle c-tuals as'naturirlLuildrtes', u'hocorld
not see the amcliorating bcncfitsof
the
indusrrial
revolution (Snow
2005,
22).
ln
spite
of
hrving
reatlRlyrnoncl
Wlllianrs'work
on the nineteelth-centLrry novclist..' comf lcxcngagemcnt rvith the indusrriaI revolution, Snorv thrrrrght thc class
posr-tion of
writers
'The
indusrrial rcvolutii)n looked very
clifterent according to',vhethel one silw
it
frorn abovc orl-.clorv'
neant
thar thevINTRODUCTION
)
couid not sec the primal bencfits :rffor.leti by thc progress
iu
sciencc antltccllrology
(Snon
2005, Z7 ).rHuxley
aske.l,rvhat
wasthe
useof
'mere
literary
instrr.rction andeducation' compared
to
'sound, extensivc,
1r1)dpractical
sciclttific
knorvledgc' (quoted
in Amoltl
1992,458)l ln
thc
same lrranner,whilc
Snorv
ldmits
tiriit'Man.loesn't
livc
by hre:ld al(me', he p,rittted outtlut
this 'is
not
:rrenRrk
that
ol)e {)f usin thc
we'sternworl.l
canclsually
acltlress
to
most Asians,to
mosf of ourfellow
bcings,ir
rhe rvorlJ asit
now
exists' (Snow 2005,
7il
79).
This
utilitrrian rrotion
is
onc
tharLervis
reactcclto, in
hiscon.leurrrtiot) of,
as Stefirn(irllini
hirsput it,
'thc "tcchnologico-Rcnthatnite"
relluctiol
of humau cxpcricnccto
the quaDtifiable, the measurablc, the rnaDageablc'(Snow 2005,xxxiii). It
isr
refmin that
isstill
he:rrd t,:rday; rvhat is thepoint
ofliterirturel
Englishstudcots:rre ncvcr goitrg to
find
a cure fitL c:tncer, but Brar',1Ncu'World
prcscr\ts a r'.lther Lrleak view of a $,orld
with
health but with()Lrt culture[n
an
attempt
to
articuhte thc
rdisond'irrc for
litcratrtrc an.]
itscritics, claims rveLe
uade that
many ()f Lls arcn()['
tlttcomfortablc rlith,
both
sciencc an,.llircrlture
havc claime.lto
bethe
nrclrns bywhich
torcach'truth'ln
rermrjthut
religiLrn hatJ uscdtn
ccnturics
prcvious.Arnolll's
insistence,for
example,that litcraturc
coulclact
asa
rr,rralgtricle anrl
civilizirg
influencc on
oul
lives c:ru secmlike
il rec2lstingof
tlre role religion
oncc held. Evcrr before teligious dorrht hacl gaine.l its hoiclon British
socicty, Wot,-lsworth corr-tpirrecl his projcctcrl poem The Rcclusc to a 'gothicchurch',
ar)dM. H,
Abrirrnstook
dris upin his
l9? Lhrxrk
on
Romantic
poetryNatlrzl
-Srpcmdt&r.rliJm,finding
secularizcdvclsions of
rraditionirl
theological corrccptsin
this an.l otherwriting of
the
pcrioel(Abrams
1971).If
literaturc
isthc
rrewreligiorr
('spilt'or
orher$'isc),
then ls
John C-arnvright hirsput
it,
'literary critics
becomethe nerv pricsts
ofculture'
(C-artu'right and Bakcr 2005, 270).rColeridge
in his
1830On
the C'onsrirltion of Church.rrul .\ftlteimag-ined
thc
formatiou
of a'clerisy',
thoughhe
$'asnot thinking
hereof
Irterary critics,
but
more
,rf,
in
PeterAllen's
wor.1s,':r
permancntlyI
Srcirnl)rllini
telLs us that Snouhrd
rcad!0illirrrns'(llltlre
and Socictl,which uirs puhlished
in
1958, the yc.rr bcfcrrc Sn,rrv's RcJc lctLrre.(irllrrrr
thinks ther Snow's quotrrtiorr ofColclirlgc, f,rr exan4rlc, comcs
frorl
ViLLiant'b(x)k, bLrt rn sfite ol this r:vitk'ncc flnLis thrrt
Villirms'
'corrplex .iiscrrssion ofthe literary rcsponsesto
inJusrrialisrn Joesnot
sccmto
lrave iroclificd Sn,Nrt conviction rh.rt the charrpions of "culrurc" n'cre all t.rintcd with "l-uLl,.litism" '(Snorv 2005, xxxv, n. l5 ).
