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(1)



Medium Bossa (q=116)

Male Vocal

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



Tellme when    willyoube mine    9      Tellme quan   do   - quan  - do    quan  do -    We You  can mean share hap    a pi  -love ness  -di to vine, me, - - 17      Please Oh  don't my make love   me please   wait tell   a me  gain. when.  -1.   2.   

Whenwill you    sayyesto me?   Ev'ry- moments- a day,   27     Evry - day    seems   a life    time. -  Let me   35  showyou   theway.    tp a   joy   beyond- com pare,           

(2)

43      Tellme quan   - do,   quan  do,   - quan  do, -   

Just say it's   me   thatyourad - ore 51      andthen dar   ling   - tell   mewhen.

59 Tenor Solo 67 

Ev'ry- moments- a day,   75     Evry - day    seems   a life    time. -  Let me   83  showyou   theway.    tp a   joy   beyond- com pare,     Oo           I  can't wait    a mom    ent -

(3)

91

 more.

Quando, Quando, Quando

   Tell me  quan   do - quan     do   - quan  do, -      Say   it's me    thatyou   ad- ore,   99     And   then darl    ing   - tell   me      play 3 times    when    Oh   my dar    ling   - tell   me   107 rit. 

Oo Ad lib              Male Vocal 3

(4)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



   Flute  mf           9  2nd X only                   3   17              1.   2.   Flute  mp         27 

  mf  35                 43   mf             mp              

(5)

51



Quando, Quando, Quando

 mf             mf               59 Tenor Solo 67 

75 

  mf  83                        6 91  

 mf        99              play 3 times    All times   mp         107 rit.               Flute 2

(6)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



     9  2nd X only                    3    17              1.   2.   Flute  mp         27 

  mf  35                    43   mf            mp              

(7)

51



Quando, Quando, Quando

 mf              mf               59 Tenor Solo 67 

75 

  mf  83                              6 91  

 mf       99              play 3 times    All times   mp         107 rit.              Flute 2

(8)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 1.   2. 

27 

  Clarinet   mf  35                        43   mf          mp               51   mf             mf              

(9)

59 Tenor Solo 67



Quando, Quando, Quando

75 

  mf  83                                6 91  

 mf        99              play 3 times     mp 3rd tme only          107 rit.          Clarinet 2

(10)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



 sub-tone mp            9 17 1.   2. 

27 35 

43 51 

Solo  B^7       59 Tenor Solo   C#-7(sus)        F#7          B^7             D#-7   D-7   67   C#-7(sus)        F#7          B^7         B^7     G#-7   G+7  

(11)

75



Quando, Quando, Quando

Light fills under vox

F#-7        B7          E^7             B7   C7   83   G#-7    C#9     G#-7     C#9       F#-11       

 91 

Light fills behind vox

 E-11    A7     E-11     F#7      G#-7      C#7    G#-7     C#7     99    play 3 times   107 rit.   C#-11       

  2nd Tenor Sax 2

(12)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 1.   2. 

27 

  Clarinet  mf  35                 43   mf          mp               51   mf            mf            

(13)

59 Tenor Solo 67



Quando, Quando, Quando

75 

  mf  83                          6 91  

 mf        99              play 3 times     mp 3rd tme only          107 rit.        Clarinet 2

(14)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9  2nd X only                   3 17         1.   2.   Flugel  mp        27 

35    mp               43   mp                    3 

(15)

51



Quando, Quando, Quando

 mf               59 Tenor Solo 

p     67  p  

75   mp                      83    mp         91 99  

   play 3 times     mp 3rd tme only          107 rit.           1st Trumpet/Flugel 2

(16)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



With w.w  mp            9  2nd X only                  3 17         1.   2.    mp        27 35 

  mp                 43   mp                    3 

(17)

51



Quando, Quando, Quando

 mf              59 Tenor Solo 

p     67  p  

75   mp                      83    mp          91 99 

   play 3 times    3rd tme only  mp            107 rit.           2nd Trumpet/Flugel 2

