• No results found

Essential Vocabulary Task Analysis (Unpacking Simplified)

N/A
N/A
Protected

Academic year: 2020

Share "Essential Vocabulary Task Analysis (Unpacking Simplified)"

Copied!
5
0
0

Loading.... (view fulltext now)

Full text

(1)

ESSENTIAL STANDARDS: http://www.ncpublicschools.org/acre/standards/extended/

UNPACKING STANDARDS: http://www.ncpublicschools.org/acre/standards/support-tools/

Visual Arts-5

th

grade- Standard- 5. V. 1

Essential Standard: Use the language of visual arts to communicate effectively.

RBT Tag:

B-3

Time

(No. of Days)

Clarifying

Objectives

Essential Vocabulary

Task Analysis

(Unpacking

Simplified)

Learning

Activities/Assessments

Resources

5.V.1.1

Use appropriate art vocabulary to describe art movements.

Use, say, tell, show, explain, Elements of Art: Color- Primary,

Secondary, Warm,

Cool, Neutral, Complementary, Tertia ry, Intermediate, Hue, Value- Monochromatic, Tint, Shade, Line-Thick, Thin, Dotted, Dashed, Zig-Zag, Jagged, Curved, Straight, Horizontal, Vertical, Diagonal, Parallel, Shape and Form- Geometric, 2-D,

3-D, Organic, Texture- See, Feel, tactile, visual, invented, Space- Overlapping, Foreground, Middle ground, Background, Perspective, vanishing point, distance, horizon line, Positive space, Negative space,

Principles of Design: Pattern, Repetition, Balance, Symmetrical, Radial, Asymmetrical, Contrast, Focal Point, Emphasis, Rhythm,

Variety, Unity, Proportion, size, measurements, styles, Subject, Portrait, Landscape, Cityscape, Seascape, Still life, Abstract, Realistic, movements, periods, projects.

What does this standard mean that a student will know and be able to do?” (TLWBAT…)

TLWBAT:

• Explore and discuss art

vocabulary.

• Identify art vocabulary in art work.

• Use

appropriate art vocabulary to describe art movements.

Use/Label CIF Strategies

 Class talk (CIF) about art movements and vocabulary.  Questioning (CIF)

to identify

vocabulary in an art work and about criteria of art movements.  Composition

checklist to help student determine art movement.  Writing to learn

(CIF) to identify art movement of a work of art by using appropriate vocabulary.

http://www.artchive.

com/ftp_site.htm

http://www.artcyclop

edia.com/

(2)

5.V.1.2 Create art that reflects personal voice and choice.

Apply, build, create, use, select, personal, self, choices, decisions,

TLWBAT:

• Explore art examples,

vocabulary and techniques.

• Discuss

how personal ideas are expressed in a work of art.

• Understand

that artists use their art to express personal ideas. • Create art that reflects personal voice and choice.

 Classroom talk (CIF) about art examples, vocabulary and techniques.  Questioning about

how artist reflect their ideas in works of art.

 Brainstorm personal pet peeve ideas to choose from to create a drawing.  Cartooning;

painting/drawing about an

environmental/ political issue; Constitutional rights inspired art; Norman Rockwell inspired scenes from their personal life.

http://www.archives.

gov/exhibits/charters

/constitution.html/

http://www.nrm.org/

(3)

ESSENTIAL STANDARDS: http://www.ncpublicschools.org/acre/standards/extended/

UNPACKING STANDARDS: http://www.ncpublicschools.org/acre/standards/support-tools/

5.V.1.3

Classify works of art in terms of whether they are realistic, abstract, or non-objective.

Classify, sort, list, match, interpret, distinguish, choose, differentiate, summarize, meaning, purpose, idea, realistic, abstract, dreamlike, different, out of ordinary, non-objective.

TLWBAT:

• Explore art examples and vocabulary.

• Identify

works of art in terms of realistic, abstract or non-objective.

• Classify

works of art in terms of whether they are realistic, abstract, or non-objective.

 Classroom talk & questioning (CIF) about realistic, abstract and non-objective art.  Game to classify art

works.