6
SHARoN RL-STONendoweLl lcarncd class',
or'an
intellectLral cstablishmt'or' (Allen
19E9,4tl5). Ooleridge imagine.l that thcsc figLrrcs woulJ'prcservc thc sror.cs. ro guarJ the treasures, ofpast
civilisirtion,
and rhus robinJ
tlrc l.rescntwith
the past'
(Coleritlge
1976,4)).
The
elitism of such a positiorr, und the respor)sibility fcrr dccr.Lngrvhich rlcre
thc
'stores'lncl
'rrrrsures' that
shoulclbc
preserve.l, is orrr'rhitt
Lcavistook upon hlnrsclf
hut t'hich
currenr English acildernics hirve found more ptoblcmatic.The
iltcreitse(ldiversity
ofboth
stu.lcnts andstaffin
Er)glish dcparrments has.lecreascdthe strangleholcl
that
the canonofliterature
once harl oncurricull. Tlrc
equally pcrvirsive influence of postmor.lcrnism has matle us mor-c rvary
of
spcakingin
termsof
absolutctruths,
irnd ferv pc'ople thcsc davs woulcl regar,.l literature ascontaining
some .special. rrystical quirlity.Abrams' borrowing of his
title
fiom
Thomas Carlyle's .Satr)r RdJ.lrfr.t is a[rrthcr
possiblepourt
of corrnecti,:lr berweenthc
stucly o{ literirt,.rreanel scicncc, rvhich is Lhc stully of naturc.
The
idea thirt onc canfind
therriracuklrs or
the$()lrdcrful
in
thematerill
:rndtlrc
cveryclay issomc-thing both
litc'raturc and
science
have
claimed
for
thenselves
at different timcs. C)ften stemmirrgfiorn
l)aru'in'sfinal
passagc of C)rig,ino/
Slreoes, rvirere
he dechrcs
upon
contemplating
thc
cntangletl
hank,'there
is :rgrlncleur
in this
vieu'
of life',
popular science rvriters havcmade
it
thcir
carcer to enthlrsc rhe prrblicu'ith
r
sense of wontlcr at thenattrral rvrrlld.
Stephen Jay(ioulcl's
titlc
Wrntletful
Li/c
comcs fromFtank
Caprir'sfilm lt's
a \Yrnderlul Lile.
The
n'onderof
borh texts
isprimilrilv
atrt.zeurcntirt the
historical
conceptof
contingency,
whcrcseemingly ir)srgni{icant evenrs rrt'un,Jcrstood to have radicirlly anLl irre-vocably 1e,.1 t()
the
present.As
GoulLlpoints our,
this
'greirt rhemeof
contingency in historv' hirsbeen'imposed' becausc of discoveriessuch as
those
nade at
the
Rurgcss Shale 'u1,onl
sciencc uncomfortablewith
such conccpts' (GoLrLl 2000,
l4).
Thc
committecl atheisr Richirrd
Darvkins,*ho
tlcscribcshitrself.
I'rcsumably, rn his firsr chaptcr's
titie'A
deepl,v rcligious non believt'r',has also sct
hirnsclf
to
the
taskof
rcrnirrr.ling peopleof 'the
senscof
\\r)n(ler
in
scicnce'(t)arvkins
2006; 1998,xii).
L)arvkins consitlcrs thisscnsc
fo
he
ir.leel
ilestlrctic passion ro rankrvith thc
{inesttbat nusic
anLl poetry cmr .leliver',ard
in his book Unrl.'ca|rng rhe Rainirot1,: -Scr,..nce ,I)elusion and rhc Appuire
/tlr
\!bnd.r
is interrr ()nproving that
literlrrrlc
.loes nor havc a monopolvol)
inspiriug fcclingsof
:l','e(l)awkins
1998,rxii).