(18)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9  2nd X only                   3 17         1.   2.   Flugel  mp        27 35 

43   mp                    3  51 

 mf              

(19)

59 Tenor Solo



Quando, Quando, Quando

p     67  p  

75   mp             83         

 91 99 

   play 3 times     mp 3rd tme only          107 rit.           3rd Trumpet/Flugel 2

(20)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9  2nd X only              17    3     1.   2.     Flugel   mp        27 35 

43   mp                    3  51 

 mf            

(21)

59 Tenor Solo



Quando, Quando, Quando

p     67  p  

75   mp             83         

 91 99 

   play 3 times     mp 3rd tme only          107 rit.         4th Trumpet/Flugel 2

(22)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 

2nd X only  p       1.   2.   

     27 

  mp  35               mp   43                 51       

(23)

59 Tenor Solo 

Quando, Quando, Quando

  p     67                75 

  mp  83            mf   91                   99            play 3 times    2nd + 3rd time only    All times  mp   107 rit.       1st Trombone 2

(24)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 

2nd X only  p      1.   2.   

    27 

  mp   35                mp  43                 51     

(25)

59 Tenor Solo 

Quando, Quando, Quando

  p     67                75 

  mp   83             mf   91                   99        play 3 times    2nd + 3rd time only     All times mp  107 rit.      2nd Trombone 2

(26)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 

2nd X only p     1.   2.   

    27 

  mp   35               mp   43                 51     

(27)

59 Tenor Solo 

Quando, Quando, Quando

  p     67                75 

  mp   83            mf   91                 99         play 3 times    2nd + 3rd time only     All times mp   107 rit.       3rd Trombone 2

(28)



Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



    9 17 

2nd X only  p   1.   2.   

   27 

  mp   35            mp 43              51     

(29)

59 Tenor Solo 67 

Quando, Quando, Quando

  p                  75 

  mp   83             mf   91                 99           play 3 times    2nd + 3rd time only   All times  mp   107 rit.       Bass Trombone 2

(30)



Medium Bossa (q=116)

(Nylon)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy

 As Written                                     9  

B-7(sus)Similar laid back groove (with vox)

       E7          A^7             C#-7   C7   17   B-7(sus)        E7         A^7     1.   2.          F#-7     A^7     F#-7   F+7   27   E-7        A7          D^7             A7   Bb7  

(31)

35



Quando, Quando, Quando

 F#-7    B9     F#-7     B9       E-11        E7    43   B-7(sus)        E7          A^7      B-7(sus)    C#-7     F#-7     51   B-7(sus)        E7          A^7              59 Tenor Solo   B-7(sus)        E7          A^7             C#-7   C7   67   B-7(sus)        E7          A^7             F#-7   F+7   Acoustic Guitar (Nylon) 2

(32)

75   E-7        A7          D^7             A7   Bb7   83   F#-7    B9     F#-7     B9       E-11        E7     91   D-11    G7     D-11     E7      F#-7      B7    F#-7     B7     99   B-11        E7(add13)      play 3 times    A^9         E7sus         107 rit.   A^9        E7sus      p A^9   (Nylon)

(33)



Piano

Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy



   Solo              9  

Very light fills behind vox

B-7(sus)        E7          A^7             C#-7   C7   17   B-7(sus)        E7         A^7     1.   2.          F#-7     A^7    F#-7  F+7  27   E-7        A7          D^7             A7   Bb7   35   F#-7    B9     F#-7     B9       E-11        E7   

(34)

43   B-7(sus)        E7          A^7      B-7(sus)    C#-7     F#-7     51   B-7(sus)        E7          A^7              59 Tenor Solo   B-7(sus)        E7          A^7             C#-7   C7   67   B-7(sus)        E7          A^7             F#-7   F+7  

(35)