 Graphic organizer  Writing to learn

(CIF)- discuss the content of an artwork to decide how to classify an artwork.

http://www.artcyclop

edia.com/

http://www.artlex.co

m/

(4)

5.V.1.4

Understand the relationship between the Elements of Art and the Principles of Design.

Understand, say, tell, show, explain, Elements of Art: Color- Primary, Secondary, Warm, Cool, Neutral, Complementary, Tertiary, Intermediate, Hue, Value- Monochromatic, Tint, Shade, Line-Thick, Thin, Dotted, Dashed, Zig-Zag, Jagged, Curved, Straight, Horizontal, Vertical, Diagonal, Parallel, Shape and Form- Geometric, 2-D,

3-D, Organic, Texture- See, Feel, tactile, visual, invented, Space- Overlapping, Foreground, Middle ground, Background, Perspective, vanishing point, distance, horizon line, Positive space, Negative space, Principles of Design: Pattern, Repetition,

Balance, Symmetrical, Asymmetrical, Contrast, Focal Point, Emphasis, Rhythm, Variety, Unity, Proportion, size, compare, similar, different, work together.

TLWBAT:

• Explore art examples and vocabulary.

• Examine

and discuss the Elements of Art and Principles of Design in works of art. • Understand the relationship between the Elements of Art and the Principles of Design.

 Classtalk (CIF) art examples and vocabulary.  Questioning (CIF)

about vocabulary in works of art.  Collaborative group

work (CIF)- Compostional checklist for a work of art and then have them discuss how the Elements of Art and Principles of design.

http://www.awesome

artists.com/ART/Aw

esomeAwesomeAB

CsOfArt.htm

http://www.artsconn

ected.org/toolkit/ind

ex.html

(5)

ESSENTIAL STANDARDS: http://www.ncpublicschools.org/acre/standards/extended/

UNPACKING STANDARDS: http://www.ncpublicschools.org/acre/standards/support-tools/

5.V.1.5 Apply the Principles of Design in creating compositions.

Apply, use, create, carry out, implement, design, build,

Principles of Design: Pattern, Repetition, Balance, S ymmetrical,

Asymmetrical, Contrast, Focal Point, Emphasis, Rhythm, Variety, Unity, Proportion, size, compare, similar, different, work together,

composition, project, work of art.

TLWBAT:

• Explore art examples and vocabulary. • Examine and discuss

the Principles of Design, including repetition, movement, emphasis, contrast, balance proportion, harmony, variety, and unity in art examples. • Understand how the

Principles of Design work in relation to each other.

• Apply the Principles of Design in creating compositions.

• Classroom talk (CIF) about Principles of Design within compositions. • Questioning

(CIF) about how artists applied the Principles of Design within a work of art and how they are related. • Create Optical

illusion linear designs focusing on Rhythm, repetition, Emphasis and Unity.

• Create a

sculpture with emphasis, contrast, proportion and unity.

• Create a

collage with emphasis, variety and unity.

http://www.mrsb

rownart.com/ind

ex.htm

http://www.awes

omeartists.com

References

Related documents

Patients will be randomized to one of the treatment groups in a 1:1 ratio, with the following stratification factors: (1) research site, (2) pancreatic tex- ture: soft

with, for example, three systems being used by different research groups for race denomination; the adoption of two sets of host genotypes and a concise designation system

Forward-looking statements are subject to a variety of known and unknown risks, uncertainties and other factors which could cause actual events or results to differ from

N2O emissions were lower in sites with lower soil C content, even after a wetting event increased water availability; and (3) nitrogen availability —once water was available, soil

c. Supervised by a pharma- cist, therefore, no one should worry about patient safety d. Completely lacking in responsibility or accountabili- ty to the tasks performed 9. Regulation

Politecnico di Milano, 7-06-2010 Computation 23 Sequential Components Navigator Service Components Path Planner Collision Checker Configuration Space Cartesian Space Map

Based on the data, the released rate of chloramphenicol hydrogel ophthalmic preparations, it can be concluded that the F4 has a longer retention time versus F1, F2, and F3..

In other words, it may be the case that participants perceived the targets to be at the same distance in both tool conditions but, for reasons related to cognition as opposed