From the other sitle of rlrc fe'nce ( if rhere re:rlly is a fcncc) Emerirus Profes,.or of Englislr at RutgersUniversiti,
()corgc Levine's mosrlccent
l.oirk. I]arn'rn
l-olrs
)'oi-r:Nartral
.Sclccrir.rn antl the Rc-enchantmcntof
theWbrltl,
takcsfor
its
title
rhe comrronplacc (particul:rrlv
in
Amcrrca)INTROI)IJ(]TION
7humper-sticker 'Jcsus Loves You' (Lcvine 2006). Clearly l-evine lvirnls to show
that
as muchcomfort
can bc drau'nfrom the
n:rtrtral rvorlcl as islr,'m
rh<.firirrr,rl
,'ne i-,tth,*.
rrlr,'
I'rli.re
rrrit.
Ietttrr'.. ff,'rt-
rr.
t., .lisprovc Max \?eber's claim thar science robs the rvorld of meaning and vrrlue, andto
cmphirsrsethat
Darq'in hacl this same senscof
wonderin
thc rvorlcl he saw before
him.
L)irru'in l-ras heen one
of thc
most suggestivc scicntists and sciencc !'rrirers to ficti()n wliters, poers, nnLJ lircr.rly critics. Hc has arguahlv heetrthe most important scieutist
in
thc dcvelopmentofa ncu
itrterestil)
the c(rnnections betwccn liter:rtLlre irnd scicnce. Nerrrlyall
ofthc
cssaysitt
rhis collection refer
to thc
u,orkof
Cillian
Becr(author
of
l)aruin's
Plors) at somc
point
and her $'ork has been hugely inflrrcnrial: herinsis-tcrce
thilt
the
rclaticlnship
l,etrveenlitcrattrre and scicncc is otre
of 'rntcrchange rather thnn ()rigirrs:lrld transformatior) r:lther thantrirnsla-rion'can
be seenthroughout
this \'oLumc(Bcer
1990, 81).Thcrc
havebeen a numbcr
of inportaut
critics
on
the cttltttrirl liistory of
sciencc,ilcluding,
atrrong othcrs, R.ry Porter, Simon Schaller, JotrIt(ilscotgne,
Lutlmilla
Jortlanova anrl P:rtriciir Fara.The
essiryscontaincd rcfrescltt
tire
f,ossibilitics of engagemcnr ber$'een the two cultures, ratherthan
a.lisrnissal of
thc 'literrrry'
itt thc
invctrtion of
:r 'thirr.l culttrre'. As Suoll'hopc.1: 'The clashing
point
of trv,:r sLrhjccts, two disciplines, tu'o culturesof rwo galaxies, so firr irs
th:lt
goes
oLlght t() proLlLlce creativccha
ces'(Snou
2005,l6).
These crcative clunces havc bccn seen innuch
intcr-csting work producecl hy such contcntpr)r:lry writers as
Michlel
Frayn inL-opcnhagcn, Tom Stopparcl m Arcarlin, lan McEwirn in
Sarlrdal,
and theloetrv
()fl)irniel
Ahse,Dcryn
Rees-Jones andHelen
Clare.In
Britrrinalrne,
thecrcation o{
rheBritish
Societyof Litcraturc an.l
Scieucein
2005, dre
Livcrpool
Universitv
Clctrtrefor
Poetryald
Sciencein
thesanrc year!
lncl
the {act of thisvolunc
tcstifyto
the developing itrterestin
thc connections anJ cxchrrnges possible.The essays contirinecl
in
this volutne coultl nevcr havc representedall
of the hisrorical pcrio,.ls of literaturc or sc ience; neither thc
tnanl
genresof litclature nor
subjectsof
scieuce;antl ntrt the ntultitltde
o{ possiblemerhodologies
th:rt
might he
use.l
in
consicleringthc
rclationshiphetrveen thc tu,o. Yet
in their
multiflicity
of text atrtJ mc'thoclokrgy tbcy dcm(mstriltethe
contplexity
of
litcratr.tre, science,and
the
interfacesbetwccl
them. Blaine Hohby's essily"'l)rcams:rncl plain
dotagc":The
V:rlue of Thc Birth ty'MankinJ ( 1540-1651)' makes
r
scientific text hcr
srrblect, ro which she applies the mcthotls of literar-v criticisrn, :rntl in factall
ofthe
essirys revealthis
exercise to bc prirn:rry rotheir
purposeAll
8
SL1ARON RUSI'ONlirerary or
critical,
u'ith
rn rttenti(n)
th:rt
is aliveto
rhc rraytliings
irresaiil ai,:rngside dre meaning
of t'lrat
is saiLl.In
David Amigoni's
essav'
"The
luxury ofstoryrclling":
Scicncc, Literaturc' :rn.l Culturl.rl Clontesrin
Ian McErvan'sNarrative
Practice'. f)aru'in's use of stttries as a mcan"of communicnting
science is lambastetl by Joe Rose, ascrcntific
jour-nalist in lvlcErv:ur's
novcl EaJlring
l-o'1,u. L)ontrary to Rosc's vien', uhich
pirs'thc pollcr
and attractionst)fnirrnrtive'
:igainsr'jutlgement',the()ret-ical
underpinning,
definition
of
Lerms,and rlemonsttablc
cvidcncc,Amigoni fintls that
in
lvlcEllan's novelsr)rrr:ttive c(rltinlres
t()cxert
afrruer
and :rn ar.rthority.McEwln's SatlrJal
m()re than any othcr rccent novelferhrfs
dnmr-ti:cs thc clashirrg of two cuLtures,in
the characters of I lenry Perorvnc, umitltlle-lgecl,
u,ell-off l.rain
surgeon,his irrrous poct
fathcr-in-law,
Oramrnlticus, and his ileJgling pocr
,.laugbtcr,Daisv.