75



Quando, Quando, Quando

 E-7        A7          D^7             A7   Bb7   83   F#-7    B9     F#-7     B9       E-11        E7     91   D-11    G7     D-11     E7      F#-7      B7    F#-7     B7     99   B-11        E7(add13)      play 3 times     A^9        E7sus         107 rit.   A^9        E7sus      A^9   Piano 3

(36)

Medium Bossa (q=116)

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy

                             9                             17                    1.   2.                    27                               

(37)

35



Quando, Quando, Quando

                            43                                   51                               59 Tenor Solo                             67                                  Double Bass 2

(38)

75                                83                          91                                   99               play 3 times                    107 rit.               p

(39)



Medium Bossa (q=116)

Drums

Based on recording by Michael Bublé....

Quando, Quando, Quando

Tony Renis

Transcribed and arranged by Matt Amy

         (2)         (4)          (6)             9  Steady bossa      (2)         (4)          (6)         (8)   17       (2)         (4)       1.   2.    (6)         (8)         (8)   27        (2)         (4)          (6)         (8)  

(40)

35        (2)         (4)          (6)        (8)   43        (2)         (4)          (6)         (8)   51        (2)         (4)          (6)       (8)  59 Tenor Solo        (2)         (4)          (6)         (8)   67        (2)         (4)          (6)         (8)  

(41)

75

Quando, Quando, Quando

      (2)         (4)          (6)         (8)   83        (2)         (4)          (6)        (8)   91       (2)         (4)          (6)         (8)   99        (2)         (4)      play 3 times          (2)         (4)   107 rit.        (2)         (4)    Drums 3

(42)

                  Medium Bossa (q=116)

Quando, Quando, Quando

Transcribed and arranged by Matt Amy

Male Vocal Flute Flute Clarinet 2nd Tenor Sax Clarinet 1st Trumpet/Flugel 2nd Trumpet/Flugel 3rd Trumpet/Flugel 4th Trumpet/Flugel 1st Trombone 2nd Trombone 3rd Trombone Bass Trombone Acoustic Guitar (Nylon) Piano Double Bass Drums                Tellme when    willyoube mine       Flute  mf                            sub-tone mp                                           With w.w  mp                                                                  As Written                                       Solo                                               (2)        (4)         (6)         

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                                  9 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass             Tellme quan   do   - quan  - do   quan  do -    We You  can mean share hap    a pi  -love ness  -di to vine, me, - -  2nd X only                  3     2nd X only                  3                             2nd X only                  3  2nd X only                 3  2nd X only                   3     2nd X only                   3            2nd X only  p           2nd X only  p          2nd X only  p           2nd X only p    B-7(sus) 

Similar laid back groove (with vox)

       E7         A^7             C#-7   C7    B-7(sus) 

Very light fills behind vox

       E7         A^7             C#-7   C7                               Steady bossa      (2)         (4)         (6)         (8)   2

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17 1.                                  2. Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.             Please Oh  don't my make love   me please   wait tell   a me  gain. when.  - 

Whenwill you

   sayyesto me?Ev'ry- moments- a day,                 Flute mp                      Flute   mp                                                  Flugel   mp                  mp                Flugel   mp                Flugel   mp                                                      B-7(sus)         E7         A^7             F#-7     A^7     F#-7   F+7    B-7(sus)         E7         A^7             F#-7     A^7     F#-7   F+7                                                 (2)         (4)         (6)         (8)         (8)  

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27 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass            Evry - day    seems   a life    time.- - - -  Let me show    you   the            mf            mf           Clarinet   mf                   Clarinet  mf                                                mp            mp             mp             mp    E-7         A7         D^7             A7   Bb7    E-7         A7         D^7             A7   Bb7                                       (2)         (4)         (6)         (8)   4

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35 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.         way.    tp a   joy   beyond- com- pare,      Ican't wait    amoment -  more,                                                                                   mp                  mp                                                 mp                 mp                mp        mp   F#-7     B9     F#-7     B9      E-11        E7     F#-7     B9     F#-7     B9      E-11        E7                                           (2)         (4)         (6)        (8)  

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43 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass             Tellme quan   - do,   quan  do,   - quan  do, -   

Just say  it's me

  thatyourad - ore   mf             mp                mf            mp                mf           mp                          mf           mp                 mp                   3   mp                   3   mp                   3   mp                   3                                                               B-7(sus)         E7         A^7      B-7(sus)    C#-7     F#-7      B-7(sus)         E7         A^7      B-7(sus)    C#-7     F#-7                                               (2)         (4)         (6)         (8)   6

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51 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.             andthen dar   ling   - tell   mewhen.       mf           mf                 mf             mf                 mf        mf                      Solo  B^7         mf            mf                      mf                     mf                      mf                     mf                                                 B-7(sus)         E7         A^7               B-7(sus)         E7         A^7                                                 (2)         (4)         (6)       (8) 

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59 Tenor Solo 67 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass                        Ev'ry- moments- a day,                                                       C#-7(sus)       F#7         B^7             D#-7   D-7    C#-7(sus)        F#7         B^7         B^7     G#-7   G+7                         p     p               p     p               p     p               p     p                    p                              p                            p                           p                 B-7(sus)         E7         A^7             C#-7   C7   B-7(sus)         E7         A^7             F#-7   F+7    B-7(sus)         E7         A^7             C#-7   C7   B-7(sus)         E7         A^7             F#-7   F+7                                                               (2)        (4)         (6)         (8)        (2)        (4)         (6)         (8)   8

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75 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.            Evry - day    seems   a life    time.- - - - -  Let me show    you   the            mf            mf            mf   F#-7 

Light fills under vox

       B7         E^7             B7   C7             mf    mp                       mp                       mp                       mp                               mp            mp             mp             mp    E-7         A7         D^7             A7   Bb7    E-7         A7         D^7             A7   Bb7                                       (2)         (4)         (6)         (8)  

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83 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass         way.    tp a   joy   beyond- com- pare,    Oo           I  can't wait    a mom    ent -                     6                             6                               6  G#-7     C#9     G#-7     C#9      F#-11                                   6    mp                mp                                             mf               mf              mf          mf    F#-7     B9     F#-7     B9      E-11        E7      F#-7     B9     F#-7     B9      E-11        E7                                        (2)         (4)         (6)        (8)   10

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91 Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.         more.    Tell me  quan   do - quan     do   - quan  do, -      Say   it's me    thatyou   ad- ore,          mf              mf              mf         E-11 

Light fills behind vox

   A7     E-11     F#7     G#-7      C#7    G#-7     C#7            mf                                                                                                                                 D-11     G7     D-11     E7     F#-7      B7    F#-7     B7      D-11     G7     D-11     E7     F#-7      B7    F#-7     B7                                              (2)         (4)         (6)         (8)  

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99                                   play 3 times                                   Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass            And   then darl    ing   - tell   me   when    Oh   my dar    ling   - tell   me            All times  mp                 All times   mp                  mp 3rd tme only           C#-11                        mp 3rd tme only                mp 3rd tme only                mp 3rd tme only                mp 3rd tme only                mp 3rd tme only                   2nd + 3rd time only    All times  mp         2nd + 3rd time only     All times mp      2nd + 3rd time only     All times mp        2nd + 3rd time only     All times mp     B-11         E7(add13)   A^9         E7sus          B-11         E7(add13)   A^9         E7sus                                           (2)         (4)        (2)         (4)   12

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107 rit. rit. Voice A. Sax. A. Sax. T. Sax. T. Sax. B. Sax. Tpt. Tpt. Tpt. Tpt. Tbn. Tbn. Tbn. B. Tbn. A. Gtr. Pno. A. Bass Dr.           Oo Ad lib                mp         p      mp         p     mp       p            mp       p     mp       p      mp       p      mp       p      mp       p        p       p        p      p   A^9         E7sus      p A^9    A^9         E7sus      p A^9              p        (2)         (4)   

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