The
lack
ol'comprehension, un,-1
barely
conccalc,.lrlislikc, bctu'ccn
l-erorvne antl (ilrrnnlrticrrs
secnsto confirm
the complcteLydifferent
\\orld
\'rerrs ()fthc scicntist:rnd
the liter:rrv intellectrral; $hi1e Pero\\'ne hasbren
criti-cisedfor his
srnLlglless,thc'poet is
arr()gar)t,p(rnpous,
incxpli6nfly
tnorxly, anJ a LJrunk, sccming tc,confirm
manyl
idelyhel.l
opinronsof
his tvpc.
Yct,
in
thc
novel, reciting Muttherv
Amoi.l's
p,rcm'l)ovcr
Beich'
aloudrt
acriticll
moment clistr:tcts therttcntion
of a dangcnlrs irnd rLnstirble man $'ho Lleci:tfcsit'hc'rutifirl'an.i
inrlccd
it
is litcrarureth:rt
savcsthc
rlay (irnLlthcn
scicrrccthat
snves rhemrn).
As Amrgonidrscusscs,
this
cpisode asks,whilt
does lirer:rtrrre
cbl
Vhat cirr
it
actrievelWhar
is iLs properpllce
in
rhe historyofcivilizati,rn?
ln
'EvoLution, Lrte'ratyHistory
an,JScicncc
Fiction',
Bri:rn
Bakertakcs
ashis
suhjcct
litcrar-vcritical
mo,.les.examining,
fbr
examplc Joscl.h(larroll's'rhetoric'in
makingl,oth
evolurionl.rry psycholrgy ;11111the humanist metliocls
ofpractical criticisrr
scem quitc srnrply as thoughLhey lLe cornrnon,scnse, ()r
cvell 'correct'.
Rakcr also considers FrancoN'ftrrctti's rrsc
o{'cpuntitative
modelling', itselfa .rcientificrnedrt
, to seehorv such a techniqLle hears Lrp ullcler close
scrutilv.
N{oretti is unahlc roade.prreLy
exphin uhv
when applying rhismctht
to
the SF genre ir f:rilsto
:rccourt
firl thc
krngcviry
o{this parriculrr
gcnrc, its r('fus:1l robecorle extirrct
ancl torcvivc in
similar but related fonns. Baker's es-sryasks',vhy
it
is that biokrgical merhod (used to suchiliflerrrrt
en,-ls by suchcrirics as lr,loretti an.1
Carroll)
arc soint'lucntial in litcrary theory:'The
Lluesti()n
w.'must
ask is:lrhv
(bir'logical)
science, anduhy
nowl'
Thc
application
of'literary
andcriticll
rechniquesto
anrrlvsc such features as metaphor an.ltone'
rn I Iobby's cssav is corrplcJ rvith rcatlingrhe
s.ienrrfic
rexr,in
rhis ca-<e ThcilltA.t
l,'ldnkrnd, historicallv. Hc'bbyINTRODLJCTION
9corlsiders the textual history of rhis book, rvhich ha,1 rppeared
in
many guises irnd languirgcs. She arguesthat
the bookin
thc fcrnnin
which sherleirls
uith it
most
tclls
us aboLrtthe
uorLclit
wasrcccivcd
hy,
thrrscorrcctilrg
some misuntlerstan,.lingsahout early-no.lern
life
and
rcla-tionships.
Not only this,
the book
also provcsthlrt
sonleof
our
no\\' comlrronf l:lce nssLlmpti(nrs irhour gender, c()ming from Michc'l Fouc:rrrhthrougtr Thornas Laclrreur, arc
similarly
unfoun.lecl. lnstea.l The Birrhrf
Mrin/<ind'rcinugilcs'the
femalebc
y
in
srrrprisinglnd cotnflex
ways, refusing to acccpt the rnistaken assumptions (){ the past.The
trseof
scicncc
in
the
refresentation and
evel
fornr:rtion of
ger(lcr steleotyles is
ilt
issuc in a lewofthe
esseys includcd hcrc. Myotrr
essay'Natunrl Righrs:rndNltirral
History
il
Anna
Barbrr.tltl nnrl Mary WoLlstonecraft' looks at h,ru'both
of thcscwntcrs
trrrnedto
scierlce to {inrl strppt,rt fortheir conviction
thrrt there wcrc natural rights,$hcther
female or mrLe, orthtr,riox or' ,.lisscnter.
Thc idcr
of rvhat rr its 'ttrtfLtral' trr w()mcn \\'llssLlf|orted
rhco, asit
isstill
Dow, by the evitlt'nce.]r'a\\'rr lrrrrlr rhe animalrr,orLl. Wollsronecraft r.tscd sr.tch cvi.lcnce to her orvu advan-tirge, comfirriDgworran in
her civilizedcondition
to a !L)incstic luritnaln'ho
trrr.l becn lirrcecl andtraincd
into
bt'hlving in
a
tlay that
is nor naturill.Thc
\\()lDelr she seestroun(l
her arc therefi)re merely unnatural versionsof
rvhat
thty
corrlcll.e,
wirh
ovcrly telitrcd, .lelic:rte
andunhealthy constituti(n)s.
Amigorti's
essaysimilarlv
foilrts
oLrt
rhalMcEu'rur's Sarardri,,- exp[rrcs
thc comfeting
claims of 'bio)ogical ,lctet-rninistrt and inr.lctcrmirute, fr,:rli{crating social:rncl crrltural trtellnings'.While
many
cssaystlell
u'ith
brortlly biological
scieirces,Alice
]enkms ancl Katv Pricc rr
rirc
about the hard scienccs, trrarhentatics :tndphysics
resfccri\cly. Jenkins'
cssay'Oeotge
Eliot,
Ceomctry
andGendcr'asks rrs to remember just
hoq'iniluetrti:rl
the stu.lyofEucli.l
rvas,r:lught irs
it
t{'asto
mnly
generlti(ms of pt1pil5. She revells his presencein
the'metaphors,
structLrres itnd key worLlswhich
shape ancxtt:rorcli-nary
numbcr
of
Victorian litcrary, political an.l polemic
rvritings'. Consitleringthc
novels of Lleorge Eli,ut specifically, geometry is used'to
suggest the fixerlness' o{ such systems as gen.ler di{fcrcl]cc.Oerrainly
it
see ms
that
there $'crc many me n of the pcriod rvho w,\rl,:l h;rvc symp:tthizccl n
irh
frrxrrTom
Tuilivcr
in Mill
on thc f'loss, rvho has such trotrbleu'ith
his lcssonsin
Euclid. C)ne ofthc
'Novel
Possibiiities' of Einstein's theoriesthat
is prcscntcJin
Price's essay also involves the debunking oithc'hatcd
Euclicl'whom
it
is hopccl'm:ry have [.eentalking
throtrgh hishat
all
thcsc years aboutthe parallcl
lincsthrt
never meet'. For Tom'ssister, the precocious Maggie (as \r'ils the casc
td), it
seems,firr
Marian'mascu-IJ
sH:\li()).1 ltL 5tr)\
Linc
wi".l,rrr'
tlrirt w()ul.l hcl1, her Iut.l cortreltnr,..nt anrlrt'lievt'licr
liLrs,airrrolls. Jerrkins irlso iliscovcls llt()re
.ll.()
ttltc
Irututc Ltf fhclellal
ltlt ()I Euclitl in suchinstirutron: ls
tlrc I-rrJics(irllcgc.
untlrhr rclirrrrist
p,.:.lu-gogicill
rirrs
ol
ilsrnrthcrrlltics
tcnchr'rs.Accr,r.lurg rt,
lcnkins
ELrcLid u'es LlseLl ir:r'rrrcrrtirl
cxrrcrsa' !()clrrlr
rrn,]
orJrr-
thc
rninJs
of lilrlesccrrr
hLr,,s: srmilurL\'fhvsics
is
Lrse,.l to 'cstiiblish iltelisi(r)
l)et\r'cerr rrc(sy hLrmillr flssi()1rslnJ
c()Ll rrbstnctiorr'in [),,rothv
L. Sirtcr\' I),x-ll)r.nt\
i]t lhf (lrr..
Nlrrrital rrnLl rrrhr'rrelution-shiIr
.rrcsigriiic,l
hv
charactcrs'lcl.tiotls to
Einsrcin'sthcory
of
rhclirrrr rlr ,linrcnsion
in
Kltv
I'ricc's cssrrl'()rr
rlrc Rack ot thc Lighr \\'"rrr cs:NovcL I'r,ssil-.ilirics in rhe "FoLrrth
I)inrcnsion"
'. I'rice's es:11'rrscs,r lunqc oI cotrtenrpLrrrrlprrprrllr
uriting
l]1.(rutlhe
sLrblect, irclrrLlin,.tt:slvs
irr/'rl.A,ur,l
rcf()rts
in the-lirncs
tlilt:horl
tlrr'',rrrrl.l
rr'ls
!lirc
r(J tl)ceorrric
|o:sibilirics ol
thtse tlrcorie:.
lricr
fintls thar
uhrt
shecrlls
tlrc'nrixrng up'
(rlscir'ntili.
lntl sotill
tlrcrnc:
cnuhLcs .liscrrssior Lrf l.rrrlrrilthcr thiur $ritirlg
this
oli
assinrl.li
'haJ
science'. ALruosrrrll
oi
rhcesslr\ s Jclrl
l
rth thercffrscntllti(rn
()i sciencels
'n Lrth' nircthtr
thctcrts
tlrcy c\irnrinc
chalLcngcs this ()rll()t.
t)nc
(trntaLc)chlrrlcrrr
in SrIcrs'
Thc l)ocrmcttts in rA.'( l,rsr ,leclirrt's
|,rttry onr
oi
the'Llrll
true rerlitir.s.rlt
tr
rrLL'. Tlris clrrrr uctcr rsltot,
ho\\'c\tr,
llnlolltlrficcc
t(rr Srrver'. irc'r scli.Irricc
fin.ls rhet rclurilirv
is
Lrse.ll\)rh
r\
ir
sulrtcctrntl
u
nrtLhL,.l inSlycls'rrovtl.
rrrtrlLrltirulteLt,
rr:i:.rlso
rhc
c,r.ein'AbsoLureLi'Else-u'hart'thrrc
tsl
srrlLrtiorr t(rthc
nrvsfrrv.lill
RLTJJs c"srrv'From [\rpulur
Sciencc
ro
(irrrrtnrf]rrrion:
TIrc (lloLrrlsot
Thc
(llrrrll
rrl [.inkrrnlnu'
rrlso con:rr]crsJ)o|uLrr
scrcrrccu
riring,
rhis rirnc lrL,nrtlrc
nrcrlrr:r'al l.criorl. Sh{r lintls cvirlcnce rlrut thcc k)LrJ\ \\
lri.lr
t'crtur e irrl
firLrlternrh-cr:nl Lrrvtnv:ti.al
rrcirrisc. Thc ( llrrur/o/ L.rntirtrtring, rrrc
not
vrlcl,vDrtlfltori.lL
(there rLr rcprrrscnrforgcting
lr.l
Lrnknouins)l.ut.iln
l-.e iLlcntifie(l\rirlr,liscu:sions
oicLoudsir
corr-tcmforilr\:
boolisol
sciencc, 5uclr rrs,\irlrrrhalrl
Iir.,hhr.rs ru).1()lr
ri,rPr)l)-crrr.'s ry'Things. SLrch finJirrgs remind us
thar 'tlre
blcrrJinq rrt scicrrriiicfii.l
litcruv
rn(\lcsfc.rrltlv
uJlrclte.l
hv (irLr|.1'lrirs l--crn qoing r,nli,r
llrr lon,tcflhrn
thcninetet'rtlr
ccrttrrv. Thc
fllricullr
l-L:rct ofcIrLr,ls inlitcr,rrt' tcrts,
rrn.lthcir
secrrinqlv
'xut(Jmittic'ltiso(ilti(rn
litlr
nteta-phor, givcsllrctr
,r:ptciill
strius.
!\lriclt,
ts
sce
ilr tltc
recL'nt '.\1'rkof
Rlch,rrJ
I Irrrrhlvrr'makc
chims
lLrr nrcrcLrrirIrgvrs,r
litcrlrv
ti)rm
r!
raualr lls n
icitltac'.
\lartin
\X.1rLIi:'s rss.rl con,irlcrsl.orh
gend.'r endnlti,rrrrl
rJcntitv
jnhL"
t..',rr
'Lt
F;rrrLr's "(lrrrmiLle".Irrl,rn.l,
ln.l
l)isea.ctl
\,'ision.
As with
(rthcr rssiiv! rD
thii
a.llLcalL!rn, hc ]1(rirts oLrtrhat
scialtccnr!rr
rctnilil)l
LLrr(lultcrirr:cd
lr'hru it cnlrrs
thc
pLrblic:1..Jrcrc.;ut.ithlt
l]Lrhlicrrn,lcr-INTR(-rl)l i( lTIr-rN
II
stlllrdings ol sc iancc, ir\ \\'ell
ili
n]isunJct itrlrldil)g,\. ltrc jus! lls lll Llch 1l [)ll toi
s.icrLi.'ls
rhe rhcortticlrl
iLrJ
txp,r'r'imcrrtalrlrrrk of
tlic
scicutisl'Willis
rrlgrres t hrrt in l-e Futrrr's gotlric trrLc'.liscl'c'
is5iturte.l in
thc ho.lyol
thc
()tbcr,
Lrr,in thr
l'o.lv
tlrlt
lcltesclrls
trrtcign-nt:s,
in
tlris
crr:e,thc
hish
an,-ltlrc lcrrrrlc.
LJsin{rncrli(:rl
tlrcLrrfiiour
thc
g..crioLl\(/illis
rclrJslllr.l
leststhc
stor-vilgilinsl
aornfclillg iLlcat,,t lt,,tr'.listltsc
$asclught
ilrr(l trirnsltritlcLl.Hc
IcrnirrJs Llsrhrlt saicltcl r){tttr
$'rrrks on theielcl
Lrlthc
irnlgiDrrtion. \\'hcr(',in
tllis
( llsc.lht
ILrhllaclltitt()l
lleltlltlll
sce
thr
cn('nrv ('rlrepertsitt'or
rhcJtlrt lrrolr'),
$hlalr cilrl
('nll
be \ecrll.t tlrt
Lr"e ()lthe
nri(ri)\r()|t
llnJ
liltrl;
itt
tltc
'c ot tstt rtctiott
o1i ltnlicrtr-sc,rpic
lrrrlJ"rr
prLrce..,rf nryth'rnrrking'.All
ot thc cssrrVs tn t hisc,rlltctioIr
lcslill
l o t lrc i.lerr thrrt $ c (rrrrlirr,l
ilr lroth
lrterart'irlrJ sciellliiia le\1\
a()nrlrr(rl grr)LlnJ, a(rmmon ptLrfosclurr..l
c,,|rrror
rern.-\ii/oIls$Lrrt]r
itr thc Lrl.cttittu tLrTjtI
ilr,Lrrl
Jccl.rre.ltlrlrt
lre
$LrLrl.ll-.'\'rttrrrg'()tr
Nllrtt.
olt
NlllLtr(',
arttl Lrrl IILrmlrrlLilc/
itlLr.ingin
',rlirLr.lc'.Ablurrr:
'rl',,
c1r,,.c thesc Lirrt: rritlr ulrielr
to
Lrlertlris crrricel l.o,rk
Narrrr,tl 5tr1r.'rrtrrlrrrrlisrn(1971).
SLrLclvthcsc
rrrc tlrcsrrhjcrt:,rl
hL'th litcr',rtLrrelrr.lscicltcc
lrnJ rlrc essrrt'tc,,titlrittcJ
ltcrciirtJ
!\1'nJcr
rn(i irre
in
rll tr\ts
ilcirlirr{
rrith
thcnr.
Wl
slroLrl.lrteitlicr
.lismiss rhc
litclrrrl
tr(rniLIrr'\cirrltifi(
r)(rrtlrr scicnlifi. lrrnr
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